Blackmail (1929)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 422560100 More info... | ||
| Further financial details... | ||
Metrics
Movie Details
| Domestic Releases: | October 6th, 1929 (Limited) by British International Pictures |
| International Releases: | November 15th, 1930 (Limited) (Australia)
May 27th, 2021 (Limited) (Australia) |
| Video Release: | October 4th, 2016 by Kino Lorber |
| MPA Rating: | Not Rated |
| Running Time: | 82 minutes |
| Source: | Based on Play |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United Kingdom |
| Languages: | English |
Leading
| Anny Ondra | Alice White | |
| Sara Allgood | Mrs. White | |
| John Longden | Detective Frank |
Production and Technical Credits
| Alfred Hitchcock | Director | |
| Alfred Hitchcock | Screenwriter | |
| Benn W. Levy | Screenwriter | |
| Michael Powell | Screenwriter | |
| Charles Bennett | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
Movie Details
| Domestic Releases: | October 6th, 1929 (Limited) by British International Pictures |
| International Releases: | November 15th, 1930 (Limited) (Australia)
May 27th, 2021 (Limited) (Australia) |
| Video Release: | October 4th, 2016 by Kino Lorber |
| MPA Rating: | Not Rated |
| Running Time: | 82 minutes |
| Source: | Based on Play |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United Kingdom |
| Languages: | English |
Leading
| Anny Ondra | Alice White | |
| Sara Allgood | Mrs. White | |
| John Longden | Detective Frank |
Production and Technical Credits
| Alfred Hitchcock | Director | |
| Alfred Hitchcock | Screenwriter | |
| Benn W. Levy | Screenwriter | |
| Michael Powell | Screenwriter | |
| Charles Bennett | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.