Black Christmas (2019)
.jpg)
| Theatrical Performance | ||
| Domestic Box Office | $10,429,730 | Details |
| International Box Office | $8,096,357 | Details |
| Worldwide Box Office | $18,526,087 | |
| OpusData ID: 305030100 More info... | ||
| Further financial details... | ||
Synopsis
Hawthorne College is quieting down for the holidays. But as Riley Stone and her Mu Kappa Epsilon sisters—athlete Marty, rebel Kris, and foodie Jesse—prepare to deck the halls with a series of seasonal parties, a black-masked stalker begins killing sorority women one by one. As the body count rises, Riley and her squad start to question whether they can trust any man, including Marty’s beta-male boyfriend, Nate, Riley’s new crush Landon or even esteemed classics instructor Professor Gelson. Whoever the killer is, he's about to discover that this generation’s young women aren't about to be anybody’s victims.
Metrics
| Opening Weekend: | $4,240,245 (40.7% of total gross) |
| Legs: | 2.46 (domestic box office/biggest weekend) |
| Domestic Share: | 56.3% (domestic box office/worldwide) |
| Production Budget: | $5,000,000 (worldwide box office is 3.7 times production budget) |
| Theater counts: | 2,625 opening theaters/2,625 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $13,616,269 |
Movie Details
| Domestic Releases: | December 13th, 2019 (Wide) by Universal |
| International Releases: | December 13th, 2019 (Wide) (Hong Kong)
December 13th, 2019 (Wide) (Central America) December 13th, 2019 (Wide) (Poland) December 13th, 2019 (Wide) (Colombia) December 13th, 2019 (Wide) (Peru) ... Show all releases |
| Video Release: | March 3rd, 2020 by Universal Home Entertainment |
| MPA Rating: | PG-13 for violence, terror, thematic content involving sexual assault, language, sexual material and drinking. (Rating bulletin 2604 (Cert #52473), 11/13/2019) |
| Running Time: | 92 minutes |
| Cast, crew, or production detail: | F-Rated, F-Rated, Triple, Female Lead, Remake |
| Plot point: | Occult, Possessed, Sex Crimes, Sexism, Surprise Twist |
| Social setting: | College |
| Subgenre: | Christmas Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Blumhouse, Divide/Conquer, Universal Pictures |
| Production Countries: | United States, New Zealand |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 13, 2019 | 5 | $4,240,245 | 2,625 | $1,615 | $4,240,245 | 1 | |
| Dec 20, 2019 | 10 | $1,838,015 | -57% | 2,625 | $700 | $7,286,665 | 2 |
| Dec 27, 2019 | 15 | $854,360 | -54% | 1,514 | $564 | $9,572,690 | 3 |
| Jan 3, 2020 | 21 | $194,740 | -77% | 440 | $443 | $10,376,155 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 12, 2019 | P | $230,000 | 0 | $230,000 | ||||
| Dec 13, 2019 | 4 | $1,809,875 | 2,625 | $689 | $1,809,875 | 1 | ||
| Dec 14, 2019 | 6 | $1,580,410 | -13% | 2,625 | $602 | $3,390,285 | 2 | |
| Dec 15, 2019 | 8 | $849,960 | -46% | 2,625 | $324 | $4,240,245 | 3 | |
| Dec 16, 2019 | 8 | $279,310 | -67% | 2,625 | $106 | $4,519,555 | 4 | |
| Dec 17, 2019 | 8 | $437,715 | +57% | 2,625 | $167 | $4,957,270 | 5 | |
| Dec 18, 2019 | 8 | $269,135 | -39% | 2,625 | $103 | $5,226,405 | 6 | |
| Dec 19, 2019 | 8 | $222,245 | -17% | 2,625 | $85 | $5,448,650 | 7 | |
| Dec 20, 2019 | 8 | $542,810 | +144% | -70% | 2,625 | $207 | $5,991,460 | 8 |
| Dec 21, 2019 | 9 | $705,420 | +30% | -55% | 2,625 | $269 | $6,696,880 | 9 |
| Dec 22, 2019 | 9 | $589,785 | -16% | -31% | 2,625 | $225 | $7,286,665 | 10 |
| Dec 23, 2019 | 9 | $431,640 | -27% | +55% | 2,625 | $164 | $7,718,305 | 11 |
| Dec 24, 2019 | 12 | $254,660 | -41% | -42% | 2,625 | $97 | $7,972,965 | 12 |
| Dec 25, 2019 | 14 | $435,585 | +71% | +62% | 2,260 | $193 | $8,408,550 | 13 |
| Dec 26, 2019 | - | $309,780 | -29% | +39% | 2,260 | $137 | $8,718,330 | 14 |
| Dec 27, 2019 | - | $300,060 | -3% | -45% | 1,514 | $198 | $9,018,390 | 15 |
| Dec 28, 2019 | - | $330,200 | +10% | -53% | 1,514 | $218 | $9,348,590 | 16 |
| Dec 29, 2019 | - | $224,100 | -32% | -62% | 1,514 | $148 | $9,572,690 | 17 |
| Dec 30, 2019 | - | $175,070 | -22% | -59% | 1,514 | $116 | $9,747,760 | 18 |
| Dec 31, 2019 | - | $119,910 | -32% | -53% | 1,514 | $79 | $9,867,670 | 19 |
| Jan 1, 2020 | - | $218,475 | +82% | -50% | 1,514 | $144 | $10,086,145 | 20 |
| Jan 2, 2020 | - | $95,270 | -56% | -69% | 1,514 | $63 | $10,181,415 | 21 |
| Jan 3, 2020 | - | $66,620 | -30% | -78% | 440 | $151 | $10,248,035 | 22 |
| Jan 4, 2020 | - | $85,150 | +28% | -74% | 440 | $194 | $10,333,185 | 23 |
| Jan 5, 2020 | - | $42,970 | -50% | -81% | 440 | $98 | $10,376,155 | 24 |
| Jan 6, 2020 | - | $18,085 | -58% | -90% | 440 | $41 | $10,394,240 | 25 |
| Jan 7, 2020 | - | $17,420 | -4% | -85% | 440 | $40 | $10,411,660 | 26 |
| Jan 8, 2020 | - | $12,005 | -31% | -95% | 440 | $27 | $10,423,665 | 27 |
| Jan 9, 2020 | - | $6,065 | -49% | -94% | 440 | $14 | $10,429,730 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 13, 2019 | 6 | $5,448,650 | 2,625 | $2,076 | $5,448,650 | 1 | |
| Dec 20, 2019 | 13 | $3,269,680 | -40% | 2,260 | $1,447 | $8,718,330 | 2 |
| Dec 27, 2019 | 15 | $1,463,085 | -55% | 1,514 | $966 | $10,181,415 | 3 |
| Jan 3, 2020 | 24 | $248,315 | -83% | 440 | $564 | $10,429,730 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 12/13/2019 | $222,504 | 194 | 194 | 373 | $434,925 | ||||
| Bulgaria | 12/13/2019 | $12,150 | 0 | 0 | 0 | $45,324 | ||||
| Central America | 12/13/2019 | $98,000 | 161 | 161 | 161 | $98,000 | ||||
| Colombia | 12/13/2019 | $109,000 | 199 | 199 | 199 | $109,000 | ||||
| Czech Republic | 12/13/2019 | $41,937 | 106 | 106 | 156 | $74,978 | ||||
| France | 12/13/2019 | $412,000 | 246 | 246 | 701 | $892,000 | ||||
| Germany | 12/13/2019 | $304,000 | 315 | 317 | 938 | $707,000 | ||||
| Hong Kong | 12/13/2019 | $42,864 | 0 | 0 | 0 | $42,864 | ||||
| Indonesia | 12/13/2019 | $143,000 | 177 | 177 | 177 | $143,000 | ||||
| Malaysia | 12/13/2019 | $111,000 | 82 | 82 | 82 | $111,000 | ||||
| Mexico | 12/19/2019 | $354,235 | 0 | 699 | 699 | $897,000 | ||||
| Middle East Region | 12/13/2019 | $149,000 | 71 | 71 | 71 | $149,000 | 1/22/2020 | |||
| Peru | 12/13/2019 | $110,000 | 100 | 100 | 100 | $110,000 | ||||
| Poland | 12/13/2019 | $102,000 | 108 | 108 | 108 | $102,000 | ||||
| Russia (CIS) | 12/19/2019 | $203,664 | 544 | 544 | 1,034 | $388,794 | ||||
| Slovakia | 12/13/2019 | $20,452 | 61 | 61 | 87 | $38,356 | ||||
| Slovenia | 12/13/2019 | $6,611 | 16 | 16 | 34 | $23,400 | ||||
| Spain | 12/13/2019 | $250,351 | 224 | 224 | 563 | $555,633 | ||||
| Turkey | 12/27/2019 | $43,658 | 91 | 91 | 130 | $78,383 | ||||
| Ukraine | 12/20/2019 | $79,000 | 156 | 156 | 156 | $79,000 | ||||
| United Kingdom | 12/13/2019 | $378,463 | 399 | 399 | 590 | $620,020 | ||||
| Rest of World | $2,396,680 | |||||||||
| International Total | $8,096,357 | 1/22/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Imogen Poots | Riley Stone | |
| Aleyse Shannon | Kris | |
| Lily Donoghue | Marty | |
| Brittany O’Grady | Jesse |
Supporting
| Caleb Eberhardt | Landon | |
| Cary Elwes | Professor Gelson | |
| Simon Mead | Nate | |
| Madeleine Adams | Helena | |
| Nathalie Morris | Fran | |
| Ben Black | Phil McIlaney | |
| Zoe Robins | Oona | |
| Ryan McIntyre | Brian Huntley | |
| Mark Neilson | Gil | |
| Lucy Currey | Lindsay |
Production and Technical Credits
| Sophia Takal | Director | |
| Sophia Takal | Screenwriter | |
| April Wolfe | Screenwriter | |
| A. Roy Moore | Story by | |
| Jason Blum | Producer | |
| Ben Cosgrove | Producer | |
| Brigitte Berman | Producer | |
| Adam Hendricks | Producer | |
| Greg Gilreath | Executive Producer | |
| Zac Locke | Executive Producer | |
| Couper Samuelson | Executive Producer | |
| Jeanette Volturno-Brill | Executive Producer | |
| Mark Schwartzbard | Director of Photography | |
| Jeff Betancourt | Editor | |
| Ben Baudhuin | Editor | |
| Jaindra Watson | Costume Designer | |
| Brooke Blair | Composer | |
| Will Blair | Composer | |
| Andrea von Foerster | Music Supervisor | |
| Chloe Smith | Co-Producer | |
| Terri Taylor | Casting Director | |
| Sarah Domeier | Casting Director | |
| Jennifer Scudder Trent | Co-Producer | |
| Gabby Zemer | Co-Producer | |
| Annie Weston | Unit Production Manager | |
| Seumas Cooney | First Assistant Director | |
| Rachael Rowe | Second Assistant Director | |
| Renee Minasian | Post-Production Supervisor | |
| Ross McGarva | Art Director | |
| Jo Schwarz | Art Director | |
| Mason Rattray | Set Designer | |
| Michelle Freeman | Set Decorator | |
| Chris Elliott | Set Decorator | |
| Myk Farmer | Sound Mixer | |
| Steve Yardley | Special Effects Supervisor | |
| Jenny Rushton | Costume Supervisor | |
| Cath MaGuire | Make-up and Hair Designer | |
| Sarah Hinch | Script Supervisor | |
| Jason Sacharoff | First Assistant Editor | |
| Jeff Cummings | First Assistant Editor | |
| Amanda Mulderry | First Assistant Editor | |
| Brendon Chan | First Assistant Editor | |
| Shannon Lynch | Assistant Editor | |
| Kali Kasashima | Assistant Editor | |
| P.K. Hooker | Supervising Sound Editor | |
| P.K. Hooker | Sound Designer | |
| Andrew Twite | Sound Effects Editor | |
| Jake Weber | Dialogue Editor | |
| Rustaman Gimadiev | Foley Mixer | |
| Sergey Timoschuk | Foley Editor | |
| Andrey Medvedkov | Foley Editor | |
| Nicholas Cochran | Re-recording Mixer | |
| Ben Zales | Music Editor | |
| James David Hattin | Visual Effects Supervisor | |
| Nate Smalley | Visual Effects Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Hawthorne College is quieting down for the holidays. But as Riley Stone and her Mu Kappa Epsilon sisters—athlete Marty, rebel Kris, and foodie Jesse—prepare to deck the halls with a series of seasonal parties, a black-masked stalker begins killing sorority women one by one. As the body count rises, Riley and her squad start to question whether they can trust any man, including Marty’s beta-male boyfriend, Nate, Riley’s new crush Landon or even esteemed classics instructor Professor Gelson. Whoever the killer is, he's about to discover that this generation’s young women aren't about to be anybody’s victims.
Metrics
| Opening Weekend: | $4,240,245 (40.7% of total gross) |
| Legs: | 2.46 (domestic box office/biggest weekend) |
| Domestic Share: | 56.3% (domestic box office/worldwide) |
| Production Budget: | $5,000,000 (worldwide box office is 3.7 times production budget) |
| Theater counts: | 2,625 opening theaters/2,625 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $13,616,269 |
Movie Details
| Domestic Releases: | December 13th, 2019 (Wide) by Universal |
| International Releases: | December 13th, 2019 (Wide) (Hong Kong)
December 13th, 2019 (Wide) (Central America) December 13th, 2019 (Wide) (Poland) December 13th, 2019 (Wide) (Colombia) December 13th, 2019 (Wide) (Peru) ... Show all releases |
| Video Release: | March 3rd, 2020 by Universal Home Entertainment |
| MPA Rating: | PG-13 for violence, terror, thematic content involving sexual assault, language, sexual material and drinking. (Rating bulletin 2604 (Cert #52473), 11/13/2019) |
| Running Time: | 92 minutes |
| Cast, crew, or production detail: | F-Rated, F-Rated, Triple, Female Lead, Remake |
| Plot point: | Occult, Possessed, Sex Crimes, Sexism, Surprise Twist |
| Social setting: | College |
| Subgenre: | Christmas Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Blumhouse, Divide/Conquer, Universal Pictures |
| Production Countries: | United States, New Zealand |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 13, 2019 | 5 | $4,240,245 | 2,625 | $1,615 | $4,240,245 | 1 | |
| Dec 20, 2019 | 10 | $1,838,015 | -57% | 2,625 | $700 | $7,286,665 | 2 |
| Dec 27, 2019 | 15 | $854,360 | -54% | 1,514 | $564 | $9,572,690 | 3 |
| Jan 3, 2020 | 21 | $194,740 | -77% | 440 | $443 | $10,376,155 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 12, 2019 | P | $230,000 | 0 | $230,000 | ||||
| Dec 13, 2019 | 4 | $1,809,875 | 2,625 | $689 | $1,809,875 | 1 | ||
| Dec 14, 2019 | 6 | $1,580,410 | -13% | 2,625 | $602 | $3,390,285 | 2 | |
| Dec 15, 2019 | 8 | $849,960 | -46% | 2,625 | $324 | $4,240,245 | 3 | |
| Dec 16, 2019 | 8 | $279,310 | -67% | 2,625 | $106 | $4,519,555 | 4 | |
| Dec 17, 2019 | 8 | $437,715 | +57% | 2,625 | $167 | $4,957,270 | 5 | |
| Dec 18, 2019 | 8 | $269,135 | -39% | 2,625 | $103 | $5,226,405 | 6 | |
| Dec 19, 2019 | 8 | $222,245 | -17% | 2,625 | $85 | $5,448,650 | 7 | |
| Dec 20, 2019 | 8 | $542,810 | +144% | -70% | 2,625 | $207 | $5,991,460 | 8 |
| Dec 21, 2019 | 9 | $705,420 | +30% | -55% | 2,625 | $269 | $6,696,880 | 9 |
| Dec 22, 2019 | 9 | $589,785 | -16% | -31% | 2,625 | $225 | $7,286,665 | 10 |
| Dec 23, 2019 | 9 | $431,640 | -27% | +55% | 2,625 | $164 | $7,718,305 | 11 |
| Dec 24, 2019 | 12 | $254,660 | -41% | -42% | 2,625 | $97 | $7,972,965 | 12 |
| Dec 25, 2019 | 14 | $435,585 | +71% | +62% | 2,260 | $193 | $8,408,550 | 13 |
| Dec 26, 2019 | - | $309,780 | -29% | +39% | 2,260 | $137 | $8,718,330 | 14 |
| Dec 27, 2019 | - | $300,060 | -3% | -45% | 1,514 | $198 | $9,018,390 | 15 |
| Dec 28, 2019 | - | $330,200 | +10% | -53% | 1,514 | $218 | $9,348,590 | 16 |
| Dec 29, 2019 | - | $224,100 | -32% | -62% | 1,514 | $148 | $9,572,690 | 17 |
| Dec 30, 2019 | - | $175,070 | -22% | -59% | 1,514 | $116 | $9,747,760 | 18 |
| Dec 31, 2019 | - | $119,910 | -32% | -53% | 1,514 | $79 | $9,867,670 | 19 |
| Jan 1, 2020 | - | $218,475 | +82% | -50% | 1,514 | $144 | $10,086,145 | 20 |
| Jan 2, 2020 | - | $95,270 | -56% | -69% | 1,514 | $63 | $10,181,415 | 21 |
| Jan 3, 2020 | - | $66,620 | -30% | -78% | 440 | $151 | $10,248,035 | 22 |
| Jan 4, 2020 | - | $85,150 | +28% | -74% | 440 | $194 | $10,333,185 | 23 |
| Jan 5, 2020 | - | $42,970 | -50% | -81% | 440 | $98 | $10,376,155 | 24 |
| Jan 6, 2020 | - | $18,085 | -58% | -90% | 440 | $41 | $10,394,240 | 25 |
| Jan 7, 2020 | - | $17,420 | -4% | -85% | 440 | $40 | $10,411,660 | 26 |
| Jan 8, 2020 | - | $12,005 | -31% | -95% | 440 | $27 | $10,423,665 | 27 |
| Jan 9, 2020 | - | $6,065 | -49% | -94% | 440 | $14 | $10,429,730 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 13, 2019 | 6 | $5,448,650 | 2,625 | $2,076 | $5,448,650 | 1 | |
| Dec 20, 2019 | 13 | $3,269,680 | -40% | 2,260 | $1,447 | $8,718,330 | 2 |
| Dec 27, 2019 | 15 | $1,463,085 | -55% | 1,514 | $966 | $10,181,415 | 3 |
| Jan 3, 2020 | 24 | $248,315 | -83% | 440 | $564 | $10,429,730 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 12/13/2019 | $222,504 | 194 | 194 | 373 | $434,925 | ||||
| Bulgaria | 12/13/2019 | $12,150 | 0 | 0 | 0 | $45,324 | ||||
| Central America | 12/13/2019 | $98,000 | 161 | 161 | 161 | $98,000 | ||||
| Colombia | 12/13/2019 | $109,000 | 199 | 199 | 199 | $109,000 | ||||
| Czech Republic | 12/13/2019 | $41,937 | 106 | 106 | 156 | $74,978 | ||||
| France | 12/13/2019 | $412,000 | 246 | 246 | 701 | $892,000 | ||||
| Germany | 12/13/2019 | $304,000 | 315 | 317 | 938 | $707,000 | ||||
| Hong Kong | 12/13/2019 | $42,864 | 0 | 0 | 0 | $42,864 | ||||
| Indonesia | 12/13/2019 | $143,000 | 177 | 177 | 177 | $143,000 | ||||
| Malaysia | 12/13/2019 | $111,000 | 82 | 82 | 82 | $111,000 | ||||
| Mexico | 12/19/2019 | $354,235 | 0 | 699 | 699 | $897,000 | ||||
| Middle East Region | 12/13/2019 | $149,000 | 71 | 71 | 71 | $149,000 | 1/22/2020 | |||
| Peru | 12/13/2019 | $110,000 | 100 | 100 | 100 | $110,000 | ||||
| Poland | 12/13/2019 | $102,000 | 108 | 108 | 108 | $102,000 | ||||
| Russia (CIS) | 12/19/2019 | $203,664 | 544 | 544 | 1,034 | $388,794 | ||||
| Slovakia | 12/13/2019 | $20,452 | 61 | 61 | 87 | $38,356 | ||||
| Slovenia | 12/13/2019 | $6,611 | 16 | 16 | 34 | $23,400 | ||||
| Spain | 12/13/2019 | $250,351 | 224 | 224 | 563 | $555,633 | ||||
| Turkey | 12/27/2019 | $43,658 | 91 | 91 | 130 | $78,383 | ||||
| Ukraine | 12/20/2019 | $79,000 | 156 | 156 | 156 | $79,000 | ||||
| United Kingdom | 12/13/2019 | $378,463 | 399 | 399 | 590 | $620,020 | ||||
| Rest of World | $2,396,680 | |||||||||
| International Total | $8,096,357 | 1/22/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Imogen Poots | Riley Stone | |
| Aleyse Shannon | Kris | |
| Lily Donoghue | Marty | |
| Brittany O’Grady | Jesse |
Supporting
| Caleb Eberhardt | Landon | |
| Cary Elwes | Professor Gelson | |
| Simon Mead | Nate | |
| Madeleine Adams | Helena | |
| Nathalie Morris | Fran | |
| Ben Black | Phil McIlaney | |
| Zoe Robins | Oona | |
| Ryan McIntyre | Brian Huntley | |
| Mark Neilson | Gil | |
| Lucy Currey | Lindsay |
Production and Technical Credits
| Sophia Takal | Director | |
| Sophia Takal | Screenwriter | |
| April Wolfe | Screenwriter | |
| A. Roy Moore | Story by | |
| Jason Blum | Producer | |
| Ben Cosgrove | Producer | |
| Brigitte Berman | Producer | |
| Adam Hendricks | Producer | |
| Greg Gilreath | Executive Producer | |
| Zac Locke | Executive Producer | |
| Couper Samuelson | Executive Producer | |
| Jeanette Volturno-Brill | Executive Producer | |
| Mark Schwartzbard | Director of Photography | |
| Jeff Betancourt | Editor | |
| Ben Baudhuin | Editor | |
| Jaindra Watson | Costume Designer | |
| Brooke Blair | Composer | |
| Will Blair | Composer | |
| Andrea von Foerster | Music Supervisor | |
| Chloe Smith | Co-Producer | |
| Terri Taylor | Casting Director | |
| Sarah Domeier | Casting Director | |
| Jennifer Scudder Trent | Co-Producer | |
| Gabby Zemer | Co-Producer | |
| Annie Weston | Unit Production Manager | |
| Seumas Cooney | First Assistant Director | |
| Rachael Rowe | Second Assistant Director | |
| Renee Minasian | Post-Production Supervisor | |
| Ross McGarva | Art Director | |
| Jo Schwarz | Art Director | |
| Mason Rattray | Set Designer | |
| Michelle Freeman | Set Decorator | |
| Chris Elliott | Set Decorator | |
| Myk Farmer | Sound Mixer | |
| Steve Yardley | Special Effects Supervisor | |
| Jenny Rushton | Costume Supervisor | |
| Cath MaGuire | Make-up and Hair Designer | |
| Sarah Hinch | Script Supervisor | |
| Jason Sacharoff | First Assistant Editor | |
| Jeff Cummings | First Assistant Editor | |
| Amanda Mulderry | First Assistant Editor | |
| Brendon Chan | First Assistant Editor | |
| Shannon Lynch | Assistant Editor | |
| Kali Kasashima | Assistant Editor | |
| P.K. Hooker | Supervising Sound Editor | |
| P.K. Hooker | Sound Designer | |
| Andrew Twite | Sound Effects Editor | |
| Jake Weber | Dialogue Editor | |
| Rustaman Gimadiev | Foley Mixer | |
| Sergey Timoschuk | Foley Editor | |
| Andrey Medvedkov | Foley Editor | |
| Nicholas Cochran | Re-recording Mixer | |
| Ben Zales | Music Editor | |
| James David Hattin | Visual Effects Supervisor | |
| Nate Smalley | Visual Effects Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.