Autoreiji: Biyondo (2012)
| Theatrical Performance | ||
| Domestic Box Office | $3,878 | Details |
| International Box Office | $15,229,555 | Details |
| Worldwide Box Office | $15,233,433 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $178,293 | |
| Blu-ray Sales (estimated) | $191,086 | |
| Total | $369,379 | |
| OpusData ID: 197890100 More info... | ||
| Further financial details... | ||
Synopsis
The Sanno crime family has grown into a massive organization dominated by young executives whose new approach to running the family is causing frustration and pent-up resentment with the old-guard members. This vulnerability in the Sanno hierarchy is exactly what anti-gang detective Kataoka has been looking for, as the police force prepares a full-scale crackdown. Kataoka wants start a war between Sanno and the neighboring Hanabishi crime family in the hopes that they destroy each other. His trump card is Otomo – the rumored-dead boss of a defunct family that was destroyed by the Sanno, who has just been released from prison. Otomo wants to retire from a life of crime, but finds himself drawn back in through Kataoka’s manipulations as the Sanno and Hanabishi clans teeter on the brink of an all-out war.
Metrics
| Legs: | 10.62 (domestic box office/biggest weekend) |
| Domestic Share: | 0.0% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $5,681 |
Movie Details
| Domestic Releases: | January 3rd, 2014 (Limited) by Magnolia Pictures, released as Beyond Outrage |
| International Releases: | October 6th, 2012 (Wide) (Japan)
March 14th, 2013 (Wide) (Singapore) |
| Video Release: | March 11th, 2014 by Magnolia Home Entertainment |
| MPA Rating: | R |
| Running Time: | 112 minutes |
| Franchise: | Outrage |
| Cast, crew, or production detail: | Directing Yourself, Screenplay Written By the Star, Voiceover/Narration |
| Plot point: | Corrupt Cops, Government Corruption, Undercover, Yakuza |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | Organized Crime |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Bandai Visual, TV Tokyo, Omnibus Japan, Warner Brothers Pictures Japan, Office Kitano |
| Production Countries: | Japan |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 10, 2014 | 72 | $365 | 1 | $365 | $3,641 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 3, 2014 | 60 | $3,276 | 1 | $3,276 | $3,276 | 1 | |
| Jan 10, 2014 | 67 | $602 | -82% | 1 | $602 | $3,878 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Japan | 10/6/2012 | $0 | 0 | 225 | 225 | $15,221,940 | 12/12/2015 | |||
| Singapore | 3/14/2013 | $5,048 | 2 | 2 | 3 | $7,615 | 12/14/2015 | |||
| International Total | $15,229,555 | 12/14/2015 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Beat Takeshi* | Otomo |
Supporting
| Toshiyuki Nishida | Nishino | |
| Tomokazu Miura | Kato | |
| Ryo Kase | Ishihara | |
| Hideo Nakano | Kimura | |
| Yutaka Matsushige | Detective Shigeta | |
| Fumiyo Kohinata | Detective Kataoka | |
| Katsunori Takahashi | Jo | |
| Kenta Kiritani | Ono | |
| Hirofumi Arai | Shima | |
| Sansei Shiomi | Nakata | |
| Akira Nakao | Tomita | |
| Shigeru Koyama | Fuse | |
| Tetsushi Tanaka | Funaki |
Production and Technical Credits
| Takeshi Kitano | Director | |
| Takeshi Kitano | Screenwriter | |
| Masayuki Mori | Producer | |
| Takio Yoshida | Producer | |
| Kazumi Kawashiro | Associate Producer | |
| Atsunobu Matsumoto | Associate Producer | |
| Ryoji Onishi | Associate Producer | |
| Shinji Komiya | Line Producer | |
| Makoto Kakurai | Line Producer | |
| Takefumi Yoshikawa | Casting Director | |
| Yuya Satoyoshi | Production Manager | |
| Kenji Shibasaki | Supervising Sound Editor | |
| Kumiko Yoshida | Script Supervisor | |
| Michiyo Miyauchi | Make up | |
| Hirohide Shibata | Set Decorator | |
| Kazuko Kurosawa | Costume Designer | |
| Yohji Yamamoto | Costume Designer | |
| Yoshinori Ota | Editor | |
| Hirofumi Inaba | Assistant Director | |
| Yoshifumi Kureishi | Sound Designer | |
| Norihiro Isoda | Production Designer | |
| Hitoshi Takaya | Lighting Design | |
| Katsumi Yanagijima | Cinematographer | |
| Keiichi Suzuki | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The Sanno crime family has grown into a massive organization dominated by young executives whose new approach to running the family is causing frustration and pent-up resentment with the old-guard members. This vulnerability in the Sanno hierarchy is exactly what anti-gang detective Kataoka has been looking for, as the police force prepares a full-scale crackdown. Kataoka wants start a war between Sanno and the neighboring Hanabishi crime family in the hopes that they destroy each other. His trump card is Otomo – the rumored-dead boss of a defunct family that was destroyed by the Sanno, who has just been released from prison. Otomo wants to retire from a life of crime, but finds himself drawn back in through Kataoka’s manipulations as the Sanno and Hanabishi clans teeter on the brink of an all-out war.
Metrics
| Legs: | 10.62 (domestic box office/biggest weekend) |
| Domestic Share: | 0.0% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $5,681 |
Movie Details
| Domestic Releases: | January 3rd, 2014 (Limited) by Magnolia Pictures, released as Beyond Outrage |
| International Releases: | October 6th, 2012 (Wide) (Japan)
March 14th, 2013 (Wide) (Singapore) |
| Video Release: | March 11th, 2014 by Magnolia Home Entertainment |
| MPA Rating: | R |
| Running Time: | 112 minutes |
| Franchise: | Outrage |
| Cast, crew, or production detail: | Directing Yourself, Screenplay Written By the Star, Voiceover/Narration |
| Plot point: | Corrupt Cops, Government Corruption, Undercover, Yakuza |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | Organized Crime |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Bandai Visual, TV Tokyo, Omnibus Japan, Warner Brothers Pictures Japan, Office Kitano |
| Production Countries: | Japan |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 10, 2014 | 72 | $365 | 1 | $365 | $3,641 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 3, 2014 | 60 | $3,276 | 1 | $3,276 | $3,276 | 1 | |
| Jan 10, 2014 | 67 | $602 | -82% | 1 | $602 | $3,878 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Japan | 10/6/2012 | $0 | 0 | 225 | 225 | $15,221,940 | 12/12/2015 | |||
| Singapore | 3/14/2013 | $5,048 | 2 | 2 | 3 | $7,615 | 12/14/2015 | |||
| International Total | $15,229,555 | 12/14/2015 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Beat Takeshi* | Otomo |
Supporting
| Toshiyuki Nishida | Nishino | |
| Tomokazu Miura | Kato | |
| Ryo Kase | Ishihara | |
| Hideo Nakano | Kimura | |
| Yutaka Matsushige | Detective Shigeta | |
| Fumiyo Kohinata | Detective Kataoka | |
| Katsunori Takahashi | Jo | |
| Kenta Kiritani | Ono | |
| Hirofumi Arai | Shima | |
| Sansei Shiomi | Nakata | |
| Akira Nakao | Tomita | |
| Shigeru Koyama | Fuse | |
| Tetsushi Tanaka | Funaki |
Production and Technical Credits
| Takeshi Kitano | Director | |
| Takeshi Kitano | Screenwriter | |
| Masayuki Mori | Producer | |
| Takio Yoshida | Producer | |
| Kazumi Kawashiro | Associate Producer | |
| Atsunobu Matsumoto | Associate Producer | |
| Ryoji Onishi | Associate Producer | |
| Shinji Komiya | Line Producer | |
| Makoto Kakurai | Line Producer | |
| Takefumi Yoshikawa | Casting Director | |
| Yuya Satoyoshi | Production Manager | |
| Kenji Shibasaki | Supervising Sound Editor | |
| Kumiko Yoshida | Script Supervisor | |
| Michiyo Miyauchi | Make up | |
| Hirohide Shibata | Set Decorator | |
| Kazuko Kurosawa | Costume Designer | |
| Yohji Yamamoto | Costume Designer | |
| Yoshinori Ota | Editor | |
| Hirofumi Inaba | Assistant Director | |
| Yoshifumi Kureishi | Sound Designer | |
| Norihiro Isoda | Production Designer | |
| Hitoshi Takaya | Lighting Design | |
| Katsumi Yanagijima | Cinematographer | |
| Keiichi Suzuki | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.