Blackway (2016)
| Theatrical Performance | ||
| Domestic Box Office | $27,079 | Details |
| International Box Office | $327,167 | Details |
| Worldwide Box Office | $354,246 | |
| OpusData ID: 229280100 More info... | ||
| Further financial details... | ||
Synopsis
When a young woman, Lillian, returns to her hometown after the death of her mother, she unwittingly raises the interest and eventual ire of Blackway, a crazed ex-cop turned violent crime lord. Blackway’s stalking and relentless harassment force Lillian to seek help from the faint-hearted local sheriff who advises her to leave town. Undaunted, she forms an unlikely alliance with a retired logger, who is still grieving over the loss of his daughter, and carries his own secret vendetta against Blackway.
Metrics
| Opening Weekend: | $16,458 (60.8% of total gross) |
| Legs: | 1.65 (domestic box office/biggest weekend) |
| Domestic Share: | 7.6% (domestic box office/worldwide) |
| Theater counts: | 11 opening theaters/11 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $37,447 |
Movie Details
| Domestic Releases: | June 10th, 2016 (Limited) by Electric Entertainment |
| International Releases: | July 8th, 2016 (Wide) (Russia (CIS))
October 14th, 2016 (Wide), released as Go With Me (Italy) December 9th, 2016 (Wide), released as El Protector (Mexico) June 30th, 2017 (Wide) (Portugal) ... Show all releases |
| Video Release: | June 10th, 2016 by Freestyle Digital Media |
| MPA Rating: | R for violence, menace, language and brief nudity. (Rating bulletin 2422 (Cert #50435), 4/27/2016) |
| Running Time: | 90 minutes |
| Plot point: | Ex-cop, Revenge, Stalker |
| Subgenre: | Crime Thriller |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Electric Entertainment, Enderby Entertainment, Gotham Group |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 10, 2016 | 46 | $16,458 | 11 | $1,496 | $16,458 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Jun 10, 2016 | - | $5,055 | 11 | $460 | $5,055 | 1 | |
| Jun 11, 2016 | - | $7,185 | +42% | 11 | $653 | $12,240 | 2 |
| Jun 12, 2016 | - | $4,218 | -41% | 11 | $383 | $16,458 | 3 |
| Jun 13, 2016 | - | $2,218 | -47% | 11 | $202 | $18,676 | 4 |
| Jun 14, 2016 | - | $2,780 | +25% | 11 | $253 | $21,456 | 5 |
| Jun 15, 2016 | - | $3,077 | +11% | 11 | $280 | $24,533 | 6 |
| Jun 16, 2016 | - | $2,546 | -17% | 11 | $231 | $27,079 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 10, 2016 | 48 | $27,079 | 11 | $2,462 | $27,079 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Italy | 10/14/2016 | $98,360 | 0 | 59 | 102 | $225,560 | 11/2/2016 | |||
| Mexico | 12/9/2016 | $70,329 | 0 | 0 | 0 | $70,329 | 12/13/2016 | |||
| Portugal | 6/30/2017 | $10,001 | 10 | 10 | 24 | $26,603 | 7/27/2017 | |||
| Russia (CIS) | 7/8/2016 | $2,922 | 24 | 24 | 34 | $4,675 | 11/14/2018 | |||
| International Total | $327,167 | 11/14/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Anthony Hopkins | Lester | |
| Julia Stiles | Lillian | |
| Alexander Ludwig | Nate | |
| Ray Liotta | Blackway |
Supporting
| Hal Holbrook | Whizzer | |
| Steve Bacic | Fitzgerald | |
| Lochlyn Munro | Murdoch | |
| Dale Wilson | Sheriff Wingate | |
| John Tierney | Coop | |
| Glenn Beck | D.B. |
Production and Technical Credits
| Daniel Alfredson | Director | |
| Joe Gangemi | Screenwriter | |
| Gregory Jacobs | Screenwriter | |
| Castle Freeman, Jr. | Based on the novel "Go With Me" by | |
| Joe Gangemi | Executive Producer | |
| Daniel Petrie Jr | Executive Producer | |
| Jonathan Hendriksen | Executive Producer | |
| Tim Williams | Executive Producer | |
| Yoshi Kawamura | Executive Producer | |
| Don Monaco | Executive Producer | |
| Patricia Monaco | Executive Producer | |
| Sean Lydiard | Executive Producer | |
| Jim Steele | Executive Producer | |
| Hank Greer | Co-Executive Producer | |
| Laurel Greer | Co-Executive Producer | |
| Jenni Gullet | Costume Designer | |
| Hakan Karlsson | Editor | |
| Julia Kim | Casting Director | |
| Candice Elzinga | Casting Director | |
| Klas Wahl | Composer | |
| Anders Niska | Composer | |
| James Hazell | Production Designer | |
| Rasmus Videbaek | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When a young woman, Lillian, returns to her hometown after the death of her mother, she unwittingly raises the interest and eventual ire of Blackway, a crazed ex-cop turned violent crime lord. Blackway’s stalking and relentless harassment force Lillian to seek help from the faint-hearted local sheriff who advises her to leave town. Undaunted, she forms an unlikely alliance with a retired logger, who is still grieving over the loss of his daughter, and carries his own secret vendetta against Blackway.
Metrics
| Opening Weekend: | $16,458 (60.8% of total gross) |
| Legs: | 1.65 (domestic box office/biggest weekend) |
| Domestic Share: | 7.6% (domestic box office/worldwide) |
| Theater counts: | 11 opening theaters/11 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $37,447 |
Movie Details
| Domestic Releases: | June 10th, 2016 (Limited) by Electric Entertainment |
| International Releases: | July 8th, 2016 (Wide) (Russia (CIS))
October 14th, 2016 (Wide), released as Go With Me (Italy) December 9th, 2016 (Wide), released as El Protector (Mexico) June 30th, 2017 (Wide) (Portugal) ... Show all releases |
| Video Release: | June 10th, 2016 by Freestyle Digital Media |
| MPA Rating: | R for violence, menace, language and brief nudity. (Rating bulletin 2422 (Cert #50435), 4/27/2016) |
| Running Time: | 90 minutes |
| Plot point: | Ex-cop, Revenge, Stalker |
| Subgenre: | Crime Thriller |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Electric Entertainment, Enderby Entertainment, Gotham Group |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 10, 2016 | 46 | $16,458 | 11 | $1,496 | $16,458 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Jun 10, 2016 | - | $5,055 | 11 | $460 | $5,055 | 1 | |
| Jun 11, 2016 | - | $7,185 | +42% | 11 | $653 | $12,240 | 2 |
| Jun 12, 2016 | - | $4,218 | -41% | 11 | $383 | $16,458 | 3 |
| Jun 13, 2016 | - | $2,218 | -47% | 11 | $202 | $18,676 | 4 |
| Jun 14, 2016 | - | $2,780 | +25% | 11 | $253 | $21,456 | 5 |
| Jun 15, 2016 | - | $3,077 | +11% | 11 | $280 | $24,533 | 6 |
| Jun 16, 2016 | - | $2,546 | -17% | 11 | $231 | $27,079 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 10, 2016 | 48 | $27,079 | 11 | $2,462 | $27,079 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Italy | 10/14/2016 | $98,360 | 0 | 59 | 102 | $225,560 | 11/2/2016 | |||
| Mexico | 12/9/2016 | $70,329 | 0 | 0 | 0 | $70,329 | 12/13/2016 | |||
| Portugal | 6/30/2017 | $10,001 | 10 | 10 | 24 | $26,603 | 7/27/2017 | |||
| Russia (CIS) | 7/8/2016 | $2,922 | 24 | 24 | 34 | $4,675 | 11/14/2018 | |||
| International Total | $327,167 | 11/14/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Anthony Hopkins | Lester | |
| Julia Stiles | Lillian | |
| Alexander Ludwig | Nate | |
| Ray Liotta | Blackway |
Supporting
| Hal Holbrook | Whizzer | |
| Steve Bacic | Fitzgerald | |
| Lochlyn Munro | Murdoch | |
| Dale Wilson | Sheriff Wingate | |
| John Tierney | Coop | |
| Glenn Beck | D.B. |
Production and Technical Credits
| Daniel Alfredson | Director | |
| Joe Gangemi | Screenwriter | |
| Gregory Jacobs | Screenwriter | |
| Castle Freeman, Jr. | Based on the novel "Go With Me" by | |
| Joe Gangemi | Executive Producer | |
| Daniel Petrie Jr | Executive Producer | |
| Jonathan Hendriksen | Executive Producer | |
| Tim Williams | Executive Producer | |
| Yoshi Kawamura | Executive Producer | |
| Don Monaco | Executive Producer | |
| Patricia Monaco | Executive Producer | |
| Sean Lydiard | Executive Producer | |
| Jim Steele | Executive Producer | |
| Hank Greer | Co-Executive Producer | |
| Laurel Greer | Co-Executive Producer | |
| Jenni Gullet | Costume Designer | |
| Hakan Karlsson | Editor | |
| Julia Kim | Casting Director | |
| Candice Elzinga | Casting Director | |
| Klas Wahl | Composer | |
| Anders Niska | Composer | |
| James Hazell | Production Designer | |
| Rasmus Videbaek | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.