Bad Samaritan (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $3,424,744 | Details |
| International Box Office | $1,356,894 | Details |
| Worldwide Box Office | $4,781,638 | |
| OpusData ID: 309020100 More info... | ||
| Further financial details... | ||
Synopsis
Two young men who valet cars at a local restaurant develop a clever scam to burglarize the houses of the restaurant's customers. Things go smoothly until one robs the wrong customer and discovers a woman being held captive. Afraid of going to prison, he leaves the woman and returns the car to the restaurant. Filled with guilt, he makes a call to the police, who find nothing when they investigate. Now, the valet must endure the wrath of the kidnapper who seeks revenge on him, all while desperately trying to find and rescue the captive woman he left behind.
Metrics
| Opening Weekend: | $1,726,868 (50.4% of total gross) |
| Legs: | 1.98 (domestic box office/biggest weekend) |
| Domestic Share: | 71.6% (domestic box office/worldwide) |
| Theater counts: | 2,007 opening theaters/2,007 max. theaters, 1.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $4,496,147 |
Movie Details
| Domestic Releases: | May 4th, 2018 (Wide) by Electric Entertainment |
| International Releases: | April 19th, 2018 (Wide), released as ЛОГОВО МОНСТРА (Russia (CIS))
May 4th, 2018 (Wide), released as Blogasis samarietis (Lithuania) May 11th, 2018 (Wide) (Netherlands) June 22nd, 2018 (Wide), released as Mau Samaritano (Portugal) August 10th, 2018 (Wide), released as Latidos en la Oscuridad (Mexico) ... Show all releases |
| Video Release: | August 3rd, 2018 by Sony Pictures Home Entertainment |
| MPA Rating: | R for violence, language throughout, some drug use and brief nudity. (Rating bulletin 2499 (Cert #51293), 10/25/2017) |
| Running Time: | 110 minutes |
| Plot point: | Burglary, Faked Suicide, FBI, Framed, Kidnap, Rescue, Revenge, Serial Killer, Unbelieving Police |
| Subgenre: | Psychological Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Electric Entertainment, Global Pictures Media |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 4, 2018 | 11 | $1,726,868 | 2,007 | $860 | $1,726,868 | 1 | |
| May 11, 2018 | 18 | $518,597 | -70% | 1,546 | $335 | $3,088,522 | 2 |
| May 18, 2018 | 54 | $16,190 | -97% | 48 | $337 | $3,424,744 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| May 4, 2018 | 8 | $644,202 | 2,007 | $321 | $644,202 | 1 | ||
| May 5, 2018 | 11 | $590,786 | -8% | 2,007 | $294 | $1,234,988 | 2 | |
| May 6, 2018 | 9 | $491,880 | -17% | 2,007 | $245 | $1,726,868 | 3 | |
| May 7, 2018 | 9 | $199,211 | -60% | 2,007 | $99 | $1,926,079 | 4 | |
| May 8, 2018 | 8 | $290,344 | +46% | 2,007 | $145 | $2,216,423 | 5 | |
| May 9, 2018 | 9 | $202,338 | -30% | 2,007 | $101 | $2,418,761 | 6 | |
| May 10, 2018 | 9 | $151,164 | -25% | 2,007 | $75 | $2,569,925 | 7 | |
| May 11, 2018 | - | $151,842 | n/c | -76% | 1,546 | $98 | $2,721,767 | 8 |
| May 12, 2018 | - | $208,225 | +37% | -65% | 1,546 | $135 | $2,929,992 | 9 |
| May 13, 2018 | - | $158,530 | -24% | -68% | 1,546 | $103 | $3,088,522 | 10 |
| May 14, 2018 | 15 | $85,246 | -46% | -57% | 1,546 | $55 | $3,173,768 | 11 |
| May 15, 2018 | - | $111,427 | +31% | -62% | 1,546 | $72 | $3,285,195 | 12 |
| May 16, 2018 | - | $82,598 | -26% | -59% | 1,546 | $53 | $3,367,793 | 13 |
| May 17, 2018 | - | $40,761 | -51% | -73% | 1,546 | $26 | $3,408,554 | 14 |
| May 18, 2018 | - | $3,854 | -91% | -97% | 48 | $80 | $3,412,408 | 15 |
| May 19, 2018 | - | $6,352 | +65% | -97% | 48 | $132 | $3,418,760 | 16 |
| May 20, 2018 | - | $5,984 | -6% | -96% | 48 | $125 | $3,424,744 | 17 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 4, 2018 | 9 | $2,569,925 | 2,007 | $1,280 | $2,569,925 | 1 | |
| May 11, 2018 | 17 | $838,629 | -67% | 1,546 | $542 | $3,408,554 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 8/24/2018 | $26,564 | 0 | 0 | 0 | $32,139 | 1/1/2019 | |||
| Lithuania | 5/4/2018 | $3,685 | 74 | 74 | 85 | $8,351 | 9/11/2018 | |||
| Mexico | 8/10/2018 | $173,197 | 0 | 0 | 0 | $173,197 | 8/14/2018 | |||
| Netherlands | 5/11/2018 | $144,704 | 67 | 69 | 283 | $419,847 | 6/11/2018 | |||
| Portugal | 6/22/2018 | $2,577 | 7 | 7 | 14 | $7,038 | 7/6/2018 | |||
| Russia (CIS) | 4/19/2018 | $163,510 | 475 | 475 | 745 | $284,465 | 2/26/2019 | |||
| South Korea | 10/18/2018 | $31,875 | 159 | 159 | 159 | $75,609 | 11/2/2018 | |||
| United Kingdom | 8/24/2018 | $9,333 | 10 | 10 | 10 | $9,333 | 4/4/2026 | |||
| Rest of World | $346,915 | |||||||||
| International Total | $1,356,894 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| David Tennant | Cale Erendreich | |
| Robert Sheehan | Sean Falco |
Supporting
| Carlito Olivero | Derek Sandoval | |
| Kerry Condon | Katie | |
| Jacqueline Byers | Riley Seabrook | |
| Lisa Brenner | Helen Leyton | |
| Rob Nagle | Don Falco | |
| Austin Leo | Young Cale | |
| Hannah Barefoot | Sabine | |
| Carsten Lorenz | Uncredited |
Production and Technical Credits
| Dean Devlin | Director | |
| Brandon Boyce | Screenwriter | |
| Dean Devlin | Producer | |
| Rachel Olschan-Wilson* | Producer | |
| Marc Roskin | Producer | |
| Brandon Lambdin | Executive Producer | |
| Carsten Lorenz | Executive Producer | |
| Brian Gonosey | Editor | |
| Heidi Levitt | Casting Director | |
| Lana Veenker | Additional Casting | |
| Eryn Goodman | Additional Casting | |
| Joseph LoDuca | Composer | |
| Nate Jones | Production Designer | |
| David Connell | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Two young men who valet cars at a local restaurant develop a clever scam to burglarize the houses of the restaurant's customers. Things go smoothly until one robs the wrong customer and discovers a woman being held captive. Afraid of going to prison, he leaves the woman and returns the car to the restaurant. Filled with guilt, he makes a call to the police, who find nothing when they investigate. Now, the valet must endure the wrath of the kidnapper who seeks revenge on him, all while desperately trying to find and rescue the captive woman he left behind.
Metrics
| Opening Weekend: | $1,726,868 (50.4% of total gross) |
| Legs: | 1.98 (domestic box office/biggest weekend) |
| Domestic Share: | 71.6% (domestic box office/worldwide) |
| Theater counts: | 2,007 opening theaters/2,007 max. theaters, 1.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $4,496,147 |
Movie Details
| Domestic Releases: | May 4th, 2018 (Wide) by Electric Entertainment |
| International Releases: | April 19th, 2018 (Wide), released as ЛОГОВО МОНСТРА (Russia (CIS))
May 4th, 2018 (Wide), released as Blogasis samarietis (Lithuania) May 11th, 2018 (Wide) (Netherlands) June 22nd, 2018 (Wide), released as Mau Samaritano (Portugal) August 10th, 2018 (Wide), released as Latidos en la Oscuridad (Mexico) ... Show all releases |
| Video Release: | August 3rd, 2018 by Sony Pictures Home Entertainment |
| MPA Rating: | R for violence, language throughout, some drug use and brief nudity. (Rating bulletin 2499 (Cert #51293), 10/25/2017) |
| Running Time: | 110 minutes |
| Plot point: | Burglary, Faked Suicide, FBI, Framed, Kidnap, Rescue, Revenge, Serial Killer, Unbelieving Police |
| Subgenre: | Psychological Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Electric Entertainment, Global Pictures Media |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 4, 2018 | 11 | $1,726,868 | 2,007 | $860 | $1,726,868 | 1 | |
| May 11, 2018 | 18 | $518,597 | -70% | 1,546 | $335 | $3,088,522 | 2 |
| May 18, 2018 | 54 | $16,190 | -97% | 48 | $337 | $3,424,744 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| May 4, 2018 | 8 | $644,202 | 2,007 | $321 | $644,202 | 1 | ||
| May 5, 2018 | 11 | $590,786 | -8% | 2,007 | $294 | $1,234,988 | 2 | |
| May 6, 2018 | 9 | $491,880 | -17% | 2,007 | $245 | $1,726,868 | 3 | |
| May 7, 2018 | 9 | $199,211 | -60% | 2,007 | $99 | $1,926,079 | 4 | |
| May 8, 2018 | 8 | $290,344 | +46% | 2,007 | $145 | $2,216,423 | 5 | |
| May 9, 2018 | 9 | $202,338 | -30% | 2,007 | $101 | $2,418,761 | 6 | |
| May 10, 2018 | 9 | $151,164 | -25% | 2,007 | $75 | $2,569,925 | 7 | |
| May 11, 2018 | - | $151,842 | n/c | -76% | 1,546 | $98 | $2,721,767 | 8 |
| May 12, 2018 | - | $208,225 | +37% | -65% | 1,546 | $135 | $2,929,992 | 9 |
| May 13, 2018 | - | $158,530 | -24% | -68% | 1,546 | $103 | $3,088,522 | 10 |
| May 14, 2018 | 15 | $85,246 | -46% | -57% | 1,546 | $55 | $3,173,768 | 11 |
| May 15, 2018 | - | $111,427 | +31% | -62% | 1,546 | $72 | $3,285,195 | 12 |
| May 16, 2018 | - | $82,598 | -26% | -59% | 1,546 | $53 | $3,367,793 | 13 |
| May 17, 2018 | - | $40,761 | -51% | -73% | 1,546 | $26 | $3,408,554 | 14 |
| May 18, 2018 | - | $3,854 | -91% | -97% | 48 | $80 | $3,412,408 | 15 |
| May 19, 2018 | - | $6,352 | +65% | -97% | 48 | $132 | $3,418,760 | 16 |
| May 20, 2018 | - | $5,984 | -6% | -96% | 48 | $125 | $3,424,744 | 17 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 4, 2018 | 9 | $2,569,925 | 2,007 | $1,280 | $2,569,925 | 1 | |
| May 11, 2018 | 17 | $838,629 | -67% | 1,546 | $542 | $3,408,554 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 8/24/2018 | $26,564 | 0 | 0 | 0 | $32,139 | 1/1/2019 | |||
| Lithuania | 5/4/2018 | $3,685 | 74 | 74 | 85 | $8,351 | 9/11/2018 | |||
| Mexico | 8/10/2018 | $173,197 | 0 | 0 | 0 | $173,197 | 8/14/2018 | |||
| Netherlands | 5/11/2018 | $144,704 | 67 | 69 | 283 | $419,847 | 6/11/2018 | |||
| Portugal | 6/22/2018 | $2,577 | 7 | 7 | 14 | $7,038 | 7/6/2018 | |||
| Russia (CIS) | 4/19/2018 | $163,510 | 475 | 475 | 745 | $284,465 | 2/26/2019 | |||
| South Korea | 10/18/2018 | $31,875 | 159 | 159 | 159 | $75,609 | 11/2/2018 | |||
| United Kingdom | 8/24/2018 | $9,333 | 10 | 10 | 10 | $9,333 | 4/4/2026 | |||
| Rest of World | $346,915 | |||||||||
| International Total | $1,356,894 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| David Tennant | Cale Erendreich | |
| Robert Sheehan | Sean Falco |
Supporting
| Carlito Olivero | Derek Sandoval | |
| Kerry Condon | Katie | |
| Jacqueline Byers | Riley Seabrook | |
| Lisa Brenner | Helen Leyton | |
| Rob Nagle | Don Falco | |
| Austin Leo | Young Cale | |
| Hannah Barefoot | Sabine | |
| Carsten Lorenz | Uncredited |
Production and Technical Credits
| Dean Devlin | Director | |
| Brandon Boyce | Screenwriter | |
| Dean Devlin | Producer | |
| Rachel Olschan-Wilson* | Producer | |
| Marc Roskin | Producer | |
| Brandon Lambdin | Executive Producer | |
| Carsten Lorenz | Executive Producer | |
| Brian Gonosey | Editor | |
| Heidi Levitt | Casting Director | |
| Lana Veenker | Additional Casting | |
| Eryn Goodman | Additional Casting | |
| Joseph LoDuca | Composer | |
| Nate Jones | Production Designer | |
| David Connell | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.