Blancanieves (2012)
| Theatrical Performance | ||
| Domestic Box Office | $236,394 | Details |
| International Box Office | $2,259,577 | Details |
| Worldwide Box Office | $2,495,971 | |
| OpusData ID: 186130100 More info... | ||
| Further financial details... | ||
Synopsis
A re-telling of the classic Brothers’ Grimm fairy tale “Snow White”, Blancanieves is a homage to the black-and-white Golden Age of Europe’s silent cinema. Set in a romanticized 1920s Seville, Berger’s Snow White is Carmen, the daughter of a famous bull fighter, who lives under the tyrannical rule of her monstrous, evil stepmother, Encarna. She escapes and joins a troupe of bullfighting dwarves, where her beauty and natural talent in the ring attract notices from the press. But soon the news reaches Encarna, who at last she knows where to find Carmen, and she prepares for the final showdown.
Metrics
| Legs: | 6.85 (domestic box office/biggest weekend) |
| Domestic Share: | 9.5% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $347,761 |
Movie Details
| Domestic Releases: | March 15th, 2013 (Limited) by Cohen Media Group |
| International Releases: | September 28th, 2012 (Wide) (Spain)
January 30th, 2013 (Wide) (Switzerland) March 7th, 2013 (Wide) (Portugal) March 15th, 2013 (Wide) (Bulgaria) March 28th, 2013 (Wide) (Greece) ... Show all releases |
| MPA Rating: | PG-13 for some violent content and sexuality. (Rating bulletin 2258, 2/6/2013) |
| Running Time: | 104 minutes |
| Cast, crew, or production detail: | Retro Black and White, Silent Film |
| Plot point: | Bullfighting, Dwarfism, Dysfunctional Family, Faulty Memory, Romani, Step-Family, Wheelchair User |
| Source material: | Modern Adaptation |
| Source: | Based on Folk Tale/Legend/Fairytale |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Fantasy |
| Production/Financing Companies: | Arcadia Motion Pictures, Nix Films, Sisifo Films, The Kraken Films, Noodles Production, Arte France Cinema, Mama Films, uFilm, UFund |
| Production Countries: | Spain, France |
| Languages: | Silent |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 29, 2013 | 60 | $25,264 | 4 | $6,316 | $25,264 | 3 | |
| Apr 5, 2013 | 55 | $34,491 | +37% | 14 | $2,464 | $72,240 | 4 |
| Apr 12, 2013 | 59 | $28,058 | -19% | 17 | $1,650 | $116,605 | 5 |
| Apr 19, 2013 | 55 | $27,871 | -1% | 27 | $1,032 | $155,876 | 6 |
| Apr 26, 2013 | 56 | $20,716 | -26% | 12 | $1,726 | $191,875 | 7 |
| May 3, 2013 | 62 | $17,319 | -16% | 15 | $1,155 | $219,102 | 8 |
| May 10, 2013 | 77 | $6,643 | -62% | 11 | $604 | $236,394 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 29, 2013 | 59 | $37,749 | 4 | $9,437 | $37,749 | 3 | |
| Apr 5, 2013 | 55 | $50,798 | +35% | 14 | $3,628 | $88,547 | 4 |
| Apr 12, 2013 | 60 | $39,458 | -22% | 17 | $2,321 | $128,005 | 5 |
| Apr 19, 2013 | 51 | $43,154 | +9% | 27 | $1,598 | $171,159 | 6 |
| Apr 26, 2013 | 56 | $30,624 | -29% | 12 | $2,552 | $201,783 | 7 |
| May 3, 2013 | 63 | $27,968 | -9% | 15 | $1,865 | $229,751 | 8 |
| May 10, 2013 | 87 | $6,643 | -76% | 11 | $604 | $236,394 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Belgium | 4/10/2013 | $12,661 | 5 | 5 | 15 | $34,143 | 12/14/2015 | |||
| Bolivia | 4/4/2013 | $8,723 | 7 | 7 | 12 | $13,091 | 12/30/2018 | |||
| Bulgaria | 3/15/2013 | $5,243 | 2 | 2 | 4 | $5,662 | 12/30/2018 | |||
| Germany | 11/28/2013 | $26,611 | 40 | 40 | 40 | $34,676 | 12/13/2015 | |||
| Greece | 3/28/2013 | $21,674 | 7 | 7 | 14 | $50,876 | 12/14/2015 | |||
| Portugal | 3/7/2013 | $2,421 | 5 | 5 | 10 | $3,970 | 12/14/2015 | |||
| Spain | 9/28/2012 | $0 | 0 | 142 | 903 | $1,643,854 | 12/14/2015 | |||
| Switzerland | 1/30/2013 | $0 | 0 | 6 | 6 | $31,317 | 12/14/2015 | |||
| Rest of World | $441,988 | |||||||||
| International Total | $2,259,577 | 12/30/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Maribel Verdu | Evil Stepmother |
Supporting
| Daniel Gimenez Cacho | Antonio Villalta | |
| Pere Ponce | Genaro | |
| Jose Maria Pou | Don Carlos | |
| Inma Cuesta | Carmen de Triana | |
| Angela Molina | Dona Concha | |
| Sofia Oria | Carmencita | |
| Macarena Garcia | Carmen | |
| Ramon Barea | Don Martin | |
| Emilio Gavira | Jesusin |
Production and Technical Credits
| Pablo Berger | Director | |
| Pablo Berger | Screenwriter | |
| Pablo Berger | Producer | |
| Ibon Cormenzana | Producer | |
| Jerome Vidal | Producer | |
| Ignasi Estape | Executive Producer | |
| Angel Durandez | Executive Producer | |
| Julian Garcia Rubi | Executive Producer | |
| Jon Barcena | Executive Producer | |
| Fernando Baldellou | Executive Producer | |
| Adrian Politowski | Executive Producer | |
| Gilles Waterkeyn | Executive Producer | |
| Kiko de la Rica | Director of Photography | |
| Alain Bainee | Production Designer | |
| Ferran Piquer | Visual Effects Supervisor | |
| Fernando Franco | Editor | |
| Inigo Rotaetxe | Second Unit Director | |
| Carlos Gras | Assistant Director | |
| Rosa Estevez | Casting Director | |
| Josep Amoros | Production Manager | |
| Fermin Galan | Hairstylist | |
| Sylvie Imbert | Make up | |
| Paco Delgado | Costume Designer | |
| Sandra Tapia | Associate Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A re-telling of the classic Brothers’ Grimm fairy tale “Snow White”, Blancanieves is a homage to the black-and-white Golden Age of Europe’s silent cinema. Set in a romanticized 1920s Seville, Berger’s Snow White is Carmen, the daughter of a famous bull fighter, who lives under the tyrannical rule of her monstrous, evil stepmother, Encarna. She escapes and joins a troupe of bullfighting dwarves, where her beauty and natural talent in the ring attract notices from the press. But soon the news reaches Encarna, who at last she knows where to find Carmen, and she prepares for the final showdown.
Metrics
| Legs: | 6.85 (domestic box office/biggest weekend) |
| Domestic Share: | 9.5% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $347,761 |
Movie Details
| Domestic Releases: | March 15th, 2013 (Limited) by Cohen Media Group |
| International Releases: | September 28th, 2012 (Wide) (Spain)
January 30th, 2013 (Wide) (Switzerland) March 7th, 2013 (Wide) (Portugal) March 15th, 2013 (Wide) (Bulgaria) March 28th, 2013 (Wide) (Greece) ... Show all releases |
| MPA Rating: | PG-13 for some violent content and sexuality. (Rating bulletin 2258, 2/6/2013) |
| Running Time: | 104 minutes |
| Cast, crew, or production detail: | Retro Black and White, Silent Film |
| Plot point: | Bullfighting, Dwarfism, Dysfunctional Family, Faulty Memory, Romani, Step-Family, Wheelchair User |
| Source material: | Modern Adaptation |
| Source: | Based on Folk Tale/Legend/Fairytale |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Fantasy |
| Production/Financing Companies: | Arcadia Motion Pictures, Nix Films, Sisifo Films, The Kraken Films, Noodles Production, Arte France Cinema, Mama Films, uFilm, UFund |
| Production Countries: | Spain, France |
| Languages: | Silent |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 29, 2013 | 60 | $25,264 | 4 | $6,316 | $25,264 | 3 | |
| Apr 5, 2013 | 55 | $34,491 | +37% | 14 | $2,464 | $72,240 | 4 |
| Apr 12, 2013 | 59 | $28,058 | -19% | 17 | $1,650 | $116,605 | 5 |
| Apr 19, 2013 | 55 | $27,871 | -1% | 27 | $1,032 | $155,876 | 6 |
| Apr 26, 2013 | 56 | $20,716 | -26% | 12 | $1,726 | $191,875 | 7 |
| May 3, 2013 | 62 | $17,319 | -16% | 15 | $1,155 | $219,102 | 8 |
| May 10, 2013 | 77 | $6,643 | -62% | 11 | $604 | $236,394 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 29, 2013 | 59 | $37,749 | 4 | $9,437 | $37,749 | 3 | |
| Apr 5, 2013 | 55 | $50,798 | +35% | 14 | $3,628 | $88,547 | 4 |
| Apr 12, 2013 | 60 | $39,458 | -22% | 17 | $2,321 | $128,005 | 5 |
| Apr 19, 2013 | 51 | $43,154 | +9% | 27 | $1,598 | $171,159 | 6 |
| Apr 26, 2013 | 56 | $30,624 | -29% | 12 | $2,552 | $201,783 | 7 |
| May 3, 2013 | 63 | $27,968 | -9% | 15 | $1,865 | $229,751 | 8 |
| May 10, 2013 | 87 | $6,643 | -76% | 11 | $604 | $236,394 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Belgium | 4/10/2013 | $12,661 | 5 | 5 | 15 | $34,143 | 12/14/2015 | |||
| Bolivia | 4/4/2013 | $8,723 | 7 | 7 | 12 | $13,091 | 12/30/2018 | |||
| Bulgaria | 3/15/2013 | $5,243 | 2 | 2 | 4 | $5,662 | 12/30/2018 | |||
| Germany | 11/28/2013 | $26,611 | 40 | 40 | 40 | $34,676 | 12/13/2015 | |||
| Greece | 3/28/2013 | $21,674 | 7 | 7 | 14 | $50,876 | 12/14/2015 | |||
| Portugal | 3/7/2013 | $2,421 | 5 | 5 | 10 | $3,970 | 12/14/2015 | |||
| Spain | 9/28/2012 | $0 | 0 | 142 | 903 | $1,643,854 | 12/14/2015 | |||
| Switzerland | 1/30/2013 | $0 | 0 | 6 | 6 | $31,317 | 12/14/2015 | |||
| Rest of World | $441,988 | |||||||||
| International Total | $2,259,577 | 12/30/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Maribel Verdu | Evil Stepmother |
Supporting
| Daniel Gimenez Cacho | Antonio Villalta | |
| Pere Ponce | Genaro | |
| Jose Maria Pou | Don Carlos | |
| Inma Cuesta | Carmen de Triana | |
| Angela Molina | Dona Concha | |
| Sofia Oria | Carmencita | |
| Macarena Garcia | Carmen | |
| Ramon Barea | Don Martin | |
| Emilio Gavira | Jesusin |
Production and Technical Credits
| Pablo Berger | Director | |
| Pablo Berger | Screenwriter | |
| Pablo Berger | Producer | |
| Ibon Cormenzana | Producer | |
| Jerome Vidal | Producer | |
| Ignasi Estape | Executive Producer | |
| Angel Durandez | Executive Producer | |
| Julian Garcia Rubi | Executive Producer | |
| Jon Barcena | Executive Producer | |
| Fernando Baldellou | Executive Producer | |
| Adrian Politowski | Executive Producer | |
| Gilles Waterkeyn | Executive Producer | |
| Kiko de la Rica | Director of Photography | |
| Alain Bainee | Production Designer | |
| Ferran Piquer | Visual Effects Supervisor | |
| Fernando Franco | Editor | |
| Inigo Rotaetxe | Second Unit Director | |
| Carlos Gras | Assistant Director | |
| Rosa Estevez | Casting Director | |
| Josep Amoros | Production Manager | |
| Fermin Galan | Hairstylist | |
| Sylvie Imbert | Make up | |
| Paco Delgado | Costume Designer | |
| Sandra Tapia | Associate Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.