Blame it on Rio (1984)
| Theatrical Performance | ||
| Domestic Box Office | $18,600,000 | Details |
| OpusData ID: 26580100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $3,437,660 (18.5% of total gross) |
| Legs: | 5.41 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,201 opening theaters/1,234 max. theaters, 5.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $62,608,925 |
Movie Details
| Domestic Releases: | February 17th, 1984 (Wide) by 20th Century Fox |
| Video Release: | May 22nd, 2001 by MGM Video |
| MPA Rating: | R |
| Running Time: | 100 minutes |
| Geographical setting: | Rio de Janeiro |
| Plot point: | Dysfunctional Family, Family Vacations, February / May Romance, Infidelity, Relationships Gone Wrong, Romance |
| Subgenre: | Romantic Comedy |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Twentieth Century Fox, Sherwood Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 17, 1984 | 4 | $3,437,660 | 1,201 | $2,862 | $3,437,660 | 1 | |
| Feb 24, 1984 | 2 | $3,258,618 | -5% | 1,234 | $2,641 | $7,554,481 | 2 |
| Mar 2, 1984 | 3 | $2,583,051 | -21% | 1,102 | $2,344 | $11,008,085 | 3 |
| Mar 9, 1984 | 5 | $1,926,008 | -25% | 908 | $2,121 | $13,715,734 | 4 |
| Mar 16, 1984 | 8 | $1,237,484 | -36% | 692 | $1,788 | $15,606,830 | 5 |
| Mar 23, 1984 | 10 | $782,047 | -37% | 563 | $1,389 | $16,854,389 | 6 |
| Mar 30, 1984 | 15 | $506,396 | -35% | 404 | $1,253 | $17,651,770 | 7 |
| Apr 6, 1984 | 17 | $380,749 | -25% | 326 | $1,168 | $18,215,763 | 8 |
| Apr 13, 1984 | 20 | $220,012 | -42% | 249 | $884 | $18,561,998 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 17, 1984 | 4 | $4,295,863 | 1,201 | $3,577 | $4,295,863 | 1 | |
| Feb 24, 1984 | 2 | $4,129,171 | -4% | 1,234 | $3,346 | $8,425,034 | 2 |
| Mar 2, 1984 | 2 | $3,364,692 | -19% | 1,102 | $3,053 | $11,789,726 | 3 |
| Mar 9, 1984 | 6 | $2,579,620 | -23% | 908 | $2,841 | $14,369,346 | 4 |
| Mar 16, 1984 | 8 | $1,702,996 | -34% | 692 | $2,461 | $16,072,342 | 5 |
| Mar 23, 1984 | 10 | $1,073,032 | -37% | 563 | $1,906 | $17,145,374 | 6 |
| Mar 30, 1984 | 15 | $689,640 | -36% | 404 | $1,707 | $17,835,014 | 7 |
| Apr 6, 1984 | 16 | $506,972 | -26% | 326 | $1,555 | $18,341,986 | 8 |
| Michael Caine | Matthew Hollis | |
| Joseph Bologna | Victor Lyons | |
| Valerie Harper | Karen Hollins | |
| Michelle Johnson | Jennifer Lyons |
Supporting
| Demi Moore | Nicole "Nikki" Hollins |
Production and Technical Credits
| Stanley Donen | Director | |
| Charlie Peters | Screenwriter | |
| Larry Gelbart | Screenwriter | |
| Ken Wannberg | Composer | |
| Gregory H. Watkins | Re-recording Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $3,437,660 (18.5% of total gross) |
| Legs: | 5.41 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,201 opening theaters/1,234 max. theaters, 5.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $62,608,925 |
Movie Details
| Domestic Releases: | February 17th, 1984 (Wide) by 20th Century Fox |
| Video Release: | May 22nd, 2001 by MGM Video |
| MPA Rating: | R |
| Running Time: | 100 minutes |
| Geographical setting: | Rio de Janeiro |
| Plot point: | Dysfunctional Family, Family Vacations, February / May Romance, Infidelity, Relationships Gone Wrong, Romance |
| Subgenre: | Romantic Comedy |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Twentieth Century Fox, Sherwood Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 17, 1984 | 4 | $3,437,660 | 1,201 | $2,862 | $3,437,660 | 1 | |
| Feb 24, 1984 | 2 | $3,258,618 | -5% | 1,234 | $2,641 | $7,554,481 | 2 |
| Mar 2, 1984 | 3 | $2,583,051 | -21% | 1,102 | $2,344 | $11,008,085 | 3 |
| Mar 9, 1984 | 5 | $1,926,008 | -25% | 908 | $2,121 | $13,715,734 | 4 |
| Mar 16, 1984 | 8 | $1,237,484 | -36% | 692 | $1,788 | $15,606,830 | 5 |
| Mar 23, 1984 | 10 | $782,047 | -37% | 563 | $1,389 | $16,854,389 | 6 |
| Mar 30, 1984 | 15 | $506,396 | -35% | 404 | $1,253 | $17,651,770 | 7 |
| Apr 6, 1984 | 17 | $380,749 | -25% | 326 | $1,168 | $18,215,763 | 8 |
| Apr 13, 1984 | 20 | $220,012 | -42% | 249 | $884 | $18,561,998 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 17, 1984 | 4 | $4,295,863 | 1,201 | $3,577 | $4,295,863 | 1 | |
| Feb 24, 1984 | 2 | $4,129,171 | -4% | 1,234 | $3,346 | $8,425,034 | 2 |
| Mar 2, 1984 | 2 | $3,364,692 | -19% | 1,102 | $3,053 | $11,789,726 | 3 |
| Mar 9, 1984 | 6 | $2,579,620 | -23% | 908 | $2,841 | $14,369,346 | 4 |
| Mar 16, 1984 | 8 | $1,702,996 | -34% | 692 | $2,461 | $16,072,342 | 5 |
| Mar 23, 1984 | 10 | $1,073,032 | -37% | 563 | $1,906 | $17,145,374 | 6 |
| Mar 30, 1984 | 15 | $689,640 | -36% | 404 | $1,707 | $17,835,014 | 7 |
| Apr 6, 1984 | 16 | $506,972 | -26% | 326 | $1,555 | $18,341,986 | 8 |
| Michael Caine | Matthew Hollis | |
| Joseph Bologna | Victor Lyons | |
| Valerie Harper | Karen Hollins | |
| Michelle Johnson | Jennifer Lyons |
Supporting
| Demi Moore | Nicole "Nikki" Hollins |
Production and Technical Credits
| Stanley Donen | Director | |
| Charlie Peters | Screenwriter | |
| Larry Gelbart | Screenwriter | |
| Ken Wannberg | Composer | |
| Gregory H. Watkins | Re-recording Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.