Billy Lynn’s Long Halftime Walk (2016)
| Theatrical Performance | ||
| Domestic Box Office | $1,738,477 | Details |
| International Box Office | $28,491,925 | Details |
| Worldwide Box Office | $30,230,402 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $1,178,149 | |
| Blu-ray Sales (estimated) | $1,265,197 | |
| Total | $2,443,346 | |
| OpusData ID: 215920100 More info... | ||
| Further financial details... | ||
Synopsis
Told from the point of view of 19-year-old private Billy Lynn who, along with his fellow soldiers in Bravo Squad, becomes a hero after a harrowing Iraq battle and is brought home temporarily for a victory tour. Through flashbacks, culminating at the spectacular halftime show of the Thanksgiving Day football game, the film reveals what really happened to the squad.
Metrics
| Opening Weekend: | $114,129 (6.6% of total gross) |
| Legs: | 1.93 (domestic box office/biggest weekend) |
| Domestic Share: | 5.8% (domestic box office/worldwide) |
| Production Budget: | $40,000,000 (worldwide box office is 0.8 times production budget) |
| Theater counts: | 2 opening theaters/1,176 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,403,721 |
Movie Details
| Domestic Releases: | November 11th, 2016 (Limited) by Sony Pictures November 18th, 2016 (Expands Wide) by Sony Pictures |
| International Releases: | November 9th, 2016 (Wide) (Cambodia)
November 9th, 2016 (Wide) (Philippines) November 10th, 2016 (Wide) (Malaysia) November 10th, 2016 (Wide) (Singapore) November 10th, 2016 (Wide), released as Billy Lynn's Long Halftime Walk (China) ... Show all releases |
| Video Release: | January 31st, 2017 by TriStar Pictures Video |
| MPA Rating: | R for language throughout, some war violence, sexual content, and brief drug use. (Rating bulletin 2445 (Cert #49736), 10/5/2016) |
| Running Time: | 110 minutes |
| Film format: | 3-D, 3-D - Shot in 3-D |
| Filming location (country): | Morocco, United States |
| Plot point: | Returning Soldiers, War |
| Social setting: | Iraq War |
| Subgenre: | War Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Film4, Ink Factory, Studio 8, Tri-Star Pictures, LStar Capital, Bona Film Group, Marc Platt Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 11, 2016 | 32 | $114,129 | 2 | $57,065 | $114,129 | 1 | |
| Nov 18, 2016 | 14 | $901,062 | +690% | 1,176 | $766 | $1,057,673 | 2 |
| Nov 25, 2016 | 27 | $204,551 | -77% | 1,176 | $174 | $1,587,116 | 3 |
| Dec 2, 2016 | 45 | $28,560 | -86% | 75 | $381 | $1,721,524 | 4 |
| Dec 9, 2016 | 65 | $3,394 | -88% | 16 | $212 | $1,736,708 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Nov 11, 2016 | - | $56,404 | 2 | $28,202 | $56,404 | 1 | ||
| Nov 12, 2016 | - | $35,409 | -37% | 2 | $17,705 | $91,813 | 2 | |
| Nov 13, 2016 | - | $22,316 | -37% | 2 | $11,158 | $114,129 | 3 | |
| Nov 14, 2016 | - | $10,260 | -54% | 2 | $5,130 | $124,389 | 4 | |
| Nov 15, 2016 | - | $9,929 | -3% | 2 | $4,965 | $134,318 | 5 | |
| Nov 16, 2016 | - | $14,148 | +42% | 2 | $7,074 | $148,466 | 6 | |
| Nov 17, 2016 | - | $8,145 | -42% | 2 | $4,073 | $156,611 | 7 | |
| Nov 18, 2016 | 12 | $352,475 | +4,228% | +525% | 1,176 | $300 | $509,086 | 8 |
| Nov 19, 2016 | 15 | $335,824 | -5% | +848% | 1,176 | $286 | $844,910 | 9 |
| Nov 20, 2016 | 15 | $212,763 | -37% | +853% | 1,176 | $181 | $1,057,673 | 10 |
| Nov 21, 2016 | 14 | $100,119 | -53% | +876% | 1,176 | $85 | $1,157,792 | 11 |
| Nov 22, 2016 | 14 | $107,932 | +8% | +987% | 1,176 | $92 | $1,265,724 | 12 |
| Nov 23, 2016 | - | $54,832 | -49% | +288% | 1,176 | $47 | $1,320,556 | 13 |
| Nov 24, 2016 | - | $62,009 | +13% | +661% | 1,176 | $53 | $1,382,565 | 14 |
| Nov 25, 2016 | - | $73,558 | +19% | -79% | 1,176 | $63 | $1,456,123 | 15 |
| Nov 26, 2016 | - | $78,059 | +6% | -77% | 1,176 | $66 | $1,534,182 | 16 |
| Nov 27, 2016 | - | $52,934 | -32% | -75% | 1,176 | $45 | $1,587,116 | 17 |
| Nov 28, 2016 | - | $24,185 | -54% | -76% | 1,176 | $21 | $1,611,301 | 18 |
| Nov 29, 2016 | - | $31,790 | +31% | -71% | 1,176 | $27 | $1,643,091 | 19 |
| Nov 30, 2016 | - | $28,817 | -9% | -47% | 1,176 | $25 | $1,671,908 | 20 |
| Dec 1, 2016 | - | $21,056 | -27% | -66% | 1,176 | $18 | $1,692,964 | 21 |
| Dec 2, 2016 | - | $9,248 | -56% | -87% | 75 | $123 | $1,702,212 | 22 |
| Dec 3, 2016 | - | $11,863 | +28% | -85% | 75 | $158 | $1,714,075 | 23 |
| Dec 4, 2016 | - | $7,449 | -37% | -86% | 75 | $99 | $1,721,524 | 24 |
| Dec 5, 2016 | - | $2,165 | -71% | -91% | 75 | $29 | $1,723,689 | 25 |
| Dec 6, 2016 | - | $3,829 | +77% | -88% | 75 | $51 | $1,727,518 | 26 |
| Dec 7, 2016 | - | $2,815 | -26% | -90% | 75 | $38 | $1,730,333 | 27 |
| Dec 8, 2016 | - | $2,981 | +6% | -86% | 75 | $40 | $1,733,314 | 28 |
| Dec 9, 2016 | - | $722 | -76% | -92% | 16 | $45 | $1,734,036 | 29 |
| Dec 10, 2016 | - | $1,422 | +97% | -88% | 16 | $89 | $1,735,458 | 30 |
| Dec 11, 2016 | - | $1,250 | -12% | -83% | 16 | $78 | $1,736,708 | 31 |
| Dec 12, 2016 | - | $497 | -60% | -77% | 16 | $31 | $1,737,205 | 32 |
| Dec 13, 2016 | - | $835 | +68% | -78% | 16 | $52 | $1,738,040 | 33 |
| Dec 14, 2016 | - | $262 | -69% | -91% | 16 | $16 | $1,738,302 | 34 |
| Dec 15, 2016 | - | $175 | -33% | -94% | 16 | $11 | $1,738,477 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 11, 2016 | 33 | $156,611 | 2 | $78,306 | $156,611 | 1 | |
| Nov 18, 2016 | 18 | $1,225,954 | +683% | 1,176 | $1,042 | $1,382,565 | 2 |
| Nov 25, 2016 | 22 | $310,399 | -75% | 1,176 | $264 | $1,692,964 | 3 |
| Dec 2, 2016 | 47 | $40,350 | -87% | 75 | $538 | $1,733,314 | 4 |
| Dec 9, 2016 | 68 | $5,163 | -87% | 16 | $323 | $1,738,477 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/25/2016 | $45,864 | 57 | 57 | 114 | $77,970 | 12/13/2016 | |||
| Belgium | 1/25/2017 | $4,357 | 3 | 3 | 3 | $4,357 | 1/31/2017 | |||
| Cambodia | 11/9/2016 | $4,007 | 21 | 21 | 25 | $5,186 | 12/31/2018 | |||
| China | 11/10/2016 | $11,600,000 | 61,608 | 61,608 | 71,380 | $23,761,008 | 8/27/2018 | |||
| Curacao | 11/24/2016 | $411 | 2 | 2 | 4 | $741 | 12/31/2018 | |||
| France | 2/1/2017 | $42,931 | 19 | 19 | 30 | $73,634 | 2/14/2017 | |||
| Germany | 2/2/2017 | $119,153 | 105 | 105 | 158 | $130,531 | 3/7/2017 | |||
| India | 11/11/2016 | $24,691 | 57 | 57 | 62 | $45,223 | 11/29/2016 | |||
| Indonesia | 11/11/2016 | $113,585 | 127 | 127 | 153 | $160,243 | 12/31/2018 | |||
| Italy | 2/2/2017 | $34,429 | 60 | 60 | 65 | $49,906 | 2/14/2017 | |||
| Jamaica | 11/23/2016 | $883 | 3 | 3 | 4 | $1,509 | 12/31/2018 | |||
| Malaysia | 11/10/2016 | $64,244 | 83 | 83 | 202 | $119,261 | 11/29/2016 | |||
| Pakistan | 11/11/2016 | $1,772 | 12 | 12 | 12 | $1,772 | 12/31/2018 | |||
| Philippines | 11/9/2016 | $47,417 | 106 | 106 | 111 | $57,315 | 12/31/2018 | |||
| Singapore | 11/10/2016 | $91,263 | 18 | 18 | 37 | $155,298 | 12/13/2016 | |||
| South Africa | 3/10/2017 | $2,337 | 5 | 5 | 10 | $3,172 | 3/21/2017 | |||
| Spain | 1/27/2017 | $6,200 | 13 | 13 | 20 | $10,972 | 2/21/2017 | |||
| Thailand | 11/24/2016 | $23,421 | 45 | 45 | 59 | $35,947 | 12/6/2016 | |||
| Trinidad | 11/23/2016 | $4,575 | 10 | 10 | 14 | $6,262 | 12/31/2018 | |||
| United Kingdom | 2/10/2017 | $18,367 | 89 | 89 | 103 | $35,682 | 3/1/2017 | |||
| Rest of World | $3,755,936 | |||||||||
| International Total | $28,491,925 | 12/31/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Joe Alwyn | Billy Lynn |
Supporting
| Kristen Stewart | Kathryn | |
| Chris Tucker | Albert | |
| Garrett Hedlund | Dime | |
| Vin Diesel | Shroom | |
| Steve Martin | Norm | |
| Arturo Castro | Mango | |
| Mason Lee | Foo | |
| Brian “Astro” Bradley* | Lodis | |
| Beau Knapp | Crack | |
| Ismael Cruz Cordova | Holliday | |
| Barney Harris | Sykes | |
| Makenzie Leigh | Faison | |
| Ben Platt | Josh | |
| Bruce McKinnon | Billy’s Father | |
| Deirdre Lovejoy | Billy’s Mother | |
| Laura Wheale | Billy’s Sister | |
| Richard Allen Daniel | Major Mac | |
| Randy Gonzalez | Hector | |
| Tim Blake Nelson | Wayne | |
| Tom McNulty | Reporter | |
| Markina Brown | Reporter | |
| Eric Kan | Reporter | |
| Dana Barrett | Reporter | |
| Richard Sherman | Football Player | |
| J.J. Watt | Football Player | |
| Christopher Cook | Roadie Foreman | |
| Lee McLamb | Billy’s Nephew | |
| Currin McLamb | Billy’s Nephew | |
| Austin McLamb | Billy’s Nephew | |
| Matthew Barnes | Travis | |
| Kristin Erickson | Travis’s Girlfriend | |
| Brad Mills | Travis’ Friend | |
| Genevieve Adams | Stage Manager | |
| David Ramsey | Field Manager | |
| Holly Anne Morris | Grateful / Anxious Americans | |
| Alan Gilmer | Grateful / Anxious Americans | |
| Andy Glen | Grateful / Anxious Americans | |
| Bo Mitchell | Grateful / Anxious Americans | |
| Brandin Jenkins | Grateful / Anxious Americans | |
| Chesta Drake | Grateful / Anxious Americans | |
| Cooper Andrews | Grateful / Anxious Americans | |
| Katie Deal | Grateful / Anxious Americans | |
| Tatom Pender | Grateful / Anxious Americans | |
| Katrina Pettiford | Kelly | |
| Erin Moore | Michelle | |
| Elizabeth Chestang | Beyoncé |
Cameo
| Kellie Pickler | National Anthem Singer |
Supporting
| Marc Innis | Pushy Halftime Dancer | |
| Fajer Kaisi | Interpreter | |
| Khalid Sadiki | Iraqi Boy | |
| Mbarek Ben Amr | Iraqi Boy | |
| Mohammed Ettaghlaoui | Iraqi Boy | |
| Moustapha El Airiji | Iraqi Boy | |
| Ayoub Bnini | Iraqi Boy | |
| Ayoub Smaili | Iraqi Boy | |
| Ismaili Alaoui | Iraqi Daughters | |
| Souad Chaoui | Iraqi Daughters | |
| Antonio Badrani | Iraqi Father | |
| Badia Obaid | Iraqi Grandmother | |
| Abdellah Sadiki | Iraqi Son | |
| Abderahmane Naji | Iraqi Son | |
| Mansour Badri | Iraqi Uncle | |
| Azim Ganem Rizk | Waleed (Hand-To-Hand Insurgent) | |
| Jay Peterson | Rude Fan | |
| Jay D. Kacho | Norm’s Exec | |
| Zaydun Khalaf | Shopkeeper | |
| Gregory Alan Williams | Raise N’ Praise Preacher |
Production and Technical Credits
| Ang Lee | Director | |
| Jean-Christophe Castelli | Screenwriter | |
| Ben Fountain | Based on the novel by | |
| Ang Lee | Producer | |
| Stephen Cornwell | Producer | |
| Rhodri Thomas | Producer | |
| Simon Cornwell | Producer | |
| Brian Bell | Executive Producer | |
| Jeff Robinov | Executive Producer | |
| Guo Guangchang | Executive Producer | |
| Ben Waisbren | Executive Producer | |
| John Toll | Director of Photography | |
| Tim Squyres | Editor | |
| Mychael Danna | Composer | |
| Jeff Danna | Composer | |
| Joseph G. Aulisi | Costume Designer | |
| Avy Kaufman | Casting Director | |
| J.J. Perry | Stunt Coordinator | |
| Brian Bell | Unit Production Manager | |
| Richard Styles | First Assistant Director | |
| Eric Lasko | Second Assistant Director | |
| Ben Gervais | Technical Supervisor | |
| Frank Murray | Co-Producer | |
| Alexei Boltho | Associate Producer | |
| Simon Cornwell | Associate Producer | |
| Ben Fountain | Associate Producer | |
| David Kosse | Associate Producer | |
| David Lee | Associate Producer | |
| Kim Jennings | Art Director | |
| Thomas Minton | Art Director | |
| Elizabeth Keenan | Set Decorator | |
| Mary Bailey | Script Supervisor | |
| Leslie Hough | Visual Effects Producer | |
| J. Kevin Draves | Costume Supervisor | |
| Bryan Mathison | Costume Supervisor | |
| Luisa Abel | Make up | |
| Jay Wejebe | Make up | |
| Kelvin R. Trahan | Hairstylist | |
| Rita Troy | Hairstylist | |
| Russell Tyrrell | Special Effects Coordinator | |
| Ronnie Kupferwasser | Location Manager | |
| Tony Holley | Location Manager | |
| Robert Pyzocha | Additional Art Direction | |
| Erica Hohf | Assistant Art Director | |
| Ryan Heck | Set Designer | |
| Nithya Shrinivasan | Set Designer | |
| Rob Nagy | Set Designer | |
| Mary Cybriwsky | Still Photographer | |
| Harrison Nesbit | Casting Associate | |
| Leeba Zakharov | Casting Associate | |
| Andrew Leven | First Assistant Editor | |
| Lucian Johnston | Assistant Editor | |
| Joe Binford Jr | Assistant Editor | |
| Jennifer Lane | Post-Production Supervisor | |
| Catherine Farrell | Post-Production Supervisor | |
| Ron Bartlett | Re-recording Mixer | |
| D.M. Hemphill | Re-recording Mixer | |
| Eugene Gearty | Supervising Sound Editor | |
| Eugene Gearty | Sound Designer | |
| Alexa Zimmerman | Dialogue Editor | |
| Roland Vajs | Dialogue Editor | |
| Jennifer Dunnington | Music Editor | |
| Christopher Brooks | Music Editor | |
| Brad Haehnel | Score Mixer | |
| Marko Forker* | Visual Effects Supervisor | |
| Alex Lemke | Visual Effects Supervisor | |
| Michael Huber | Visual Effects Supervisor | |
| Eric J Robertson | Visual Effects Producer | |
| Jo Hughes | Visual Effects Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Told from the point of view of 19-year-old private Billy Lynn who, along with his fellow soldiers in Bravo Squad, becomes a hero after a harrowing Iraq battle and is brought home temporarily for a victory tour. Through flashbacks, culminating at the spectacular halftime show of the Thanksgiving Day football game, the film reveals what really happened to the squad.
Metrics
| Opening Weekend: | $114,129 (6.6% of total gross) |
| Legs: | 1.93 (domestic box office/biggest weekend) |
| Domestic Share: | 5.8% (domestic box office/worldwide) |
| Production Budget: | $40,000,000 (worldwide box office is 0.8 times production budget) |
| Theater counts: | 2 opening theaters/1,176 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,403,721 |
Movie Details
| Domestic Releases: | November 11th, 2016 (Limited) by Sony Pictures November 18th, 2016 (Expands Wide) by Sony Pictures |
| International Releases: | November 9th, 2016 (Wide) (Cambodia)
November 9th, 2016 (Wide) (Philippines) November 10th, 2016 (Wide) (Malaysia) November 10th, 2016 (Wide) (Singapore) November 10th, 2016 (Wide), released as Billy Lynn's Long Halftime Walk (China) ... Show all releases |
| Video Release: | January 31st, 2017 by TriStar Pictures Video |
| MPA Rating: | R for language throughout, some war violence, sexual content, and brief drug use. (Rating bulletin 2445 (Cert #49736), 10/5/2016) |
| Running Time: | 110 minutes |
| Film format: | 3-D, 3-D - Shot in 3-D |
| Filming location (country): | Morocco, United States |
| Plot point: | Returning Soldiers, War |
| Social setting: | Iraq War |
| Subgenre: | War Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Film4, Ink Factory, Studio 8, Tri-Star Pictures, LStar Capital, Bona Film Group, Marc Platt Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 11, 2016 | 32 | $114,129 | 2 | $57,065 | $114,129 | 1 | |
| Nov 18, 2016 | 14 | $901,062 | +690% | 1,176 | $766 | $1,057,673 | 2 |
| Nov 25, 2016 | 27 | $204,551 | -77% | 1,176 | $174 | $1,587,116 | 3 |
| Dec 2, 2016 | 45 | $28,560 | -86% | 75 | $381 | $1,721,524 | 4 |
| Dec 9, 2016 | 65 | $3,394 | -88% | 16 | $212 | $1,736,708 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Nov 11, 2016 | - | $56,404 | 2 | $28,202 | $56,404 | 1 | ||
| Nov 12, 2016 | - | $35,409 | -37% | 2 | $17,705 | $91,813 | 2 | |
| Nov 13, 2016 | - | $22,316 | -37% | 2 | $11,158 | $114,129 | 3 | |
| Nov 14, 2016 | - | $10,260 | -54% | 2 | $5,130 | $124,389 | 4 | |
| Nov 15, 2016 | - | $9,929 | -3% | 2 | $4,965 | $134,318 | 5 | |
| Nov 16, 2016 | - | $14,148 | +42% | 2 | $7,074 | $148,466 | 6 | |
| Nov 17, 2016 | - | $8,145 | -42% | 2 | $4,073 | $156,611 | 7 | |
| Nov 18, 2016 | 12 | $352,475 | +4,228% | +525% | 1,176 | $300 | $509,086 | 8 |
| Nov 19, 2016 | 15 | $335,824 | -5% | +848% | 1,176 | $286 | $844,910 | 9 |
| Nov 20, 2016 | 15 | $212,763 | -37% | +853% | 1,176 | $181 | $1,057,673 | 10 |
| Nov 21, 2016 | 14 | $100,119 | -53% | +876% | 1,176 | $85 | $1,157,792 | 11 |
| Nov 22, 2016 | 14 | $107,932 | +8% | +987% | 1,176 | $92 | $1,265,724 | 12 |
| Nov 23, 2016 | - | $54,832 | -49% | +288% | 1,176 | $47 | $1,320,556 | 13 |
| Nov 24, 2016 | - | $62,009 | +13% | +661% | 1,176 | $53 | $1,382,565 | 14 |
| Nov 25, 2016 | - | $73,558 | +19% | -79% | 1,176 | $63 | $1,456,123 | 15 |
| Nov 26, 2016 | - | $78,059 | +6% | -77% | 1,176 | $66 | $1,534,182 | 16 |
| Nov 27, 2016 | - | $52,934 | -32% | -75% | 1,176 | $45 | $1,587,116 | 17 |
| Nov 28, 2016 | - | $24,185 | -54% | -76% | 1,176 | $21 | $1,611,301 | 18 |
| Nov 29, 2016 | - | $31,790 | +31% | -71% | 1,176 | $27 | $1,643,091 | 19 |
| Nov 30, 2016 | - | $28,817 | -9% | -47% | 1,176 | $25 | $1,671,908 | 20 |
| Dec 1, 2016 | - | $21,056 | -27% | -66% | 1,176 | $18 | $1,692,964 | 21 |
| Dec 2, 2016 | - | $9,248 | -56% | -87% | 75 | $123 | $1,702,212 | 22 |
| Dec 3, 2016 | - | $11,863 | +28% | -85% | 75 | $158 | $1,714,075 | 23 |
| Dec 4, 2016 | - | $7,449 | -37% | -86% | 75 | $99 | $1,721,524 | 24 |
| Dec 5, 2016 | - | $2,165 | -71% | -91% | 75 | $29 | $1,723,689 | 25 |
| Dec 6, 2016 | - | $3,829 | +77% | -88% | 75 | $51 | $1,727,518 | 26 |
| Dec 7, 2016 | - | $2,815 | -26% | -90% | 75 | $38 | $1,730,333 | 27 |
| Dec 8, 2016 | - | $2,981 | +6% | -86% | 75 | $40 | $1,733,314 | 28 |
| Dec 9, 2016 | - | $722 | -76% | -92% | 16 | $45 | $1,734,036 | 29 |
| Dec 10, 2016 | - | $1,422 | +97% | -88% | 16 | $89 | $1,735,458 | 30 |
| Dec 11, 2016 | - | $1,250 | -12% | -83% | 16 | $78 | $1,736,708 | 31 |
| Dec 12, 2016 | - | $497 | -60% | -77% | 16 | $31 | $1,737,205 | 32 |
| Dec 13, 2016 | - | $835 | +68% | -78% | 16 | $52 | $1,738,040 | 33 |
| Dec 14, 2016 | - | $262 | -69% | -91% | 16 | $16 | $1,738,302 | 34 |
| Dec 15, 2016 | - | $175 | -33% | -94% | 16 | $11 | $1,738,477 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 11, 2016 | 33 | $156,611 | 2 | $78,306 | $156,611 | 1 | |
| Nov 18, 2016 | 18 | $1,225,954 | +683% | 1,176 | $1,042 | $1,382,565 | 2 |
| Nov 25, 2016 | 22 | $310,399 | -75% | 1,176 | $264 | $1,692,964 | 3 |
| Dec 2, 2016 | 47 | $40,350 | -87% | 75 | $538 | $1,733,314 | 4 |
| Dec 9, 2016 | 68 | $5,163 | -87% | 16 | $323 | $1,738,477 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/25/2016 | $45,864 | 57 | 57 | 114 | $77,970 | 12/13/2016 | |||
| Belgium | 1/25/2017 | $4,357 | 3 | 3 | 3 | $4,357 | 1/31/2017 | |||
| Cambodia | 11/9/2016 | $4,007 | 21 | 21 | 25 | $5,186 | 12/31/2018 | |||
| China | 11/10/2016 | $11,600,000 | 61,608 | 61,608 | 71,380 | $23,761,008 | 8/27/2018 | |||
| Curacao | 11/24/2016 | $411 | 2 | 2 | 4 | $741 | 12/31/2018 | |||
| France | 2/1/2017 | $42,931 | 19 | 19 | 30 | $73,634 | 2/14/2017 | |||
| Germany | 2/2/2017 | $119,153 | 105 | 105 | 158 | $130,531 | 3/7/2017 | |||
| India | 11/11/2016 | $24,691 | 57 | 57 | 62 | $45,223 | 11/29/2016 | |||
| Indonesia | 11/11/2016 | $113,585 | 127 | 127 | 153 | $160,243 | 12/31/2018 | |||
| Italy | 2/2/2017 | $34,429 | 60 | 60 | 65 | $49,906 | 2/14/2017 | |||
| Jamaica | 11/23/2016 | $883 | 3 | 3 | 4 | $1,509 | 12/31/2018 | |||
| Malaysia | 11/10/2016 | $64,244 | 83 | 83 | 202 | $119,261 | 11/29/2016 | |||
| Pakistan | 11/11/2016 | $1,772 | 12 | 12 | 12 | $1,772 | 12/31/2018 | |||
| Philippines | 11/9/2016 | $47,417 | 106 | 106 | 111 | $57,315 | 12/31/2018 | |||
| Singapore | 11/10/2016 | $91,263 | 18 | 18 | 37 | $155,298 | 12/13/2016 | |||
| South Africa | 3/10/2017 | $2,337 | 5 | 5 | 10 | $3,172 | 3/21/2017 | |||
| Spain | 1/27/2017 | $6,200 | 13 | 13 | 20 | $10,972 | 2/21/2017 | |||
| Thailand | 11/24/2016 | $23,421 | 45 | 45 | 59 | $35,947 | 12/6/2016 | |||
| Trinidad | 11/23/2016 | $4,575 | 10 | 10 | 14 | $6,262 | 12/31/2018 | |||
| United Kingdom | 2/10/2017 | $18,367 | 89 | 89 | 103 | $35,682 | 3/1/2017 | |||
| Rest of World | $3,755,936 | |||||||||
| International Total | $28,491,925 | 12/31/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Joe Alwyn | Billy Lynn |
Supporting
| Kristen Stewart | Kathryn | |
| Chris Tucker | Albert | |
| Garrett Hedlund | Dime | |
| Vin Diesel | Shroom | |
| Steve Martin | Norm | |
| Arturo Castro | Mango | |
| Mason Lee | Foo | |
| Brian “Astro” Bradley* | Lodis | |
| Beau Knapp | Crack | |
| Ismael Cruz Cordova | Holliday | |
| Barney Harris | Sykes | |
| Makenzie Leigh | Faison | |
| Ben Platt | Josh | |
| Bruce McKinnon | Billy’s Father | |
| Deirdre Lovejoy | Billy’s Mother | |
| Laura Wheale | Billy’s Sister | |
| Richard Allen Daniel | Major Mac | |
| Randy Gonzalez | Hector | |
| Tim Blake Nelson | Wayne | |
| Tom McNulty | Reporter | |
| Markina Brown | Reporter | |
| Eric Kan | Reporter | |
| Dana Barrett | Reporter | |
| Richard Sherman | Football Player | |
| J.J. Watt | Football Player | |
| Christopher Cook | Roadie Foreman | |
| Lee McLamb | Billy’s Nephew | |
| Currin McLamb | Billy’s Nephew | |
| Austin McLamb | Billy’s Nephew | |
| Matthew Barnes | Travis | |
| Kristin Erickson | Travis’s Girlfriend | |
| Brad Mills | Travis’ Friend | |
| Genevieve Adams | Stage Manager | |
| David Ramsey | Field Manager | |
| Holly Anne Morris | Grateful / Anxious Americans | |
| Alan Gilmer | Grateful / Anxious Americans | |
| Andy Glen | Grateful / Anxious Americans | |
| Bo Mitchell | Grateful / Anxious Americans | |
| Brandin Jenkins | Grateful / Anxious Americans | |
| Chesta Drake | Grateful / Anxious Americans | |
| Cooper Andrews | Grateful / Anxious Americans | |
| Katie Deal | Grateful / Anxious Americans | |
| Tatom Pender | Grateful / Anxious Americans | |
| Katrina Pettiford | Kelly | |
| Erin Moore | Michelle | |
| Elizabeth Chestang | Beyoncé |
Cameo
| Kellie Pickler | National Anthem Singer |
Supporting
| Marc Innis | Pushy Halftime Dancer | |
| Fajer Kaisi | Interpreter | |
| Khalid Sadiki | Iraqi Boy | |
| Mbarek Ben Amr | Iraqi Boy | |
| Mohammed Ettaghlaoui | Iraqi Boy | |
| Moustapha El Airiji | Iraqi Boy | |
| Ayoub Bnini | Iraqi Boy | |
| Ayoub Smaili | Iraqi Boy | |
| Ismaili Alaoui | Iraqi Daughters | |
| Souad Chaoui | Iraqi Daughters | |
| Antonio Badrani | Iraqi Father | |
| Badia Obaid | Iraqi Grandmother | |
| Abdellah Sadiki | Iraqi Son | |
| Abderahmane Naji | Iraqi Son | |
| Mansour Badri | Iraqi Uncle | |
| Azim Ganem Rizk | Waleed (Hand-To-Hand Insurgent) | |
| Jay Peterson | Rude Fan | |
| Jay D. Kacho | Norm’s Exec | |
| Zaydun Khalaf | Shopkeeper | |
| Gregory Alan Williams | Raise N’ Praise Preacher |
Production and Technical Credits
| Ang Lee | Director | |
| Jean-Christophe Castelli | Screenwriter | |
| Ben Fountain | Based on the novel by | |
| Ang Lee | Producer | |
| Stephen Cornwell | Producer | |
| Rhodri Thomas | Producer | |
| Simon Cornwell | Producer | |
| Brian Bell | Executive Producer | |
| Jeff Robinov | Executive Producer | |
| Guo Guangchang | Executive Producer | |
| Ben Waisbren | Executive Producer | |
| John Toll | Director of Photography | |
| Tim Squyres | Editor | |
| Mychael Danna | Composer | |
| Jeff Danna | Composer | |
| Joseph G. Aulisi | Costume Designer | |
| Avy Kaufman | Casting Director | |
| J.J. Perry | Stunt Coordinator | |
| Brian Bell | Unit Production Manager | |
| Richard Styles | First Assistant Director | |
| Eric Lasko | Second Assistant Director | |
| Ben Gervais | Technical Supervisor | |
| Frank Murray | Co-Producer | |
| Alexei Boltho | Associate Producer | |
| Simon Cornwell | Associate Producer | |
| Ben Fountain | Associate Producer | |
| David Kosse | Associate Producer | |
| David Lee | Associate Producer | |
| Kim Jennings | Art Director | |
| Thomas Minton | Art Director | |
| Elizabeth Keenan | Set Decorator | |
| Mary Bailey | Script Supervisor | |
| Leslie Hough | Visual Effects Producer | |
| J. Kevin Draves | Costume Supervisor | |
| Bryan Mathison | Costume Supervisor | |
| Luisa Abel | Make up | |
| Jay Wejebe | Make up | |
| Kelvin R. Trahan | Hairstylist | |
| Rita Troy | Hairstylist | |
| Russell Tyrrell | Special Effects Coordinator | |
| Ronnie Kupferwasser | Location Manager | |
| Tony Holley | Location Manager | |
| Robert Pyzocha | Additional Art Direction | |
| Erica Hohf | Assistant Art Director | |
| Ryan Heck | Set Designer | |
| Nithya Shrinivasan | Set Designer | |
| Rob Nagy | Set Designer | |
| Mary Cybriwsky | Still Photographer | |
| Harrison Nesbit | Casting Associate | |
| Leeba Zakharov | Casting Associate | |
| Andrew Leven | First Assistant Editor | |
| Lucian Johnston | Assistant Editor | |
| Joe Binford Jr | Assistant Editor | |
| Jennifer Lane | Post-Production Supervisor | |
| Catherine Farrell | Post-Production Supervisor | |
| Ron Bartlett | Re-recording Mixer | |
| D.M. Hemphill | Re-recording Mixer | |
| Eugene Gearty | Supervising Sound Editor | |
| Eugene Gearty | Sound Designer | |
| Alexa Zimmerman | Dialogue Editor | |
| Roland Vajs | Dialogue Editor | |
| Jennifer Dunnington | Music Editor | |
| Christopher Brooks | Music Editor | |
| Brad Haehnel | Score Mixer | |
| Marko Forker* | Visual Effects Supervisor | |
| Alex Lemke | Visual Effects Supervisor | |
| Michael Huber | Visual Effects Supervisor | |
| Eric J Robertson | Visual Effects Producer | |
| Jo Hughes | Visual Effects Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.