Belle de Jour (1968)
| Theatrical Performance | ||
| Domestic Box Office | $4,056,534 | Details |
| International Box Office | $48,719 | Details |
| Worldwide Box Office | $4,105,253 | |
| OpusData ID: 49030100 More info... | ||
| Further financial details... | ||
Metrics
| Legs: | 11.10 (domestic box office/biggest weekend) |
| Domestic Share: | 98.8% (domestic box office/worldwide) |
Movie Details
| Domestic Releases: | April 10th, 1968 (Wide) by Miramax June 28th, 1995 (Limited) by Miramax, released as Belle de Jour (1968) (Re-Release) |
| International Releases: | September 8th, 1974 (Wide) (Portugal)
September 8th, 2017 (Wide), released as Belle de Jour (re: 2017) (United Kingdom) May 28th, 2020 (Wide) (New Zealand) July 8th, 2021 (Limited) (Australia) February 6th, 2025 (Limited) (Re-release) (Netherlands) ... Show all releases |
| MPA Rating: | R |
| Running Time: | 100 minutes |
| Franchise: | Belle de Jour |
| Cast, crew, or production detail: | Fantasy Sequence |
| Plot point: | Blindness, Double Life, Love Triangle, Prostitution, Relationships Gone Wrong, Romance, Wheelchair User |
| Social setting: | Organized Crime |
| Subgenre: | Erotic Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | France, Italy |
| Languages: | French, Spanish, Mongolian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 30, 1995 | 33 | $82,529 | 2 | $41,265 | $92,442 | 1,421 | |
| Jul 7, 1995 | 32 | $70,339 | -15% | 2 | $35,170 | $238,333 | 1,422 |
| Jul 14, 1995 | 24 | $184,188 | +162% | 12 | $15,349 | $467,061 | 1,423 |
| Jul 21, 1995 | 22 | $355,920 | +93% | 44 | $8,089 | $924,169 | 1,424 |
| Jul 28, 1995 | 23 | $365,349 | +3% | 69 | $5,295 | $1,459,831 | 1,425 |
| Aug 4, 1995 | 25 | $361,626 | -1% | 82 | $4,410 | $2,006,833 | 1,426 |
| Aug 11, 1995 | 28 | $287,364 | -21% | 82 | $3,504 | $2,471,491 | 1,427 |
| Aug 18, 1995 | 34 | $243,840 | -15% | 92 | $2,650 | $2,852,602 | 1,428 |
| Aug 25, 1995 | 37 | $203,958 | -16% | 86 | $2,372 | $3,184,606 | 1,429 |
| Sep 1, 1995 | 42 | $225,506 | +11% | 78 | $2,891 | $3,493,750 | 1,430 |
| Sep 8, 1995 | 42 | $134,466 | -40% | 72 | $1,868 | $3,680,219 | 1,431 |
| Sep 15, 1995 | 48 | $77,953 | -42% | 63 | $1,237 | $3,808,076 | 1,432 |
| Sep 29, 1995 | 59 | $30,819 | 65 | $474 | $3,927,595 | 1,434 | |
| Oct 6, 1995 | 56 | $26,701 | -13% | 54 | $494 | $3,966,526 | 1,435 |
| Oct 13, 1995 | 58 | $20,816 | -22% | 54 | $385 | $3,997,109 | 1,436 |
| Oct 20, 1995 | 57 | $23,220 | +12% | 37 | $628 | $4,030,203 | 1,437 |
| Mar 23, 2018 | 75 | $6,462 | 1 | $6,462 | $4,036,665 | 2,607 | |
| Apr 13, 2018 | 65 | $7,859 | 3 | $2,620 | $4,050,887 | 2,610 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 30, 1995 | 31 | $158,081 | 2 | $79,041 | $167,994 | 1,422 | |
| Jul 7, 1995 | 32 | $114,879 | -27% | 2 | $57,440 | $282,873 | 1,423 |
| Jul 14, 1995 | 26 | $285,376 | +148% | 12 | $23,781 | $568,249 | 1,424 |
| Jul 21, 1995 | 22 | $526,233 | +84% | 44 | $11,960 | $1,094,482 | 1,425 |
| Jul 28, 1995 | 23 | $550,725 | +5% | 69 | $7,982 | $1,645,207 | 1,426 |
| Aug 4, 1995 | 25 | $538,920 | -2% | 82 | $6,572 | $2,184,127 | 1,427 |
| Aug 11, 1995 | 28 | $424,635 | -21% | 82 | $5,178 | $2,608,762 | 1,428 |
| Aug 18, 1995 | 34 | $371,886 | -12% | 92 | $4,042 | $2,980,648 | 1,429 |
| Aug 25, 1995 | 39 | $287,596 | -23% | 86 | $3,344 | $3,268,244 | 1,430 |
| Sep 1, 1995 | 42 | $277,509 | -4% | 78 | $3,558 | $3,545,753 | 1,431 |
| Sep 8, 1995 | 39 | $184,370 | -34% | 72 | $2,561 | $3,730,123 | 1,432 |
| Sep 29, 1995 | 58 | $43,049 | 65 | $662 | $3,939,825 | 1,435 | |
| Oct 6, 1995 | 54 | $36,468 | -15% | 54 | $675 | $3,976,293 | 1,436 |
| Oct 13, 1995 | 51 | $30,690 | -16% | 54 | $568 | $4,006,983 | 1,437 |
| Mar 23, 2018 | 73 | $12,825 | 1 | $12,825 | $4,043,028 | 2,608 | |
| Apr 13, 2018 | 66 | $13,506 | 3 | $4,502 | $4,056,534 | 2,611 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 7/8/2021 | $534 | 2 | 2 | 2 | $5,734 | 10/20/2022 | |||
| Netherlands | 2/6/2025 | $24,401 | 40 | 40 | 40 | $27,720 | 2/10/2025 | |||
| New Zealand | 5/28/2020 | $0 | 0 | 1 | 2 | $315 | 10/9/2023 | |||
| Portugal | 9/8/1974 | $0 | 0 | 2 | 5 | $2,923 | 10/17/2023 | |||
| United Kingdom | 9/8/2017 | $12,027 | 8 | 8 | 8 | $12,027 | 9/28/2017 | |||
| International Total | $48,719 | 2/10/2025 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
| Catherine Deneuve | Séverine Serizy aka Belle de Jour |
Production and Technical Credits
| Luis Bunuel | Director | |
| Luis Bunuel | Screenwriter | |
| Jean-Claude Carriere | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Legs: | 11.10 (domestic box office/biggest weekend) |
| Domestic Share: | 98.8% (domestic box office/worldwide) |
Movie Details
| Domestic Releases: | April 10th, 1968 (Wide) by Miramax June 28th, 1995 (Limited) by Miramax, released as Belle de Jour (1968) (Re-Release) |
| International Releases: | September 8th, 1974 (Wide) (Portugal)
September 8th, 2017 (Wide), released as Belle de Jour (re: 2017) (United Kingdom) May 28th, 2020 (Wide) (New Zealand) July 8th, 2021 (Limited) (Australia) February 6th, 2025 (Limited) (Re-release) (Netherlands) ... Show all releases |
| MPA Rating: | R |
| Running Time: | 100 minutes |
| Franchise: | Belle de Jour |
| Cast, crew, or production detail: | Fantasy Sequence |
| Plot point: | Blindness, Double Life, Love Triangle, Prostitution, Relationships Gone Wrong, Romance, Wheelchair User |
| Social setting: | Organized Crime |
| Subgenre: | Erotic Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | France, Italy |
| Languages: | French, Spanish, Mongolian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 30, 1995 | 33 | $82,529 | 2 | $41,265 | $92,442 | 1,421 | |
| Jul 7, 1995 | 32 | $70,339 | -15% | 2 | $35,170 | $238,333 | 1,422 |
| Jul 14, 1995 | 24 | $184,188 | +162% | 12 | $15,349 | $467,061 | 1,423 |
| Jul 21, 1995 | 22 | $355,920 | +93% | 44 | $8,089 | $924,169 | 1,424 |
| Jul 28, 1995 | 23 | $365,349 | +3% | 69 | $5,295 | $1,459,831 | 1,425 |
| Aug 4, 1995 | 25 | $361,626 | -1% | 82 | $4,410 | $2,006,833 | 1,426 |
| Aug 11, 1995 | 28 | $287,364 | -21% | 82 | $3,504 | $2,471,491 | 1,427 |
| Aug 18, 1995 | 34 | $243,840 | -15% | 92 | $2,650 | $2,852,602 | 1,428 |
| Aug 25, 1995 | 37 | $203,958 | -16% | 86 | $2,372 | $3,184,606 | 1,429 |
| Sep 1, 1995 | 42 | $225,506 | +11% | 78 | $2,891 | $3,493,750 | 1,430 |
| Sep 8, 1995 | 42 | $134,466 | -40% | 72 | $1,868 | $3,680,219 | 1,431 |
| Sep 15, 1995 | 48 | $77,953 | -42% | 63 | $1,237 | $3,808,076 | 1,432 |
| Sep 29, 1995 | 59 | $30,819 | 65 | $474 | $3,927,595 | 1,434 | |
| Oct 6, 1995 | 56 | $26,701 | -13% | 54 | $494 | $3,966,526 | 1,435 |
| Oct 13, 1995 | 58 | $20,816 | -22% | 54 | $385 | $3,997,109 | 1,436 |
| Oct 20, 1995 | 57 | $23,220 | +12% | 37 | $628 | $4,030,203 | 1,437 |
| Mar 23, 2018 | 75 | $6,462 | 1 | $6,462 | $4,036,665 | 2,607 | |
| Apr 13, 2018 | 65 | $7,859 | 3 | $2,620 | $4,050,887 | 2,610 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 30, 1995 | 31 | $158,081 | 2 | $79,041 | $167,994 | 1,422 | |
| Jul 7, 1995 | 32 | $114,879 | -27% | 2 | $57,440 | $282,873 | 1,423 |
| Jul 14, 1995 | 26 | $285,376 | +148% | 12 | $23,781 | $568,249 | 1,424 |
| Jul 21, 1995 | 22 | $526,233 | +84% | 44 | $11,960 | $1,094,482 | 1,425 |
| Jul 28, 1995 | 23 | $550,725 | +5% | 69 | $7,982 | $1,645,207 | 1,426 |
| Aug 4, 1995 | 25 | $538,920 | -2% | 82 | $6,572 | $2,184,127 | 1,427 |
| Aug 11, 1995 | 28 | $424,635 | -21% | 82 | $5,178 | $2,608,762 | 1,428 |
| Aug 18, 1995 | 34 | $371,886 | -12% | 92 | $4,042 | $2,980,648 | 1,429 |
| Aug 25, 1995 | 39 | $287,596 | -23% | 86 | $3,344 | $3,268,244 | 1,430 |
| Sep 1, 1995 | 42 | $277,509 | -4% | 78 | $3,558 | $3,545,753 | 1,431 |
| Sep 8, 1995 | 39 | $184,370 | -34% | 72 | $2,561 | $3,730,123 | 1,432 |
| Sep 29, 1995 | 58 | $43,049 | 65 | $662 | $3,939,825 | 1,435 | |
| Oct 6, 1995 | 54 | $36,468 | -15% | 54 | $675 | $3,976,293 | 1,436 |
| Oct 13, 1995 | 51 | $30,690 | -16% | 54 | $568 | $4,006,983 | 1,437 |
| Mar 23, 2018 | 73 | $12,825 | 1 | $12,825 | $4,043,028 | 2,608 | |
| Apr 13, 2018 | 66 | $13,506 | 3 | $4,502 | $4,056,534 | 2,611 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 7/8/2021 | $534 | 2 | 2 | 2 | $5,734 | 10/20/2022 | |||
| Netherlands | 2/6/2025 | $24,401 | 40 | 40 | 40 | $27,720 | 2/10/2025 | |||
| New Zealand | 5/28/2020 | $0 | 0 | 1 | 2 | $315 | 10/9/2023 | |||
| Portugal | 9/8/1974 | $0 | 0 | 2 | 5 | $2,923 | 10/17/2023 | |||
| United Kingdom | 9/8/2017 | $12,027 | 8 | 8 | 8 | $12,027 | 9/28/2017 | |||
| International Total | $48,719 | 2/10/2025 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
| Catherine Deneuve | Séverine Serizy aka Belle de Jour |
Production and Technical Credits
| Luis Bunuel | Director | |
| Luis Bunuel | Screenwriter | |
| Jean-Claude Carriere | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.