Beoning (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $719,772 | Details |
| International Box Office | $7,407,717 | Details |
| Worldwide Box Office | $8,127,489 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $41,154 | |
| Blu-ray Sales (estimated) | $311,553 | |
| Total | $352,707 | |
| OpusData ID: 332160100 More info... | ||
| Further financial details... | ||
Synopsis
Deliveryman Jongsu is out on a job when he runs into Haemi, a girl who once lived in his neighborhood. She asks if he’d mind looking after her cat while she’s away on a trip to Africa. On her return she introduces to Jongsu an enigmatic young man named Ben, who she met during her trip. And one day Ben tells Jongsu about his most unusual hobby…
Metrics
| Opening Weekend: | $26,130 (3.6% of total gross) |
| Legs: | 9.40 (domestic box office/biggest weekend) |
| Domestic Share: | 8.9% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/27 max. theaters, 8.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $943,967 |
Movie Details
| Domestic Releases: | October 26th, 2018 (Limited) by Well Go USA, released as Burning |
| International Releases: | May 17th, 2018 (Wide) (South Korea)
July 5th, 2018 (Wide), released as ПЫЛАЮЩИЙ (Russia (CIS)) August 31st, 2018 (Wide) (France) October 12th, 2018 (Wide), released as Burning (Netherlands) October 19th, 2018 (Wide), released as Burning (Spain) ... Show all releases |
| Video Release: | March 5th, 2019 by Well Go USA Video, released as Burning |
| MPA Rating: | Not Rated |
| Running Time: | 148 minutes |
| Geographical setting: | Seoul, Africa, South Korea |
| Plot point: | Love Triangle, Stalker |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Pinehouse Film, GGV Arthouse, kth , Kiwi Media Group Co Ltd, B.A. Entertainment , Nowfilm, NHK |
| Production Countries: | Republic of Korea |
| Languages: | Korean |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 26, 2018 | 48 | $26,130 | 2 | $13,065 | $26,130 | 1 | |
| Nov 2, 2018 | 41 | $54,234 | +108% | 6 | $9,039 | $93,983 | 2 |
| Nov 9, 2018 | 35 | $76,608 | +41% | 27 | $2,837 | $195,760 | 3 |
| Nov 16, 2018 | 36 | $64,171 | -16% | 25 | $2,567 | $300,125 | 4 |
| Nov 23, 2018 | 41 | $45,314 | -29% | 23 | $1,970 | $376,701 | 5 |
| Nov 30, 2018 | 43 | $30,743 | -32% | 20 | $1,537 | $429,492 | 6 |
| Dec 7, 2018 | 44 | $34,141 | +11% | 26 | $1,313 | $483,834 | 7 |
| Dec 14, 2018 | 47 | $17,152 | -50% | 17 | $1,009 | $532,185 | 8 |
| Dec 21, 2018 | 45 | $10,330 | -40% | 10 | $1,033 | $562,133 | 9 |
| Dec 28, 2018 | 50 | $11,266 | +9% | 9 | $1,252 | $583,763 | 10 |
| Jan 4, 2019 | 43 | $24,359 | +116% | 15 | $1,624 | $618,493 | 11 |
| Jan 11, 2019 | 45 | $14,404 | -41% | 10 | $1,440 | $650,227 | 12 |
| Jan 18, 2019 | 44 | $13,463 | -7% | 10 | $1,346 | $672,278 | 13 |
| Jan 25, 2019 | 53 | $8,698 | -35% | 8 | $1,087 | $692,925 | 14 |
| Feb 1, 2019 | 62 | $2,518 | -71% | 4 | $630 | $699,418 | 15 |
| Feb 8, 2019 | 73 | $525 | -79% | 2 | $263 | $704,548 | 16 |
| Feb 15, 2019 | 80 | $587 | +12% | 2 | $294 | $705,440 | 17 |
| Feb 22, 2019 | 61 | $5,787 | +886% | 3 | $1,929 | $711,659 | 18 |
| Mar 1, 2019 | 74 | $3,762 | -35% | 3 | $1,254 | $715,738 | 19 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 26, 2018 | 48 | $39,749 | 2 | $19,875 | $39,749 | 1 | |
| Nov 2, 2018 | 40 | $79,403 | +100% | 6 | $13,234 | $119,152 | 2 |
| Nov 9, 2018 | 34 | $115,487 | +45% | 27 | $4,277 | $234,639 | 3 |
| Nov 16, 2018 | 41 | $95,433 | -17% | 25 | $3,817 | $331,387 | 4 |
| Nov 23, 2018 | 41 | $67,096 | -30% | 22 | $3,050 | $398,483 | 5 |
| Nov 30, 2018 | 43 | $50,944 | -24% | 20 | $2,547 | $449,693 | 6 |
| Dec 7, 2018 | 44 | $64,993 | +28% | 26 | $2,500 | $514,686 | 7 |
| Dec 14, 2018 | 47 | $36,770 | -43% | 17 | $2,163 | $551,803 | 8 |
| Dec 21, 2018 | 51 | $19,954 | -46% | 10 | $1,995 | $572,497 | 9 |
| Dec 28, 2018 | 50 | $21,799 | +9% | 9 | $2,422 | $593,596 | 10 |
| Jan 4, 2019 | 42 | $39,742 | +82% | 15 | $2,649 | $633,930 | 11 |
| Jan 11, 2019 | 47 | $22,095 | -44% | 10 | $2,210 | $658,815 | 12 |
| Jan 18, 2019 | 44 | $25,143 | +14% | 10 | $2,514 | $684,140 | 13 |
| Jan 25, 2019 | 54 | $12,760 | -49% | 8 | $1,595 | $696,900 | 14 |
| Feb 1, 2019 | 59 | $7,123 | -44% | 4 | $1,781 | $704,023 | 15 |
| Feb 8, 2019 | 80 | $830 | -88% | 2 | $415 | $704,853 | 16 |
| Feb 15, 2019 | 78 | $1,019 | +23% | 2 | $510 | $705,872 | 17 |
| Feb 22, 2019 | 63 | $6,104 | +499% | 3 | $2,035 | $711,976 | 18 |
| Mar 1, 2019 | 72 | $7,796 | +28% | 3 | $2,599 | $719,772 | 19 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 4/12/2019 | $19,488 | 16 | 18 | 173 | $409,959 | 2/10/2025 | |||
| Bulgaria | 10/18/2019 | $0 | 0 | 0 | 0 | $11,899 | 1/1/2020 | |||
| France | 8/31/2018 | $436,641 | 0 | 0 | 0 | $1,359,227 | 10/9/2018 | |||
| Italy | 9/19/2019 | $40,954 | 0 | 20 | 49 | $219,609 | 12/13/2019 | |||
| Netherlands | 10/12/2018 | $34,234 | 26 | 32 | 113 | $197,488 | 11/6/2018 | |||
| New Zealand | 8/15/2025 | $66 | 1 | 1 | 0 | $255 | 4/6/2026 | |||
| Portugal | 5/17/2019 | $2,549 | 2 | 23 | 35 | $5,750 | 4/4/2026 | |||
| Russia (CIS) | 7/5/2018 | $71,222 | 155 | 155 | 326 | $225,738 | 2/26/2019 | |||
| South Korea | 5/17/2018 | $1,887,606 | 739 | 739 | 1,603 | $3,619,371 | 4/4/2026 | |||
| Spain | 10/19/2018 | $27,423 | 27 | 27 | 27 | $27,423 | 10/25/2018 | |||
| Turkey | 1/11/2019 | $7,559 | 24 | 24 | 64 | $26,461 | 2/10/2019 | |||
| United Kingdom | 2/1/2019 | $51,990 | 34 | 34 | 34 | $51,990 | 4/4/2026 | |||
| Rest of World | $1,252,547 | |||||||||
| International Total | $7,407,717 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Yoo Ah-in | Jongsu |
Supporting
| Steven Yeun | Ben | |
| Jong-seo Jun | Haemi | |
| Ja-Yeon Ok | Ja-yeon | |
| Kim Soo-kyung | Yeon-joo | |
| Seung-ho Choi | Yong-seok | |
| Sung-keun Moon | Lawyer | |
| Min Bok-gi | Judge | |
| Lee Soo-jeong | Public Prosecutor | |
| Ban Hye-ra | Jong-soo’s Mom |
Production and Technical Credits
| Lee Changdong | Director | |
| Oh Jung-Mi | Screenwriter | |
| Lee Changdong | Screenwriter | |
| Lee Joondong | Executive Producer | |
| Lee Joondong | Associate Producer | |
| Lee Joondong | Co-Producer | |
| Hong Kyung Pyo | Director of Photography | |
| Hong Kyung Pyo | Sound Designer | |
| Lee Seung-chul | Editor | |
| Kim Hyun | Editor | |
| Kim Da-won | Composer | |
| Mowg | Costume Designer | |
| Yi Chung-yeon | First Assistant Director | |
| Ha Jung-su | First Assistant Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Deliveryman Jongsu is out on a job when he runs into Haemi, a girl who once lived in his neighborhood. She asks if he’d mind looking after her cat while she’s away on a trip to Africa. On her return she introduces to Jongsu an enigmatic young man named Ben, who she met during her trip. And one day Ben tells Jongsu about his most unusual hobby…
Metrics
| Opening Weekend: | $26,130 (3.6% of total gross) |
| Legs: | 9.40 (domestic box office/biggest weekend) |
| Domestic Share: | 8.9% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/27 max. theaters, 8.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $943,967 |
Movie Details
| Domestic Releases: | October 26th, 2018 (Limited) by Well Go USA, released as Burning |
| International Releases: | May 17th, 2018 (Wide) (South Korea)
July 5th, 2018 (Wide), released as ПЫЛАЮЩИЙ (Russia (CIS)) August 31st, 2018 (Wide) (France) October 12th, 2018 (Wide), released as Burning (Netherlands) October 19th, 2018 (Wide), released as Burning (Spain) ... Show all releases |
| Video Release: | March 5th, 2019 by Well Go USA Video, released as Burning |
| MPA Rating: | Not Rated |
| Running Time: | 148 minutes |
| Geographical setting: | Seoul, Africa, South Korea |
| Plot point: | Love Triangle, Stalker |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Pinehouse Film, GGV Arthouse, kth , Kiwi Media Group Co Ltd, B.A. Entertainment , Nowfilm, NHK |
| Production Countries: | Republic of Korea |
| Languages: | Korean |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 26, 2018 | 48 | $26,130 | 2 | $13,065 | $26,130 | 1 | |
| Nov 2, 2018 | 41 | $54,234 | +108% | 6 | $9,039 | $93,983 | 2 |
| Nov 9, 2018 | 35 | $76,608 | +41% | 27 | $2,837 | $195,760 | 3 |
| Nov 16, 2018 | 36 | $64,171 | -16% | 25 | $2,567 | $300,125 | 4 |
| Nov 23, 2018 | 41 | $45,314 | -29% | 23 | $1,970 | $376,701 | 5 |
| Nov 30, 2018 | 43 | $30,743 | -32% | 20 | $1,537 | $429,492 | 6 |
| Dec 7, 2018 | 44 | $34,141 | +11% | 26 | $1,313 | $483,834 | 7 |
| Dec 14, 2018 | 47 | $17,152 | -50% | 17 | $1,009 | $532,185 | 8 |
| Dec 21, 2018 | 45 | $10,330 | -40% | 10 | $1,033 | $562,133 | 9 |
| Dec 28, 2018 | 50 | $11,266 | +9% | 9 | $1,252 | $583,763 | 10 |
| Jan 4, 2019 | 43 | $24,359 | +116% | 15 | $1,624 | $618,493 | 11 |
| Jan 11, 2019 | 45 | $14,404 | -41% | 10 | $1,440 | $650,227 | 12 |
| Jan 18, 2019 | 44 | $13,463 | -7% | 10 | $1,346 | $672,278 | 13 |
| Jan 25, 2019 | 53 | $8,698 | -35% | 8 | $1,087 | $692,925 | 14 |
| Feb 1, 2019 | 62 | $2,518 | -71% | 4 | $630 | $699,418 | 15 |
| Feb 8, 2019 | 73 | $525 | -79% | 2 | $263 | $704,548 | 16 |
| Feb 15, 2019 | 80 | $587 | +12% | 2 | $294 | $705,440 | 17 |
| Feb 22, 2019 | 61 | $5,787 | +886% | 3 | $1,929 | $711,659 | 18 |
| Mar 1, 2019 | 74 | $3,762 | -35% | 3 | $1,254 | $715,738 | 19 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 26, 2018 | 48 | $39,749 | 2 | $19,875 | $39,749 | 1 | |
| Nov 2, 2018 | 40 | $79,403 | +100% | 6 | $13,234 | $119,152 | 2 |
| Nov 9, 2018 | 34 | $115,487 | +45% | 27 | $4,277 | $234,639 | 3 |
| Nov 16, 2018 | 41 | $95,433 | -17% | 25 | $3,817 | $331,387 | 4 |
| Nov 23, 2018 | 41 | $67,096 | -30% | 22 | $3,050 | $398,483 | 5 |
| Nov 30, 2018 | 43 | $50,944 | -24% | 20 | $2,547 | $449,693 | 6 |
| Dec 7, 2018 | 44 | $64,993 | +28% | 26 | $2,500 | $514,686 | 7 |
| Dec 14, 2018 | 47 | $36,770 | -43% | 17 | $2,163 | $551,803 | 8 |
| Dec 21, 2018 | 51 | $19,954 | -46% | 10 | $1,995 | $572,497 | 9 |
| Dec 28, 2018 | 50 | $21,799 | +9% | 9 | $2,422 | $593,596 | 10 |
| Jan 4, 2019 | 42 | $39,742 | +82% | 15 | $2,649 | $633,930 | 11 |
| Jan 11, 2019 | 47 | $22,095 | -44% | 10 | $2,210 | $658,815 | 12 |
| Jan 18, 2019 | 44 | $25,143 | +14% | 10 | $2,514 | $684,140 | 13 |
| Jan 25, 2019 | 54 | $12,760 | -49% | 8 | $1,595 | $696,900 | 14 |
| Feb 1, 2019 | 59 | $7,123 | -44% | 4 | $1,781 | $704,023 | 15 |
| Feb 8, 2019 | 80 | $830 | -88% | 2 | $415 | $704,853 | 16 |
| Feb 15, 2019 | 78 | $1,019 | +23% | 2 | $510 | $705,872 | 17 |
| Feb 22, 2019 | 63 | $6,104 | +499% | 3 | $2,035 | $711,976 | 18 |
| Mar 1, 2019 | 72 | $7,796 | +28% | 3 | $2,599 | $719,772 | 19 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 4/12/2019 | $19,488 | 16 | 18 | 173 | $409,959 | 2/10/2025 | |||
| Bulgaria | 10/18/2019 | $0 | 0 | 0 | 0 | $11,899 | 1/1/2020 | |||
| France | 8/31/2018 | $436,641 | 0 | 0 | 0 | $1,359,227 | 10/9/2018 | |||
| Italy | 9/19/2019 | $40,954 | 0 | 20 | 49 | $219,609 | 12/13/2019 | |||
| Netherlands | 10/12/2018 | $34,234 | 26 | 32 | 113 | $197,488 | 11/6/2018 | |||
| New Zealand | 8/15/2025 | $66 | 1 | 1 | 0 | $255 | 4/6/2026 | |||
| Portugal | 5/17/2019 | $2,549 | 2 | 23 | 35 | $5,750 | 4/4/2026 | |||
| Russia (CIS) | 7/5/2018 | $71,222 | 155 | 155 | 326 | $225,738 | 2/26/2019 | |||
| South Korea | 5/17/2018 | $1,887,606 | 739 | 739 | 1,603 | $3,619,371 | 4/4/2026 | |||
| Spain | 10/19/2018 | $27,423 | 27 | 27 | 27 | $27,423 | 10/25/2018 | |||
| Turkey | 1/11/2019 | $7,559 | 24 | 24 | 64 | $26,461 | 2/10/2019 | |||
| United Kingdom | 2/1/2019 | $51,990 | 34 | 34 | 34 | $51,990 | 4/4/2026 | |||
| Rest of World | $1,252,547 | |||||||||
| International Total | $7,407,717 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Yoo Ah-in | Jongsu |
Supporting
| Steven Yeun | Ben | |
| Jong-seo Jun | Haemi | |
| Ja-Yeon Ok | Ja-yeon | |
| Kim Soo-kyung | Yeon-joo | |
| Seung-ho Choi | Yong-seok | |
| Sung-keun Moon | Lawyer | |
| Min Bok-gi | Judge | |
| Lee Soo-jeong | Public Prosecutor | |
| Ban Hye-ra | Jong-soo’s Mom |
Production and Technical Credits
| Lee Changdong | Director | |
| Oh Jung-Mi | Screenwriter | |
| Lee Changdong | Screenwriter | |
| Lee Joondong | Executive Producer | |
| Lee Joondong | Associate Producer | |
| Lee Joondong | Co-Producer | |
| Hong Kyung Pyo | Director of Photography | |
| Hong Kyung Pyo | Sound Designer | |
| Lee Seung-chul | Editor | |
| Kim Hyun | Editor | |
| Kim Da-won | Composer | |
| Mowg | Costume Designer | |
| Yi Chung-yeon | First Assistant Director | |
| Ha Jung-su | First Assistant Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.