Kat and Rose are two girls who are left alone at their prep school Bramford over winter break when their parents mysteriously fail to pick them up. While the girls experience increasingly strange and creepy occurrences at the isolated school, we cross cut to another story—that of Joan, a troubled young woman on the road, who, for unknown reasons, is determined to get to Bramford as fast as she can. As Joan gets closer to the school, Kat becomes plagued by progressively intense and horrifying visions, with Rose doing her best to help her new friend as she slips further and further into the grasp of an unseen evil force.
Latest Ranking on Cumulative Box Office Lists
|All Time Domestic Box Office (Rank 13,301-13,400)
|All Time Worldwide Box Office (Rank 17,901-18,000)
|All Time Domestic Highest Grossing Limited Release Movies (Rank 5,801-5,900)
|All Time Domestic Box Office for R Movies (Rank 4,201-4,300)
|All Time Worldwide Box Office for R Movies (Rank 4,601-4,700)
See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.
||March 31st, 2017 (Limited) by A24|
||May 30th, 2017 by Lionsgate Home Entertainment|
||R for brutal bloody violence and brief strong language.|
(Rating bulletin 2408 (Cert #50226), 1/20/2016)
||Create your own comparison chart…|
||Supernatural, Hauntings, Boarding School, Isolation Horror, Possessed, False Identity, Pregnancy Scare, Non-Chronological, Mental Hospital, Surprise Twist, Death of a Son or Daughter, Dream Sequence|
|Production Method:||Live Action|
|Creative Type:||Contemporary Fiction|
||Unbroken Pictures, Zed Filmworks, Go Insane Films, Paris Films|
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
May 29th, 2017
Last week was amazing for this time of year with three top-tier releases. This week, the best first-run release is Before I Fall, which deserves to be seen by more, but there are no extras, so it is not a Pick of the Week contender. The actual contenders are limited to The Blackcoat’s Daughter and Ghost World: The Criterion Collection. It isn’t close as to which one comes out on top.
April 4th, 2017
Wide releases again dominated the theater average chart taking two of the top three spots. This includes The Boss Baby, which led the way with $13,305. The only limited release in the $10,000 club was David Lynch: The Art Life with $10,823 in its lone theater. Last week’s champ, Beauty and the Beast, was right behind with an average of $10,789.
March 31st, 2017
It’s one of those weeks. There are a number of films earning good reviews, and some are earning great reviews. However, none of them are earning loud enough buzz to suggest they will escape the art house circuit. Worse still, there are many like The Blackcoat’s Daughter that are opening simultaneously on Video on Demand, which will all but kill their box office chances.
July 15th, 2016
It’s not a grand week for limited releases. Café Society is the only big release of the week and while its reviews and its pedigree suggest it should be a hit, it might be the only hit of the week.
Weekly US Blu-ray Sales
|Date||Rank||Units this Week||% Change||Total Units||Spending this Week||Total Spending||Weeks in Release|
Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Home Media Magazine.
For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.
We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.
Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
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