Bethlehem (2014)
| Theatrical Performance | ||
| Domestic Box Office | $127,115 | Details |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $91,015 | |
| Total | $91,015 | |
| OpusData ID: 202030100 More info... | ||
| Further financial details... | ||
Synopsis
Bethlehem tells the story of the complex relationship between an Israeli Secret Service officer and his teenage Palestinian informant. Shuttling back and forth between conflicting points of view, the film is a portrayal of characters torn apart by competing loyalties and impossible moral dilemmas, giving a glimpse into the dark and fascinating world of human intelligence.
Metrics
| Opening Weekend: | $69,700 (54.8% of total gross) |
| Legs: | 1.82 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 26 opening theaters/26 max. theaters, 1.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $186,086 |
Movie Details
| Domestic Releases: | March 7th, 2014 (Limited) by Adopt Films |
| Video Release: | July 15th, 2014 by Adopt Films |
| MPA Rating: | Not Rated |
| Running Time: | 99 minutes |
| Plot point: | Jewish, Secret Agent |
| Social setting: | Israeli Palestinian Conflict, Palestinian |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Pie Films, Entre Chien et Loup, Gringo Films, Argos, Israel Film Fund, Jerusalem Film and Television Fund |
| Production Countries: | Israel, Germany, Belgium |
| Languages: | Hebrew, Arabic |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 7, 2014 | 44 | $69,700 | 26 | $2,681 | $69,700 | 1 | |
| Mar 21, 2014 | 59 | $18,300 | 10 | $1,830 | $88,000 | 3 | |
| Apr 4, 2014 | 66 | $11,700 | 4 | $2,925 | $99,700 | 5 | |
| Apr 11, 2014 | 70 | $8,340 | -29% | 4 | $2,085 | $112,840 | 6 |
| Apr 18, 2014 | 77 | $3,556 | -57% | 2 | $1,778 | $116,396 | 7 |
| Apr 25, 2014 | 78 | $5,337 | +50% | 2 | $2,669 | $127,115 | 8 |
| May 9, 2014 | 109 | $348 | 2 | $174 | $48,640 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 4, 2014 | 61 | $16,500 | 4 | $4,125 | $104,500 | 5 | |
| Apr 11, 2014 | 58 | $12,883 | -22% | 4 | $3,221 | $117,383 | 6 |
| Apr 18, 2014 | 70 | $4,395 | -66% | 2 | $2,198 | $121,778 | 7 |
| Apr 25, 2014 | 65 | $8,598 | +96% | 2 | $4,299 | $45,194 | 8 |
| May 2, 2014 | 84 | $3,067 | -64% | 3 | $1,022 | $48,292 | 9 |
| May 9, 2014 | 93 | $3,067 | n/c | 3 | $1,022 | $51,359 | 10 |
| Aug 15, 2014 | 87 | $758 | 1 | $758 | $70,936 | 24 |
Leading
| Shadi Mar'i | Sanfur | |
| Tsahi Halevi | Razi |
Supporting
| Hitham Omari | Badawi | |
| Tarek Copti | Abu Ibrahim | |
| Michal Shtemler | Einat | |
| Hisham Suliman | Ibrahim | |
| George Iskandar | Nasser | |
| Yossi Eini | Levi | |
| Efrat Shnap | Maya | |
| Karem Shakur | Abu Mussa |
Production and Technical Credits
| Yuval Adler | Director | |
| Yuval Adler | Screenwriter | |
| Ali Waked | Screenwriter | |
| Talia Kleinhendler | Producer | |
| Osnat Handelsman-Keren | Producer | |
| Diana Elbaum | Producer | |
| Sebastien Delloye | Producer | |
| Steve Hudson | Producer | |
| Sonja Ewers | Producer | |
| Ephraim Gildor | Executive Producer | |
| Zehava Shekel | Line Producer | |
| Hamoudie Boqaie | Associate Producer | |
| Avi Satat | Assistant Director | |
| Ra'anan Tessler | Assistant Director | |
| Li Alembik | Wardrobe | |
| Orly Ronen | Make up | |
| Liron Zohar | Casting Director | |
| Naama Zaltzman | Casting Director | |
| Philippe Baudhuin | Sound Mixer | |
| Francois Dumont | Sound Designer | |
| Dirk Bombey | Recordist | |
| Ishai Adar | Composer | |
| Yoav Sinai | Production Designer | |
| Ron Omer | Editor | |
| Yaron Scharf | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Bethlehem tells the story of the complex relationship between an Israeli Secret Service officer and his teenage Palestinian informant. Shuttling back and forth between conflicting points of view, the film is a portrayal of characters torn apart by competing loyalties and impossible moral dilemmas, giving a glimpse into the dark and fascinating world of human intelligence.
Metrics
| Opening Weekend: | $69,700 (54.8% of total gross) |
| Legs: | 1.82 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 26 opening theaters/26 max. theaters, 1.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $186,086 |
Movie Details
| Domestic Releases: | March 7th, 2014 (Limited) by Adopt Films |
| Video Release: | July 15th, 2014 by Adopt Films |
| MPA Rating: | Not Rated |
| Running Time: | 99 minutes |
| Plot point: | Jewish, Secret Agent |
| Social setting: | Israeli Palestinian Conflict, Palestinian |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Pie Films, Entre Chien et Loup, Gringo Films, Argos, Israel Film Fund, Jerusalem Film and Television Fund |
| Production Countries: | Israel, Germany, Belgium |
| Languages: | Hebrew, Arabic |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 7, 2014 | 44 | $69,700 | 26 | $2,681 | $69,700 | 1 | |
| Mar 21, 2014 | 59 | $18,300 | 10 | $1,830 | $88,000 | 3 | |
| Apr 4, 2014 | 66 | $11,700 | 4 | $2,925 | $99,700 | 5 | |
| Apr 11, 2014 | 70 | $8,340 | -29% | 4 | $2,085 | $112,840 | 6 |
| Apr 18, 2014 | 77 | $3,556 | -57% | 2 | $1,778 | $116,396 | 7 |
| Apr 25, 2014 | 78 | $5,337 | +50% | 2 | $2,669 | $127,115 | 8 |
| May 9, 2014 | 109 | $348 | 2 | $174 | $48,640 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 4, 2014 | 61 | $16,500 | 4 | $4,125 | $104,500 | 5 | |
| Apr 11, 2014 | 58 | $12,883 | -22% | 4 | $3,221 | $117,383 | 6 |
| Apr 18, 2014 | 70 | $4,395 | -66% | 2 | $2,198 | $121,778 | 7 |
| Apr 25, 2014 | 65 | $8,598 | +96% | 2 | $4,299 | $45,194 | 8 |
| May 2, 2014 | 84 | $3,067 | -64% | 3 | $1,022 | $48,292 | 9 |
| May 9, 2014 | 93 | $3,067 | n/c | 3 | $1,022 | $51,359 | 10 |
| Aug 15, 2014 | 87 | $758 | 1 | $758 | $70,936 | 24 |
Leading
| Shadi Mar'i | Sanfur | |
| Tsahi Halevi | Razi |
Supporting
| Hitham Omari | Badawi | |
| Tarek Copti | Abu Ibrahim | |
| Michal Shtemler | Einat | |
| Hisham Suliman | Ibrahim | |
| George Iskandar | Nasser | |
| Yossi Eini | Levi | |
| Efrat Shnap | Maya | |
| Karem Shakur | Abu Mussa |
Production and Technical Credits
| Yuval Adler | Director | |
| Yuval Adler | Screenwriter | |
| Ali Waked | Screenwriter | |
| Talia Kleinhendler | Producer | |
| Osnat Handelsman-Keren | Producer | |
| Diana Elbaum | Producer | |
| Sebastien Delloye | Producer | |
| Steve Hudson | Producer | |
| Sonja Ewers | Producer | |
| Ephraim Gildor | Executive Producer | |
| Zehava Shekel | Line Producer | |
| Hamoudie Boqaie | Associate Producer | |
| Avi Satat | Assistant Director | |
| Ra'anan Tessler | Assistant Director | |
| Li Alembik | Wardrobe | |
| Orly Ronen | Make up | |
| Liron Zohar | Casting Director | |
| Naama Zaltzman | Casting Director | |
| Philippe Baudhuin | Sound Mixer | |
| Francois Dumont | Sound Designer | |
| Dirk Bombey | Recordist | |
| Ishai Adar | Composer | |
| Yoav Sinai | Production Designer | |
| Ron Omer | Editor | |
| Yaron Scharf | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.