La belle époque (2019)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $14,162,451 | Details |
| Worldwide Box Office | $14,162,451 | |
| OpusData ID: 425750100 More info... | ||
| Further financial details... | ||
Synopsis
Disillusioned sexagenarian cartoonist Victor has lost his job and is on the outs with his wife Marianne when enterprising entrepreneur Antoine approaches him with an intriguing proposition-the chance to revisit the glory days of his youth, and his relationship, by traveling back through time. Intrigued, the avowed technophobe hires Antoine’s virtual reality company to return him to May 16, 1974, the day he met Marianne in a café in Lyon, and soon finds himself drawn to Margo, the actress playing the younger incarnation of his spouse.
Metrics
Movie Details
| Domestic Releases: | October 2nd, 2020 (Limited) by 101 Studios |
| International Releases: | July 18th, 2019 (Wide) (New Zealand)
November 7th, 2019 (Wide) (Italy) November 8th, 2019 (Wide) (France) November 22nd, 2019 (Wide), released as La Belle Epoque (United Kingdom) November 28th, 2019 (Wide), released as Прекрасная эпоха (Russia (CIS)) ... Show all releases |
| MPA Rating: | R for sexual content, nudity, language, drug use and brief violence. (Rating bulletin 2624 (Cert #52680), 4/8/2020) |
| Running Time: | 110 minutes |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | 101 Films, Pathe |
| Production Countries: | France |
| Languages: | French |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 1/10/2020 | $37,713 | 1 | 72 | 427 | $507,149 | 10/20/2022 | |||
| Bulgaria | 12/6/2019 | $5,208 | 0 | 0 | 0 | $19,283 | 2/19/2020 | |||
| Czech Republic | 12/27/2019 | $4,462 | 9 | 60 | 122 | $132,151 | 10/19/2022 | |||
| France | 11/8/2019 | $3,029,197 | 548 | 765 | 3,096 | $9,460,778 | 12/13/2019 | |||
| Germany | 11/29/2019 | $161,779 | 0 | 122 | 237 | $619,896 | 12/28/2019 | |||
| Italy | 11/7/2019 | $373,790 | 0 | 16 | 42 | $1,939,692 | 10/19/2022 | |||
| Lithuania | 12/6/2019 | $7,244 | 12 | 12 | 79 | $57,593 | 8/27/2021 | |||
| Netherlands | 1/3/2020 | $118,141 | 41 | 50 | 230 | $481,209 | 10/19/2022 | |||
| New Zealand | 7/18/2019 | $481 | 1 | 34 | 185 | $108,465 | 10/19/2022 | |||
| Portugal | 12/20/2019 | $6,803 | 11 | 11 | 28 | $28,180 | 10/19/2022 | |||
| Romania | 10/16/2020 | $8,289 | 15 | 15 | 40 | $13,580 | 3/3/2021 | |||
| Russia (CIS) | 11/28/2019 | $77,487 | 219 | 219 | 417 | $212,592 | 10/19/2022 | |||
| Slovakia | 2/14/2020 | $5,453 | 12 | 12 | 12 | $5,478 | 10/19/2022 | |||
| South Korea | 5/20/2020 | $1,960 | 4 | 463 | 1,139 | $462,646 | 8/12/2020 | |||
| Turkey | 2/14/2020 | $9,919 | 26 | 30 | 81 | $38,969 | 4/4/2026 | |||
| United Kingdom | 11/22/2019 | $69,143 | 23 | 23 | 23 | $69,143 | 11/27/2019 | |||
| Rest of World | $5,647 | |||||||||
| International Total | $14,162,451 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Daniel Auteuil | Victor |
Supporting
| Guillaume Canet | Antoine | |
| Doria Tillier | Margot | |
| Fanny Ardant | Marianne | |
| Pierre Arditi | Pierre | |
| Denis Podalydes | Francois | |
| Bertrand Poncet | Adrien | |
| Bruno Raffaelli | Maurice / Yvon / Hemingway | |
| Lizzie Brochere | Gisèle | |
| Thomas Scimeca | Freddy / Hans Axel von Fersen |
Production and Technical Credits
| Nicolas Bedos | Director | |
| Nicolas Bedos | Screenwriter | |
| Francois Kraus | Producer | |
| Denis Pineau-Valencienne | Producer | |
| Anny Danche | Editor | |
| Florent Vassault | Editor | |
| Nicolas Bedos | Composer | |
| Anne-Sophie Versnaeyen | Composer | |
| Nicola Bolduc | Director of Photography | |
| François Fontès | Co-Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Disillusioned sexagenarian cartoonist Victor has lost his job and is on the outs with his wife Marianne when enterprising entrepreneur Antoine approaches him with an intriguing proposition-the chance to revisit the glory days of his youth, and his relationship, by traveling back through time. Intrigued, the avowed technophobe hires Antoine’s virtual reality company to return him to May 16, 1974, the day he met Marianne in a café in Lyon, and soon finds himself drawn to Margo, the actress playing the younger incarnation of his spouse.
Metrics
Movie Details
| Domestic Releases: | October 2nd, 2020 (Limited) by 101 Studios |
| International Releases: | July 18th, 2019 (Wide) (New Zealand)
November 7th, 2019 (Wide) (Italy) November 8th, 2019 (Wide) (France) November 22nd, 2019 (Wide), released as La Belle Epoque (United Kingdom) November 28th, 2019 (Wide), released as Прекрасная эпоха (Russia (CIS)) ... Show all releases |
| MPA Rating: | R for sexual content, nudity, language, drug use and brief violence. (Rating bulletin 2624 (Cert #52680), 4/8/2020) |
| Running Time: | 110 minutes |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | 101 Films, Pathe |
| Production Countries: | France |
| Languages: | French |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 1/10/2020 | $37,713 | 1 | 72 | 427 | $507,149 | 10/20/2022 | |||
| Bulgaria | 12/6/2019 | $5,208 | 0 | 0 | 0 | $19,283 | 2/19/2020 | |||
| Czech Republic | 12/27/2019 | $4,462 | 9 | 60 | 122 | $132,151 | 10/19/2022 | |||
| France | 11/8/2019 | $3,029,197 | 548 | 765 | 3,096 | $9,460,778 | 12/13/2019 | |||
| Germany | 11/29/2019 | $161,779 | 0 | 122 | 237 | $619,896 | 12/28/2019 | |||
| Italy | 11/7/2019 | $373,790 | 0 | 16 | 42 | $1,939,692 | 10/19/2022 | |||
| Lithuania | 12/6/2019 | $7,244 | 12 | 12 | 79 | $57,593 | 8/27/2021 | |||
| Netherlands | 1/3/2020 | $118,141 | 41 | 50 | 230 | $481,209 | 10/19/2022 | |||
| New Zealand | 7/18/2019 | $481 | 1 | 34 | 185 | $108,465 | 10/19/2022 | |||
| Portugal | 12/20/2019 | $6,803 | 11 | 11 | 28 | $28,180 | 10/19/2022 | |||
| Romania | 10/16/2020 | $8,289 | 15 | 15 | 40 | $13,580 | 3/3/2021 | |||
| Russia (CIS) | 11/28/2019 | $77,487 | 219 | 219 | 417 | $212,592 | 10/19/2022 | |||
| Slovakia | 2/14/2020 | $5,453 | 12 | 12 | 12 | $5,478 | 10/19/2022 | |||
| South Korea | 5/20/2020 | $1,960 | 4 | 463 | 1,139 | $462,646 | 8/12/2020 | |||
| Turkey | 2/14/2020 | $9,919 | 26 | 30 | 81 | $38,969 | 4/4/2026 | |||
| United Kingdom | 11/22/2019 | $69,143 | 23 | 23 | 23 | $69,143 | 11/27/2019 | |||
| Rest of World | $5,647 | |||||||||
| International Total | $14,162,451 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Daniel Auteuil | Victor |
Supporting
| Guillaume Canet | Antoine | |
| Doria Tillier | Margot | |
| Fanny Ardant | Marianne | |
| Pierre Arditi | Pierre | |
| Denis Podalydes | Francois | |
| Bertrand Poncet | Adrien | |
| Bruno Raffaelli | Maurice / Yvon / Hemingway | |
| Lizzie Brochere | Gisèle | |
| Thomas Scimeca | Freddy / Hans Axel von Fersen |
Production and Technical Credits
| Nicolas Bedos | Director | |
| Nicolas Bedos | Screenwriter | |
| Francois Kraus | Producer | |
| Denis Pineau-Valencienne | Producer | |
| Anny Danche | Editor | |
| Florent Vassault | Editor | |
| Nicolas Bedos | Composer | |
| Anne-Sophie Versnaeyen | Composer | |
| Nicola Bolduc | Director of Photography | |
| François Fontès | Co-Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.