Billie Eilish: The World’s A Little Blurry (2021)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $138 | Details |
| Worldwide Box Office | $138 | |
| OpusData ID: 475790100 More info... | ||
| Further financial details... | ||
Synopsis
The coming-of-age story of the singer-songwriter and her rise to global superstardom. From award-winning filmmaker R.J. Cutler, the documentary offers a deeply intimate look at this extraordinary teenager’s journey, at just seventeen years old, navigating life on the road, on stage, and at home with her family, while writing, recording and releasing her debut album “WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?”
Metrics
Movie Details
| Domestic Releases: | February 26th, 2021 (Limited) by Neon February 26th, 2021 (IMAX) by Neon |
| International Releases: | February 26th, 2021 (Limited) (Mexico)
February 26th, 2021 (Wide) (New Zealand) May 28th, 2021 (Limited) (United Kingdom) |
| Video Release: | February 26th, 2021 by Apple TV |
| MPA Rating: | R for language throughout and brief nude sketches. (Rating bulletin 2667 (cert #53030), 2/10/2021) |
| Running Time: | 140 minutes |
| Plot point: | Musicians, Rock 'n' Roll, Singers |
| Subgenre: | Rockumentary |
| Time period setting: | 2010s |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Apple Film, Interscope Films, Darkroom, This Machine, Lighthouse Management and Media |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| New Zealand | 2/26/2021 | $138 | 17 | 17 | 17 | $138 | 10/19/2022 | |||
| International Total | $138 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Billie Eilish | Herself |
Interviewee
| Finneas O'Connell | Himself |
Production and Technical Credits
| R.J. Cutler | Director | |
| R.J. Cutler | Screenwriter | |
| R.J. Cutler | Producer | |
| Trevor Smith | Producer | |
| Michelle An | Producer | |
| Chelsea Dodson | Producer | |
| Anthony Seyler | Producer | |
| Greg Finton | Editor | |
| Lindsay Utz | Editor | |
| Jae Kim | Sound Mixer | |
| Billie Eilish | Song Writer | |
| John Janick | Executive Producer | |
| Justin Lubliner | Executive Producer | |
| Brandon Goodman | Executive Producer | |
| Danny Rukasin | Executive Producer | |
| Aleen Keshishian | Executive Producer | |
| Margaret Riley | Executive Producer | |
| Zack Morgenroth | Executive Producer | |
| Todd Lubin | Executive Producer | |
| Jay Peterson | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The coming-of-age story of the singer-songwriter and her rise to global superstardom. From award-winning filmmaker R.J. Cutler, the documentary offers a deeply intimate look at this extraordinary teenager’s journey, at just seventeen years old, navigating life on the road, on stage, and at home with her family, while writing, recording and releasing her debut album “WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?”
Metrics
Movie Details
| Domestic Releases: | February 26th, 2021 (Limited) by Neon February 26th, 2021 (IMAX) by Neon |
| International Releases: | February 26th, 2021 (Limited) (Mexico)
February 26th, 2021 (Wide) (New Zealand) May 28th, 2021 (Limited) (United Kingdom) |
| Video Release: | February 26th, 2021 by Apple TV |
| MPA Rating: | R for language throughout and brief nude sketches. (Rating bulletin 2667 (cert #53030), 2/10/2021) |
| Running Time: | 140 minutes |
| Plot point: | Musicians, Rock 'n' Roll, Singers |
| Subgenre: | Rockumentary |
| Time period setting: | 2010s |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Apple Film, Interscope Films, Darkroom, This Machine, Lighthouse Management and Media |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| New Zealand | 2/26/2021 | $138 | 17 | 17 | 17 | $138 | 10/19/2022 | |||
| International Total | $138 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Billie Eilish | Herself |
Interviewee
| Finneas O'Connell | Himself |
Production and Technical Credits
| R.J. Cutler | Director | |
| R.J. Cutler | Screenwriter | |
| R.J. Cutler | Producer | |
| Trevor Smith | Producer | |
| Michelle An | Producer | |
| Chelsea Dodson | Producer | |
| Anthony Seyler | Producer | |
| Greg Finton | Editor | |
| Lindsay Utz | Editor | |
| Jae Kim | Sound Mixer | |
| Billie Eilish | Song Writer | |
| John Janick | Executive Producer | |
| Justin Lubliner | Executive Producer | |
| Brandon Goodman | Executive Producer | |
| Danny Rukasin | Executive Producer | |
| Aleen Keshishian | Executive Producer | |
| Margaret Riley | Executive Producer | |
| Zack Morgenroth | Executive Producer | |
| Todd Lubin | Executive Producer | |
| Jay Peterson | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.