Bar Bahar (2016)
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| Theatrical Performance | ||
| Domestic Box Office | $107,977 | Details |
| International Box Office | $1,555,732 | Details |
| Worldwide Box Office | $1,663,709 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $38,235 | |
| Total | $38,235 | |
| OpusData ID: 276960100 More info... | ||
| Further financial details... | ||
Synopsis
Lalia, Salma, and Nur share an apartment in the vibrant heart of Tel Aviv. Lalia, a criminal lawyer with a wicked wit, loves to burn off her workday stress in the underground club scene. Salma, slightly more subdued, is a DJ and bartender. Nur is a younger, religious Muslim girl who moves into the apartment in order to study at the university. Nur is both intrigued and intimidated by her two sophisticated roommates. When her conservative fiancé visits, he is horrified by her secular friends, entreating her to hasten their marriage, leave Tel Aviv, and assume her rightful role as a wife. She refuses, and his violent rebuttal leaves all of the women shaken. Salma and Lalia also face turmoil: Lalia has found love with a modern Muslim man whose acceptance proves less than unconditional, and Salma discovers that her Christian family in a northern Galilean village is not as liberal as they claim. These three very different women find themselves doing the same balancing act between tradition and modernity, citizenship and culture, fealty and freedom.
Metrics
| Opening Weekend: | $5,888 (5.5% of total gross) |
| Legs: | 13.56 (domestic box office/biggest weekend) |
| Domestic Share: | 6.5% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/8 max. theaters, 8.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $141,762 |
Movie Details
| Domestic Releases: | January 5th, 2018 (Limited) by Film Movement, released as In Between |
| International Releases: | November 25th, 2016 (Wide) (Spain)
April 5th, 2017 (Wide), released as Libere disobbedienti innamorate - In Between (Italy) April 14th, 2017 (Wide) (France) August 25th, 2017 (Wide), released as In Between (New Zealand) September 22nd, 2017 (Wide), released as In Between (United Kingdom) ... Show all releases |
| Video Release: | May 1st, 2018 by Film Movement Video, released as In Between |
| MPA Rating: | Not Rated |
| Running Time: | 96 minutes |
| Geographical setting: | Israel, Tel Aviv |
| Plot point: | Domestic Abuse, Dysfunctional Family, Muslims, Orthodox Religion, Relationships Gone Wrong, Romance |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Deux Beaux Garcons Films, Compagnie des Lamas |
| Production Countries: | Israel |
| Languages: | Hebrew, Arabic |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 5, 2018 | 57 | $5,888 | 2 | $2,944 | $11,498 | 1 | |
| Jan 12, 2018 | 55 | $7,020 | +19% | 4 | $1,755 | $23,886 | 2 |
| Jan 19, 2018 | 61 | $5,898 | -16% | 7 | $843 | $33,660 | 3 |
| Jan 26, 2018 | 75 | $2,803 | -52% | 5 | $561 | $39,708 | 4 |
| Feb 2, 2018 | 59 | $5,247 | +87% | 5 | $1,049 | $48,300 | 5 |
| Feb 9, 2018 | 71 | $2,142 | -59% | 3 | $714 | $52,763 | 6 |
| Feb 16, 2018 | 74 | $3,023 | +41% | 3 | $1,008 | $58,258 | 7 |
| Feb 23, 2018 | 66 | $6,779 | +124% | 8 | $847 | $68,225 | 8 |
| Mar 2, 2018 | 67 | $5,029 | -26% | 6 | $838 | $78,725 | 9 |
| Mar 9, 2018 | 70 | $3,372 | -33% | 8 | $422 | $84,901 | 10 |
| Mar 16, 2018 | 64 | $7,962 | +136% | 5 | $1,592 | $94,821 | 11 |
| Mar 23, 2018 | 81 | $3,660 | -54% | 5 | $732 | $102,037 | 12 |
| Mar 30, 2018 | 92 | $718 | -80% | 2 | $359 | $104,451 | 13 |
| Apr 6, 2018 | 94 | $641 | -11% | 1 | $641 | $105,776 | 14 |
| Apr 20, 2018 | 103 | $48 | 1 | $48 | $107,501 | 16 | |
| Apr 27, 2018 | 102 | $98 | +104% | 1 | $98 | $107,599 | 17 |
| May 4, 2018 | 102 | $24 | -76% | 1 | $24 | $107,831 | 18 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Jan 5, 2018 | - | $1,131 | 2 | $566 | $6,741 | 1 | |
| Jan 6, 2018 | - | $2,604 | +130% | 2 | $1,302 | $9,345 | 2 |
| Jan 7, 2018 | - | $2,153 | -17% | 2 | $1,077 | $11,498 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 5, 2018 | 53 | $11,256 | 3 | $3,752 | $16,866 | 1 | |
| Jan 12, 2018 | 59 | $10,896 | -3% | 4 | $2,724 | $27,762 | 2 |
| Jan 19, 2018 | 63 | $9,143 | -16% | 7 | $1,306 | $36,905 | 3 |
| Jan 26, 2018 | 68 | $6,148 | -33% | 8 | $769 | $43,053 | 4 |
| Feb 2, 2018 | 63 | $7,568 | +23% | 8 | $946 | $50,621 | 5 |
| Feb 9, 2018 | 67 | $4,614 | -39% | 8 | $577 | $55,235 | 6 |
| Feb 16, 2018 | 72 | $6,211 | +35% | 4 | $1,553 | $61,446 | 7 |
| Feb 23, 2018 | 65 | $12,250 | +97% | 8 | $1,531 | $73,696 | 8 |
| Mar 2, 2018 | 66 | $7,833 | -36% | 7 | $1,119 | $81,529 | 9 |
| Mar 9, 2018 | 77 | $5,330 | -32% | 8 | $666 | $86,859 | 10 |
| Mar 16, 2018 | 67 | $11,518 | +116% | 7 | $1,645 | $98,377 | 11 |
| Mar 23, 2018 | 83 | $5,356 | -53% | 5 | $1,071 | $103,733 | 12 |
| Mar 30, 2018 | 88 | $1,402 | -74% | 1 | $1,402 | $105,135 | 13 |
| Apr 6, 2018 | 90 | $2,245 | +60% | 1 | $2,245 | $107,380 | 14 |
| Apr 13, 2018 | 101 | $73 | -97% | 1 | $73 | $107,453 | 15 |
| Apr 20, 2018 | 102 | $48 | -34% | 1 | $48 | $107,501 | 16 |
| Apr 27, 2018 | 102 | $306 | +538% | 1 | $306 | $107,807 | 17 |
| May 4, 2018 | 101 | $170 | -44% | 1 | $170 | $107,977 | 18 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/27/2017 | $4,715 | 3 | 3 | 16 | $28,215 | 8/6/2018 | |||
| France | 4/14/2017 | $179,299 | 0 | 0 | 0 | $765,939 | 9/23/2018 | |||
| Italy | 4/5/2017 | $64,148 | 0 | 0 | 0 | $468,144 | 5/11/2017 | |||
| Netherlands | 1/5/2018 | $28,107 | 24 | 24 | 45 | $68,347 | 9/12/2018 | |||
| New Zealand | 8/25/2017 | $1,881 | 5 | 6 | 21 | $7,408 | 7/31/2018 | |||
| Spain | 11/25/2016 | $28,437 | 23 | 25 | 119 | $194,308 | 4/28/2017 | |||
| United Kingdom | 9/22/2017 | $23,371 | 7 | 7 | 7 | $23,371 | 9/28/2017 | |||
| International Total | $1,555,732 | 9/23/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Mouna Hawa | Lalia | |
| Sana Jammelieh | Salma | |
| Shaden Kanboura | Nur |
Supporting
| Mahmoud Shalaby | Ziad | |
| Henry Andrawes | Wissam | |
| Aiman Sohel Daw | Salah | |
| Riahd Sliman | Qays | |
| Ahlam Canaan | Dunya | |
| Ferass Naser | Rabia | |
| Khawlah Dipsy | Salma’s mother |
Production and Technical Credits
| Maysaloun Hamoud | Director | |
| Shlomi Elkabetz | Producer | |
| Maysaloun Hamoud | Screenwriter | |
| Calith Cahlon | Co-Producer | |
| Tony Copti | Co-Producer | |
| Sandrine Brauer | Co-Producer | |
| Catherine Van Bree | Costume Designer | |
| Itai Gross | Director of Photography | |
| Lev Goldser | Editor | |
| Nili Feller | Editor | |
| MG Saad | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Lalia, Salma, and Nur share an apartment in the vibrant heart of Tel Aviv. Lalia, a criminal lawyer with a wicked wit, loves to burn off her workday stress in the underground club scene. Salma, slightly more subdued, is a DJ and bartender. Nur is a younger, religious Muslim girl who moves into the apartment in order to study at the university. Nur is both intrigued and intimidated by her two sophisticated roommates. When her conservative fiancé visits, he is horrified by her secular friends, entreating her to hasten their marriage, leave Tel Aviv, and assume her rightful role as a wife. She refuses, and his violent rebuttal leaves all of the women shaken. Salma and Lalia also face turmoil: Lalia has found love with a modern Muslim man whose acceptance proves less than unconditional, and Salma discovers that her Christian family in a northern Galilean village is not as liberal as they claim. These three very different women find themselves doing the same balancing act between tradition and modernity, citizenship and culture, fealty and freedom.
Metrics
| Opening Weekend: | $5,888 (5.5% of total gross) |
| Legs: | 13.56 (domestic box office/biggest weekend) |
| Domestic Share: | 6.5% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/8 max. theaters, 8.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $141,762 |
Movie Details
| Domestic Releases: | January 5th, 2018 (Limited) by Film Movement, released as In Between |
| International Releases: | November 25th, 2016 (Wide) (Spain)
April 5th, 2017 (Wide), released as Libere disobbedienti innamorate - In Between (Italy) April 14th, 2017 (Wide) (France) August 25th, 2017 (Wide), released as In Between (New Zealand) September 22nd, 2017 (Wide), released as In Between (United Kingdom) ... Show all releases |
| Video Release: | May 1st, 2018 by Film Movement Video, released as In Between |
| MPA Rating: | Not Rated |
| Running Time: | 96 minutes |
| Geographical setting: | Israel, Tel Aviv |
| Plot point: | Domestic Abuse, Dysfunctional Family, Muslims, Orthodox Religion, Relationships Gone Wrong, Romance |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Deux Beaux Garcons Films, Compagnie des Lamas |
| Production Countries: | Israel |
| Languages: | Hebrew, Arabic |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 5, 2018 | 57 | $5,888 | 2 | $2,944 | $11,498 | 1 | |
| Jan 12, 2018 | 55 | $7,020 | +19% | 4 | $1,755 | $23,886 | 2 |
| Jan 19, 2018 | 61 | $5,898 | -16% | 7 | $843 | $33,660 | 3 |
| Jan 26, 2018 | 75 | $2,803 | -52% | 5 | $561 | $39,708 | 4 |
| Feb 2, 2018 | 59 | $5,247 | +87% | 5 | $1,049 | $48,300 | 5 |
| Feb 9, 2018 | 71 | $2,142 | -59% | 3 | $714 | $52,763 | 6 |
| Feb 16, 2018 | 74 | $3,023 | +41% | 3 | $1,008 | $58,258 | 7 |
| Feb 23, 2018 | 66 | $6,779 | +124% | 8 | $847 | $68,225 | 8 |
| Mar 2, 2018 | 67 | $5,029 | -26% | 6 | $838 | $78,725 | 9 |
| Mar 9, 2018 | 70 | $3,372 | -33% | 8 | $422 | $84,901 | 10 |
| Mar 16, 2018 | 64 | $7,962 | +136% | 5 | $1,592 | $94,821 | 11 |
| Mar 23, 2018 | 81 | $3,660 | -54% | 5 | $732 | $102,037 | 12 |
| Mar 30, 2018 | 92 | $718 | -80% | 2 | $359 | $104,451 | 13 |
| Apr 6, 2018 | 94 | $641 | -11% | 1 | $641 | $105,776 | 14 |
| Apr 20, 2018 | 103 | $48 | 1 | $48 | $107,501 | 16 | |
| Apr 27, 2018 | 102 | $98 | +104% | 1 | $98 | $107,599 | 17 |
| May 4, 2018 | 102 | $24 | -76% | 1 | $24 | $107,831 | 18 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Jan 5, 2018 | - | $1,131 | 2 | $566 | $6,741 | 1 | |
| Jan 6, 2018 | - | $2,604 | +130% | 2 | $1,302 | $9,345 | 2 |
| Jan 7, 2018 | - | $2,153 | -17% | 2 | $1,077 | $11,498 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 5, 2018 | 53 | $11,256 | 3 | $3,752 | $16,866 | 1 | |
| Jan 12, 2018 | 59 | $10,896 | -3% | 4 | $2,724 | $27,762 | 2 |
| Jan 19, 2018 | 63 | $9,143 | -16% | 7 | $1,306 | $36,905 | 3 |
| Jan 26, 2018 | 68 | $6,148 | -33% | 8 | $769 | $43,053 | 4 |
| Feb 2, 2018 | 63 | $7,568 | +23% | 8 | $946 | $50,621 | 5 |
| Feb 9, 2018 | 67 | $4,614 | -39% | 8 | $577 | $55,235 | 6 |
| Feb 16, 2018 | 72 | $6,211 | +35% | 4 | $1,553 | $61,446 | 7 |
| Feb 23, 2018 | 65 | $12,250 | +97% | 8 | $1,531 | $73,696 | 8 |
| Mar 2, 2018 | 66 | $7,833 | -36% | 7 | $1,119 | $81,529 | 9 |
| Mar 9, 2018 | 77 | $5,330 | -32% | 8 | $666 | $86,859 | 10 |
| Mar 16, 2018 | 67 | $11,518 | +116% | 7 | $1,645 | $98,377 | 11 |
| Mar 23, 2018 | 83 | $5,356 | -53% | 5 | $1,071 | $103,733 | 12 |
| Mar 30, 2018 | 88 | $1,402 | -74% | 1 | $1,402 | $105,135 | 13 |
| Apr 6, 2018 | 90 | $2,245 | +60% | 1 | $2,245 | $107,380 | 14 |
| Apr 13, 2018 | 101 | $73 | -97% | 1 | $73 | $107,453 | 15 |
| Apr 20, 2018 | 102 | $48 | -34% | 1 | $48 | $107,501 | 16 |
| Apr 27, 2018 | 102 | $306 | +538% | 1 | $306 | $107,807 | 17 |
| May 4, 2018 | 101 | $170 | -44% | 1 | $170 | $107,977 | 18 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/27/2017 | $4,715 | 3 | 3 | 16 | $28,215 | 8/6/2018 | |||
| France | 4/14/2017 | $179,299 | 0 | 0 | 0 | $765,939 | 9/23/2018 | |||
| Italy | 4/5/2017 | $64,148 | 0 | 0 | 0 | $468,144 | 5/11/2017 | |||
| Netherlands | 1/5/2018 | $28,107 | 24 | 24 | 45 | $68,347 | 9/12/2018 | |||
| New Zealand | 8/25/2017 | $1,881 | 5 | 6 | 21 | $7,408 | 7/31/2018 | |||
| Spain | 11/25/2016 | $28,437 | 23 | 25 | 119 | $194,308 | 4/28/2017 | |||
| United Kingdom | 9/22/2017 | $23,371 | 7 | 7 | 7 | $23,371 | 9/28/2017 | |||
| International Total | $1,555,732 | 9/23/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Mouna Hawa | Lalia | |
| Sana Jammelieh | Salma | |
| Shaden Kanboura | Nur |
Supporting
| Mahmoud Shalaby | Ziad | |
| Henry Andrawes | Wissam | |
| Aiman Sohel Daw | Salah | |
| Riahd Sliman | Qays | |
| Ahlam Canaan | Dunya | |
| Ferass Naser | Rabia | |
| Khawlah Dipsy | Salma’s mother |
Production and Technical Credits
| Maysaloun Hamoud | Director | |
| Shlomi Elkabetz | Producer | |
| Maysaloun Hamoud | Screenwriter | |
| Calith Cahlon | Co-Producer | |
| Tony Copti | Co-Producer | |
| Sandrine Brauer | Co-Producer | |
| Catherine Van Bree | Costume Designer | |
| Itai Gross | Director of Photography | |
| Lev Goldser | Editor | |
| Nili Feller | Editor | |
| MG Saad | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.