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The Blackcoat’s Daughter (2017)

The Blackcoat’s Daughter
Theatrical Performance
Domestic Box Office $20,435Details
Home Market Performance
Est. Domestic DVD Sales $50,194 Details
Est. Domestic Blu-ray Sales $308,059 Details
Total Est. Domestic Video Sales $358,253
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer


Kat and Rose are two girls who are left alone at their prep school Bramford over winter break when their parents mysteriously fail to pick them up. While the girls experience increasingly strange and creepy occurrences at the isolated school, we cross cut to another story—that of Joan, a troubled young woman on the road, who, for unknown reasons, is determined to get to Bramford as fast as she can. As Joan gets closer to the school, Kat becomes plagued by progressively intense and horrifying visions, with Rose doing her best to help her new friend as she slips further and further into the grasp of an unseen evil force.


Latest Ranking on Cumulative Box Office Lists

Movie Details

Domestic Releases: March 31st, 2017 (Limited) by A24
Video Release: May 30th, 2017 by Lionsgate Home Entertainment
MPAA Rating: R for brutal bloody violence and brief strong language.
(Rating bulletin 2408 (Cert 50226), 1/20/2016)
Running Time: 93 minutes
Comparisons: vs. The Roommate
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Keywords: Supernatural, Hauntings, Boarding School, Isolation Horror, Possessed, False Identity, Pregnancy Scare, Non-Chronological, Mental Hospital, Surprise Twist, Death of a Son or Daughter, Dream Sequence
Source:Original Screenplay
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Companies: Unbroken Pictures, Zed Filmworks, Go Insane Films, Paris Films
Production Countries: Canada,
United States


   Joan Marsh/Katherine
Lucy Boynton    Rose
Lauren Holly    Linda
James Remar    Bill
Peter J. Gray    Rick
Emma Holzer    Lizzy
Heather Tod Mitchell    Mrs. Drake
Douglas Kidd    Kat’s Dad
Jodi Larratt    Kat’s Mom

Production and Technical Credits

Screenwriter    Oz Perkins
Producer    Adrienne Biddle
Producer    Bryan Bertino
Producer    Rob Paris
Producer    Rob Menzies
Producer    Alphonse Ghossein
Executive Producer    Carissa Buffel
Executive Producer    Kevin Matusow
Production Designer    Shane Boucher

Home Market Releases for May 30th, 2017

May 29th, 2017


Last week was amazing for this time of year with three top-tier releases. This week, the best first-run release is Before I Fall, which deserves to be seen by more, but there are no extras, so it is not a Pick of the Week contender. The actual contenders are limited to The Blackcoat’s Daughter and Ghost World: The Criterion Collection. It isn’t close as to which one comes out on top. More...

Theater Averages: Boss Baby Gets a Raise with $13,305

April 4th, 2017

The Boss Baby

Wide releases again dominated the theater average chart taking two of the top three spots. This includes The Boss Baby, which led the way with $13,305. The only limited release in the $10,000 club was David Lynch: The Art Life with $10,823 in its lone theater. Last week’s champ, Beauty and the Beast, was right behind with an average of $10,789. More...

Limited and VOD Releases: Zookeeper and Others are Having a Wild Time

March 31st, 2017

The Blackcoat’s Daughter

It’s one of those weeks. There are a number of films earning good reviews, and some are earning great reviews. However, none of them are earning loud enough buzz to suggest they will escape the art house circuit. Worse still, there are many like The Blackcoat’s Daughter that are opening simultaneously on Video on Demand, which will all but kill their box office chances. More...

Limited and VOD Releases: See a Limited Releases During Your Coffee Break

July 15th, 2016

Café Society

It’s not a grand week for limited releases. Café Society is the only big release of the week and while its reviews and its pedigree suggest it should be a hit, it might be the only hit of the week. More...

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2017/03/31 55 $12,402   26 $477   $12,402 1
2017/04/07 82 $870 -93% 5 $174   $19,980 2

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/03/31 - $3,510   26 $135   $3,510 1
2017/04/01 - $5,538 +58% 26 $213   $9,048 2
2017/04/02 - $3,354 -39% 26 $129   $12,402 3
2017/04/03 - $1,274 -62% 26 $49   $13,676 4
2017/04/04 - $2,210 +73% 26 $85   $15,886 5
2017/04/05 - $1,508 -32% 26 $58   $17,394 6
2017/04/06 - $1,716 +14% 26 $66   $19,110 7
2017/04/07 - $370 -78% 5 $74   $19,480 8
2017/04/08 - $190 -49% 5 $38   $19,670 9
2017/04/09 - $310 +63% 5 $62   $19,980 10
2017/04/10 - $100 -68% 5 $20   $20,080 11
2017/04/11 - $60 -40% 5 $12   $20,140 12
2017/04/12 - $70 +17% 5 $14   $20,210 13
2017/04/13 - $225 +221% 5 $45   $20,435 14

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2017/03/31 52 $19,110   26 $735   $19,110 1
2017/04/07 77 $1,325 -93% 5 $265   $20,435 2

Weekly US Blu-ray Sales

DateRankUnits this Week% ChangeTotal UnitsSpending this WeekTotal SpendingWeeks in Release
6/4/20171112,202 12,202$183,154$183,1541

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Home Media Magazine.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at