Best Worst Thing That Ever Could Have Happened (2016)

Best Worst Thing That Ever Could Have Happened
Theatrical Performance
Domestic Box Office $106,986Details
OpusData ID: 271640100 More info...
Further financial details...

Synopsis

Stephen Sondheim, Harold Prince, and George Furth’s much ballyhooed reverse chronology musical Merrily We Roll Along closed after just 16 performances in 1981 but gradually assumed legend status. A film that focuses on the original cast members, then and now, and the special place this experience holds in their memories.

Metrics

Opening Weekend:$23,490 (22.0% of total gross)
Legs:4.55 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:2 opening theaters/7 max. theaters, 4.0 weeks average run per theater
Infl. Adj. Dom. BO $147,694

Movie Details

Domestic Releases: November 18th, 2016 (Limited) by Abramorama Films
Video Release: March 18th, 2017 by Abramorama Films
MPA Rating: Not Rated
Running Time: 95 minutes
Cast, crew, or production detail: Archive Footage
Plot point: Theater Actor
Social setting: Theater
Time period setting: 1980s
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Atlas Media Group, Allright Productions
Production Countries: United States
Languages: English

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 18, 2016 52 $23,490   2 $11,745   $23,490 1
Nov 25, 2016 50 $17,358 -26% 3 $5,786   $52,654 2
Dec 2, 2016 57 $8,086 -53% 3 $2,695   $70,890 3
Dec 9, 2016 56 $6,982 -14% 5 $1,396   $82,646 4
Dec 16, 2016 52 $5,606 -20% 7 $801   $93,050 5
Dec 30, 2016 60 $1,820   2 $910   $102,233 7
Jan 6, 2017 60 $1,038 -43% 4 $260   $104,005 8
Jan 13, 2017 52 $2,581 +149% 2 $1,291   $106,986 9

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 18, 2016 55 $35,296   2 $17,648   $35,296 1
Nov 25, 2016 51 $27,508 -22% 3 $9,169   $62,804 2
Dec 2, 2016 60 $12,860 -53% 3 $4,287   $75,664 3
Dec 9, 2016 57 $11,780 -8% 5 $2,356   $87,444 4
Dec 16, 2016 56 $11,433 -3% 7 $1,633   $98,877 5
Dec 23, 2016 74 $1,536 -87% 2 $768   $100,413 6
Dec 30, 2016 63 $2,554 +66% 2 $1,277   $102,967 7
Jan 6, 2017 55 $1,438 -44% 4 $360   $104,405 8

Documentary Subject

Stephen Sondheim    Himself
Hal Prince*    Himself
Jason Alexander    Himself
Mandy Patinkin    Himself
Adam Guettel    Himself
Frank Rich    Himself
Tonya Pinkins    Herself
Jim Walton    Himself
Lonny Price    Himself
Ann Morrison    Herself

Production and Technical Credits

Lonny Price    Director
Ted Schillinger    Screenwriter
Kitt Lavoie    Screenwriter
Lonny Price    Screenwriter
Bruce David Klein    Producer
Lonny Price    Producer
Kitt Lavoie    Producer
Ted Schillinger    Producer
Scott Rudin    Executive Producer
Eli Bush    Executive Producer

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.


Synopsis

Stephen Sondheim, Harold Prince, and George Furth’s much ballyhooed reverse chronology musical Merrily We Roll Along closed after just 16 performances in 1981 but gradually assumed legend status. A film that focuses on the original cast members, then and now, and the special place this experience holds in their memories.

Metrics

Opening Weekend:$23,490 (22.0% of total gross)
Legs:4.55 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:2 opening theaters/7 max. theaters, 4.0 weeks average run per theater
Infl. Adj. Dom. BO $147,694

Movie Details

Domestic Releases: November 18th, 2016 (Limited) by Abramorama Films
Video Release: March 18th, 2017 by Abramorama Films
MPA Rating: Not Rated
Running Time: 95 minutes
Cast, crew, or production detail: Archive Footage
Plot point: Theater Actor
Social setting: Theater
Time period setting: 1980s
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Atlas Media Group, Allright Productions
Production Countries: United States
Languages: English

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 18, 2016 52 $23,490   2 $11,745   $23,490 1
Nov 25, 2016 50 $17,358 -26% 3 $5,786   $52,654 2
Dec 2, 2016 57 $8,086 -53% 3 $2,695   $70,890 3
Dec 9, 2016 56 $6,982 -14% 5 $1,396   $82,646 4
Dec 16, 2016 52 $5,606 -20% 7 $801   $93,050 5
Dec 30, 2016 60 $1,820   2 $910   $102,233 7
Jan 6, 2017 60 $1,038 -43% 4 $260   $104,005 8
Jan 13, 2017 52 $2,581 +149% 2 $1,291   $106,986 9

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 18, 2016 55 $35,296   2 $17,648   $35,296 1
Nov 25, 2016 51 $27,508 -22% 3 $9,169   $62,804 2
Dec 2, 2016 60 $12,860 -53% 3 $4,287   $75,664 3
Dec 9, 2016 57 $11,780 -8% 5 $2,356   $87,444 4
Dec 16, 2016 56 $11,433 -3% 7 $1,633   $98,877 5
Dec 23, 2016 74 $1,536 -87% 2 $768   $100,413 6
Dec 30, 2016 63 $2,554 +66% 2 $1,277   $102,967 7
Jan 6, 2017 55 $1,438 -44% 4 $360   $104,405 8

Documentary Subject

Stephen Sondheim    Himself
Hal Prince*    Himself
Jason Alexander    Himself
Mandy Patinkin    Himself
Adam Guettel    Himself
Frank Rich    Himself
Tonya Pinkins    Herself
Jim Walton    Himself
Lonny Price    Himself
Ann Morrison    Herself

Production and Technical Credits

Lonny Price    Director
Ted Schillinger    Screenwriter
Kitt Lavoie    Screenwriter
Lonny Price    Screenwriter
Bruce David Klein    Producer
Lonny Price    Producer
Kitt Lavoie    Producer
Ted Schillinger    Producer
Scott Rudin    Executive Producer
Eli Bush    Executive Producer

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.