Back to the Fatherland (2018)
-(2019).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $2,697 | Details |
| OpusData ID: 408740100 More info... | ||
| Further financial details... | ||
Synopsis
Gil and Kat, both filmmakers, struck up a friendship during their time at college in New York City ten years ago. Gil comes from Israel, Kat from Austria. Their families’ history is strikingly different. Gil is the granddaughter of a Holocaust survivor, Kat is one of a Nazi officer. The exodus of many young secular Israelis to Germany and Austria prompt Gil and Kat to embark on a journey: to find other grandchildren of Holocaust survivors who had moved to Germany and Austria and learn how their grandparents reacted to that decision. Could returning to the site of their pain decades ago create reconciliation between generations?
Metrics
| Opening Weekend: | $1,312 (48.6% of total gross) |
| Legs: | 2.06 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/1 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,516 |
Movie Details
| Domestic Releases: | June 14th, 2019 (Limited) by First Run Features |
| International Releases: | November 8th, 2018 (Wide) (Germany) |
| MPA Rating: | Not Rated |
| Running Time: | 77 minutes |
| Geographical setting: | Austria, Germany, New York City |
| Plot point: | Jewish |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | GreenKat Productions |
| Production Countries: | Austria |
| Languages: | German, English, Hebrew |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 14, 2019 | 71 | $1,312 | 1 | $1,312 | $1,312 | 1 | |
| Jun 28, 2019 | 80 | $577 | 1 | $577 | $2,697 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 14, 2019 | - | $1,312 | 1 | $1,312 | $1,312 | 1 |
Documentary Subject
| Lea Ron Peled | Himself | |
| Gidi Peled | Himself | |
| Dan Peled | Himself | |
| Uri Ben Rehav | Himself | |
| Guy Shahar | Himself | |
| Katharina Maschek | Herself | |
| Kat Rohrer | Herself | |
| Gil Levanon | Himself | |
| Yochanan Tenzer | Himself | |
| Ayelet Triest | Herself |
Production and Technical Credits
| Kat Rohrer | Director | |
| Kat Rohrer | Producer | |
| Anneliese Rohrer | Screenwriter | |
| Gil Levanon | Co-Director | |
| Gil Levanon | Co-Producer | |
| Janine Michtner | Line Producer | |
| Susan Korda | Screenwriter | |
| Matthias Kress | Co-Producer | |
| Tom Marschall | Director of Photography | |
| Georg Eggenfellner | Editor | |
| Dor Harel | Assistant Editor | |
| Andreas Pils | Sound Mixer | |
| Andreas Pils | Sound Editor | |
| Tao Zervas | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Gil and Kat, both filmmakers, struck up a friendship during their time at college in New York City ten years ago. Gil comes from Israel, Kat from Austria. Their families’ history is strikingly different. Gil is the granddaughter of a Holocaust survivor, Kat is one of a Nazi officer. The exodus of many young secular Israelis to Germany and Austria prompt Gil and Kat to embark on a journey: to find other grandchildren of Holocaust survivors who had moved to Germany and Austria and learn how their grandparents reacted to that decision. Could returning to the site of their pain decades ago create reconciliation between generations?
Metrics
| Opening Weekend: | $1,312 (48.6% of total gross) |
| Legs: | 2.06 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/1 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,516 |
Movie Details
| Domestic Releases: | June 14th, 2019 (Limited) by First Run Features |
| International Releases: | November 8th, 2018 (Wide) (Germany) |
| MPA Rating: | Not Rated |
| Running Time: | 77 minutes |
| Geographical setting: | Austria, Germany, New York City |
| Plot point: | Jewish |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | GreenKat Productions |
| Production Countries: | Austria |
| Languages: | German, English, Hebrew |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 14, 2019 | 71 | $1,312 | 1 | $1,312 | $1,312 | 1 | |
| Jun 28, 2019 | 80 | $577 | 1 | $577 | $2,697 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 14, 2019 | - | $1,312 | 1 | $1,312 | $1,312 | 1 |
Documentary Subject
| Lea Ron Peled | Himself | |
| Gidi Peled | Himself | |
| Dan Peled | Himself | |
| Uri Ben Rehav | Himself | |
| Guy Shahar | Himself | |
| Katharina Maschek | Herself | |
| Kat Rohrer | Herself | |
| Gil Levanon | Himself | |
| Yochanan Tenzer | Himself | |
| Ayelet Triest | Herself |
Production and Technical Credits
| Kat Rohrer | Director | |
| Kat Rohrer | Producer | |
| Anneliese Rohrer | Screenwriter | |
| Gil Levanon | Co-Director | |
| Gil Levanon | Co-Producer | |
| Janine Michtner | Line Producer | |
| Susan Korda | Screenwriter | |
| Matthias Kress | Co-Producer | |
| Tom Marschall | Director of Photography | |
| Georg Eggenfellner | Editor | |
| Dor Harel | Assistant Editor | |
| Andreas Pils | Sound Mixer | |
| Andreas Pils | Sound Editor | |
| Tao Zervas | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.