Beloved Beast (2019)
| Theatrical Performance | ||
| Domestic Box Office | $7,301 | Details |
| OpusData ID: 419610100 More info... | ||
| Further financial details... | ||
Synopsis
A young girl who’s parents are killed in a car accident, is sent to live with her lowlife aunt Erma, who’s criminal friends may not have her best interests at heart. Meanwhile an enormous and dangerous mental patient with a scarred face and past, makes a bloody escape from the local asylum into surrounding woods, and wears a rabbit mask to hide his deformed face. Nina, needing a companion and protector, befriends the now masked “Harvey” as he uses his large hammer to protect her, but will the evil bunny prove a bigger danger than her aunt’s friends?
Metrics
| Opening Weekend: | $3,894 (53.3% of total gross) |
| Legs: | 1.87 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/3 max. theaters, 1.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $9,532 |
Movie Details
| Domestic Releases: | October 11th, 2019 (Limited) by Indican Pictures |
| MPA Rating: | Not Rated |
| Running Time: | 174 minutes |
| Source: | Spin-Off |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Chronicle Factory |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 11, 2019 | 63 | $3,894 | 3 | $1,298 | $3,894 | 1 | |
| Oct 18, 2019 | 77 | $1,232 | -68% | 1 | $1,232 | $7,052 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 11, 2019 | 60 | $5,820 | 3 | $1,940 | $5,820 | 1 | |
| Oct 18, 2019 | 84 | $1,481 | -75% | 1 | $1,481 | $7,301 | 2 |
Leading
| Sanae Loutsis | Nina |
Supporting
| Joy Yoholkovsky | Erma | |
| Elizabeth Rhoades | Sydney | |
| Morgen Johnson | Paul Delaware | |
| Andrew Tribolini | Chief Marchesi | |
| Tabitha Bastien | June | |
| Earl Gray | Ash Walker | |
| Dave Shecter | Lowell | |
| Paul Sobrie | The Belgian | |
| Meredith Binder | Iva Treadwell |
Production and Technical Credits
| Jonathan Holbrook | Director | |
| Jonathan Holbrook | Screenwriter | |
| Jonathan Holbrook | Executive Producer | |
| Dave Shecter | Executive Producer | |
| Earl Gray | Executive Producer | |
| Nicholas Shargas | Producer | |
| Alexi Angelino | Associate Producer | |
| Shawn Loutsis | Associate Producer | |
| Lance Caver | Associate Producer | |
| Fred Larucci | Associate Producer | |
| Kim Terreson | Associate Producer | |
| Joy Yoholkovsky | Associate Producer | |
| Jonathan Holbrook | Director of Photography | |
| Sara Broshofske | Composer | |
| Jonathan Holbrook | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A young girl who’s parents are killed in a car accident, is sent to live with her lowlife aunt Erma, who’s criminal friends may not have her best interests at heart. Meanwhile an enormous and dangerous mental patient with a scarred face and past, makes a bloody escape from the local asylum into surrounding woods, and wears a rabbit mask to hide his deformed face. Nina, needing a companion and protector, befriends the now masked “Harvey” as he uses his large hammer to protect her, but will the evil bunny prove a bigger danger than her aunt’s friends?
Metrics
| Opening Weekend: | $3,894 (53.3% of total gross) |
| Legs: | 1.87 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/3 max. theaters, 1.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $9,532 |
Movie Details
| Domestic Releases: | October 11th, 2019 (Limited) by Indican Pictures |
| MPA Rating: | Not Rated |
| Running Time: | 174 minutes |
| Source: | Spin-Off |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Chronicle Factory |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 11, 2019 | 63 | $3,894 | 3 | $1,298 | $3,894 | 1 | |
| Oct 18, 2019 | 77 | $1,232 | -68% | 1 | $1,232 | $7,052 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 11, 2019 | 60 | $5,820 | 3 | $1,940 | $5,820 | 1 | |
| Oct 18, 2019 | 84 | $1,481 | -75% | 1 | $1,481 | $7,301 | 2 |
Leading
| Sanae Loutsis | Nina |
Supporting
| Joy Yoholkovsky | Erma | |
| Elizabeth Rhoades | Sydney | |
| Morgen Johnson | Paul Delaware | |
| Andrew Tribolini | Chief Marchesi | |
| Tabitha Bastien | June | |
| Earl Gray | Ash Walker | |
| Dave Shecter | Lowell | |
| Paul Sobrie | The Belgian | |
| Meredith Binder | Iva Treadwell |
Production and Technical Credits
| Jonathan Holbrook | Director | |
| Jonathan Holbrook | Screenwriter | |
| Jonathan Holbrook | Executive Producer | |
| Dave Shecter | Executive Producer | |
| Earl Gray | Executive Producer | |
| Nicholas Shargas | Producer | |
| Alexi Angelino | Associate Producer | |
| Shawn Loutsis | Associate Producer | |
| Lance Caver | Associate Producer | |
| Fred Larucci | Associate Producer | |
| Kim Terreson | Associate Producer | |
| Joy Yoholkovsky | Associate Producer | |
| Jonathan Holbrook | Director of Photography | |
| Sara Broshofske | Composer | |
| Jonathan Holbrook | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.