Bastille Day (2016)
| Theatrical Performance | ||
| Domestic Box Office | $50,269 | Details |
| International Box Office | $8,781,705 | Details |
| Worldwide Box Office | $8,831,974 | |
| OpusData ID: 249970100 More info... | ||
| Further financial details... | ||
Synopsis
Michael Mason is an American pickpocket living in Paris who finds himself hunted by the CIA when he steals a bag that contains more than just a wallet. Sean Briar, the field agent on the case, soon realizes that Michael is just a pawn in a much bigger game and is also his best asset to uncover a large-scale conspiracy. Going against commands, Briar recruits Michael to use his expert pick-pocketing skills to help quickly track down the source of the corruption. As a 24-hour thrill ride ensues, the unlikely duo discover they are both targets and must rely upon each other in order to take down a common enemy.
Metrics
| Opening Weekend: | $41,546 (82.6% of total gross) |
| Legs: | 1.21 (domestic box office/biggest weekend) |
| Domestic Share: | 0.6% (domestic box office/worldwide) |
| Theater counts: | 100 opening theaters/100 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $69,500 |
Movie Details
| Domestic Releases: | November 18th, 2016 (Limited) by High Top Releasing, released as The Take |
| International Releases: | April 6th, 2016 (Wide) (Switzerland)
April 22nd, 2016 (Wide) (United Kingdom) April 27th, 2016 (Wide) (Turkey) May 4th, 2016 (Wide) (Netherlands) May 13th, 2016 (Wide) (New Zealand) ... Show all releases |
| Video Release: | November 18th, 2016 by Focus Features, released as The Take |
| MPA Rating: | R for violence, language and some nudity. (Rating bulletin 2404 (Cert #49182), 12/16/2015) |
| Running Time: | 91 minutes |
| Plot point: | C.I.A., Confidence Men, Falsely Accused, Pickpocket, Terrorism |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | StudioCanal, Anton Capital Investors, Amazon Prime Instant Video, Vendome Pictures, TFI Films, Canal Plus, Cine Plus, Anonymous Content |
| Production Countries: | France, United States |
| Languages: | English, French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 18, 2016 | 42 | $41,546 | 100 | $415 | $41,546 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Nov 18, 2016 | - | $10,883 | 100 | $109 | $10,883 | 1 | |
| Nov 19, 2016 | - | $17,475 | +61% | 100 | $175 | $28,358 | 2 |
| Nov 20, 2016 | - | $13,188 | -25% | 100 | $132 | $41,546 | 3 |
| Nov 21, 2016 | - | $5,558 | -58% | 100 | $56 | $47,104 | 4 |
| Nov 22, 2016 | - | $3,165 | -43% | 100 | $32 | $50,269 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 11/25/2016 | $82,149 | 59 | 59 | 92 | $136,808 | 1/1/2019 | |||
| Australia | 5/13/2016 | $153,899 | 128 | 128 | 282 | $315,663 | 6/9/2016 | |||
| Bulgaria | 6/3/2016 | $6,617 | 0 | 0 | 0 | $14,299 | 2/26/2019 | |||
| China | 9/20/2016 | $780,000 | 8,391 | 24,571 | 8,391 | $2,148,284 | 4/4/2026 | |||
| Czech Republic | 5/19/2016 | $29,827 | 66 | 66 | 168 | $85,334 | 1/1/2019 | |||
| Italy | 7/14/2016 | $141,877 | 0 | 0 | 0 | $300,593 | 7/27/2016 | |||
| Lithuania | 5/13/2016 | $0 | 0 | 0 | 0 | $13,223 | 6/9/2016 | |||
| Mexico | 9/22/2016 | $434,138 | 0 | 0 | 0 | $801,739 | 10/4/2016 | |||
| Netherlands | 5/4/2016 | $98,137 | 67 | 67 | 313 | $663,385 | 6/28/2016 | |||
| New Zealand | 5/13/2016 | $27,485 | 31 | 34 | 107 | $81,706 | 8/1/2016 | |||
| Poland | 6/3/2016 | $37,121 | 0 | 0 | 0 | $37,121 | 12/31/2018 | |||
| Portugal | 9/9/2016 | $33,377 | 27 | 28 | 65 | $68,340 | 10/5/2016 | |||
| Russia (CIS) | 7/29/2016 | $114,287 | 400 | 3,237 | 3,649 | $231,099 | 12/31/2018 | |||
| South Korea | 10/10/2016 | $394,389 | 422 | 422 | 639 | $663,618 | 11/9/2016 | |||
| Switzerland | 4/6/2016 | $227,583 | 31 | 31 | 31 | $227,583 | 6/9/2016 | |||
| Turkey | 4/27/2016 | $53,728 | 98 | 98 | 215 | $138,428 | 2/26/2019 | |||
| United Kingdom | 4/22/2016 | $1,097,421 | 439 | 439 | 1,291 | $2,854,482 | 6/22/2016 | |||
| International Total | $8,781,705 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Idris Elba | Sean Briar | |
| Richard Madden | Michael Mason | |
| Charlotte Le Bon | Zoe Naville |
Supporting
| Kelly Reilly | Karen Dacre | |
| Jose Garcia | Victor Gamieux | |
| Anatol Yusef | Tom Luddy | |
| James Cox | Pierre | |
| Eriq Ebouaney | Baba | |
| Thierry Godard | Rafi Bertrand | |
| Vincent Londez | Yannick Bertrand |
Production and Technical Credits
| James Watkins | Director | |
| Andrew Baldwin | Screenwriter | |
| James Watkins | Screenwriter | |
| Philippe Rousselet | Producer | |
| David Kanter | Producer | |
| Bard Dorros | Producer | |
| Michael Dreyer | Executive Producer | |
| Fabrice Gianfermi | Executive Producer | |
| Guy Stodel | Executive Producer | |
| Steve Golin | Executive Producer | |
| Olivier Courson | Executive Producer | |
| Ron Halpern | Executive Producer | |
| Dan Macrae | Executive Producer | |
| Raphael Benoliel | Co-Producer | |
| Alex Heffes | Composer | |
| Tim Maurice-Jones | Director of Photography | |
| Paul Kirby | Production Designer | |
| Jon Harris | Editor | |
| Daniel Phillips | Make-up and Hair Designer | |
| Guy Speranza | Costume Designer | |
| Michael Laguens | Casting Director | |
| Julie Harkin | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Michael Mason is an American pickpocket living in Paris who finds himself hunted by the CIA when he steals a bag that contains more than just a wallet. Sean Briar, the field agent on the case, soon realizes that Michael is just a pawn in a much bigger game and is also his best asset to uncover a large-scale conspiracy. Going against commands, Briar recruits Michael to use his expert pick-pocketing skills to help quickly track down the source of the corruption. As a 24-hour thrill ride ensues, the unlikely duo discover they are both targets and must rely upon each other in order to take down a common enemy.
Metrics
| Opening Weekend: | $41,546 (82.6% of total gross) |
| Legs: | 1.21 (domestic box office/biggest weekend) |
| Domestic Share: | 0.6% (domestic box office/worldwide) |
| Theater counts: | 100 opening theaters/100 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $69,500 |
Movie Details
| Domestic Releases: | November 18th, 2016 (Limited) by High Top Releasing, released as The Take |
| International Releases: | April 6th, 2016 (Wide) (Switzerland)
April 22nd, 2016 (Wide) (United Kingdom) April 27th, 2016 (Wide) (Turkey) May 4th, 2016 (Wide) (Netherlands) May 13th, 2016 (Wide) (New Zealand) ... Show all releases |
| Video Release: | November 18th, 2016 by Focus Features, released as The Take |
| MPA Rating: | R for violence, language and some nudity. (Rating bulletin 2404 (Cert #49182), 12/16/2015) |
| Running Time: | 91 minutes |
| Plot point: | C.I.A., Confidence Men, Falsely Accused, Pickpocket, Terrorism |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | StudioCanal, Anton Capital Investors, Amazon Prime Instant Video, Vendome Pictures, TFI Films, Canal Plus, Cine Plus, Anonymous Content |
| Production Countries: | France, United States |
| Languages: | English, French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 18, 2016 | 42 | $41,546 | 100 | $415 | $41,546 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Nov 18, 2016 | - | $10,883 | 100 | $109 | $10,883 | 1 | |
| Nov 19, 2016 | - | $17,475 | +61% | 100 | $175 | $28,358 | 2 |
| Nov 20, 2016 | - | $13,188 | -25% | 100 | $132 | $41,546 | 3 |
| Nov 21, 2016 | - | $5,558 | -58% | 100 | $56 | $47,104 | 4 |
| Nov 22, 2016 | - | $3,165 | -43% | 100 | $32 | $50,269 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 11/25/2016 | $82,149 | 59 | 59 | 92 | $136,808 | 1/1/2019 | |||
| Australia | 5/13/2016 | $153,899 | 128 | 128 | 282 | $315,663 | 6/9/2016 | |||
| Bulgaria | 6/3/2016 | $6,617 | 0 | 0 | 0 | $14,299 | 2/26/2019 | |||
| China | 9/20/2016 | $780,000 | 8,391 | 24,571 | 8,391 | $2,148,284 | 4/4/2026 | |||
| Czech Republic | 5/19/2016 | $29,827 | 66 | 66 | 168 | $85,334 | 1/1/2019 | |||
| Italy | 7/14/2016 | $141,877 | 0 | 0 | 0 | $300,593 | 7/27/2016 | |||
| Lithuania | 5/13/2016 | $0 | 0 | 0 | 0 | $13,223 | 6/9/2016 | |||
| Mexico | 9/22/2016 | $434,138 | 0 | 0 | 0 | $801,739 | 10/4/2016 | |||
| Netherlands | 5/4/2016 | $98,137 | 67 | 67 | 313 | $663,385 | 6/28/2016 | |||
| New Zealand | 5/13/2016 | $27,485 | 31 | 34 | 107 | $81,706 | 8/1/2016 | |||
| Poland | 6/3/2016 | $37,121 | 0 | 0 | 0 | $37,121 | 12/31/2018 | |||
| Portugal | 9/9/2016 | $33,377 | 27 | 28 | 65 | $68,340 | 10/5/2016 | |||
| Russia (CIS) | 7/29/2016 | $114,287 | 400 | 3,237 | 3,649 | $231,099 | 12/31/2018 | |||
| South Korea | 10/10/2016 | $394,389 | 422 | 422 | 639 | $663,618 | 11/9/2016 | |||
| Switzerland | 4/6/2016 | $227,583 | 31 | 31 | 31 | $227,583 | 6/9/2016 | |||
| Turkey | 4/27/2016 | $53,728 | 98 | 98 | 215 | $138,428 | 2/26/2019 | |||
| United Kingdom | 4/22/2016 | $1,097,421 | 439 | 439 | 1,291 | $2,854,482 | 6/22/2016 | |||
| International Total | $8,781,705 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Idris Elba | Sean Briar | |
| Richard Madden | Michael Mason | |
| Charlotte Le Bon | Zoe Naville |
Supporting
| Kelly Reilly | Karen Dacre | |
| Jose Garcia | Victor Gamieux | |
| Anatol Yusef | Tom Luddy | |
| James Cox | Pierre | |
| Eriq Ebouaney | Baba | |
| Thierry Godard | Rafi Bertrand | |
| Vincent Londez | Yannick Bertrand |
Production and Technical Credits
| James Watkins | Director | |
| Andrew Baldwin | Screenwriter | |
| James Watkins | Screenwriter | |
| Philippe Rousselet | Producer | |
| David Kanter | Producer | |
| Bard Dorros | Producer | |
| Michael Dreyer | Executive Producer | |
| Fabrice Gianfermi | Executive Producer | |
| Guy Stodel | Executive Producer | |
| Steve Golin | Executive Producer | |
| Olivier Courson | Executive Producer | |
| Ron Halpern | Executive Producer | |
| Dan Macrae | Executive Producer | |
| Raphael Benoliel | Co-Producer | |
| Alex Heffes | Composer | |
| Tim Maurice-Jones | Director of Photography | |
| Paul Kirby | Production Designer | |
| Jon Harris | Editor | |
| Daniel Phillips | Make-up and Hair Designer | |
| Guy Speranza | Costume Designer | |
| Michael Laguens | Casting Director | |
| Julie Harkin | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.