A Big Bold Beautiful Journey (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $6,671,082 | Details |
| International Box Office | $13,471,138 | Details |
| Worldwide Box Office | $20,142,220 | |
| OpusData ID: 696310100 More info... | ||
| Further financial details... | ||
Synopsis
Sarah and David are single strangers who meet at a mutual friend’s wedding and soon, through a surprising twist of fate, find themselves on A Big Bold Beautiful Journey—an adventure together where they get to re-live important moments from their respective pasts, illuminating how they got to where they are in the present… and possibly getting a chance to alter their futures.
Metrics
| Opening Weekend: | $3,252,578 (48.8% of total gross) |
| Legs: | 2.05 (domestic box office/biggest weekend) |
| Domestic Share: | 33.1% (domestic box office/worldwide) |
| Production Budget: | $45,000,000 (worldwide box office is 0.4 times production budget) |
| Theater counts: | 3,330 opening theaters/3,330 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $6,671,082 |
Movie Details
| Domestic Releases: | September 19th, 2025 (Wide) by Sony Pictures |
| International Releases: | September 18th, 2025 (Wide), released as El Gran Viaje de Tu Vida (Mexico)
September 18th, 2025 (Wide) (Croatia) September 18th, 2025 (Limited), released as A Big Bold Beautiful Journey (БОЛЬШОЕ СМЕЛОЕ КРАСИВОЕ ПУТЕШЕСТВИЕ) (Russia (CIS)) September 18th, 2025 (Wide), released as Uma Grande, Corajosa e Bela Viagem (Portugal) September 18th, 2025 (Limited) (Chile) ... Show all releases |
| Video Release: | October 14th, 2025 by Sony Pictures Home Entertainment |
| MPA Rating: | R for language. (Rating bulletin 2899 (cert #54982), 8/20/2025) |
| Running Time: | 139 minutes |
| Filming location (country): | United States |
| Filming location (state or county): | California, United States |
| Plot point: | Alternative Dimensions / Parallel universe, Romance |
| Social setting: | Supernatural |
| Subgenre: | Romantic Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Imperative Entertainment, 30 West, Columbia Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 19, 2025 | 6 | $3,252,578 | 3,330 | $977 | $3,252,578 | 1 | |
| Sep 26, 2025 | 11 | $1,105,286 | -66% | 3,330 | $332 | $5,777,872 | 2 |
| Oct 3, 2025 | - | $74,086 | -93% | 609 | $122 | $6,540,589 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 18, 2025 | P | $400,000 | 2,737 | $146 | $400,000 | |||
| Sep 19, 2025 | 6 | $1,371,945 | 3,330 | $412 | $1,371,945 | 1 | ||
| Sep 20, 2025 | 6 | $1,165,242 | -15% | 3,330 | $350 | $2,537,187 | 2 | |
| Sep 21, 2025 | 6 | $715,391 | -39% | 3,330 | $215 | $3,252,578 | 3 | |
| Sep 22, 2025 | 6 | $304,869 | -57% | 3,330 | $92 | $3,557,447 | 4 | |
| Sep 23, 2025 | 6 | $568,907 | +87% | 3,330 | $171 | $4,126,354 | 5 | |
| Sep 24, 2025 | - | $310,174 | -45% | 3,330 | $93 | $4,436,528 | 6 | |
| Sep 25, 2025 | 7 | $236,058 | -24% | 3,330 | $71 | $4,672,586 | 7 | |
| Sep 26, 2025 | - | $351,722 | +49% | -74% | 3,330 | $106 | $5,024,308 | 8 |
| Sep 27, 2025 | 11 | $462,650 | +32% | -60% | 3,330 | $139 | $5,486,958 | 9 |
| Sep 28, 2025 | 10 | $290,914 | -37% | -59% | 3,330 | $87 | $5,777,872 | 10 |
| Sep 29, 2025 | 9 | $140,027 | -52% | -54% | 3,330 | $42 | $5,917,899 | 11 |
| Sep 30, 2025 | 9 | $250,172 | +79% | -56% | 3,330 | $75 | $6,168,071 | 12 |
| Oct 1, 2025 | 9 | $171,169 | -32% | -45% | 3,330 | $51 | $6,339,240 | 13 |
| Oct 2, 2025 | - | $127,263 | -26% | -46% | 3,330 | $38 | $6,466,503 | 14 |
| Oct 3, 2025 | - | $18,937 | -85% | -95% | 609 | $31 | $6,485,440 | 15 |
| Oct 4, 2025 | - | $31,365 | +66% | -93% | 609 | $52 | $6,516,805 | 16 |
| Oct 5, 2025 | - | $23,784 | -24% | -92% | 609 | $39 | $6,540,589 | 17 |
| Oct 6, 2025 | - | $29,751 | +25% | -79% | 609 | $49 | $6,570,340 | 18 |
| Oct 7, 2025 | - | $48,156 | +62% | -81% | 609 | $79 | $6,618,496 | 19 |
| Oct 8, 2025 | - | $33,852 | -30% | -80% | 609 | $56 | $6,652,348 | 20 |
| Oct 9, 2025 | - | $18,734 | -45% | -85% | 609 | $31 | $6,671,082 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 19, 2025 | 6 | $4,672,586 | 3,330 | $1,403 | $4,672,586 | 1 | |
| Sep 26, 2025 | 9 | $1,793,917 | -62% | 3,330 | $539 | $6,466,503 | 2 |
| Oct 3, 2025 | 21 | $204,579 | -89% | 609 | $336 | $6,671,082 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 9/18/2025 | $512,389 | 367 | 367 | 0 | $1,493,496 | 4/6/2026 | |||
| China | 10/18/2025 | $15,015 | 0 | 0 | 0 | $31,855 | 4/6/2026 | |||
| Croatia | 9/18/2025 | $7,741 | 25 | 25 | 47 | $16,356 | 4/4/2026 | |||
| Czech Republic | 9/18/2025 | $0 | 0 | 140 | 140 | $23,917 | 4/4/2026 | |||
| Finland | 10/10/2025 | $25,252 | 69 | 69 | 117 | $64,825 | 4/4/2026 | |||
| Italy | 10/2/2025 | $396,888 | 0 | 0 | 0 | $779,539 | 4/4/2026 | |||
| Mexico | 9/18/2025 | $734,698 | 0 | 0 | 0 | $1,490,508 | 4/4/2026 | |||
| Netherlands | 9/25/2025 | $130,255 | 129 | 134 | 354 | $345,795 | 4/4/2026 | |||
| New Zealand | 9/18/2025 | $52,511 | 99 | 99 | 0 | $149,105 | 4/4/2026 | |||
| Portugal | 9/18/2025 | $86,131 | 64 | 8 | 184 | $261,321 | 4/4/2026 | |||
| Romania | 9/19/2025 | $23,526 | 75 | 75 | 0 | $68,862 | 4/4/2026 | |||
| Russia (CIS) | 9/18/2025 | $75,707 | 124 | 124 | 236 | $142,073 | 4/6/2026 | |||
| Slovakia | 10/2/2025 | $19,106 | 72 | 72 | 124 | $50,910 | 4/4/2026 | |||
| South Korea | 10/22/2025 | $21,112 | 204 | 204 | 0 | $50,035 | 4/6/2026 | |||
| Spain | 9/19/2025 | $277,185 | 400 | 400 | 765 | $661,245 | 4/4/2026 | |||
| Turkey | 9/19/2025 | $46,703 | 149 | 149 | 309 | $147,566 | 4/4/2026 | |||
| United Kingdom | 9/19/2025 | $719,972 | 638 | 638 | 1,174 | $1,350,605 | 4/4/2026 | |||
| Rest of World | $6,343,125 | |||||||||
| International Total | $13,471,138 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Margot Robbie | Sarah | |
| Colin Farrell | David |
Supporting
| Lily Rabe | ||
| Jodie Turner-Smith | ||
| Phoebe Waller-Bridge | ||
| Hamish Linklater | ||
| Jacqueline Novak | ||
| Brandon Perea | ||
| Calahan Skogman |
Uncategorized
| Sarah Gadon |
Production and Technical Credits
| Kogonada | Director | |
| Seth Reiss | Screenwriter | |
| Dan Friedkin | Producer | |
| Bradley Thomas | Producer | |
| Ryan Friedkin | Producer | |
| Seth Reiss | Producer | |
| Youree Henley | Producer | |
| Kogonada | Executive Producer | |
| Ilene Feldman | Executive Producer | |
| Ori Eisen | Executive Producer | |
| Gino Falsetto | Executive Producer | |
| Paul Mezey | Executive Producer | |
| Micah Green | Executive Producer | |
| Dan Steinman | Executive Producer | |
| John Atwood | Executive Producer | |
| Susan E. Kim | Editor | |
| Joe Hisaishi | Composer | |
| Benjamin Loeb | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Sarah and David are single strangers who meet at a mutual friend’s wedding and soon, through a surprising twist of fate, find themselves on A Big Bold Beautiful Journey—an adventure together where they get to re-live important moments from their respective pasts, illuminating how they got to where they are in the present… and possibly getting a chance to alter their futures.
Metrics
| Opening Weekend: | $3,252,578 (48.8% of total gross) |
| Legs: | 2.05 (domestic box office/biggest weekend) |
| Domestic Share: | 33.1% (domestic box office/worldwide) |
| Production Budget: | $45,000,000 (worldwide box office is 0.4 times production budget) |
| Theater counts: | 3,330 opening theaters/3,330 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $6,671,082 |
Movie Details
| Domestic Releases: | September 19th, 2025 (Wide) by Sony Pictures |
| International Releases: | September 18th, 2025 (Wide), released as El Gran Viaje de Tu Vida (Mexico)
September 18th, 2025 (Wide) (Croatia) September 18th, 2025 (Limited), released as A Big Bold Beautiful Journey (БОЛЬШОЕ СМЕЛОЕ КРАСИВОЕ ПУТЕШЕСТВИЕ) (Russia (CIS)) September 18th, 2025 (Wide), released as Uma Grande, Corajosa e Bela Viagem (Portugal) September 18th, 2025 (Limited) (Chile) ... Show all releases |
| Video Release: | October 14th, 2025 by Sony Pictures Home Entertainment |
| MPA Rating: | R for language. (Rating bulletin 2899 (cert #54982), 8/20/2025) |
| Running Time: | 139 minutes |
| Filming location (country): | United States |
| Filming location (state or county): | California, United States |
| Plot point: | Alternative Dimensions / Parallel universe, Romance |
| Social setting: | Supernatural |
| Subgenre: | Romantic Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Imperative Entertainment, 30 West, Columbia Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 19, 2025 | 6 | $3,252,578 | 3,330 | $977 | $3,252,578 | 1 | |
| Sep 26, 2025 | 11 | $1,105,286 | -66% | 3,330 | $332 | $5,777,872 | 2 |
| Oct 3, 2025 | - | $74,086 | -93% | 609 | $122 | $6,540,589 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 18, 2025 | P | $400,000 | 2,737 | $146 | $400,000 | |||
| Sep 19, 2025 | 6 | $1,371,945 | 3,330 | $412 | $1,371,945 | 1 | ||
| Sep 20, 2025 | 6 | $1,165,242 | -15% | 3,330 | $350 | $2,537,187 | 2 | |
| Sep 21, 2025 | 6 | $715,391 | -39% | 3,330 | $215 | $3,252,578 | 3 | |
| Sep 22, 2025 | 6 | $304,869 | -57% | 3,330 | $92 | $3,557,447 | 4 | |
| Sep 23, 2025 | 6 | $568,907 | +87% | 3,330 | $171 | $4,126,354 | 5 | |
| Sep 24, 2025 | - | $310,174 | -45% | 3,330 | $93 | $4,436,528 | 6 | |
| Sep 25, 2025 | 7 | $236,058 | -24% | 3,330 | $71 | $4,672,586 | 7 | |
| Sep 26, 2025 | - | $351,722 | +49% | -74% | 3,330 | $106 | $5,024,308 | 8 |
| Sep 27, 2025 | 11 | $462,650 | +32% | -60% | 3,330 | $139 | $5,486,958 | 9 |
| Sep 28, 2025 | 10 | $290,914 | -37% | -59% | 3,330 | $87 | $5,777,872 | 10 |
| Sep 29, 2025 | 9 | $140,027 | -52% | -54% | 3,330 | $42 | $5,917,899 | 11 |
| Sep 30, 2025 | 9 | $250,172 | +79% | -56% | 3,330 | $75 | $6,168,071 | 12 |
| Oct 1, 2025 | 9 | $171,169 | -32% | -45% | 3,330 | $51 | $6,339,240 | 13 |
| Oct 2, 2025 | - | $127,263 | -26% | -46% | 3,330 | $38 | $6,466,503 | 14 |
| Oct 3, 2025 | - | $18,937 | -85% | -95% | 609 | $31 | $6,485,440 | 15 |
| Oct 4, 2025 | - | $31,365 | +66% | -93% | 609 | $52 | $6,516,805 | 16 |
| Oct 5, 2025 | - | $23,784 | -24% | -92% | 609 | $39 | $6,540,589 | 17 |
| Oct 6, 2025 | - | $29,751 | +25% | -79% | 609 | $49 | $6,570,340 | 18 |
| Oct 7, 2025 | - | $48,156 | +62% | -81% | 609 | $79 | $6,618,496 | 19 |
| Oct 8, 2025 | - | $33,852 | -30% | -80% | 609 | $56 | $6,652,348 | 20 |
| Oct 9, 2025 | - | $18,734 | -45% | -85% | 609 | $31 | $6,671,082 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 19, 2025 | 6 | $4,672,586 | 3,330 | $1,403 | $4,672,586 | 1 | |
| Sep 26, 2025 | 9 | $1,793,917 | -62% | 3,330 | $539 | $6,466,503 | 2 |
| Oct 3, 2025 | 21 | $204,579 | -89% | 609 | $336 | $6,671,082 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 9/18/2025 | $512,389 | 367 | 367 | 0 | $1,493,496 | 4/6/2026 | |||
| China | 10/18/2025 | $15,015 | 0 | 0 | 0 | $31,855 | 4/6/2026 | |||
| Croatia | 9/18/2025 | $7,741 | 25 | 25 | 47 | $16,356 | 4/4/2026 | |||
| Czech Republic | 9/18/2025 | $0 | 0 | 140 | 140 | $23,917 | 4/4/2026 | |||
| Finland | 10/10/2025 | $25,252 | 69 | 69 | 117 | $64,825 | 4/4/2026 | |||
| Italy | 10/2/2025 | $396,888 | 0 | 0 | 0 | $779,539 | 4/4/2026 | |||
| Mexico | 9/18/2025 | $734,698 | 0 | 0 | 0 | $1,490,508 | 4/4/2026 | |||
| Netherlands | 9/25/2025 | $130,255 | 129 | 134 | 354 | $345,795 | 4/4/2026 | |||
| New Zealand | 9/18/2025 | $52,511 | 99 | 99 | 0 | $149,105 | 4/4/2026 | |||
| Portugal | 9/18/2025 | $86,131 | 64 | 8 | 184 | $261,321 | 4/4/2026 | |||
| Romania | 9/19/2025 | $23,526 | 75 | 75 | 0 | $68,862 | 4/4/2026 | |||
| Russia (CIS) | 9/18/2025 | $75,707 | 124 | 124 | 236 | $142,073 | 4/6/2026 | |||
| Slovakia | 10/2/2025 | $19,106 | 72 | 72 | 124 | $50,910 | 4/4/2026 | |||
| South Korea | 10/22/2025 | $21,112 | 204 | 204 | 0 | $50,035 | 4/6/2026 | |||
| Spain | 9/19/2025 | $277,185 | 400 | 400 | 765 | $661,245 | 4/4/2026 | |||
| Turkey | 9/19/2025 | $46,703 | 149 | 149 | 309 | $147,566 | 4/4/2026 | |||
| United Kingdom | 9/19/2025 | $719,972 | 638 | 638 | 1,174 | $1,350,605 | 4/4/2026 | |||
| Rest of World | $6,343,125 | |||||||||
| International Total | $13,471,138 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Margot Robbie | Sarah | |
| Colin Farrell | David |
Supporting
| Lily Rabe | ||
| Jodie Turner-Smith | ||
| Phoebe Waller-Bridge | ||
| Hamish Linklater | ||
| Jacqueline Novak | ||
| Brandon Perea | ||
| Calahan Skogman |
Uncategorized
| Sarah Gadon |
Production and Technical Credits
| Kogonada | Director | |
| Seth Reiss | Screenwriter | |
| Dan Friedkin | Producer | |
| Bradley Thomas | Producer | |
| Ryan Friedkin | Producer | |
| Seth Reiss | Producer | |
| Youree Henley | Producer | |
| Kogonada | Executive Producer | |
| Ilene Feldman | Executive Producer | |
| Ori Eisen | Executive Producer | |
| Gino Falsetto | Executive Producer | |
| Paul Mezey | Executive Producer | |
| Micah Green | Executive Producer | |
| Dan Steinman | Executive Producer | |
| John Atwood | Executive Producer | |
| Susan E. Kim | Editor | |
| Joe Hisaishi | Composer | |
| Benjamin Loeb | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.