Blackhat (2015)
| Theatrical Performance | ||
| Domestic Box Office | $8,005,980 | Details |
| International Box Office | $11,659,024 | Details |
| Worldwide Box Office | $19,665,004 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $1,788,080 | |
| Blu-ray Sales (estimated) | $1,481,777 | |
| Total | $3,269,857 | |
| OpusData ID: 200580100 More info... | ||
| Further financial details... | ||
Synopsis
A furloughed convict and his American and Chinese partners hunt a high-level cybercrime network from Chicago to Los Angeles to Hong Kong to Jakarta.
Metrics
| Opening Weekend: | $3,901,815 (48.7% of total gross) |
| Legs: | 2.05 (domestic box office/biggest weekend) |
| Domestic Share: | 40.7% (domestic box office/worldwide) |
| Production Budget: | $70,000,000 (worldwide box office is 0.3 times production budget) |
| Theater counts: | 2,567 opening theaters/2,568 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $11,358,424 |
Movie Details
| Domestic Releases: | January 16th, 2015 (Wide) by Universal |
| International Releases: | January 16th, 2015 (Wide) (Poland)
January 16th, 2015 (Wide) (Taiwan) January 16th, 2015 (Wide) (Turkey) January 23rd, 2015 (Wide) (Netherlands) January 23rd, 2015 (Wide) (Hong Kong) ... Show all releases |
| Video Release: | May 5th, 2015 by Universal Home Entertainment |
| MPA Rating: | R for violence and some language. (Rating bulletin 2340, 9/17/2014) |
| Running Time: | 133 minutes |
| Plot point: | Confidential Informant, Criminals Working With Cops, Cybercrimes, Internet, Life on the Outside, Revenge, Terrorism |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Legendary Pictures, Forward Pass |
| Production Countries: | United States |
| Languages: | English, Mandarin, Cantonese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 16, 2015 | 10 | $3,901,815 | 2,567 | $1,520 | $3,901,815 | 1 | |
| Jan 23, 2015 | 15 | $1,667,975 | -57% | 2,568 | $650 | $7,097,125 | 2 |
| Jan 30, 2015 | 39 | $116,725 | -93% | 236 | $495 | $7,830,210 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 15, 2015 | P | $179,000 | 1,755 | $102 | $179,000 | |||
| Jan 16, 2015 | 8 | $1,385,015 | 2,567 | $540 | $1,385,015 | 1 | ||
| Jan 17, 2015 | 11 | $1,604,285 | +16% | 2,567 | $625 | $2,989,300 | 2 | |
| Jan 18, 2015 | 11 | $912,515 | -43% | 2,567 | $355 | $3,901,815 | 3 | |
| Jan 19, 2015 | 12 | $589,195 | -35% | 2,567 | $230 | $4,491,010 | 4 | |
| Jan 20, 2015 | 10 | $385,010 | -35% | 2,567 | $150 | $4,876,020 | 5 | |
| Jan 21, 2015 | 10 | $270,760 | -30% | 2,567 | $105 | $5,146,780 | 6 | |
| Jan 22, 2015 | 10 | $282,370 | +4% | 2,567 | $110 | $5,429,150 | 7 | |
| Jan 23, 2015 | 14 | $473,845 | +68% | -66% | 2,568 | $185 | $5,902,995 | 8 |
| Jan 24, 2015 | 15 | $744,820 | +57% | -54% | 2,568 | $290 | $6,647,815 | 9 |
| Jan 25, 2015 | 15 | $449,310 | -40% | -51% | 2,568 | $175 | $7,097,125 | 10 |
| Jan 26, 2015 | 14 | $141,240 | -69% | -76% | 2,568 | $55 | $7,238,365 | 11 |
| Jan 27, 2015 | 13 | $206,680 | +46% | -46% | 2,568 | $80 | $7,445,045 | 12 |
| Jan 28, 2015 | 14 | $152,880 | -26% | -44% | 2,568 | $60 | $7,597,925 | 13 |
| Jan 29, 2015 | 15 | $115,560 | -24% | -59% | 2,568 | $45 | $7,713,485 | 14 |
| Jan 30, 2015 | - | $38,895 | -66% | -92% | 236 | $165 | $7,752,380 | 15 |
| Jan 31, 2015 | - | $56,585 | +45% | -92% | 236 | $240 | $7,808,965 | 16 |
| Feb 1, 2015 | - | $21,245 | -62% | -95% | 236 | $90 | $7,830,210 | 17 |
| Feb 2, 2015 | - | $14,260 | -33% | -90% | 236 | $60 | $7,844,470 | 18 |
| Feb 3, 2015 | - | $18,880 | +32% | -91% | 236 | $80 | $7,863,350 | 19 |
| Feb 4, 2015 | - | $12,980 | -31% | -92% | 236 | $55 | $7,876,330 | 20 |
| Feb 5, 2015 | - | $13,065 | +1% | -89% | 236 | $55 | $7,889,395 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 16, 2015 | 11 | $5,429,150 | 2,567 | $2,115 | $5,429,150 | 1 | |
| Jan 23, 2015 | 14 | $2,284,335 | -58% | 2,568 | $890 | $7,713,485 | 2 |
| Jan 30, 2015 | 39 | $175,910 | -92% | 236 | $745 | $7,889,395 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 3/20/2015 | $349,558 | 0 | 0 | 0 | $672,983 | 8/21/2018 | |||
| Germany | 2/6/2015 | $523,246 | 0 | 0 | 0 | $965,588 | 8/22/2018 | |||
| Hong Kong | 1/23/2015 | $193,835 | 60 | 60 | 91 | $286,622 | 11/25/2018 | |||
| Italy | 3/13/2015 | $253,913 | 0 | 0 | 0 | $376,520 | 11/6/2018 | |||
| Netherlands | 1/23/2015 | $175,119 | 65 | 65 | 155 | $392,241 | 11/21/2018 | |||
| Poland | 1/16/2015 | $46,745 | 0 | 0 | 0 | $95,659 | 12/30/2018 | |||
| Russia (CIS) | 1/30/2015 | $557,728 | 684 | 684 | 1,349 | $836,826 | 11/19/2018 | |||
| Spain | 1/30/2015 | $453,517 | 271 | 271 | 819 | $663,485 | 11/28/2018 | |||
| Taiwan | 1/16/2015 | $258,262 | 0 | 0 | 0 | $574,078 | 11/2/2018 | |||
| Turkey | 1/16/2015 | $83,085 | 50 | 50 | 99 | $220,216 | 12/30/2018 | |||
| United Kingdom | 2/20/2015 | $226,802 | 0 | 0 | 0 | $226,802 | 8/27/2018 | |||
| Rest of World | $6,348,004 | |||||||||
| International Total | $11,659,024 | 12/30/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Chris Hemsworth | Nicholas Hathaway |
Supporting
| Wei Tang | Chen Lien | |
| Viola Davis | Carol Barrett | |
| Ritchie Coster | Kassar | |
| Holt McCallany | Mark Jessup | |
| Yorick van Wageningen | Sadak | |
| Wang Lee-Hom | Chen Dawai | |
| Christian Borle | Jeff Robichaud | |
| Manny Montana | Alonzo Reyes | |
| Andy On | Alex Trang | |
| John Ortiz | Henry Pollack | |
| Brandon Molale | Sort Guard | |
| Danny Burstein | Associate Warden Jeffries | |
| Archie Kao | Shum | |
| Abhi Sinha | Daniels | |
| Jason Butler Harner | George Reinker | |
| Spencer Garrett | Gary Baker | |
| Shi Liang | Lieutenant Colonel Zhao | |
| David McKinney | Waiter | |
| Sophia Santi | Mrs. Novo | |
| Cheung Siu-fai | Chow | |
| Tommy Wong | Johnny Li | |
| Courtney Wu | Samuel Wu | |
| Adrian Pang | Keith Yan | |
| Kirt Kishita | Paul Wang | |
| Leanne Li | Emergency Worker | |
| Timothy Ngah | EMT | |
| William Mapother | Rich Donahue | |
| Berg Lee Seng Wan | Ambulance Driver |
Production and Technical Credits
| Michael Mann | Director | |
| Michael Mann | Screenwriter | |
| Morgan Davis Foehl | Screenwriter | |
| Michael Mann | Story Creator | |
| Morgan Davis Foehl | Story Creator | |
| Michael Mann | Producer | |
| Thomas Tull | Producer | |
| Jon Jashni | Producer | |
| Alex Garcia | Executive Producer | |
| Eric McLeod | Executive Producer | |
| Stuart Dryburgh | Cinematographer | |
| Guy Hendrix Dyas | Production Designer | |
| Joe Walker | Editor | |
| Stephen Rivkin | Editor | |
| Jeremiah O'Driscoll | Editor | |
| Mako Kamitsuna | Editor | |
| John Nelson | Visual Effects Supervisor | |
| Philip Brennan | Visual Effects Supervisor | |
| Colleen Atwood | Costume Designer | |
| Harry Gregson-Williams | Composer | |
| Atticus Ross | Composer | |
| Julie Herrin | Co-Producer | |
| Diane Sabatini | Co-Producer | |
| Michael J. Malone | Co-Producer | |
| Michael Solinger | Co-Producer | |
| Leo Ross | Composer | |
| Gabe Hilfer | Music Supervisor | |
| Thomas C. Reta | Supervising Art Director | |
| Luke Freeborn | Art Director | |
| Arran Mann | Art Director | |
| Victor J. Zolfo | Set Decorator | |
| David A. Cook | Set Decorator | |
| Paige Augustine | Set Decorator | |
| Alessandra Querzola | Set Decorator | |
| Lee Orloff | Sound Mixer | |
| Tony Lamberti | Sound Designer | |
| Victor Ray Ennis | Sound Designer | |
| Victor Ray Ennis | Supervising Sound Editor | |
| Doug Hemphill | Re-recording Mixer | |
| Andy Nelson | Re-recording Mixer | |
| Tony Lamberti | Re-recording Mixer | |
| Bruno Van Zeebroeck | Special Effects Coordinator | |
| Amber Kirsch | Visual Effects Producer | |
| Petra Holtorf-Stratton | Visual Effects Producer | |
| Lisa Satriano | Assistant Director | |
| Peter Thorell | Assistant Director | |
| Anastacia Nemec | Assistant Director | |
| Mikey Eberle | Assistant Director | |
| Julie Lau | Assistant Director | |
| Yap Wai Yin | Assistant Director | |
| Brian Chew | Assistant Director | |
| Bryan H. Carroll | Associate Producer | |
| Maggie Chieffo | Associate Producer | |
| Bonnie Timmermann | Casting Director | |
| Rebecca Boyle | Script Supervisor | |
| Jessica Clothier | Script Supervisor | |
| Chu Chung On | Line Producer | |
| John Radel | Line Producer | |
| Bill Donovan | Line Producer | |
| Elza Hidayat | Production Supervisor | |
| Thomas Milano | Music Editor | |
| Katrina Schiller | Music Editor | |
| Pete Snell | Music Editor | |
| Clint Bennett | Music Editor | |
| Sally Boldt | Music Editor | |
| Joe E. Rand | Music Editor | |
| Peter Myles | Music Editor | |
| Philip Tallman | Music Editor | |
| Julie Pearce | Music Editor | |
| Barbara McDermott | Music Editor | |
| Mark Jan Wlodarkiewicz | Music Editor | |
| Slamm Andrews | Music Editor | |
| Stephen Lotwis | Music Editor | |
| Al Clay | Score Mixer | |
| C. Scott Baker | Set Designer | |
| Mark Hitchler | Set Designer | |
| Patricia Klawonn | Set Designer | |
| Thomas T. Taylor | Set Designer | |
| Stacy Horn | Costume Supervisor | |
| Jane Seow | Costume Supervisor | |
| Jane Galli | Make up | |
| Tyson Fountaine | Make up | |
| Kathrine Gordon | Hairstylist | |
| Karen Triest | Sound Effects Editor | |
| Hector Gika | Sound Effects Editor | |
| Jay Wilkinson | Sound Effects Editor | |
| Jeff Sawyer | Sound Effects Editor | |
| John J. Morris | Sound Effects Editor | |
| Bill R. Dean | Sound Effects Editor | |
| Jon Title | Sound Effects Editor | |
| Ronald Eng | Dialogue Editor | |
| Julie Feiner | Dialogue Editor | |
| Laura R Harris | Dialogue Editor | |
| Michael Szakmeister | Dialogue Editor | |
| Chi Shui Tim | Special Effects Supervisor | |
| Vellasamy Sinniah | Special Effects Supervisor | |
| Joe Farrell | Special Effects Supervisor | |
| Viktor Muller | Visual Effects Supervisor | |
| Eric Barba | Visual Effects Supervisor | |
| Paul Lambert | Visual Effects Supervisor | |
| Vit Komrzy | Visual Effects Producer | |
| Lisa K. Spence | Visual Effects Producer | |
| Carla Schwam | Visual Effects Producer | |
| Lisa Beroud | Visual Effects Producer | |
| Daniel Brimer | Visual Effects Producer | |
| Doug Coleman | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A furloughed convict and his American and Chinese partners hunt a high-level cybercrime network from Chicago to Los Angeles to Hong Kong to Jakarta.
Metrics
| Opening Weekend: | $3,901,815 (48.7% of total gross) |
| Legs: | 2.05 (domestic box office/biggest weekend) |
| Domestic Share: | 40.7% (domestic box office/worldwide) |
| Production Budget: | $70,000,000 (worldwide box office is 0.3 times production budget) |
| Theater counts: | 2,567 opening theaters/2,568 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $11,358,424 |
Movie Details
| Domestic Releases: | January 16th, 2015 (Wide) by Universal |
| International Releases: | January 16th, 2015 (Wide) (Poland)
January 16th, 2015 (Wide) (Taiwan) January 16th, 2015 (Wide) (Turkey) January 23rd, 2015 (Wide) (Netherlands) January 23rd, 2015 (Wide) (Hong Kong) ... Show all releases |
| Video Release: | May 5th, 2015 by Universal Home Entertainment |
| MPA Rating: | R for violence and some language. (Rating bulletin 2340, 9/17/2014) |
| Running Time: | 133 minutes |
| Plot point: | Confidential Informant, Criminals Working With Cops, Cybercrimes, Internet, Life on the Outside, Revenge, Terrorism |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Legendary Pictures, Forward Pass |
| Production Countries: | United States |
| Languages: | English, Mandarin, Cantonese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 16, 2015 | 10 | $3,901,815 | 2,567 | $1,520 | $3,901,815 | 1 | |
| Jan 23, 2015 | 15 | $1,667,975 | -57% | 2,568 | $650 | $7,097,125 | 2 |
| Jan 30, 2015 | 39 | $116,725 | -93% | 236 | $495 | $7,830,210 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 15, 2015 | P | $179,000 | 1,755 | $102 | $179,000 | |||
| Jan 16, 2015 | 8 | $1,385,015 | 2,567 | $540 | $1,385,015 | 1 | ||
| Jan 17, 2015 | 11 | $1,604,285 | +16% | 2,567 | $625 | $2,989,300 | 2 | |
| Jan 18, 2015 | 11 | $912,515 | -43% | 2,567 | $355 | $3,901,815 | 3 | |
| Jan 19, 2015 | 12 | $589,195 | -35% | 2,567 | $230 | $4,491,010 | 4 | |
| Jan 20, 2015 | 10 | $385,010 | -35% | 2,567 | $150 | $4,876,020 | 5 | |
| Jan 21, 2015 | 10 | $270,760 | -30% | 2,567 | $105 | $5,146,780 | 6 | |
| Jan 22, 2015 | 10 | $282,370 | +4% | 2,567 | $110 | $5,429,150 | 7 | |
| Jan 23, 2015 | 14 | $473,845 | +68% | -66% | 2,568 | $185 | $5,902,995 | 8 |
| Jan 24, 2015 | 15 | $744,820 | +57% | -54% | 2,568 | $290 | $6,647,815 | 9 |
| Jan 25, 2015 | 15 | $449,310 | -40% | -51% | 2,568 | $175 | $7,097,125 | 10 |
| Jan 26, 2015 | 14 | $141,240 | -69% | -76% | 2,568 | $55 | $7,238,365 | 11 |
| Jan 27, 2015 | 13 | $206,680 | +46% | -46% | 2,568 | $80 | $7,445,045 | 12 |
| Jan 28, 2015 | 14 | $152,880 | -26% | -44% | 2,568 | $60 | $7,597,925 | 13 |
| Jan 29, 2015 | 15 | $115,560 | -24% | -59% | 2,568 | $45 | $7,713,485 | 14 |
| Jan 30, 2015 | - | $38,895 | -66% | -92% | 236 | $165 | $7,752,380 | 15 |
| Jan 31, 2015 | - | $56,585 | +45% | -92% | 236 | $240 | $7,808,965 | 16 |
| Feb 1, 2015 | - | $21,245 | -62% | -95% | 236 | $90 | $7,830,210 | 17 |
| Feb 2, 2015 | - | $14,260 | -33% | -90% | 236 | $60 | $7,844,470 | 18 |
| Feb 3, 2015 | - | $18,880 | +32% | -91% | 236 | $80 | $7,863,350 | 19 |
| Feb 4, 2015 | - | $12,980 | -31% | -92% | 236 | $55 | $7,876,330 | 20 |
| Feb 5, 2015 | - | $13,065 | +1% | -89% | 236 | $55 | $7,889,395 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 16, 2015 | 11 | $5,429,150 | 2,567 | $2,115 | $5,429,150 | 1 | |
| Jan 23, 2015 | 14 | $2,284,335 | -58% | 2,568 | $890 | $7,713,485 | 2 |
| Jan 30, 2015 | 39 | $175,910 | -92% | 236 | $745 | $7,889,395 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 3/20/2015 | $349,558 | 0 | 0 | 0 | $672,983 | 8/21/2018 | |||
| Germany | 2/6/2015 | $523,246 | 0 | 0 | 0 | $965,588 | 8/22/2018 | |||
| Hong Kong | 1/23/2015 | $193,835 | 60 | 60 | 91 | $286,622 | 11/25/2018 | |||
| Italy | 3/13/2015 | $253,913 | 0 | 0 | 0 | $376,520 | 11/6/2018 | |||
| Netherlands | 1/23/2015 | $175,119 | 65 | 65 | 155 | $392,241 | 11/21/2018 | |||
| Poland | 1/16/2015 | $46,745 | 0 | 0 | 0 | $95,659 | 12/30/2018 | |||
| Russia (CIS) | 1/30/2015 | $557,728 | 684 | 684 | 1,349 | $836,826 | 11/19/2018 | |||
| Spain | 1/30/2015 | $453,517 | 271 | 271 | 819 | $663,485 | 11/28/2018 | |||
| Taiwan | 1/16/2015 | $258,262 | 0 | 0 | 0 | $574,078 | 11/2/2018 | |||
| Turkey | 1/16/2015 | $83,085 | 50 | 50 | 99 | $220,216 | 12/30/2018 | |||
| United Kingdom | 2/20/2015 | $226,802 | 0 | 0 | 0 | $226,802 | 8/27/2018 | |||
| Rest of World | $6,348,004 | |||||||||
| International Total | $11,659,024 | 12/30/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Chris Hemsworth | Nicholas Hathaway |
Supporting
| Wei Tang | Chen Lien | |
| Viola Davis | Carol Barrett | |
| Ritchie Coster | Kassar | |
| Holt McCallany | Mark Jessup | |
| Yorick van Wageningen | Sadak | |
| Wang Lee-Hom | Chen Dawai | |
| Christian Borle | Jeff Robichaud | |
| Manny Montana | Alonzo Reyes | |
| Andy On | Alex Trang | |
| John Ortiz | Henry Pollack | |
| Brandon Molale | Sort Guard | |
| Danny Burstein | Associate Warden Jeffries | |
| Archie Kao | Shum | |
| Abhi Sinha | Daniels | |
| Jason Butler Harner | George Reinker | |
| Spencer Garrett | Gary Baker | |
| Shi Liang | Lieutenant Colonel Zhao | |
| David McKinney | Waiter | |
| Sophia Santi | Mrs. Novo | |
| Cheung Siu-fai | Chow | |
| Tommy Wong | Johnny Li | |
| Courtney Wu | Samuel Wu | |
| Adrian Pang | Keith Yan | |
| Kirt Kishita | Paul Wang | |
| Leanne Li | Emergency Worker | |
| Timothy Ngah | EMT | |
| William Mapother | Rich Donahue | |
| Berg Lee Seng Wan | Ambulance Driver |
Production and Technical Credits
| Michael Mann | Director | |
| Michael Mann | Screenwriter | |
| Morgan Davis Foehl | Screenwriter | |
| Michael Mann | Story Creator | |
| Morgan Davis Foehl | Story Creator | |
| Michael Mann | Producer | |
| Thomas Tull | Producer | |
| Jon Jashni | Producer | |
| Alex Garcia | Executive Producer | |
| Eric McLeod | Executive Producer | |
| Stuart Dryburgh | Cinematographer | |
| Guy Hendrix Dyas | Production Designer | |
| Joe Walker | Editor | |
| Stephen Rivkin | Editor | |
| Jeremiah O'Driscoll | Editor | |
| Mako Kamitsuna | Editor | |
| John Nelson | Visual Effects Supervisor | |
| Philip Brennan | Visual Effects Supervisor | |
| Colleen Atwood | Costume Designer | |
| Harry Gregson-Williams | Composer | |
| Atticus Ross | Composer | |
| Julie Herrin | Co-Producer | |
| Diane Sabatini | Co-Producer | |
| Michael J. Malone | Co-Producer | |
| Michael Solinger | Co-Producer | |
| Leo Ross | Composer | |
| Gabe Hilfer | Music Supervisor | |
| Thomas C. Reta | Supervising Art Director | |
| Luke Freeborn | Art Director | |
| Arran Mann | Art Director | |
| Victor J. Zolfo | Set Decorator | |
| David A. Cook | Set Decorator | |
| Paige Augustine | Set Decorator | |
| Alessandra Querzola | Set Decorator | |
| Lee Orloff | Sound Mixer | |
| Tony Lamberti | Sound Designer | |
| Victor Ray Ennis | Sound Designer | |
| Victor Ray Ennis | Supervising Sound Editor | |
| Doug Hemphill | Re-recording Mixer | |
| Andy Nelson | Re-recording Mixer | |
| Tony Lamberti | Re-recording Mixer | |
| Bruno Van Zeebroeck | Special Effects Coordinator | |
| Amber Kirsch | Visual Effects Producer | |
| Petra Holtorf-Stratton | Visual Effects Producer | |
| Lisa Satriano | Assistant Director | |
| Peter Thorell | Assistant Director | |
| Anastacia Nemec | Assistant Director | |
| Mikey Eberle | Assistant Director | |
| Julie Lau | Assistant Director | |
| Yap Wai Yin | Assistant Director | |
| Brian Chew | Assistant Director | |
| Bryan H. Carroll | Associate Producer | |
| Maggie Chieffo | Associate Producer | |
| Bonnie Timmermann | Casting Director | |
| Rebecca Boyle | Script Supervisor | |
| Jessica Clothier | Script Supervisor | |
| Chu Chung On | Line Producer | |
| John Radel | Line Producer | |
| Bill Donovan | Line Producer | |
| Elza Hidayat | Production Supervisor | |
| Thomas Milano | Music Editor | |
| Katrina Schiller | Music Editor | |
| Pete Snell | Music Editor | |
| Clint Bennett | Music Editor | |
| Sally Boldt | Music Editor | |
| Joe E. Rand | Music Editor | |
| Peter Myles | Music Editor | |
| Philip Tallman | Music Editor | |
| Julie Pearce | Music Editor | |
| Barbara McDermott | Music Editor | |
| Mark Jan Wlodarkiewicz | Music Editor | |
| Slamm Andrews | Music Editor | |
| Stephen Lotwis | Music Editor | |
| Al Clay | Score Mixer | |
| C. Scott Baker | Set Designer | |
| Mark Hitchler | Set Designer | |
| Patricia Klawonn | Set Designer | |
| Thomas T. Taylor | Set Designer | |
| Stacy Horn | Costume Supervisor | |
| Jane Seow | Costume Supervisor | |
| Jane Galli | Make up | |
| Tyson Fountaine | Make up | |
| Kathrine Gordon | Hairstylist | |
| Karen Triest | Sound Effects Editor | |
| Hector Gika | Sound Effects Editor | |
| Jay Wilkinson | Sound Effects Editor | |
| Jeff Sawyer | Sound Effects Editor | |
| John J. Morris | Sound Effects Editor | |
| Bill R. Dean | Sound Effects Editor | |
| Jon Title | Sound Effects Editor | |
| Ronald Eng | Dialogue Editor | |
| Julie Feiner | Dialogue Editor | |
| Laura R Harris | Dialogue Editor | |
| Michael Szakmeister | Dialogue Editor | |
| Chi Shui Tim | Special Effects Supervisor | |
| Vellasamy Sinniah | Special Effects Supervisor | |
| Joe Farrell | Special Effects Supervisor | |
| Viktor Muller | Visual Effects Supervisor | |
| Eric Barba | Visual Effects Supervisor | |
| Paul Lambert | Visual Effects Supervisor | |
| Vit Komrzy | Visual Effects Producer | |
| Lisa K. Spence | Visual Effects Producer | |
| Carla Schwam | Visual Effects Producer | |
| Lisa Beroud | Visual Effects Producer | |
| Daniel Brimer | Visual Effects Producer | |
| Doug Coleman | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.