Bel Canto (2018)
| Theatrical Performance | ||
| Domestic Box Office | $80,134 | Details |
| International Box Office | $189,303 | Details |
| Worldwide Box Office | $269,437 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $41,401 | |
| Blu-ray Sales (estimated) | $41,132 | |
| Total | $82,533 | |
| OpusData ID: 281980100 More info... | ||
| Further financial details... | ||
Synopsis
Roxane Coss, a famous American soprano, travels to South America to give a private concert at the birthday party of rich Japanese industrialist Katsumi Hosokawa. Just as a handsome gathering of local dignitaries convenes at Vice-President Ruben Ochoa’s mansion, including French Ambassador Thibault and his wife, Hosokawa’s faithful translator Gen, and Russian trade delegate Fyorodov, the house is taken over by guerrillas demanding the release of their imprisoned comrades. Their only contact with the outside world is through Red Cross negotiator Messner. A month long standoff ensues in which hostages and captors must overcome their differences and find their shared humanity and hope in the face of impending disaster.
Metrics
| Opening Weekend: | $12,421 (15.5% of total gross) |
| Legs: | 3.13 (domestic box office/biggest weekend) |
| Domestic Share: | 29.7% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/30 max. theaters, 1.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $105,200 |
Movie Details
| Domestic Releases: | September 14th, 2018 (Limited) by Screen Media Films |
| International Releases: | September 13th, 2018 (Wide), released as БЕЛЬКАНТО (Russia (CIS))
October 5th, 2018 (Wide) (Lithuania) November 2nd, 2018 (Wide), released as Tutsak (Turkey) November 9th, 2018 (Wide) (Portugal) March 22nd, 2019 (Wide), released as Bel Canto. La ultima funcion (Spain) ... Show all releases |
| Video Release: | November 6th, 2018 by Screen Media Video |
| MPA Rating: | Not Rated |
| Running Time: | 100 minutes |
| Geographical setting: | Fictional Country, South America |
| Plot point: | Kidnap, Opera |
| Social setting: | Revolution |
| Time period setting: | 1990s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Priority Pictures, A-Line Pictures, Depth of Field, Bloom |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 14, 2018 | 61 | $12,421 | 2 | $6,211 | $12,421 | 1 | |
| Sep 21, 2018 | 50 | $25,566 | +106% | 30 | $852 | $43,025 | 2 |
| Sep 28, 2018 | 65 | $11,677 | -54% | 18 | $649 | $67,261 | 3 |
| Oct 5, 2018 | 85 | $1,895 | -84% | 4 | $474 | $77,148 | 4 |
| Oct 12, 2018 | 89 | $766 | -60% | 2 | $383 | $79,867 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 14, 2018 | 61 | $17,459 | 2 | $8,730 | $17,459 | 1 | |
| Sep 21, 2018 | 49 | $38,125 | +118% | 30 | $1,271 | $55,584 | 2 |
| Sep 28, 2018 | 65 | $19,669 | -48% | 18 | $1,093 | $75,253 | 3 |
| Oct 5, 2018 | 86 | $3,848 | -80% | 4 | $962 | $79,101 | 4 |
| Oct 12, 2018 | 98 | $1,033 | -73% | 2 | $517 | $80,134 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Lithuania | 10/5/2018 | $1,912 | 21 | 21 | 23 | $2,742 | 10/18/2018 | |||
| New Zealand | 7/9/2020 | $0 | 0 | 10 | 53 | $7,806 | 11/24/2020 | |||
| Portugal | 11/9/2018 | $18,964 | 18 | 20 | 42 | $41,095 | 12/4/2018 | |||
| Russia (CIS) | 9/13/2018 | $28,836 | 180 | 180 | 180 | $44,715 | 1/1/2019 | |||
| South Korea | 9/26/2019 | $11,816 | 47 | 47 | 49 | $23,611 | 10/9/2019 | |||
| Spain | 3/22/2019 | $29,037 | 33 | 33 | 57 | $53,249 | 4/5/2019 | |||
| Turkey | 11/2/2018 | $3,804 | 18 | 18 | 18 | $3,804 | 2/26/2019 | |||
| United Kingdom | 4/26/2019 | $12,281 | 23 | 23 | 23 | $12,281 | 5/1/2019 | |||
| International Total | $189,303 | 11/24/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Julianne Moore | Roxane Coss | |
| Ken Watanabe | Hosokowa |
Supporting
| Sebastian Koch | Messner | |
| Ryo Kase | Gen | |
| Tenoch Huerta | Comandante Benjamin | |
| Noe Hernandez | Comandante Alfredo | |
| Johnny Ortiz | Gilbert | |
| Maria Mercedes Coroy | Carmen | |
| Ethan Simpson | Cesar | |
| Gabo Augustine | Ishmael | |
| Carmen Zilles | Beatriz |
Production and Technical Credits
| Paul Weitz | Director | |
| Paul Weitz | Screenwriter | |
| Anthony Weintraub | Screenwriter | |
| Ann Patchett | Story based on the novel by | |
| Caroline Baron | Producer | |
| Anthony Weintraub | Producer | |
| Paul Weitz | Producer | |
| Andrew Miano | Producer | |
| Lizzie Friedman | Producer | |
| Karen Lauder | Producer | |
| Greg Little | Producer | |
| Madeline Anbinder | Executive Producer | |
| Stephen Anbinder | Executive Producer | |
| Tracy Baron | Executive Producer | |
| Robert Baron | Executive Producer | |
| Lisa Wolofsky | Executive Producer | |
| Alex Walton | Executive Producer | |
| Matthew Helderman | Co-Executive Producer | |
| Luke Taylor | Co-Executive Producer | |
| Sean Fogel | Co-Producer | |
| Tobias Datum | Director of Photography | |
| Tommaso Ortino | Production Designer | |
| Susan Jacobs | Music Supervisor | |
| David Majzlin | Composer | |
| Suzy Elmiger | Editor | |
| Catherine Riley | Costume Designer | |
| Avy Kaufman | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Roxane Coss, a famous American soprano, travels to South America to give a private concert at the birthday party of rich Japanese industrialist Katsumi Hosokawa. Just as a handsome gathering of local dignitaries convenes at Vice-President Ruben Ochoa’s mansion, including French Ambassador Thibault and his wife, Hosokawa’s faithful translator Gen, and Russian trade delegate Fyorodov, the house is taken over by guerrillas demanding the release of their imprisoned comrades. Their only contact with the outside world is through Red Cross negotiator Messner. A month long standoff ensues in which hostages and captors must overcome their differences and find their shared humanity and hope in the face of impending disaster.
Metrics
| Opening Weekend: | $12,421 (15.5% of total gross) |
| Legs: | 3.13 (domestic box office/biggest weekend) |
| Domestic Share: | 29.7% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/30 max. theaters, 1.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $105,200 |
Movie Details
| Domestic Releases: | September 14th, 2018 (Limited) by Screen Media Films |
| International Releases: | September 13th, 2018 (Wide), released as БЕЛЬКАНТО (Russia (CIS))
October 5th, 2018 (Wide) (Lithuania) November 2nd, 2018 (Wide), released as Tutsak (Turkey) November 9th, 2018 (Wide) (Portugal) March 22nd, 2019 (Wide), released as Bel Canto. La ultima funcion (Spain) ... Show all releases |
| Video Release: | November 6th, 2018 by Screen Media Video |
| MPA Rating: | Not Rated |
| Running Time: | 100 minutes |
| Geographical setting: | Fictional Country, South America |
| Plot point: | Kidnap, Opera |
| Social setting: | Revolution |
| Time period setting: | 1990s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Priority Pictures, A-Line Pictures, Depth of Field, Bloom |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 14, 2018 | 61 | $12,421 | 2 | $6,211 | $12,421 | 1 | |
| Sep 21, 2018 | 50 | $25,566 | +106% | 30 | $852 | $43,025 | 2 |
| Sep 28, 2018 | 65 | $11,677 | -54% | 18 | $649 | $67,261 | 3 |
| Oct 5, 2018 | 85 | $1,895 | -84% | 4 | $474 | $77,148 | 4 |
| Oct 12, 2018 | 89 | $766 | -60% | 2 | $383 | $79,867 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 14, 2018 | 61 | $17,459 | 2 | $8,730 | $17,459 | 1 | |
| Sep 21, 2018 | 49 | $38,125 | +118% | 30 | $1,271 | $55,584 | 2 |
| Sep 28, 2018 | 65 | $19,669 | -48% | 18 | $1,093 | $75,253 | 3 |
| Oct 5, 2018 | 86 | $3,848 | -80% | 4 | $962 | $79,101 | 4 |
| Oct 12, 2018 | 98 | $1,033 | -73% | 2 | $517 | $80,134 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Lithuania | 10/5/2018 | $1,912 | 21 | 21 | 23 | $2,742 | 10/18/2018 | |||
| New Zealand | 7/9/2020 | $0 | 0 | 10 | 53 | $7,806 | 11/24/2020 | |||
| Portugal | 11/9/2018 | $18,964 | 18 | 20 | 42 | $41,095 | 12/4/2018 | |||
| Russia (CIS) | 9/13/2018 | $28,836 | 180 | 180 | 180 | $44,715 | 1/1/2019 | |||
| South Korea | 9/26/2019 | $11,816 | 47 | 47 | 49 | $23,611 | 10/9/2019 | |||
| Spain | 3/22/2019 | $29,037 | 33 | 33 | 57 | $53,249 | 4/5/2019 | |||
| Turkey | 11/2/2018 | $3,804 | 18 | 18 | 18 | $3,804 | 2/26/2019 | |||
| United Kingdom | 4/26/2019 | $12,281 | 23 | 23 | 23 | $12,281 | 5/1/2019 | |||
| International Total | $189,303 | 11/24/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Julianne Moore | Roxane Coss | |
| Ken Watanabe | Hosokowa |
Supporting
| Sebastian Koch | Messner | |
| Ryo Kase | Gen | |
| Tenoch Huerta | Comandante Benjamin | |
| Noe Hernandez | Comandante Alfredo | |
| Johnny Ortiz | Gilbert | |
| Maria Mercedes Coroy | Carmen | |
| Ethan Simpson | Cesar | |
| Gabo Augustine | Ishmael | |
| Carmen Zilles | Beatriz |
Production and Technical Credits
| Paul Weitz | Director | |
| Paul Weitz | Screenwriter | |
| Anthony Weintraub | Screenwriter | |
| Ann Patchett | Story based on the novel by | |
| Caroline Baron | Producer | |
| Anthony Weintraub | Producer | |
| Paul Weitz | Producer | |
| Andrew Miano | Producer | |
| Lizzie Friedman | Producer | |
| Karen Lauder | Producer | |
| Greg Little | Producer | |
| Madeline Anbinder | Executive Producer | |
| Stephen Anbinder | Executive Producer | |
| Tracy Baron | Executive Producer | |
| Robert Baron | Executive Producer | |
| Lisa Wolofsky | Executive Producer | |
| Alex Walton | Executive Producer | |
| Matthew Helderman | Co-Executive Producer | |
| Luke Taylor | Co-Executive Producer | |
| Sean Fogel | Co-Producer | |
| Tobias Datum | Director of Photography | |
| Tommaso Ortino | Production Designer | |
| Susan Jacobs | Music Supervisor | |
| David Majzlin | Composer | |
| Suzy Elmiger | Editor | |
| Catherine Riley | Costume Designer | |
| Avy Kaufman | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.