The Big Johnson (2026)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 787780100 More info... | ||
| Further financial details... | ||
Synopsis
The story of Dean Johnson — drag queen, rock star, sex-positive LGBTQ+ activist, junkie, escort, and eventually John Doe. How does someone so famous in New York end up unidentified for a week in a D.C. morgue? Dean Johnson was a force of nature, standing seven-feet-tall in high heels. Bald, with hoop earrings, alien sunglasses, and a tiny black dress, he screamed for equality with his groundbreaking bands, Dean and the Weenies and The Velvet Mafia, refusing to be in the closet in the 1980s at the height of the AIDS crisis.
Metrics
Movie Details
| Domestic Releases: | January 23rd, 2026 (Limited) by Freestyle Releasing |
| Video Release: | February 27th, 2026 by Freestyle Digital Media |
| Plot point: | AIDS, Cross-Dressing, LGBTQ+, Rock 'n' Roll |
| Subgenre: | Biographical Documentary |
| Time period setting: | 1980s |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Funtown Pictures, Freestyle Digital Media, Gays From Away |
| Production Countries: | United States |
| Languages: | English |
Documentary Subject
| Dean Johnson | Himself |
Interviewee
| Alice O’Malley | Herself | |
| Basil Rodericks | Himself | |
| Beth Johnson | Herself | |
| Cara Buckley | Herself | |
| Ceyenne Doroshow | Herself | |
| Chi Chi Valenti | Herself | |
| Chris Hook | Himself | |
| Dale Corvino | Himself | |
| Daniel Nardicio | Himself |
Production and Technical Credits
| Lola Rocknrolla | Director | |
| Lola Rocknrolla | Screenwriter | |
| Lola Rocknrolla | Producer | |
| Patty Lovemore | Producer | |
| Beth Johnson | Producer | |
| Mitch del Monico | Producer | |
| Lola Rocknrolla | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The story of Dean Johnson — drag queen, rock star, sex-positive LGBTQ+ activist, junkie, escort, and eventually John Doe. How does someone so famous in New York end up unidentified for a week in a D.C. morgue? Dean Johnson was a force of nature, standing seven-feet-tall in high heels. Bald, with hoop earrings, alien sunglasses, and a tiny black dress, he screamed for equality with his groundbreaking bands, Dean and the Weenies and The Velvet Mafia, refusing to be in the closet in the 1980s at the height of the AIDS crisis.
Metrics
Movie Details
| Domestic Releases: | January 23rd, 2026 (Limited) by Freestyle Releasing |
| Video Release: | February 27th, 2026 by Freestyle Digital Media |
| Plot point: | AIDS, Cross-Dressing, LGBTQ+, Rock 'n' Roll |
| Subgenre: | Biographical Documentary |
| Time period setting: | 1980s |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Funtown Pictures, Freestyle Digital Media, Gays From Away |
| Production Countries: | United States |
| Languages: | English |
Documentary Subject
| Dean Johnson | Himself |
Interviewee
| Alice O’Malley | Herself | |
| Basil Rodericks | Himself | |
| Beth Johnson | Herself | |
| Cara Buckley | Herself | |
| Ceyenne Doroshow | Herself | |
| Chi Chi Valenti | Herself | |
| Chris Hook | Himself | |
| Dale Corvino | Himself | |
| Daniel Nardicio | Himself |
Production and Technical Credits
| Lola Rocknrolla | Director | |
| Lola Rocknrolla | Screenwriter | |
| Lola Rocknrolla | Producer | |
| Patty Lovemore | Producer | |
| Beth Johnson | Producer | |
| Mitch del Monico | Producer | |
| Lola Rocknrolla | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.