Bandit (2022)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $387,246 | Details |
| Worldwide Box Office | $387,246 | |
| OpusData ID: 504220100 More info... | ||
| Further financial details... | ||
Synopsis
In 1985, Gilbert Galvan Jr, a charming career criminal, escapes from a US prison in Michigan and crosses the border into Canada where he assumes the identity Robert Whiteman. After falling in love with Andrea, a caring social worker he can’t provide for, he turns to robbing banks and discovers that he’s exceptionally good at it. Under the guise of a security analyst, Robert begins flying around the country robbing multiple cities in a day, eventually catching the attention of national news outlets that dub him The Flying Bandit. Addicted to the rush and money that provides his double life, Robert eventually turns to loan shark and reputed gangster Tommy Kay for bigger opportunities. But with Robert’s notoriety growing in record time, he is put into the direct sights of a ruthless detective who will stop at nothing to bring him down.
Metrics
Movie Details
| Domestic Releases: | September 23rd, 2022 (Limited) by Quiver |
| International Releases: | October 5th, 2022 (Limited) (Portugal)
October 21st, 2022 (Wide), released as Bandit (Бандит) (Russia (CIS)) November 18th, 2022 (Limited), released as El atracador perfecto (Spain) |
| Video Release: | September 23rd, 2022 by Quiver |
| MPA Rating: | R for language throughout and some sexual material/nudity. (Rating bulletin 2742 (cert #53827), 7/27/2022) |
| Running Time: | 119 minutes |
| Cast, crew, or production detail: | Non-Drama Biographies |
| Geographical setting: | Canada |
| Plot point: | Biography, Crime, Crime Spree, Fugitive / On the Run, Prison Break |
| Release detail: | Disrupted by 2020 COVID-19 pandemic |
| Subgenre: | Action Thriller |
| Time period setting: | 1980s |
| Source: | Based on Factual Book/Article |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Yale Productions, Goldrush Entertainment |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Portugal | 10/5/2022 | $23,587 | 33 | 33 | 81 | $67,050 | 11/8/2022 | |||
| Russia (CIS) | 10/21/2022 | $89,124 | 390 | 390 | 595 | $163,319 | 11/2/2022 | |||
| Spain | 11/18/2022 | $103,658 | 163 | 163 | 286 | $156,877 | 2/10/2023 | |||
| International Total | $387,246 | 2/10/2023 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Josh Duhamel | ||
| Elisha Cuthbert |
Supporting
| Nestor Carbonell | ||
| Mel Gibson |
Production and Technical Credits
| Allan Ungar | Director | |
| Kraig Wenman | Screenwriter | |
| Robert Knuckle | Story based on the novel by | |
| Jordan Yale Levine | Producer | |
| Jordan Beckerman | Producer | |
| Eric Gozlan | Producer | |
| Josh Duhamel | Executive Producer | |
| Arianne Fraser | Executive Producer | |
| Delphine Perrier | Executive Producer | |
| Ryan Winterstern | Executive Producer | |
| Luke Taylor | Executive Producer | |
| Matthew Helderman | Executive Producer | |
| Tyler Gould | Executive Producer | |
| Richard Lott | Executive Producer | |
| Kraig Wenman | Executive Producer | |
| Richard Switzer | Executive Producer | |
| Ian Niles | Executive Producer | |
| Lee Broda | Executive Producer | |
| Colby Colte | Executive Producer | |
| Lisa D’Ambrosio | Executive Producer | |
| Peter R. Anske | Executive Producer | |
| Dr. Faisal Mahmood | Executive Producer | |
| Packer Morley | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In 1985, Gilbert Galvan Jr, a charming career criminal, escapes from a US prison in Michigan and crosses the border into Canada where he assumes the identity Robert Whiteman. After falling in love with Andrea, a caring social worker he can’t provide for, he turns to robbing banks and discovers that he’s exceptionally good at it. Under the guise of a security analyst, Robert begins flying around the country robbing multiple cities in a day, eventually catching the attention of national news outlets that dub him The Flying Bandit. Addicted to the rush and money that provides his double life, Robert eventually turns to loan shark and reputed gangster Tommy Kay for bigger opportunities. But with Robert’s notoriety growing in record time, he is put into the direct sights of a ruthless detective who will stop at nothing to bring him down.
Metrics
Movie Details
| Domestic Releases: | September 23rd, 2022 (Limited) by Quiver |
| International Releases: | October 5th, 2022 (Limited) (Portugal)
October 21st, 2022 (Wide), released as Bandit (Бандит) (Russia (CIS)) November 18th, 2022 (Limited), released as El atracador perfecto (Spain) |
| Video Release: | September 23rd, 2022 by Quiver |
| MPA Rating: | R for language throughout and some sexual material/nudity. (Rating bulletin 2742 (cert #53827), 7/27/2022) |
| Running Time: | 119 minutes |
| Cast, crew, or production detail: | Non-Drama Biographies |
| Geographical setting: | Canada |
| Plot point: | Biography, Crime, Crime Spree, Fugitive / On the Run, Prison Break |
| Release detail: | Disrupted by 2020 COVID-19 pandemic |
| Subgenre: | Action Thriller |
| Time period setting: | 1980s |
| Source: | Based on Factual Book/Article |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Yale Productions, Goldrush Entertainment |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Portugal | 10/5/2022 | $23,587 | 33 | 33 | 81 | $67,050 | 11/8/2022 | |||
| Russia (CIS) | 10/21/2022 | $89,124 | 390 | 390 | 595 | $163,319 | 11/2/2022 | |||
| Spain | 11/18/2022 | $103,658 | 163 | 163 | 286 | $156,877 | 2/10/2023 | |||
| International Total | $387,246 | 2/10/2023 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Josh Duhamel | ||
| Elisha Cuthbert |
Supporting
| Nestor Carbonell | ||
| Mel Gibson |
Production and Technical Credits
| Allan Ungar | Director | |
| Kraig Wenman | Screenwriter | |
| Robert Knuckle | Story based on the novel by | |
| Jordan Yale Levine | Producer | |
| Jordan Beckerman | Producer | |
| Eric Gozlan | Producer | |
| Josh Duhamel | Executive Producer | |
| Arianne Fraser | Executive Producer | |
| Delphine Perrier | Executive Producer | |
| Ryan Winterstern | Executive Producer | |
| Luke Taylor | Executive Producer | |
| Matthew Helderman | Executive Producer | |
| Tyler Gould | Executive Producer | |
| Richard Lott | Executive Producer | |
| Kraig Wenman | Executive Producer | |
| Richard Switzer | Executive Producer | |
| Ian Niles | Executive Producer | |
| Lee Broda | Executive Producer | |
| Colby Colte | Executive Producer | |
| Lisa D’Ambrosio | Executive Producer | |
| Peter R. Anske | Executive Producer | |
| Dr. Faisal Mahmood | Executive Producer | |
| Packer Morley | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.