The Bad Batch (2017)
| Theatrical Performance | ||
| Domestic Box Office | $180,851 | Details |
| International Box Office | $1,375 | Details |
| Worldwide Box Office | $182,226 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $87,834 | |
| Blu-ray Sales (estimated) | $85,871 | |
| Total | $173,705 | |
| OpusData ID: 221690100 More info... | ||
| Further financial details... | ||
Synopsis
The film follows Arlen after she’s left in a Texas wasteland fenced off from civilization. While trying to navigate the unforgiving landscape, Arlen is captured by a savage band of cannibals led by the mysterious Miami Man. With her life on the line, she makes her way to The Dream. As she adjusts to life in ‘the bad batch’ Arlen discovers that being good or bad mostly depends on who’s standing next to you.
Metrics
| Opening Weekend: | $89,111 (49.3% of total gross) |
| Legs: | 2.03 (domestic box office/biggest weekend) |
| Domestic Share: | 99.2% (domestic box office/worldwide) |
| Theater counts: | 30 opening theaters/46 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $241,138 |
Movie Details
| Domestic Releases: | June 23rd, 2017 (Limited) by Neon |
| International Releases: | September 15th, 2017 (Wide), released as Terra Sem Lei (Portugal) |
| Video Release: | September 19th, 2017 by Virgil Films and Entertainment |
| MPA Rating: | R for violence, language, some drug content and brief nudity. (Rating bulletin 2428 (Cert #50436), 6/8/2016) |
| Running Time: | 118 minutes |
| Geographical setting: | Texas |
| Plot point: | Cannibalism, Exile, Kidnap, Narcotics, Romance |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | Dystopia, Post Apocalypse |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Annapurna Pictures, VICE, Human Stew Factory |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 23, 2017 | 31 | $89,111 | 30 | $2,970 | $89,111 | 1 | |
| Jun 30, 2017 | 42 | $25,344 | -72% | 46 | $551 | $144,418 | 2 |
| Jul 7, 2017 | 57 | $9,534 | -62% | 25 | $381 | $169,743 | 3 |
| Jul 14, 2017 | 77 | $1,572 | -84% | 5 | $314 | $177,679 | 4 |
| Jul 21, 2017 | 78 | $1,525 | -3% | 3 | $508 | $180,851 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jun 23, 2017 | - | $43,457 | 30 | $1,449 | $43,457 | 1 | ||
| Jun 24, 2017 | - | $28,181 | -35% | 30 | $939 | $71,638 | 2 | |
| Jun 25, 2017 | - | $17,473 | -38% | 30 | $582 | $89,111 | 3 | |
| Jun 26, 2017 | - | $7,823 | -55% | 30 | $261 | $96,934 | 4 | |
| Jun 27, 2017 | - | $8,605 | +10% | 30 | $287 | $105,539 | 5 | |
| Jun 28, 2017 | - | $7,487 | -13% | 30 | $250 | $113,026 | 6 | |
| Jun 29, 2017 | - | $6,048 | -19% | 30 | $202 | $119,074 | 7 | |
| Jun 30, 2017 | - | $9,746 | +61% | -78% | 46 | $212 | $128,820 | 8 |
| Jul 1, 2017 | - | $8,576 | -12% | -70% | 46 | $186 | $137,396 | 9 |
| Jul 2, 2017 | - | $7,022 | -18% | -60% | 46 | $153 | $144,418 | 10 |
| Jul 3, 2017 | - | $5,666 | -19% | -28% | 46 | $123 | $150,084 | 11 |
| Jul 4, 2017 | - | $3,626 | -36% | -58% | 46 | $79 | $153,710 | 12 |
| Jul 5, 2017 | - | $3,735 | +3% | -50% | 46 | $81 | $157,445 | 13 |
| Jul 6, 2017 | - | $2,764 | -26% | -54% | 46 | $60 | $160,209 | 14 |
| Jul 7, 2017 | - | $3,000 | +9% | -69% | 25 | $120 | $163,209 | 15 |
| Jul 8, 2017 | - | $3,960 | +32% | -54% | 25 | $158 | $167,169 | 16 |
| Jul 9, 2017 | - | $2,574 | -35% | -63% | 25 | $103 | $169,743 | 17 |
| Jul 10, 2017 | - | $1,133 | -56% | -80% | 25 | $45 | $170,876 | 18 |
| Jul 11, 2017 | - | $1,450 | +28% | -60% | 25 | $58 | $172,326 | 19 |
| Jul 12, 2017 | - | $2,044 | +41% | -45% | 25 | $82 | $174,370 | 20 |
| Jul 13, 2017 | - | $1,737 | -15% | -37% | 25 | $69 | $176,107 | 21 |
| Jul 14, 2017 | - | $552 | -68% | -82% | 5 | $110 | $176,659 | 22 |
| Jul 15, 2017 | - | $538 | -3% | -86% | 5 | $108 | $177,197 | 23 |
| Jul 16, 2017 | - | $482 | -10% | -81% | 5 | $96 | $177,679 | 24 |
| Jul 21, 2017 | - | $550 | n/c | 3 | $183 | $179,876 | 29 | |
| Jul 22, 2017 | - | $697 | +27% | +30% | 3 | $232 | $180,573 | 30 |
| Jul 23, 2017 | - | $278 | -60% | -42% | 3 | $93 | $180,851 | 31 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 23, 2017 | 33 | $119,074 | 30 | $3,969 | $119,074 | 1 | |
| Jun 30, 2017 | 43 | $41,135 | -65% | 46 | $894 | $160,209 | 2 |
| Jul 7, 2017 | 54 | $15,898 | -61% | 25 | $636 | $176,107 | 3 |
| Jul 14, 2017 | 80 | $3,219 | -80% | 5 | $644 | $179,326 | 4 |
| Jul 21, 2017 | 84 | $1,525 | -53% | 3 | $508 | $180,851 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Portugal | 9/15/2017 | $792 | 5 | 5 | 10 | $1,375 | 9/26/2017 | |||
| International Total | $1,375 | 9/26/2017 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Suki Waterhouse | Arlen | |
| Keanu Reeves | The Dream | |
| Jason Momoa | Miami Man |
Supporting
| Giovanni Ribisi | The Screamer | |
| Jim Carrey | The Hermit | |
| Yolonda Ross | Maria | |
| Jayda Fink | Honey | |
| Diego Luna | Jimmy | |
| Aye Hasegawa | Mousey | |
| Louie Lopez | Chewy |
Production and Technical Credits
| Ana Lily Amirpour | Director | |
| Ana Lily Amirpour | Screenwriter | |
| Danny Gabai | Producer | |
| Sina Sayyah | Executive Producer | |
| Shane Smith | Executive Producer | |
| Eddy Moretti | Executive Producer | |
| Megan Ellison | Executive Producer | |
| Samantha Scher | Co-Producer | |
| Jillian Longnecker | Co-Producer | |
| Sheri Davani | Co-Producer | |
| Tony Gardner | Co-Producer | |
| Lyle Vincent | Director of Photography | |
| Brandon Tonner-Connolly | Production Designer | |
| Alex O'Flinn | Editor | |
| Andrea von Foerster | Music Supervisor | |
| Natalie O'Brien | Costume Designer | |
| Justine Arteta | Casting Director | |
| Kim Davis-Wagner | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The film follows Arlen after she’s left in a Texas wasteland fenced off from civilization. While trying to navigate the unforgiving landscape, Arlen is captured by a savage band of cannibals led by the mysterious Miami Man. With her life on the line, she makes her way to The Dream. As she adjusts to life in ‘the bad batch’ Arlen discovers that being good or bad mostly depends on who’s standing next to you.
Metrics
| Opening Weekend: | $89,111 (49.3% of total gross) |
| Legs: | 2.03 (domestic box office/biggest weekend) |
| Domestic Share: | 99.2% (domestic box office/worldwide) |
| Theater counts: | 30 opening theaters/46 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $241,138 |
Movie Details
| Domestic Releases: | June 23rd, 2017 (Limited) by Neon |
| International Releases: | September 15th, 2017 (Wide), released as Terra Sem Lei (Portugal) |
| Video Release: | September 19th, 2017 by Virgil Films and Entertainment |
| MPA Rating: | R for violence, language, some drug content and brief nudity. (Rating bulletin 2428 (Cert #50436), 6/8/2016) |
| Running Time: | 118 minutes |
| Geographical setting: | Texas |
| Plot point: | Cannibalism, Exile, Kidnap, Narcotics, Romance |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | Dystopia, Post Apocalypse |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Annapurna Pictures, VICE, Human Stew Factory |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 23, 2017 | 31 | $89,111 | 30 | $2,970 | $89,111 | 1 | |
| Jun 30, 2017 | 42 | $25,344 | -72% | 46 | $551 | $144,418 | 2 |
| Jul 7, 2017 | 57 | $9,534 | -62% | 25 | $381 | $169,743 | 3 |
| Jul 14, 2017 | 77 | $1,572 | -84% | 5 | $314 | $177,679 | 4 |
| Jul 21, 2017 | 78 | $1,525 | -3% | 3 | $508 | $180,851 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jun 23, 2017 | - | $43,457 | 30 | $1,449 | $43,457 | 1 | ||
| Jun 24, 2017 | - | $28,181 | -35% | 30 | $939 | $71,638 | 2 | |
| Jun 25, 2017 | - | $17,473 | -38% | 30 | $582 | $89,111 | 3 | |
| Jun 26, 2017 | - | $7,823 | -55% | 30 | $261 | $96,934 | 4 | |
| Jun 27, 2017 | - | $8,605 | +10% | 30 | $287 | $105,539 | 5 | |
| Jun 28, 2017 | - | $7,487 | -13% | 30 | $250 | $113,026 | 6 | |
| Jun 29, 2017 | - | $6,048 | -19% | 30 | $202 | $119,074 | 7 | |
| Jun 30, 2017 | - | $9,746 | +61% | -78% | 46 | $212 | $128,820 | 8 |
| Jul 1, 2017 | - | $8,576 | -12% | -70% | 46 | $186 | $137,396 | 9 |
| Jul 2, 2017 | - | $7,022 | -18% | -60% | 46 | $153 | $144,418 | 10 |
| Jul 3, 2017 | - | $5,666 | -19% | -28% | 46 | $123 | $150,084 | 11 |
| Jul 4, 2017 | - | $3,626 | -36% | -58% | 46 | $79 | $153,710 | 12 |
| Jul 5, 2017 | - | $3,735 | +3% | -50% | 46 | $81 | $157,445 | 13 |
| Jul 6, 2017 | - | $2,764 | -26% | -54% | 46 | $60 | $160,209 | 14 |
| Jul 7, 2017 | - | $3,000 | +9% | -69% | 25 | $120 | $163,209 | 15 |
| Jul 8, 2017 | - | $3,960 | +32% | -54% | 25 | $158 | $167,169 | 16 |
| Jul 9, 2017 | - | $2,574 | -35% | -63% | 25 | $103 | $169,743 | 17 |
| Jul 10, 2017 | - | $1,133 | -56% | -80% | 25 | $45 | $170,876 | 18 |
| Jul 11, 2017 | - | $1,450 | +28% | -60% | 25 | $58 | $172,326 | 19 |
| Jul 12, 2017 | - | $2,044 | +41% | -45% | 25 | $82 | $174,370 | 20 |
| Jul 13, 2017 | - | $1,737 | -15% | -37% | 25 | $69 | $176,107 | 21 |
| Jul 14, 2017 | - | $552 | -68% | -82% | 5 | $110 | $176,659 | 22 |
| Jul 15, 2017 | - | $538 | -3% | -86% | 5 | $108 | $177,197 | 23 |
| Jul 16, 2017 | - | $482 | -10% | -81% | 5 | $96 | $177,679 | 24 |
| Jul 21, 2017 | - | $550 | n/c | 3 | $183 | $179,876 | 29 | |
| Jul 22, 2017 | - | $697 | +27% | +30% | 3 | $232 | $180,573 | 30 |
| Jul 23, 2017 | - | $278 | -60% | -42% | 3 | $93 | $180,851 | 31 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 23, 2017 | 33 | $119,074 | 30 | $3,969 | $119,074 | 1 | |
| Jun 30, 2017 | 43 | $41,135 | -65% | 46 | $894 | $160,209 | 2 |
| Jul 7, 2017 | 54 | $15,898 | -61% | 25 | $636 | $176,107 | 3 |
| Jul 14, 2017 | 80 | $3,219 | -80% | 5 | $644 | $179,326 | 4 |
| Jul 21, 2017 | 84 | $1,525 | -53% | 3 | $508 | $180,851 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Portugal | 9/15/2017 | $792 | 5 | 5 | 10 | $1,375 | 9/26/2017 | |||
| International Total | $1,375 | 9/26/2017 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Suki Waterhouse | Arlen | |
| Keanu Reeves | The Dream | |
| Jason Momoa | Miami Man |
Supporting
| Giovanni Ribisi | The Screamer | |
| Jim Carrey | The Hermit | |
| Yolonda Ross | Maria | |
| Jayda Fink | Honey | |
| Diego Luna | Jimmy | |
| Aye Hasegawa | Mousey | |
| Louie Lopez | Chewy |
Production and Technical Credits
| Ana Lily Amirpour | Director | |
| Ana Lily Amirpour | Screenwriter | |
| Danny Gabai | Producer | |
| Sina Sayyah | Executive Producer | |
| Shane Smith | Executive Producer | |
| Eddy Moretti | Executive Producer | |
| Megan Ellison | Executive Producer | |
| Samantha Scher | Co-Producer | |
| Jillian Longnecker | Co-Producer | |
| Sheri Davani | Co-Producer | |
| Tony Gardner | Co-Producer | |
| Lyle Vincent | Director of Photography | |
| Brandon Tonner-Connolly | Production Designer | |
| Alex O'Flinn | Editor | |
| Andrea von Foerster | Music Supervisor | |
| Natalie O'Brien | Costume Designer | |
| Justine Arteta | Casting Director | |
| Kim Davis-Wagner | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.