The Best of Enemies (2019)
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| Theatrical Performance | ||
| Domestic Box Office | $10,205,616 | Details |
| International Box Office | $63,133 | Details |
| Worldwide Box Office | $10,268,749 | |
| OpusData ID: 290720100 More info... | ||
| Further financial details... | ||
Synopsis
The film centers on the unlikely relationship between Ann Atwater, an outspoken civil rights activist, and C.P. Ellis, a local Ku Klux Klan leader who reluctantly co-chaired a community summit, battling over the desegregation of schools in Durham, North Carolina during the racially-charged summer of 1971. The incredible events that unfolded would change Durham and the lives of Atwater and Ellis forever.
Metrics
| Opening Weekend: | $4,446,190 (43.6% of total gross) |
| Legs: | 2.30 (domestic box office/biggest weekend) |
| Domestic Share: | 99.4% (domestic box office/worldwide) |
| Production Budget: | $10,000,000 (worldwide box office is 1.0 times production budget) |
| Theater counts: | 1,705 opening theaters/1,705 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $13,325,234 |
Movie Details
| Domestic Releases: | April 5th, 2019 (Wide) by STX Entertainment |
| International Releases: | June 20th, 2019 (Wide) (Malaysia)
July 26th, 2019 (Wide), released as The Best Of Enemies (Australia) July 26th, 2019 (Wide) (South Africa) |
| Video Release: | June 18th, 2019 by STX Entertainment |
| MPA Rating: | PG-13 for thematic material, racial epithets, some violence and a suggestive reference. (Rating bulletin 2517 (Cert #51332), 3/7/2018) |
| Running Time: | 133 minutes |
| Geographical setting: | North Carolina |
| Plot point: | Ku Klux Klan, Race Relations |
| Social setting: | Elementary School |
| Subgenre: | Historical Drama |
| Time period setting: | 1970s |
| Source: | Based on Factual Book/Article |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Astute Films, STX Films, Rambler Entertainment, Material Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 5, 2019 | 6 | $4,446,190 | 1,705 | $2,608 | $4,446,190 | 1 | |
| Apr 12, 2019 | 10 | $2,014,126 | -55% | 1,705 | $1,181 | $8,115,696 | 2 |
| Apr 19, 2019 | 16 | $595,987 | -70% | 1,002 | $595 | $9,585,764 | 3 |
| Apr 26, 2019 | 24 | $125,232 | -79% | 227 | $552 | $10,008,688 | 4 |
| May 3, 2019 | 37 | $50,342 | -60% | 134 | $376 | $10,128,316 | 5 |
| May 10, 2019 | 40 | $36,613 | -27% | 81 | $452 | $10,191,545 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 4, 2019 | P | $265,000 | 1,440 | $184 | $265,000 | |||
| Apr 5, 2019 | 6 | $1,627,520 | 1,705 | $955 | $1,627,520 | 1 | ||
| Apr 6, 2019 | 6 | $1,697,043 | +4% | 1,705 | $995 | $3,324,563 | 2 | |
| Apr 7, 2019 | 6 | $1,121,627 | -34% | 1,705 | $658 | $4,446,190 | 3 | |
| Apr 8, 2019 | 7 | $330,254 | -71% | 1,705 | $194 | $4,776,444 | 4 | |
| Apr 9, 2019 | 6 | $713,865 | +116% | 1,705 | $419 | $5,490,309 | 5 | |
| Apr 10, 2019 | 7 | $329,684 | -54% | 1,705 | $193 | $5,819,993 | 6 | |
| Apr 11, 2019 | 7 | $281,577 | -15% | 1,705 | $165 | $6,101,570 | 7 | |
| Apr 12, 2019 | 10 | $606,260 | +115% | -63% | 1,705 | $356 | $6,707,830 | 8 |
| Apr 13, 2019 | 10 | $877,898 | +45% | -48% | 1,705 | $515 | $7,585,728 | 9 |
| Apr 14, 2019 | 11 | $529,968 | -40% | -53% | 1,705 | $311 | $8,115,696 | 10 |
| Apr 15, 2019 | 11 | $199,681 | -62% | -40% | 1,705 | $117 | $8,315,377 | 11 |
| Apr 16, 2019 | 10 | $370,794 | +86% | -48% | 1,705 | $217 | $8,686,171 | 12 |
| Apr 17, 2019 | 13 | $152,913 | -59% | -54% | 1,705 | $90 | $8,839,084 | 13 |
| Apr 18, 2019 | 13 | $150,693 | -1% | -46% | 1,705 | $88 | $8,989,777 | 14 |
| Apr 19, 2019 | - | $193,672 | +29% | -68% | 1,002 | $193 | $9,183,449 | 15 |
| Apr 20, 2019 | 15 | $246,768 | +27% | -72% | 1,002 | $246 | $9,430,217 | 16 |
| Apr 21, 2019 | - | $155,547 | -37% | -71% | 1,002 | $155 | $9,585,764 | 17 |
| Apr 22, 2019 | - | $70,794 | -54% | -65% | 1,002 | $71 | $9,656,558 | 18 |
| Apr 23, 2019 | 15 | $113,862 | +61% | -69% | 1,002 | $114 | $9,770,420 | 19 |
| Apr 24, 2019 | - | $64,716 | -43% | -58% | 1,002 | $65 | $9,835,136 | 20 |
| Apr 25, 2019 | - | $48,320 | -25% | -68% | 1,002 | $48 | $9,883,456 | 21 |
| Apr 26, 2019 | - | $36,559 | -24% | -81% | 227 | $161 | $9,920,015 | 22 |
| Apr 27, 2019 | - | $52,907 | +45% | -79% | 227 | $233 | $9,972,922 | 23 |
| Apr 28, 2019 | - | $35,766 | -32% | -77% | 227 | $158 | $10,008,688 | 24 |
| Apr 29, 2019 | - | $15,790 | -56% | -78% | 227 | $70 | $10,024,478 | 25 |
| Apr 30, 2019 | - | $22,508 | +43% | -80% | 227 | $99 | $10,046,986 | 26 |
| May 1, 2019 | - | $17,183 | -24% | -73% | 227 | $76 | $10,064,169 | 27 |
| May 2, 2019 | - | $13,805 | -20% | -71% | 227 | $61 | $10,077,974 | 28 |
| May 3, 2019 | - | $13,927 | +1% | -62% | 134 | $104 | $10,091,901 | 29 |
| May 4, 2019 | - | $21,954 | +58% | -59% | 134 | $164 | $10,113,855 | 30 |
| May 5, 2019 | - | $14,461 | -34% | -60% | 134 | $108 | $10,128,316 | 31 |
| May 6, 2019 | - | $5,824 | -60% | -63% | 134 | $43 | $10,134,140 | 32 |
| May 7, 2019 | - | $8,711 | +50% | -61% | 134 | $65 | $10,142,851 | 33 |
| May 8, 2019 | - | $6,398 | -27% | -63% | 134 | $48 | $10,149,249 | 34 |
| May 9, 2019 | - | $5,683 | -11% | -59% | 134 | $42 | $10,154,932 | 35 |
| May 10, 2019 | - | $10,836 | +91% | -22% | 81 | $134 | $10,165,768 | 36 |
| May 11, 2019 | - | $13,939 | +29% | -37% | 81 | $172 | $10,179,707 | 37 |
| May 12, 2019 | - | $11,838 | -15% | -18% | 81 | $146 | $10,191,545 | 38 |
| May 13, 2019 | - | $3,676 | -69% | -37% | 81 | $45 | $10,195,221 | 39 |
| May 14, 2019 | - | $3,744 | +2% | -57% | 81 | $46 | $10,198,965 | 40 |
| May 15, 2019 | - | $3,370 | -10% | -47% | 81 | $42 | $10,202,335 | 41 |
| May 16, 2019 | - | $3,281 | -3% | -42% | 81 | $41 | $10,205,616 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 5, 2019 | 6 | $6,101,570 | 1,705 | $3,579 | $6,101,570 | 1 | |
| Apr 12, 2019 | 11 | $2,888,207 | -53% | 1,705 | $1,694 | $8,989,777 | 2 |
| Apr 19, 2019 | 16 | $893,679 | -69% | 1,002 | $892 | $9,883,456 | 3 |
| Apr 26, 2019 | 23 | $194,518 | -78% | 227 | $857 | $10,077,974 | 4 |
| May 3, 2019 | 35 | $76,958 | -60% | 134 | $574 | $10,154,932 | 5 |
| May 10, 2019 | 42 | $50,684 | -34% | 81 | $626 | $10,205,616 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 7/26/2019 | $1,762 | 3 | 3 | 3 | $1,762 | 7/30/2019 | |||
| Malaysia | 6/20/2019 | $1,694 | 5 | 5 | 14 | $4,197 | 7/10/2019 | |||
| South Africa | 7/26/2019 | $0 | 0 | 5 | 12 | $9,039 | 9/11/2019 | |||
| Rest of World | $48,135 | |||||||||
| International Total | $63,133 | 9/11/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Taraji P. Henson | Ann Atwater | |
| Sam Rockwell | Claiborne Paul Ellis |
Supporting
| Babou Ceesay | Bill Riddick | |
| Anne Heche | Mary Ellis | |
| Wes Bentley | Floyd Kelly | |
| Nick Searcy | Garland Keith | |
| Bruce McGill | Carvie Oldham | |
| John Gallagher, Jr. | Lee Trombley | |
| Nicholas Logan | Wiley Yates | |
| Gilbert Glenn Brown | Howard Clement | |
| Caitlin Mehner | Maddy Mays | |
| Dolan Wilson | Councilman Bill Atkins | |
| Morgan Mackey | Young Mother | |
| Jennifer Sears | Protest Staffer | |
| Wes McGee | Cyrus (Uniformed Patrolman) | |
| Kendall Ryan Sanders* | Ben Butler | |
| Chris Cavalier | Leonard | |
| Malerie Grady | Singing White Woman | |
| Ryan Dinning | Jeb | |
| Najah Jackson | Operation Breakthrough Staffer | |
| Bethany Dezelle | Court Clerk | |
| David Plunkett | Mr. Paulsen | |
| Al Hamacher | Charles Steele | |
| McKenzie Applegate | Vickie Ellis | |
| Brody Rose | Timmy Ellis | |
| Carson Holmes | Kenneth Ellis | |
| Nadej Bailey | Marilynn Atwater | |
| Kevin Ianucci | Larry Ellis | |
| Susan Williams | Nurse Caitlin | |
| Lucius Baston | Teacher | |
| Jeanette Branch | Principal | |
| Jessica Miesel | Doreen (Waitress) | |
| Rachel Bagley | Local Reporter | |
| Charles Orr | NAACP Lawyer | |
| Tim Ware | Judge Leslie Hallford | |
| Jill Jane Clements | Secretary | |
| Ned Vaughn | Wilbur Hobby | |
| Dawntavia Bullard | Delores Riddick | |
| Sope Aluko | Henrietta Kaye | |
| Coley Campany | Charrette Volunteer #1 | |
| Elisabeth Omilami | Marion Wilson | |
| Arin Logan | Peggy | |
| Kameron Neal Kierce | Miles | |
| Charles Black | Reverend Joseph | |
| Aaron Smalls | Archie Cox | |
| Hope Leigh | Charrette Volunteer #2 | |
| Bart Hansard | Horace Bray | |
| Jeremy Daniel Madden* | Bone Ewell | |
| Morgan Brown | Sam Waterford | |
| Bob Harvey | Earl Weeks | |
| Cranston Johnson | Emmett | |
| Afemo Omilami | Franklin Mose | |
| Jack Montague | Alvin | |
| Chante Bowser | Nurse Bernadette | |
| Rhoda Griffis | Nurse Whitney | |
| Wilbur T. Fitzgerald | Fire Safety Inspector | |
| Shane Jackson | Robert Jones | |
| Lindsey N. Moser | Cashier | |
| Chanel Young | Charrette Secretary | |
| Michael H. Cole | Gas Company Man | |
| Shane Bissell | Youth Corps Member |
Production and Technical Credits
| Robin Bissell | Director | |
| Robin Bissell | Screenwriter | |
| Osha Gray Davidson | Story inspired by true events chronicled in “The Best of Enemies: Race and Redemption in the New South” by | |
| Tobey Maguire | Producer | |
| Danny Strong | Producer | |
| Matt Berenson | Producer | |
| Fred Bernstein | Producer | |
| Dominique Telson | Producer | |
| Matthew Plouffe | Producer | |
| Robin Bissell | Producer | |
| Rick Jackson | Executive Producer | |
| Jeremiah Samuels | Executive Producer | |
| David Lanzenberg | Director of Photography | |
| Jeannine Oppewall | Production Designer | |
| Harry Yoon | Editor | |
| J.R. Hawbaker | Costume Designer | |
| Marcelo Zarvos | Composer | |
| Lon Bender | Sound Designer | |
| Lon Bender | Sound Supervisor | |
| Harrison Powell | Co-Producer | |
| Ian Calip | Co-Producer | |
| Debra Zane | Casting Director | |
| Shayna Markowitz | Casting Director | |
| Jeremiah Samuels | Unit Production Manager | |
| Paul O. Davis | Unit Production Manager | |
| Ian Calip | First Assistant Director | |
| Kristina Peterson | Second Assistant Director | |
| Mark Garner | Art Director | |
| Jennifer Gentile | Set Decorator | |
| Pam Foco | Set Designer | |
| Steve C. Aaron | Sound Mixer | |
| Tom MacDonald | Costume Supervisor | |
| Monique Younger | Costume Supervisor | |
| Douglas Noe | Make up | |
| Yolanda Sheridan | Make up | |
| Andrea C. Brotherton | Hairstylist | |
| Talya R. Melvey | Hairstylist | |
| Katherine Steets | Script Supervisor | |
| Emily Elaine Chiu* | First Assistant Editor | |
| Dave Fletcher* | Special Effects Coordinator | |
| Norm Bielowicz | Location Manager | |
| Christophe Lanzenberg | Second Unit Camera | |
| John Portnoy | Post-Production Supervisor | |
| Renee Minasian | Post-Production Supervisor | |
| Glynna Grimala | Supervising Dialogue/ADR Editor | |
| Russell Gorski | Sound Effects Editor | |
| Michael Head | Foley Editor | |
| Geordy Sincavage | Foley Mixer | |
| Lon Bender | Re-recording Mixer | |
| Patrick Cyccone | Re-recording Mixer | |
| Katherine Soares | Visual Effects Producer | |
| Marcelo Zarvos | Score Producer | |
| Derek Somaru | Music Editor | |
| Cal Johnson | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The film centers on the unlikely relationship between Ann Atwater, an outspoken civil rights activist, and C.P. Ellis, a local Ku Klux Klan leader who reluctantly co-chaired a community summit, battling over the desegregation of schools in Durham, North Carolina during the racially-charged summer of 1971. The incredible events that unfolded would change Durham and the lives of Atwater and Ellis forever.
Metrics
| Opening Weekend: | $4,446,190 (43.6% of total gross) |
| Legs: | 2.30 (domestic box office/biggest weekend) |
| Domestic Share: | 99.4% (domestic box office/worldwide) |
| Production Budget: | $10,000,000 (worldwide box office is 1.0 times production budget) |
| Theater counts: | 1,705 opening theaters/1,705 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $13,325,234 |
Movie Details
| Domestic Releases: | April 5th, 2019 (Wide) by STX Entertainment |
| International Releases: | June 20th, 2019 (Wide) (Malaysia)
July 26th, 2019 (Wide), released as The Best Of Enemies (Australia) July 26th, 2019 (Wide) (South Africa) |
| Video Release: | June 18th, 2019 by STX Entertainment |
| MPA Rating: | PG-13 for thematic material, racial epithets, some violence and a suggestive reference. (Rating bulletin 2517 (Cert #51332), 3/7/2018) |
| Running Time: | 133 minutes |
| Geographical setting: | North Carolina |
| Plot point: | Ku Klux Klan, Race Relations |
| Social setting: | Elementary School |
| Subgenre: | Historical Drama |
| Time period setting: | 1970s |
| Source: | Based on Factual Book/Article |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Astute Films, STX Films, Rambler Entertainment, Material Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 5, 2019 | 6 | $4,446,190 | 1,705 | $2,608 | $4,446,190 | 1 | |
| Apr 12, 2019 | 10 | $2,014,126 | -55% | 1,705 | $1,181 | $8,115,696 | 2 |
| Apr 19, 2019 | 16 | $595,987 | -70% | 1,002 | $595 | $9,585,764 | 3 |
| Apr 26, 2019 | 24 | $125,232 | -79% | 227 | $552 | $10,008,688 | 4 |
| May 3, 2019 | 37 | $50,342 | -60% | 134 | $376 | $10,128,316 | 5 |
| May 10, 2019 | 40 | $36,613 | -27% | 81 | $452 | $10,191,545 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 4, 2019 | P | $265,000 | 1,440 | $184 | $265,000 | |||
| Apr 5, 2019 | 6 | $1,627,520 | 1,705 | $955 | $1,627,520 | 1 | ||
| Apr 6, 2019 | 6 | $1,697,043 | +4% | 1,705 | $995 | $3,324,563 | 2 | |
| Apr 7, 2019 | 6 | $1,121,627 | -34% | 1,705 | $658 | $4,446,190 | 3 | |
| Apr 8, 2019 | 7 | $330,254 | -71% | 1,705 | $194 | $4,776,444 | 4 | |
| Apr 9, 2019 | 6 | $713,865 | +116% | 1,705 | $419 | $5,490,309 | 5 | |
| Apr 10, 2019 | 7 | $329,684 | -54% | 1,705 | $193 | $5,819,993 | 6 | |
| Apr 11, 2019 | 7 | $281,577 | -15% | 1,705 | $165 | $6,101,570 | 7 | |
| Apr 12, 2019 | 10 | $606,260 | +115% | -63% | 1,705 | $356 | $6,707,830 | 8 |
| Apr 13, 2019 | 10 | $877,898 | +45% | -48% | 1,705 | $515 | $7,585,728 | 9 |
| Apr 14, 2019 | 11 | $529,968 | -40% | -53% | 1,705 | $311 | $8,115,696 | 10 |
| Apr 15, 2019 | 11 | $199,681 | -62% | -40% | 1,705 | $117 | $8,315,377 | 11 |
| Apr 16, 2019 | 10 | $370,794 | +86% | -48% | 1,705 | $217 | $8,686,171 | 12 |
| Apr 17, 2019 | 13 | $152,913 | -59% | -54% | 1,705 | $90 | $8,839,084 | 13 |
| Apr 18, 2019 | 13 | $150,693 | -1% | -46% | 1,705 | $88 | $8,989,777 | 14 |
| Apr 19, 2019 | - | $193,672 | +29% | -68% | 1,002 | $193 | $9,183,449 | 15 |
| Apr 20, 2019 | 15 | $246,768 | +27% | -72% | 1,002 | $246 | $9,430,217 | 16 |
| Apr 21, 2019 | - | $155,547 | -37% | -71% | 1,002 | $155 | $9,585,764 | 17 |
| Apr 22, 2019 | - | $70,794 | -54% | -65% | 1,002 | $71 | $9,656,558 | 18 |
| Apr 23, 2019 | 15 | $113,862 | +61% | -69% | 1,002 | $114 | $9,770,420 | 19 |
| Apr 24, 2019 | - | $64,716 | -43% | -58% | 1,002 | $65 | $9,835,136 | 20 |
| Apr 25, 2019 | - | $48,320 | -25% | -68% | 1,002 | $48 | $9,883,456 | 21 |
| Apr 26, 2019 | - | $36,559 | -24% | -81% | 227 | $161 | $9,920,015 | 22 |
| Apr 27, 2019 | - | $52,907 | +45% | -79% | 227 | $233 | $9,972,922 | 23 |
| Apr 28, 2019 | - | $35,766 | -32% | -77% | 227 | $158 | $10,008,688 | 24 |
| Apr 29, 2019 | - | $15,790 | -56% | -78% | 227 | $70 | $10,024,478 | 25 |
| Apr 30, 2019 | - | $22,508 | +43% | -80% | 227 | $99 | $10,046,986 | 26 |
| May 1, 2019 | - | $17,183 | -24% | -73% | 227 | $76 | $10,064,169 | 27 |
| May 2, 2019 | - | $13,805 | -20% | -71% | 227 | $61 | $10,077,974 | 28 |
| May 3, 2019 | - | $13,927 | +1% | -62% | 134 | $104 | $10,091,901 | 29 |
| May 4, 2019 | - | $21,954 | +58% | -59% | 134 | $164 | $10,113,855 | 30 |
| May 5, 2019 | - | $14,461 | -34% | -60% | 134 | $108 | $10,128,316 | 31 |
| May 6, 2019 | - | $5,824 | -60% | -63% | 134 | $43 | $10,134,140 | 32 |
| May 7, 2019 | - | $8,711 | +50% | -61% | 134 | $65 | $10,142,851 | 33 |
| May 8, 2019 | - | $6,398 | -27% | -63% | 134 | $48 | $10,149,249 | 34 |
| May 9, 2019 | - | $5,683 | -11% | -59% | 134 | $42 | $10,154,932 | 35 |
| May 10, 2019 | - | $10,836 | +91% | -22% | 81 | $134 | $10,165,768 | 36 |
| May 11, 2019 | - | $13,939 | +29% | -37% | 81 | $172 | $10,179,707 | 37 |
| May 12, 2019 | - | $11,838 | -15% | -18% | 81 | $146 | $10,191,545 | 38 |
| May 13, 2019 | - | $3,676 | -69% | -37% | 81 | $45 | $10,195,221 | 39 |
| May 14, 2019 | - | $3,744 | +2% | -57% | 81 | $46 | $10,198,965 | 40 |
| May 15, 2019 | - | $3,370 | -10% | -47% | 81 | $42 | $10,202,335 | 41 |
| May 16, 2019 | - | $3,281 | -3% | -42% | 81 | $41 | $10,205,616 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 5, 2019 | 6 | $6,101,570 | 1,705 | $3,579 | $6,101,570 | 1 | |
| Apr 12, 2019 | 11 | $2,888,207 | -53% | 1,705 | $1,694 | $8,989,777 | 2 |
| Apr 19, 2019 | 16 | $893,679 | -69% | 1,002 | $892 | $9,883,456 | 3 |
| Apr 26, 2019 | 23 | $194,518 | -78% | 227 | $857 | $10,077,974 | 4 |
| May 3, 2019 | 35 | $76,958 | -60% | 134 | $574 | $10,154,932 | 5 |
| May 10, 2019 | 42 | $50,684 | -34% | 81 | $626 | $10,205,616 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 7/26/2019 | $1,762 | 3 | 3 | 3 | $1,762 | 7/30/2019 | |||
| Malaysia | 6/20/2019 | $1,694 | 5 | 5 | 14 | $4,197 | 7/10/2019 | |||
| South Africa | 7/26/2019 | $0 | 0 | 5 | 12 | $9,039 | 9/11/2019 | |||
| Rest of World | $48,135 | |||||||||
| International Total | $63,133 | 9/11/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Taraji P. Henson | Ann Atwater | |
| Sam Rockwell | Claiborne Paul Ellis |
Supporting
| Babou Ceesay | Bill Riddick | |
| Anne Heche | Mary Ellis | |
| Wes Bentley | Floyd Kelly | |
| Nick Searcy | Garland Keith | |
| Bruce McGill | Carvie Oldham | |
| John Gallagher, Jr. | Lee Trombley | |
| Nicholas Logan | Wiley Yates | |
| Gilbert Glenn Brown | Howard Clement | |
| Caitlin Mehner | Maddy Mays | |
| Dolan Wilson | Councilman Bill Atkins | |
| Morgan Mackey | Young Mother | |
| Jennifer Sears | Protest Staffer | |
| Wes McGee | Cyrus (Uniformed Patrolman) | |
| Kendall Ryan Sanders* | Ben Butler | |
| Chris Cavalier | Leonard | |
| Malerie Grady | Singing White Woman | |
| Ryan Dinning | Jeb | |
| Najah Jackson | Operation Breakthrough Staffer | |
| Bethany Dezelle | Court Clerk | |
| David Plunkett | Mr. Paulsen | |
| Al Hamacher | Charles Steele | |
| McKenzie Applegate | Vickie Ellis | |
| Brody Rose | Timmy Ellis | |
| Carson Holmes | Kenneth Ellis | |
| Nadej Bailey | Marilynn Atwater | |
| Kevin Ianucci | Larry Ellis | |
| Susan Williams | Nurse Caitlin | |
| Lucius Baston | Teacher | |
| Jeanette Branch | Principal | |
| Jessica Miesel | Doreen (Waitress) | |
| Rachel Bagley | Local Reporter | |
| Charles Orr | NAACP Lawyer | |
| Tim Ware | Judge Leslie Hallford | |
| Jill Jane Clements | Secretary | |
| Ned Vaughn | Wilbur Hobby | |
| Dawntavia Bullard | Delores Riddick | |
| Sope Aluko | Henrietta Kaye | |
| Coley Campany | Charrette Volunteer #1 | |
| Elisabeth Omilami | Marion Wilson | |
| Arin Logan | Peggy | |
| Kameron Neal Kierce | Miles | |
| Charles Black | Reverend Joseph | |
| Aaron Smalls | Archie Cox | |
| Hope Leigh | Charrette Volunteer #2 | |
| Bart Hansard | Horace Bray | |
| Jeremy Daniel Madden* | Bone Ewell | |
| Morgan Brown | Sam Waterford | |
| Bob Harvey | Earl Weeks | |
| Cranston Johnson | Emmett | |
| Afemo Omilami | Franklin Mose | |
| Jack Montague | Alvin | |
| Chante Bowser | Nurse Bernadette | |
| Rhoda Griffis | Nurse Whitney | |
| Wilbur T. Fitzgerald | Fire Safety Inspector | |
| Shane Jackson | Robert Jones | |
| Lindsey N. Moser | Cashier | |
| Chanel Young | Charrette Secretary | |
| Michael H. Cole | Gas Company Man | |
| Shane Bissell | Youth Corps Member |
Production and Technical Credits
| Robin Bissell | Director | |
| Robin Bissell | Screenwriter | |
| Osha Gray Davidson | Story inspired by true events chronicled in “The Best of Enemies: Race and Redemption in the New South” by | |
| Tobey Maguire | Producer | |
| Danny Strong | Producer | |
| Matt Berenson | Producer | |
| Fred Bernstein | Producer | |
| Dominique Telson | Producer | |
| Matthew Plouffe | Producer | |
| Robin Bissell | Producer | |
| Rick Jackson | Executive Producer | |
| Jeremiah Samuels | Executive Producer | |
| David Lanzenberg | Director of Photography | |
| Jeannine Oppewall | Production Designer | |
| Harry Yoon | Editor | |
| J.R. Hawbaker | Costume Designer | |
| Marcelo Zarvos | Composer | |
| Lon Bender | Sound Designer | |
| Lon Bender | Sound Supervisor | |
| Harrison Powell | Co-Producer | |
| Ian Calip | Co-Producer | |
| Debra Zane | Casting Director | |
| Shayna Markowitz | Casting Director | |
| Jeremiah Samuels | Unit Production Manager | |
| Paul O. Davis | Unit Production Manager | |
| Ian Calip | First Assistant Director | |
| Kristina Peterson | Second Assistant Director | |
| Mark Garner | Art Director | |
| Jennifer Gentile | Set Decorator | |
| Pam Foco | Set Designer | |
| Steve C. Aaron | Sound Mixer | |
| Tom MacDonald | Costume Supervisor | |
| Monique Younger | Costume Supervisor | |
| Douglas Noe | Make up | |
| Yolanda Sheridan | Make up | |
| Andrea C. Brotherton | Hairstylist | |
| Talya R. Melvey | Hairstylist | |
| Katherine Steets | Script Supervisor | |
| Emily Elaine Chiu* | First Assistant Editor | |
| Dave Fletcher* | Special Effects Coordinator | |
| Norm Bielowicz | Location Manager | |
| Christophe Lanzenberg | Second Unit Camera | |
| John Portnoy | Post-Production Supervisor | |
| Renee Minasian | Post-Production Supervisor | |
| Glynna Grimala | Supervising Dialogue/ADR Editor | |
| Russell Gorski | Sound Effects Editor | |
| Michael Head | Foley Editor | |
| Geordy Sincavage | Foley Mixer | |
| Lon Bender | Re-recording Mixer | |
| Patrick Cyccone | Re-recording Mixer | |
| Katherine Soares | Visual Effects Producer | |
| Marcelo Zarvos | Score Producer | |
| Derek Somaru | Music Editor | |
| Cal Johnson | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
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