The Bay of Silence (2020)
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| Theatrical Performance | ||
| Domestic Box Office | $1,941 | Details |
| International Box Office | $13,948 | Details |
| Worldwide Box Office | $15,889 | |
| OpusData ID: 470420100 More info... | ||
| Further financial details... | ||
Synopsis
Rosalind and Will live an enviable life in London. She’s a celebrated artist, he is a dependable engineer, willing stepfather to her twin eight-year old daughters. When the difficult birth of their son, Amadeo, rocks Rosalind’s carefully calibrated world, she abruptly disappears with her children and the young nanny, Candy. Will suspects a link to a recently arrived suitcase from France, filled with faded photographic negatives.
Metrics
| Opening Weekend: | $1,454 (74.9% of total gross) |
| Legs: | 1.33 (domestic box office/biggest weekend) |
| Domestic Share: | 12.2% (domestic box office/worldwide) |
| Theater counts: | 16 opening theaters/16 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,524 |
Movie Details
| Domestic Releases: | August 14th, 2020 (Virtual) by Vertical Entertainment |
| International Releases: | August 20th, 2020 (Wide), released as Залив тишины (Russia (CIS)) |
| Video Release: | August 14th, 2020 by Vertical Entertainment |
| Running Time: | 93 minutes |
| Geographical setting: | London |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Media Finance Capital, International Film Trust, Imperative Entertainment, Vigilants Entertainment, Tbos Film, Leviate Film, So What Pictures |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 14, 2020 | - | $1,454 | 16 | $91 | $1,454 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Aug 14, 2020 | - | $384 | 16 | $24 | $384 | 1 | |
| Aug 15, 2020 | - | $607 | +58% | 16 | $38 | $991 | 2 |
| Aug 16, 2020 | - | $463 | -24% | 16 | $29 | $1,454 | 3 |
| Aug 17, 2020 | - | $97 | -79% | 16 | $6 | $1,551 | 4 |
| Aug 18, 2020 | - | $216 | +123% | 16 | $14 | $1,767 | 5 |
| Aug 19, 2020 | - | $71 | -67% | 16 | $4 | $1,838 | 6 |
| Aug 20, 2020 | - | $103 | +45% | 16 | $6 | $1,941 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 14, 2020 | - | $1,941 | 16 | $121 | $1,941 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Russia (CIS) | 8/20/2020 | $6,206 | 134 | 134 | 199 | $13,948 | 10/19/2022 | |||
| International Total | $13,948 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Claes Bang | Will Walsh | |
| Olga Kurylenko | Rosalind Palliser | |
| Brian Cox | Milton Hunter |
Supporting
| Alice Krige | ||
| Assaad Bouab |
Production and Technical Credits
| Paula Van der Oest | Director | |
| Caroline Goodall | Screenwriter | |
| Lisa St Aubin de Teran | Story based on the book by | |
| Alain de Levita | Producer | |
| Cheyanne Kane | Producer | |
| Jason Newmark | Producer | |
| Caroline Goodall | Producer | |
| Peter Garde | Executive Producer | |
| Richard Mansell | Executive Producer | |
| Claes Bang | Executive Producer | |
| Olga Kurylenko | Executive Producer | |
| Kenner Bolt | Executive Producer | |
| Todd Olsson | Executive Producer | |
| Michael Benardya | Executive Producer | |
| Patrick Beharelle | Executive Producer | |
| Sondra Eoff | Executive Producer | |
| Toby Eoff | Executive Producer | |
| David E. Smith | Executive Producer | |
| Dan Friedkin | Executive Producer | |
| Charles Dorfman | Executive Producer | |
| David Gilbery | Executive Producer | |
| Kelly E. Ashton | Co-Producer | |
| Sharon Howard-Field | Co-Producer | |
| Carol T. Contes | Co-Producer | |
| Fabio Canepa | Co-Producer | |
| Guido van Gennep | Director of Photography | |
| Sander Vos | Editor | |
| Paul Tothill | Editor | |
| John Swihart | Composer | |
| Alex Body | Supervising Sound Editor | |
| Harry Ammerlaan | Production Designer | |
| Celia Yau | Costume Designer | |
| Sharon Howard-Field | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Rosalind and Will live an enviable life in London. She’s a celebrated artist, he is a dependable engineer, willing stepfather to her twin eight-year old daughters. When the difficult birth of their son, Amadeo, rocks Rosalind’s carefully calibrated world, she abruptly disappears with her children and the young nanny, Candy. Will suspects a link to a recently arrived suitcase from France, filled with faded photographic negatives.
Metrics
| Opening Weekend: | $1,454 (74.9% of total gross) |
| Legs: | 1.33 (domestic box office/biggest weekend) |
| Domestic Share: | 12.2% (domestic box office/worldwide) |
| Theater counts: | 16 opening theaters/16 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,524 |
Movie Details
| Domestic Releases: | August 14th, 2020 (Virtual) by Vertical Entertainment |
| International Releases: | August 20th, 2020 (Wide), released as Залив тишины (Russia (CIS)) |
| Video Release: | August 14th, 2020 by Vertical Entertainment |
| Running Time: | 93 minutes |
| Geographical setting: | London |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Media Finance Capital, International Film Trust, Imperative Entertainment, Vigilants Entertainment, Tbos Film, Leviate Film, So What Pictures |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 14, 2020 | - | $1,454 | 16 | $91 | $1,454 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Aug 14, 2020 | - | $384 | 16 | $24 | $384 | 1 | |
| Aug 15, 2020 | - | $607 | +58% | 16 | $38 | $991 | 2 |
| Aug 16, 2020 | - | $463 | -24% | 16 | $29 | $1,454 | 3 |
| Aug 17, 2020 | - | $97 | -79% | 16 | $6 | $1,551 | 4 |
| Aug 18, 2020 | - | $216 | +123% | 16 | $14 | $1,767 | 5 |
| Aug 19, 2020 | - | $71 | -67% | 16 | $4 | $1,838 | 6 |
| Aug 20, 2020 | - | $103 | +45% | 16 | $6 | $1,941 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 14, 2020 | - | $1,941 | 16 | $121 | $1,941 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Russia (CIS) | 8/20/2020 | $6,206 | 134 | 134 | 199 | $13,948 | 10/19/2022 | |||
| International Total | $13,948 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Claes Bang | Will Walsh | |
| Olga Kurylenko | Rosalind Palliser | |
| Brian Cox | Milton Hunter |
Supporting
| Alice Krige | ||
| Assaad Bouab |
Production and Technical Credits
| Paula Van der Oest | Director | |
| Caroline Goodall | Screenwriter | |
| Lisa St Aubin de Teran | Story based on the book by | |
| Alain de Levita | Producer | |
| Cheyanne Kane | Producer | |
| Jason Newmark | Producer | |
| Caroline Goodall | Producer | |
| Peter Garde | Executive Producer | |
| Richard Mansell | Executive Producer | |
| Claes Bang | Executive Producer | |
| Olga Kurylenko | Executive Producer | |
| Kenner Bolt | Executive Producer | |
| Todd Olsson | Executive Producer | |
| Michael Benardya | Executive Producer | |
| Patrick Beharelle | Executive Producer | |
| Sondra Eoff | Executive Producer | |
| Toby Eoff | Executive Producer | |
| David E. Smith | Executive Producer | |
| Dan Friedkin | Executive Producer | |
| Charles Dorfman | Executive Producer | |
| David Gilbery | Executive Producer | |
| Kelly E. Ashton | Co-Producer | |
| Sharon Howard-Field | Co-Producer | |
| Carol T. Contes | Co-Producer | |
| Fabio Canepa | Co-Producer | |
| Guido van Gennep | Director of Photography | |
| Sander Vos | Editor | |
| Paul Tothill | Editor | |
| John Swihart | Composer | |
| Alex Body | Supervising Sound Editor | |
| Harry Ammerlaan | Production Designer | |
| Celia Yau | Costume Designer | |
| Sharon Howard-Field | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.