Beautiful Girls (1996)
| Theatrical Performance | ||
| Domestic Box Office | $10,523,880 | Details |
| OpusData ID: 36410100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $2,761,790 (26.2% of total gross) |
| Legs: | 3.81 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 752 opening theaters/803 max. theaters, 3.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $26,928,748 |
Movie Details
| Domestic Releases: | February 9th, 1996 (Wide) by Miramax |
| Video Release: | March 26th, 2013 by Echo Bridge/Miramax |
| MPA Rating: | R for strong language and nude pin-ups |
| Running Time: | 112 minutes |
| Cast, crew, or production detail: | Ensemble |
| Plot point: | Delayed Adulthood, Eating Disorder, Infidelity, Love Triangle, Mid-Life Crisis, Musicians, Relationships Gone Wrong, Romance, You Can't Go Home Again |
| Social setting: | High School Reunions |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 9, 1996 | 7 | $2,761,790 | 752 | $3,673 | $2,761,790 | 1 | |
| Feb 16, 1996 | 12 | $2,517,478 | -9% | 803 | $3,135 | $6,207,126 | 2 |
| Feb 23, 1996 | 15 | $1,210,295 | -52% | 542 | $2,233 | $7,976,210 | 3 |
| Mar 1, 1996 | 17 | $876,959 | -28% | 492 | $1,782 | $9,247,138 | 4 |
| Mar 8, 1996 | 26 | $378,564 | -57% | 286 | $1,324 | $9,932,017 | 5 |
| Mar 15, 1996 | 32 | $165,561 | -56% | 172 | $963 | $10,253,197 | 6 |
| Mar 22, 1996 | 39 | $107,402 | -35% | 119 | $903 | $10,439,854 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 9, 1996 | 9 | $3,689,648 | 752 | $4,906 | $3,689,648 | 1 | |
| Feb 16, 1996 | 12 | $3,076,267 | -17% | 803 | $3,831 | $6,765,915 | 2 |
| Feb 23, 1996 | 15 | $1,604,264 | -48% | 542 | $2,960 | $8,370,179 | 3 |
| Mar 1, 1996 | 17 | $1,183,274 | -26% | 492 | $2,405 | $9,553,453 | 4 |
| Mar 8, 1996 | 27 | $534,183 | -55% | 286 | $1,868 | $10,087,636 | 5 |
| Mar 15, 1996 | 31 | $244,816 | -54% | 172 | $1,423 | $10,332,452 | 6 |
Leading
| Timothy Hutton | Willie Conway | |
| Matt Dillon | Tommy "Birdman" Rowland | |
| Noah Emmerich | Michael "Mo" Morris | |
| Michael Rapaport | Paul Kirkwood |
Supporting
| Rosie O'Donnell | Gina Barrisano | |
| David Arquette | Bobby Conway | |
| Mira Sorvino | Sharon Cassidy | |
| Uma Thurman | Andera | |
| Natalie Portman | Marty | |
| Annabeth Gish | Tracy Stover | |
| Lauren Holly | Darian Smalls | |
| Pruitt Taylor Vince | Stanley 'Stinky' Womack | |
| Max Perlich | Kev |
Cameo
| Martha Plimpton | Jan | |
| Sam Robards | Steve Rossmore |
Production and Technical Credits
| Ted Demme | Director | |
| Scott Rosenberg | Screenwriter | |
| Harvey Weinstein | Executive Producer | |
| Bob Weinstein | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $2,761,790 (26.2% of total gross) |
| Legs: | 3.81 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 752 opening theaters/803 max. theaters, 3.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $26,928,748 |
Movie Details
| Domestic Releases: | February 9th, 1996 (Wide) by Miramax |
| Video Release: | March 26th, 2013 by Echo Bridge/Miramax |
| MPA Rating: | R for strong language and nude pin-ups |
| Running Time: | 112 minutes |
| Cast, crew, or production detail: | Ensemble |
| Plot point: | Delayed Adulthood, Eating Disorder, Infidelity, Love Triangle, Mid-Life Crisis, Musicians, Relationships Gone Wrong, Romance, You Can't Go Home Again |
| Social setting: | High School Reunions |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 9, 1996 | 7 | $2,761,790 | 752 | $3,673 | $2,761,790 | 1 | |
| Feb 16, 1996 | 12 | $2,517,478 | -9% | 803 | $3,135 | $6,207,126 | 2 |
| Feb 23, 1996 | 15 | $1,210,295 | -52% | 542 | $2,233 | $7,976,210 | 3 |
| Mar 1, 1996 | 17 | $876,959 | -28% | 492 | $1,782 | $9,247,138 | 4 |
| Mar 8, 1996 | 26 | $378,564 | -57% | 286 | $1,324 | $9,932,017 | 5 |
| Mar 15, 1996 | 32 | $165,561 | -56% | 172 | $963 | $10,253,197 | 6 |
| Mar 22, 1996 | 39 | $107,402 | -35% | 119 | $903 | $10,439,854 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 9, 1996 | 9 | $3,689,648 | 752 | $4,906 | $3,689,648 | 1 | |
| Feb 16, 1996 | 12 | $3,076,267 | -17% | 803 | $3,831 | $6,765,915 | 2 |
| Feb 23, 1996 | 15 | $1,604,264 | -48% | 542 | $2,960 | $8,370,179 | 3 |
| Mar 1, 1996 | 17 | $1,183,274 | -26% | 492 | $2,405 | $9,553,453 | 4 |
| Mar 8, 1996 | 27 | $534,183 | -55% | 286 | $1,868 | $10,087,636 | 5 |
| Mar 15, 1996 | 31 | $244,816 | -54% | 172 | $1,423 | $10,332,452 | 6 |
Leading
| Timothy Hutton | Willie Conway | |
| Matt Dillon | Tommy "Birdman" Rowland | |
| Noah Emmerich | Michael "Mo" Morris | |
| Michael Rapaport | Paul Kirkwood |
Supporting
| Rosie O'Donnell | Gina Barrisano | |
| David Arquette | Bobby Conway | |
| Mira Sorvino | Sharon Cassidy | |
| Uma Thurman | Andera | |
| Natalie Portman | Marty | |
| Annabeth Gish | Tracy Stover | |
| Lauren Holly | Darian Smalls | |
| Pruitt Taylor Vince | Stanley 'Stinky' Womack | |
| Max Perlich | Kev |
Cameo
| Martha Plimpton | Jan | |
| Sam Robards | Steve Rossmore |
Production and Technical Credits
| Ted Demme | Director | |
| Scott Rosenberg | Screenwriter | |
| Harvey Weinstein | Executive Producer | |
| Bob Weinstein | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.