Be Natural: The Untold Story Of Alice Guy-Blaché (2018)
-(2019).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $115,705 | Details |
| International Box Office | $77,578 | Details |
| Worldwide Box Office | $193,283 | |
| OpusData ID: 331950100 More info... | ||
| Further financial details... | ||
Synopsis
Alice Guy-Blaché was a true pioneer who got into the movie business at the very beginning—in 1894, at the age of 21. Two years later, she was made head of production at Gaumont and started directing films. She and her husband moved to the United States, and she founded her own company, Solax, in 1910—they started in Flushing and moved to a bigger facility in Fort Lee, New Jersey. But by 1919, Guy-Blaché’s career came to an abrupt end, and she and the 1000 films that bore her name were largely forgotten.
Metrics
| Opening Weekend: | $3,237 (2.8% of total gross) |
| Legs: | 13.44 (domestic box office/biggest weekend) |
| Domestic Share: | 59.9% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/23 max. theaters, 4.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $151,067 |
Movie Details
| Domestic Releases: | April 19th, 2019 (Limited) by Zeitgeist March 13th, 2020 (Virtual) by Zeitgeist |
| International Releases: | November 5th, 2018 (Wide), released as Be Natural: A História não Contada da Primeira Cineasta do Mundo (Brazil)
August 2nd, 2019 (Wide), released as Be Natural: The Untold Story Of Alice Guy-blance (Australia) January 17th, 2020 (Limited), released as Be Natural: The Untold Story Of Alice Guy-Blache (United Kingdom) July 31st, 2020 (Wide), released as Будь естественным: Нерассказанная история Алис Ги-Блаше (Russia (CIS)) May 14th, 2021 (Wide) (Portugal) ... Show all releases |
| Video Release: | August 20th, 2019 by Zeitgeist Home |
| MPA Rating: | Not Rated |
| Running Time: | 103 minutes |
| Cast, crew, or production detail: | Archive Footage, Voiceover/Narration |
| Geographical setting: | New Jersey |
| Plot point: | Biography, Movie Director, Woman in a Male Dominated Profession |
| Social setting: | Movie Business |
| Time period setting: | 1890s, 1900s, 1910s |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Wildwood Enterprises, Artemis Rising Foundation, Foothill Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 19, 2019 | 82 | $3,237 | 1 | $3,237 | $3,237 | 1 | |
| Apr 26, 2019 | 58 | $8,612 | +166% | 4 | $2,153 | $22,960 | 2 |
| May 3, 2019 | 61 | $5,821 | -32% | 7 | $832 | $35,195 | 3 |
| May 10, 2019 | 80 | $1,118 | -81% | 1 | $1,118 | $40,805 | 4 |
| May 17, 2019 | 86 | $1,002 | -10% | 2 | $501 | $42,940 | 5 |
| May 24, 2019 | 66 | $6,012 | +500% | 14 | $429 | $50,554 | 6 |
| May 31, 2019 | 79 | $1,214 | -80% | 5 | $243 | $55,217 | 7 |
| Jun 7, 2019 | 88 | $244 | -80% | 2 | $122 | $55,805 | 8 |
| Jun 14, 2019 | 65 | $1,676 | +587% | 5 | $335 | $57,713 | 9 |
| Jun 21, 2019 | 63 | $3,003 | +79% | 4 | $751 | $62,357 | 10 |
| Jul 5, 2019 | 66 | $1,897 | 6 | $316 | $70,595 | 12 | |
| Jul 12, 2019 | 68 | $1,802 | -5% | 6 | $300 | $75,772 | 13 |
| Jul 19, 2019 | 70 | $1,681 | -7% | 5 | $336 | $78,090 | 14 |
| Jul 26, 2019 | 52 | $2,899 | +72% | 3 | $966 | $83,181 | 15 |
| Aug 2, 2019 | 74 | $782 | -73% | 3 | $261 | $86,146 | 16 |
| Aug 9, 2019 | 64 | $2,198 | +181% | 7 | $314 | $88,976 | 17 |
| Aug 16, 2019 | 73 | $987 | -55% | 3 | $329 | $90,576 | 18 |
| Sep 6, 2019 | 79 | $488 | 3 | $163 | $98,053 | 21 | |
| Sep 13, 2019 | 94 | $167 | -66% | 2 | $84 | $98,016 | 22 |
| Sep 27, 2019 | 81 | $1,350 | 3 | $450 | $102,700 | 24 | |
| Oct 4, 2019 | 84 | $828 | -39% | 1 | $828 | $103,351 | 25 |
| Oct 11, 2019 | 81 | $558 | -33% | 3 | $186 | $103,909 | 26 |
| Oct 18, 2019 | 90 | $454 | -19% | 3 | $151 | $105,269 | 27 |
| Oct 25, 2019 | 80 | $1,215 | +168% | 3 | $405 | $106,961 | 28 |
| Nov 1, 2019 | 62 | $2,523 | +108% | 2 | $1,262 | $109,484 | 29 |
| Nov 8, 2019 | 75 | $762 | -70% | 3 | $254 | $110,321 | 30 |
| Nov 15, 2019 | 59 | $3,324 | +336% | 3 | $1,108 | $113,765 | 31 |
| Nov 22, 2019 | 86 | $84 | -97% | 1 | $84 | $113,849 | 32 |
| Jan 3, 2020 | 71 | $324 | 1 | $324 | $114,238 | 38 | |
| Jan 17, 2020 | 70 | $277 | 1 | $277 | $114,864 | 40 | |
| Feb 7, 2020 | 66 | $20 | 1 | $20 | $115,264 | 43 | |
| Mar 27, 2020 | 4 | $192 | 1 | $192 | $115,684 | 50 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 20, 2020 | - | $67 | 1 | $67 | $114,654 | 277 | ||
| Jan 21, 2020 | - | $18 | -73% | 1 | $18 | $114,672 | 278 | |
| Jan 22, 2020 | - | $41 | +128% | 1 | $41 | $114,713 | 279 | |
| Jan 23, 2020 | - | $40 | -2% | 1 | $40 | $114,753 | 280 | |
| Mar 18, 2020 | - | $14 | 1 | $14 | $115,278 | 335 | ||
| Mar 19, 2020 | - | $16 | +14% | 1 | $16 | $115,294 | 336 | |
| Mar 25, 2020 | - | $174 | +1,143% | 1 | $174 | $115,468 | 342 | |
| Mar 26, 2020 | - | $24 | -86% | +50% | 1 | $24 | $115,492 | 343 |
| Mar 27, 2020 | - | $192 | +700% | 1 | $192 | $115,684 | 344 | |
| Jun 14, 2020 | - | $20 | 1 | $20 | $115,705 | 423 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 19, 2019 | 66 | $14,348 | 1 | $14,348 | $14,348 | 1 | |
| Apr 26, 2019 | 56 | $15,026 | +5% | 4 | $3,757 | $29,374 | 2 |
| May 3, 2019 | 61 | $10,313 | -31% | 8 | $1,289 | $39,687 | 3 |
| May 10, 2019 | 81 | $2,251 | -78% | 1 | $2,251 | $41,938 | 4 |
| May 17, 2019 | 83 | $2,156 | -4% | 5 | $431 | $44,542 | 5 |
| May 24, 2019 | 68 | $9,461 | +339% | 14 | $676 | $54,003 | 6 |
| May 31, 2019 | 85 | $1,558 | -84% | 6 | $260 | $55,561 | 7 |
| Jun 7, 2019 | - | $467 | -70% | 2 | $234 | $56,028 | 8 |
| Jun 14, 2019 | - | $3,297 | +606% | 5 | $659 | $59,334 | 9 |
| Jun 21, 2019 | 64 | $4,998 | +52% | 6 | $833 | $64,332 | 10 |
| Jun 28, 2019 | 71 | $4,357 | -13% | 10 | $436 | $68,689 | 11 |
| Jul 5, 2019 | 61 | $5,272 | +21% | 10 | $527 | $73,961 | 12 |
| Jul 12, 2019 | 77 | $2,439 | -54% | 7 | $348 | $76,400 | 13 |
| Jul 19, 2019 | 69 | $2,824 | +16% | 5 | $565 | $80,273 | 14 |
| Jul 26, 2019 | 60 | $3,562 | +26% | 4 | $891 | $83,835 | 15 |
| Aug 2, 2019 | 79 | $1,414 | -60% | 3 | $471 | $85,249 | 16 |
| Aug 9, 2019 | 73 | $2,820 | +99% | 7 | $403 | $89,589 | 17 |
| Aug 16, 2019 | 71 | $3,107 | +10% | 3 | $1,036 | $92,696 | 18 |
| Aug 23, 2019 | 76 | $2,359 | -24% | 4 | $590 | $95,055 | 19 |
| Aug 30, 2019 | 76 | $2,285 | -3% | 1 | $2,285 | $97,340 | 20 |
| Sep 6, 2019 | 86 | $284 | -88% | 3 | $95 | $97,624 | 21 |
| Sep 13, 2019 | 95 | $921 | +224% | 23 | $40 | $98,545 | 22 |
| Sep 20, 2019 | 91 | $950 | +3% | 3 | $317 | $99,495 | 23 |
| Sep 27, 2019 | 94 | $1,678 | +77% | 3 | $559 | $102,523 | 24 |
| Oct 4, 2019 | 92 | $828 | -51% | 1 | $828 | $103,351 | 25 |
| Oct 11, 2019 | 76 | $1,464 | +77% | 3 | $488 | $104,815 | 26 |
| Oct 18, 2019 | 88 | $931 | -36% | 3 | $310 | $105,746 | 27 |
| Oct 25, 2019 | 82 | $1,215 | +31% | 3 | $405 | $106,961 | 28 |
| Nov 1, 2019 | 71 | $2,598 | +114% | 2 | $1,299 | $109,559 | 29 |
| Nov 8, 2019 | 80 | $882 | -66% | 3 | $294 | $110,441 | 30 |
| Nov 15, 2019 | 68 | $3,324 | +277% | 3 | $1,108 | $113,765 | 31 |
| Nov 22, 2019 | 88 | $84 | -97% | 1 | $84 | $113,849 | 32 |
| Dec 13, 2019 | 82 | $65 | 1 | $65 | $113,914 | 35 | |
| Jan 3, 2020 | 71 | $396 | 1 | $396 | $114,310 | 38 | |
| Jan 10, 2020 | 71 | $277 | -30% | 1 | $277 | $114,587 | 39 |
| Jan 17, 2020 | 71 | $166 | -40% | 1 | $166 | $114,753 | 40 |
| Jan 24, 2020 | 71 | $491 | +196% | 1 | $491 | $115,244 | 41 |
| Mar 13, 2020 | 56 | $30 | 1 | $30 | $115,294 | 48 | |
| Mar 20, 2020 | 4 | $198 | +560% | 1 | $198 | $115,492 | 49 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/2/2019 | $2,330 | 3 | 3 | 14 | $7,315 | 10/19/2022 | |||
| Brazil | 11/5/2018 | $0 | 0 | 1 | 1 | $3,052 | 6/26/2021 | |||
| Portugal | 5/14/2021 | $86 | 2 | 2 | 3 | $214 | 6/8/2021 | |||
| Russia (CIS) | 7/31/2020 | $305 | 1 | 2 | 4 | $1,498 | 10/19/2022 | |||
| South Korea | 8/11/2023 | $59 | 1 | 1 | 1 | $59 | 8/30/2023 | |||
| United Kingdom | 1/17/2020 | $1,884 | 2 | 2 | 5 | $8,579 | 4/4/2026 | |||
| Rest of World | $56,861 | |||||||||
| International Total | $77,578 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Alice Guy Blaché | Herself |
Narrator
| Jodie Foster | Narrator |
Production and Technical Credits
| Pamela B. Green | Director | |
| Pamela B. Green | Producer | |
| Pamela B. Green | Editor | |
| Pamela B. Green | Screenwriter | |
| Joan Simon | Screenwriter | |
| Alison McMahan | Story Based on “Alice Guy Blache, Lost Visionary of the Cinema” by | |
| Robert Redford | Executive Producer | |
| Hugh Hefner | Executive Producer | |
| John Ptak | Executive Producer | |
| Jodie Foster | Executive Producer | |
| Geralyn Dreyfous | Executive Producer | |
| Regina K. Scully | Executive Producer | |
| Joan Simon | Executive Producer | |
| Jamie Wolf | Executive Producer | |
| Barbara Bridges | Co-Executive Producer | |
| Caroleen Feeney | Co-Executive Producer | |
| Gerald Herman | Co-Executive Producer | |
| Gregory McClatchy | Co-Executive Producer | |
| Cosima Littlewood | Co-Producer | |
| Gala Minasova | Co-Producer | |
| Daniela Roth | Associate Producer | |
| Jarik van Sluijs | Associate Producer | |
| Alison McMahan | Consulting Producer | |
| Peter G. Adams | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Alice Guy-Blaché was a true pioneer who got into the movie business at the very beginning—in 1894, at the age of 21. Two years later, she was made head of production at Gaumont and started directing films. She and her husband moved to the United States, and she founded her own company, Solax, in 1910—they started in Flushing and moved to a bigger facility in Fort Lee, New Jersey. But by 1919, Guy-Blaché’s career came to an abrupt end, and she and the 1000 films that bore her name were largely forgotten.
Metrics
| Opening Weekend: | $3,237 (2.8% of total gross) |
| Legs: | 13.44 (domestic box office/biggest weekend) |
| Domestic Share: | 59.9% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/23 max. theaters, 4.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $151,067 |
Movie Details
| Domestic Releases: | April 19th, 2019 (Limited) by Zeitgeist March 13th, 2020 (Virtual) by Zeitgeist |
| International Releases: | November 5th, 2018 (Wide), released as Be Natural: A História não Contada da Primeira Cineasta do Mundo (Brazil)
August 2nd, 2019 (Wide), released as Be Natural: The Untold Story Of Alice Guy-blance (Australia) January 17th, 2020 (Limited), released as Be Natural: The Untold Story Of Alice Guy-Blache (United Kingdom) July 31st, 2020 (Wide), released as Будь естественным: Нерассказанная история Алис Ги-Блаше (Russia (CIS)) May 14th, 2021 (Wide) (Portugal) ... Show all releases |
| Video Release: | August 20th, 2019 by Zeitgeist Home |
| MPA Rating: | Not Rated |
| Running Time: | 103 minutes |
| Cast, crew, or production detail: | Archive Footage, Voiceover/Narration |
| Geographical setting: | New Jersey |
| Plot point: | Biography, Movie Director, Woman in a Male Dominated Profession |
| Social setting: | Movie Business |
| Time period setting: | 1890s, 1900s, 1910s |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Wildwood Enterprises, Artemis Rising Foundation, Foothill Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 19, 2019 | 82 | $3,237 | 1 | $3,237 | $3,237 | 1 | |
| Apr 26, 2019 | 58 | $8,612 | +166% | 4 | $2,153 | $22,960 | 2 |
| May 3, 2019 | 61 | $5,821 | -32% | 7 | $832 | $35,195 | 3 |
| May 10, 2019 | 80 | $1,118 | -81% | 1 | $1,118 | $40,805 | 4 |
| May 17, 2019 | 86 | $1,002 | -10% | 2 | $501 | $42,940 | 5 |
| May 24, 2019 | 66 | $6,012 | +500% | 14 | $429 | $50,554 | 6 |
| May 31, 2019 | 79 | $1,214 | -80% | 5 | $243 | $55,217 | 7 |
| Jun 7, 2019 | 88 | $244 | -80% | 2 | $122 | $55,805 | 8 |
| Jun 14, 2019 | 65 | $1,676 | +587% | 5 | $335 | $57,713 | 9 |
| Jun 21, 2019 | 63 | $3,003 | +79% | 4 | $751 | $62,357 | 10 |
| Jul 5, 2019 | 66 | $1,897 | 6 | $316 | $70,595 | 12 | |
| Jul 12, 2019 | 68 | $1,802 | -5% | 6 | $300 | $75,772 | 13 |
| Jul 19, 2019 | 70 | $1,681 | -7% | 5 | $336 | $78,090 | 14 |
| Jul 26, 2019 | 52 | $2,899 | +72% | 3 | $966 | $83,181 | 15 |
| Aug 2, 2019 | 74 | $782 | -73% | 3 | $261 | $86,146 | 16 |
| Aug 9, 2019 | 64 | $2,198 | +181% | 7 | $314 | $88,976 | 17 |
| Aug 16, 2019 | 73 | $987 | -55% | 3 | $329 | $90,576 | 18 |
| Sep 6, 2019 | 79 | $488 | 3 | $163 | $98,053 | 21 | |
| Sep 13, 2019 | 94 | $167 | -66% | 2 | $84 | $98,016 | 22 |
| Sep 27, 2019 | 81 | $1,350 | 3 | $450 | $102,700 | 24 | |
| Oct 4, 2019 | 84 | $828 | -39% | 1 | $828 | $103,351 | 25 |
| Oct 11, 2019 | 81 | $558 | -33% | 3 | $186 | $103,909 | 26 |
| Oct 18, 2019 | 90 | $454 | -19% | 3 | $151 | $105,269 | 27 |
| Oct 25, 2019 | 80 | $1,215 | +168% | 3 | $405 | $106,961 | 28 |
| Nov 1, 2019 | 62 | $2,523 | +108% | 2 | $1,262 | $109,484 | 29 |
| Nov 8, 2019 | 75 | $762 | -70% | 3 | $254 | $110,321 | 30 |
| Nov 15, 2019 | 59 | $3,324 | +336% | 3 | $1,108 | $113,765 | 31 |
| Nov 22, 2019 | 86 | $84 | -97% | 1 | $84 | $113,849 | 32 |
| Jan 3, 2020 | 71 | $324 | 1 | $324 | $114,238 | 38 | |
| Jan 17, 2020 | 70 | $277 | 1 | $277 | $114,864 | 40 | |
| Feb 7, 2020 | 66 | $20 | 1 | $20 | $115,264 | 43 | |
| Mar 27, 2020 | 4 | $192 | 1 | $192 | $115,684 | 50 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 20, 2020 | - | $67 | 1 | $67 | $114,654 | 277 | ||
| Jan 21, 2020 | - | $18 | -73% | 1 | $18 | $114,672 | 278 | |
| Jan 22, 2020 | - | $41 | +128% | 1 | $41 | $114,713 | 279 | |
| Jan 23, 2020 | - | $40 | -2% | 1 | $40 | $114,753 | 280 | |
| Mar 18, 2020 | - | $14 | 1 | $14 | $115,278 | 335 | ||
| Mar 19, 2020 | - | $16 | +14% | 1 | $16 | $115,294 | 336 | |
| Mar 25, 2020 | - | $174 | +1,143% | 1 | $174 | $115,468 | 342 | |
| Mar 26, 2020 | - | $24 | -86% | +50% | 1 | $24 | $115,492 | 343 |
| Mar 27, 2020 | - | $192 | +700% | 1 | $192 | $115,684 | 344 | |
| Jun 14, 2020 | - | $20 | 1 | $20 | $115,705 | 423 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 19, 2019 | 66 | $14,348 | 1 | $14,348 | $14,348 | 1 | |
| Apr 26, 2019 | 56 | $15,026 | +5% | 4 | $3,757 | $29,374 | 2 |
| May 3, 2019 | 61 | $10,313 | -31% | 8 | $1,289 | $39,687 | 3 |
| May 10, 2019 | 81 | $2,251 | -78% | 1 | $2,251 | $41,938 | 4 |
| May 17, 2019 | 83 | $2,156 | -4% | 5 | $431 | $44,542 | 5 |
| May 24, 2019 | 68 | $9,461 | +339% | 14 | $676 | $54,003 | 6 |
| May 31, 2019 | 85 | $1,558 | -84% | 6 | $260 | $55,561 | 7 |
| Jun 7, 2019 | - | $467 | -70% | 2 | $234 | $56,028 | 8 |
| Jun 14, 2019 | - | $3,297 | +606% | 5 | $659 | $59,334 | 9 |
| Jun 21, 2019 | 64 | $4,998 | +52% | 6 | $833 | $64,332 | 10 |
| Jun 28, 2019 | 71 | $4,357 | -13% | 10 | $436 | $68,689 | 11 |
| Jul 5, 2019 | 61 | $5,272 | +21% | 10 | $527 | $73,961 | 12 |
| Jul 12, 2019 | 77 | $2,439 | -54% | 7 | $348 | $76,400 | 13 |
| Jul 19, 2019 | 69 | $2,824 | +16% | 5 | $565 | $80,273 | 14 |
| Jul 26, 2019 | 60 | $3,562 | +26% | 4 | $891 | $83,835 | 15 |
| Aug 2, 2019 | 79 | $1,414 | -60% | 3 | $471 | $85,249 | 16 |
| Aug 9, 2019 | 73 | $2,820 | +99% | 7 | $403 | $89,589 | 17 |
| Aug 16, 2019 | 71 | $3,107 | +10% | 3 | $1,036 | $92,696 | 18 |
| Aug 23, 2019 | 76 | $2,359 | -24% | 4 | $590 | $95,055 | 19 |
| Aug 30, 2019 | 76 | $2,285 | -3% | 1 | $2,285 | $97,340 | 20 |
| Sep 6, 2019 | 86 | $284 | -88% | 3 | $95 | $97,624 | 21 |
| Sep 13, 2019 | 95 | $921 | +224% | 23 | $40 | $98,545 | 22 |
| Sep 20, 2019 | 91 | $950 | +3% | 3 | $317 | $99,495 | 23 |
| Sep 27, 2019 | 94 | $1,678 | +77% | 3 | $559 | $102,523 | 24 |
| Oct 4, 2019 | 92 | $828 | -51% | 1 | $828 | $103,351 | 25 |
| Oct 11, 2019 | 76 | $1,464 | +77% | 3 | $488 | $104,815 | 26 |
| Oct 18, 2019 | 88 | $931 | -36% | 3 | $310 | $105,746 | 27 |
| Oct 25, 2019 | 82 | $1,215 | +31% | 3 | $405 | $106,961 | 28 |
| Nov 1, 2019 | 71 | $2,598 | +114% | 2 | $1,299 | $109,559 | 29 |
| Nov 8, 2019 | 80 | $882 | -66% | 3 | $294 | $110,441 | 30 |
| Nov 15, 2019 | 68 | $3,324 | +277% | 3 | $1,108 | $113,765 | 31 |
| Nov 22, 2019 | 88 | $84 | -97% | 1 | $84 | $113,849 | 32 |
| Dec 13, 2019 | 82 | $65 | 1 | $65 | $113,914 | 35 | |
| Jan 3, 2020 | 71 | $396 | 1 | $396 | $114,310 | 38 | |
| Jan 10, 2020 | 71 | $277 | -30% | 1 | $277 | $114,587 | 39 |
| Jan 17, 2020 | 71 | $166 | -40% | 1 | $166 | $114,753 | 40 |
| Jan 24, 2020 | 71 | $491 | +196% | 1 | $491 | $115,244 | 41 |
| Mar 13, 2020 | 56 | $30 | 1 | $30 | $115,294 | 48 | |
| Mar 20, 2020 | 4 | $198 | +560% | 1 | $198 | $115,492 | 49 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/2/2019 | $2,330 | 3 | 3 | 14 | $7,315 | 10/19/2022 | |||
| Brazil | 11/5/2018 | $0 | 0 | 1 | 1 | $3,052 | 6/26/2021 | |||
| Portugal | 5/14/2021 | $86 | 2 | 2 | 3 | $214 | 6/8/2021 | |||
| Russia (CIS) | 7/31/2020 | $305 | 1 | 2 | 4 | $1,498 | 10/19/2022 | |||
| South Korea | 8/11/2023 | $59 | 1 | 1 | 1 | $59 | 8/30/2023 | |||
| United Kingdom | 1/17/2020 | $1,884 | 2 | 2 | 5 | $8,579 | 4/4/2026 | |||
| Rest of World | $56,861 | |||||||||
| International Total | $77,578 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Alice Guy Blaché | Herself |
Narrator
| Jodie Foster | Narrator |
Production and Technical Credits
| Pamela B. Green | Director | |
| Pamela B. Green | Producer | |
| Pamela B. Green | Editor | |
| Pamela B. Green | Screenwriter | |
| Joan Simon | Screenwriter | |
| Alison McMahan | Story Based on “Alice Guy Blache, Lost Visionary of the Cinema” by | |
| Robert Redford | Executive Producer | |
| Hugh Hefner | Executive Producer | |
| John Ptak | Executive Producer | |
| Jodie Foster | Executive Producer | |
| Geralyn Dreyfous | Executive Producer | |
| Regina K. Scully | Executive Producer | |
| Joan Simon | Executive Producer | |
| Jamie Wolf | Executive Producer | |
| Barbara Bridges | Co-Executive Producer | |
| Caroleen Feeney | Co-Executive Producer | |
| Gerald Herman | Co-Executive Producer | |
| Gregory McClatchy | Co-Executive Producer | |
| Cosima Littlewood | Co-Producer | |
| Gala Minasova | Co-Producer | |
| Daniela Roth | Associate Producer | |
| Jarik van Sluijs | Associate Producer | |
| Alison McMahan | Consulting Producer | |
| Peter G. Adams | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
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