Birth/Rebirth (2023)
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| Theatrical Performance | ||
| Domestic Box Office | $138,617 | Details |
| OpusData ID: 611340100 More info... | ||
| Further financial details... | ||
Synopsis
Rose is a pathologist who prefers working with corpses over social interaction. She also has an obsession — the reanimation of the dead. Celie is a maternity nurse who has built her life around her bouncy, chatterbox six-year-old daughter, Lila. When one tragic night, Lila suddenly falls ill and dies, the two women's worlds crash into each other. They embark on a dark path of no return where they will be forced to confront how far they are willing to go to protect what they hold most dear.
Metrics
| Opening Weekend: | $45,707 (33.0% of total gross) |
| Legs: | 3.03 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 137 opening theaters/137 max. theaters, 1.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $151,545 |
Movie Details
| Domestic Releases: | August 18th, 2023 (Limited) by IFC Films |
| Video Release: | November 10th, 2023 by Shudder |
| MPA Rating: | R for disturbing material and gore, some sexual content, language and nudity. (Rating bulletin 2779 (cert #54400), 4/19/2023) |
| Running Time: | 98 minutes |
| Cast, crew, or production detail: | F-Rated, F-Rated, Triple |
| Film festival: | Sundance Film Festival 2023 |
| Plot point: | Death of a Son or Daughter, Magical Technology, Single Parent |
| Subgenre: | Psychological Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | IFC Films, Shudder |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 18, 2023 | - | $45,707 | 137 | $334 | $45,707 | 1 | |
| Aug 25, 2023 | - | $2,835 | -94% | 19 | $149 | $75,009 | 2 |
| Sep 1, 2023 | - | $24,752 | +773% | 18 | $1,375 | $101,507 | 3 |
| Sep 8, 2023 | - | $13,417 | -46% | 9 | $1,491 | $128,884 | 4 |
| Sep 15, 2023 | - | $9,602 | -28% | 3 | $3,201 | $138,597 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 18, 2023 | - | $17,996 | 137 | $131 | $17,996 | 1 | ||
| Aug 19, 2023 | - | $17,551 | -2% | 137 | $128 | $35,547 | 2 | |
| Aug 20, 2023 | - | $10,160 | -42% | 137 | $74 | $45,707 | 3 | |
| Aug 21, 2023 | - | $6,392 | -37% | 137 | $47 | $52,099 | 4 | |
| Aug 22, 2023 | - | $8,361 | +31% | 137 | $61 | $60,460 | 5 | |
| Aug 23, 2023 | - | $7,088 | -15% | 137 | $52 | $67,548 | 6 | |
| Aug 24, 2023 | - | $4,626 | -35% | 137 | $34 | $72,174 | 7 | |
| Sep 4, 2023 | - | $6,500 | 18 | $361 | $110,775 | 18 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 18, 2023 | 23 | $72,174 | 137 | $527 | $72,174 | 1 | |
| Aug 25, 2023 | 52 | $4,581 | -94% | 19 | $241 | $76,755 | 2 |
| Sep 1, 2023 | 34 | $38,712 | +745% | 18 | $2,151 | $115,467 | 3 |
| Sep 8, 2023 | 36 | $13,528 | -65% | 9 | $1,503 | $128,995 | 4 |
| Sep 15, 2023 | 42 | $9,622 | -29% | 3 | $3,207 | $138,617 | 5 |
Leading
| Marin Ireland | ||
| Judy Reyes |
Supporting
| A.J. Lister | ||
| Breeda Wool | ||
| Monique Gabriela Curnen | ||
| Rina Mejia | ||
| Grant Harrison | ||
| LaChanze |
Production and Technical Credits
| Laura Moss | Director | |
| Laura Moss | Screenwriter | |
| Brendan O'Brien | Screenwriter | |
| Mali Elfman | Producer | |
| David Grove Churchill Viste | Producer | |
| Jordan Barker | Executive Producer | |
| Brendan O'Brien | Executive Producer | |
| Chananun Chotrungroj | Cinematographer | |
| Taylor Mason | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Rose is a pathologist who prefers working with corpses over social interaction. She also has an obsession — the reanimation of the dead. Celie is a maternity nurse who has built her life around her bouncy, chatterbox six-year-old daughter, Lila. When one tragic night, Lila suddenly falls ill and dies, the two women's worlds crash into each other. They embark on a dark path of no return where they will be forced to confront how far they are willing to go to protect what they hold most dear.
Metrics
| Opening Weekend: | $45,707 (33.0% of total gross) |
| Legs: | 3.03 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 137 opening theaters/137 max. theaters, 1.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $151,545 |
Movie Details
| Domestic Releases: | August 18th, 2023 (Limited) by IFC Films |
| Video Release: | November 10th, 2023 by Shudder |
| MPA Rating: | R for disturbing material and gore, some sexual content, language and nudity. (Rating bulletin 2779 (cert #54400), 4/19/2023) |
| Running Time: | 98 minutes |
| Cast, crew, or production detail: | F-Rated, F-Rated, Triple |
| Film festival: | Sundance Film Festival 2023 |
| Plot point: | Death of a Son or Daughter, Magical Technology, Single Parent |
| Subgenre: | Psychological Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | IFC Films, Shudder |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 18, 2023 | - | $45,707 | 137 | $334 | $45,707 | 1 | |
| Aug 25, 2023 | - | $2,835 | -94% | 19 | $149 | $75,009 | 2 |
| Sep 1, 2023 | - | $24,752 | +773% | 18 | $1,375 | $101,507 | 3 |
| Sep 8, 2023 | - | $13,417 | -46% | 9 | $1,491 | $128,884 | 4 |
| Sep 15, 2023 | - | $9,602 | -28% | 3 | $3,201 | $138,597 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 18, 2023 | - | $17,996 | 137 | $131 | $17,996 | 1 | ||
| Aug 19, 2023 | - | $17,551 | -2% | 137 | $128 | $35,547 | 2 | |
| Aug 20, 2023 | - | $10,160 | -42% | 137 | $74 | $45,707 | 3 | |
| Aug 21, 2023 | - | $6,392 | -37% | 137 | $47 | $52,099 | 4 | |
| Aug 22, 2023 | - | $8,361 | +31% | 137 | $61 | $60,460 | 5 | |
| Aug 23, 2023 | - | $7,088 | -15% | 137 | $52 | $67,548 | 6 | |
| Aug 24, 2023 | - | $4,626 | -35% | 137 | $34 | $72,174 | 7 | |
| Sep 4, 2023 | - | $6,500 | 18 | $361 | $110,775 | 18 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 18, 2023 | 23 | $72,174 | 137 | $527 | $72,174 | 1 | |
| Aug 25, 2023 | 52 | $4,581 | -94% | 19 | $241 | $76,755 | 2 |
| Sep 1, 2023 | 34 | $38,712 | +745% | 18 | $2,151 | $115,467 | 3 |
| Sep 8, 2023 | 36 | $13,528 | -65% | 9 | $1,503 | $128,995 | 4 |
| Sep 15, 2023 | 42 | $9,622 | -29% | 3 | $3,207 | $138,617 | 5 |
Leading
| Marin Ireland | ||
| Judy Reyes |
Supporting
| A.J. Lister | ||
| Breeda Wool | ||
| Monique Gabriela Curnen | ||
| Rina Mejia | ||
| Grant Harrison | ||
| LaChanze |
Production and Technical Credits
| Laura Moss | Director | |
| Laura Moss | Screenwriter | |
| Brendan O'Brien | Screenwriter | |
| Mali Elfman | Producer | |
| David Grove Churchill Viste | Producer | |
| Jordan Barker | Executive Producer | |
| Brendan O'Brien | Executive Producer | |
| Chananun Chotrungroj | Cinematographer | |
| Taylor Mason | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.