Blinded by the Light (2019)
-(2019).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $11,901,145 | Details |
| International Box Office | $7,628,769 | Details |
| Worldwide Box Office | $19,529,914 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $608,329 | |
| Blu-ray Sales (estimated) | $554,659 | |
| Total | $1,162,988 | |
| OpusData ID: 397190100 More info... | ||
| Further financial details... | ||
Synopsis
Javed is a British teen of Pakistani descent growing up in the town of Luton, England, in 1987. Amidst the racial and economic turmoil of the times, he writes poetry as a means to escape the intolerance of his hometown and the inflexibility of his traditional father. But when a classmate introduces him to the music of Bruce Springsteen, Javed sees parallels to his working-class life in the powerful lyrics. As Javed discovers a cathartic outlet for his own pent-up dreams, he also begins to find the courage to express himself in his own unique voice.
Metrics
| Opening Weekend: | $4,333,305 (36.4% of total gross) |
| Legs: | 2.75 (domestic box office/biggest weekend) |
| Domestic Share: | 60.9% (domestic box office/worldwide) |
| Production Budget: | $15,000,000 (worldwide box office is 1.3 times production budget) |
| Theater counts: | 2,307 opening theaters/2,307 max. theaters, 3.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $15,539,054 |
Movie Details
| Domestic Releases: | August 16th, 2019 (Wide) by Warner Bros. |
| International Releases: | August 9th, 2019 (Wide), released as Blinded By The Light (United Kingdom)
August 22nd, 2019 (Wide) (New Zealand) August 23rd, 2019 (Wide) (Netherlands) August 29th, 2019 (Wide), released as Blinded by the Light - Travolto dalla musica (Italy) August 30th, 2019 (Wide), released as Blinded by the Light - O Poder da Música (Portugal) ... Show all releases |
| Video Release: | October 22nd, 2019 by Universal Home Entertainment |
| MPA Rating: | PG-13 for thematic material and language including some ethnic slurs. (Rating bulletin 2579 (Cert #52178), 5/22/2019) |
| Running Time: | 114 minutes |
| Film festival: | Sundance Film Festival 2019 |
| Geographical setting: | England |
| Plot point: | Bigotry, Dysfunctional Family, Immigration, Indians, Poet |
| Subgenre: | Comedy Drama |
| Time period setting: | 1980s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | New Line Cinema, Levantine Films, Ingenious Media, Bend It Films, Rakija Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 16, 2019 | 10 | $4,333,305 | 2,307 | $1,878 | $4,333,305 | 1 | |
| Aug 23, 2019 | 14 | $1,982,086 | -54% | 2,307 | $859 | $8,103,492 | 2 |
| Aug 30, 2019 | 18 | $1,215,303 | -39% | 1,673 | $726 | $10,202,476 | 3 |
| Sep 6, 2019 | 22 | $417,383 | -66% | 468 | $892 | $11,317,597 | 4 |
| Sep 13, 2019 | 27 | $194,191 | -53% | 265 | $733 | $11,667,236 | 5 |
| Sep 20, 2019 | 34 | $47,838 | -75% | 143 | $335 | $11,777,706 | 6 |
| Sep 27, 2019 | 34 | $41,524 | -13% | 124 | $335 | $11,842,193 | 7 |
| Oct 4, 2019 | 43 | $30,636 | -26% | 75 | $408 | $11,890,648 | 8 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 16, 2019 | 9 | $1,403,136 | 2,307 | $608 | $1,403,136 | 1 | ||
| Aug 17, 2019 | 10 | $1,736,323 | +24% | 2,307 | $753 | $3,139,459 | 2 | |
| Aug 18, 2019 | 10 | $1,193,846 | -31% | 2,307 | $517 | $4,333,305 | 3 | |
| Aug 19, 2019 | 10 | $418,246 | -65% | 2,307 | $181 | $4,751,551 | 4 | |
| Aug 20, 2019 | 10 | $629,601 | +51% | 2,307 | $273 | $5,381,152 | 5 | |
| Aug 21, 2019 | 11 | $420,063 | -33% | 2,307 | $182 | $5,801,215 | 6 | |
| Aug 22, 2019 | 12 | $320,191 | -24% | 2,307 | $139 | $6,121,406 | 7 | |
| Aug 23, 2019 | 14 | $581,160 | +82% | -59% | 2,307 | $252 | $6,702,566 | 8 |
| Aug 24, 2019 | 14 | $854,472 | +47% | -51% | 2,307 | $370 | $7,557,038 | 9 |
| Aug 25, 2019 | 14 | $546,454 | -36% | -54% | 2,307 | $237 | $8,103,492 | 10 |
| Aug 26, 2019 | 14 | $190,881 | -65% | -54% | 2,307 | $83 | $8,294,373 | 11 |
| Aug 27, 2019 | 14 | $310,427 | +63% | -51% | 2,307 | $135 | $8,604,800 | 12 |
| Aug 28, 2019 | 15 | $219,072 | -29% | -48% | 2,307 | $95 | $8,823,872 | 13 |
| Aug 29, 2019 | 15 | $163,301 | -25% | -49% | 2,307 | $71 | $8,987,173 | 14 |
| Aug 30, 2019 | - | $291,755 | +79% | -50% | 1,673 | $174 | $9,278,928 | 15 |
| Aug 31, 2019 | - | $464,732 | +59% | -46% | 1,673 | $278 | $9,743,660 | 16 |
| Sep 1, 2019 | - | $458,816 | -1% | -16% | 1,673 | $274 | $10,202,476 | 17 |
| Sep 2, 2019 | - | $416,625 | -9% | +118% | 1,673 | $249 | $10,619,101 | 18 |
| Sep 3, 2019 | - | $121,046 | -71% | -61% | 1,673 | $72 | $10,740,147 | 19 |
| Sep 4, 2019 | - | $90,591 | -25% | -59% | 1,673 | $54 | $10,830,738 | 20 |
| Sep 5, 2019 | - | $69,476 | -23% | -57% | 1,673 | $42 | $10,900,214 | 21 |
| Sep 6, 2019 | - | $113,658 | +64% | -61% | 468 | $243 | $11,013,872 | 22 |
| Sep 7, 2019 | - | $202,651 | +78% | -56% | 468 | $433 | $11,216,523 | 23 |
| Sep 8, 2019 | - | $101,074 | -50% | -78% | 468 | $216 | $11,317,597 | 24 |
| Sep 9, 2019 | - | $33,792 | -67% | -92% | 468 | $72 | $11,351,389 | 25 |
| Sep 10, 2019 | - | $50,422 | +49% | -58% | 468 | $108 | $11,401,811 | 26 |
| Sep 11, 2019 | - | $40,073 | -21% | -56% | 468 | $86 | $11,441,884 | 27 |
| Sep 12, 2019 | - | $31,161 | -22% | -55% | 468 | $67 | $11,473,045 | 28 |
| Sep 13, 2019 | - | $48,673 | +56% | -57% | 265 | $184 | $11,521,718 | 29 |
| Sep 14, 2019 | - | $99,841 | +105% | -51% | 265 | $377 | $11,621,559 | 30 |
| Sep 15, 2019 | - | $45,677 | -54% | -55% | 265 | $172 | $11,667,236 | 31 |
| Sep 16, 2019 | - | $13,354 | -71% | -60% | 265 | $50 | $11,680,590 | 32 |
| Sep 17, 2019 | - | $19,871 | +49% | -61% | 265 | $75 | $11,700,461 | 33 |
| Sep 18, 2019 | - | $16,787 | -16% | -58% | 265 | $63 | $11,717,248 | 34 |
| Sep 19, 2019 | - | $12,620 | -25% | -60% | 265 | $48 | $11,729,868 | 35 |
| Sep 20, 2019 | - | $12,689 | +1% | -74% | 143 | $89 | $11,742,557 | 36 |
| Sep 21, 2019 | - | $23,143 | +82% | -77% | 143 | $162 | $11,765,700 | 37 |
| Sep 22, 2019 | - | $12,006 | -48% | -74% | 143 | $84 | $11,777,706 | 38 |
| Sep 23, 2019 | - | $5,471 | -54% | -59% | 143 | $38 | $11,783,177 | 39 |
| Sep 24, 2019 | - | $5,992 | +10% | -70% | 143 | $42 | $11,789,169 | 40 |
| Sep 25, 2019 | - | $4,724 | -21% | -72% | 143 | $33 | $11,793,893 | 41 |
| Sep 26, 2019 | - | $6,776 | +43% | -46% | 143 | $47 | $11,800,669 | 42 |
| Sep 27, 2019 | - | $11,303 | +67% | -11% | 124 | $91 | $11,811,972 | 43 |
| Sep 28, 2019 | - | $19,638 | +74% | -15% | 124 | $158 | $11,831,610 | 44 |
| Sep 29, 2019 | - | $10,583 | -46% | -12% | 124 | $85 | $11,842,193 | 45 |
| Sep 30, 2019 | - | $4,143 | -61% | -24% | 124 | $33 | $11,846,336 | 46 |
| Oct 1, 2019 | - | $5,286 | +28% | -12% | 124 | $43 | $11,851,622 | 47 |
| Oct 2, 2019 | - | $4,509 | -15% | -5% | 124 | $36 | $11,856,131 | 48 |
| Oct 3, 2019 | - | $3,881 | -14% | -43% | 124 | $31 | $11,860,012 | 49 |
| Oct 4, 2019 | - | $9,602 | +147% | -15% | 75 | $128 | $11,869,614 | 50 |
| Oct 5, 2019 | - | $14,538 | +51% | -26% | 75 | $194 | $11,884,152 | 51 |
| Oct 6, 2019 | - | $6,496 | -55% | -39% | 75 | $87 | $11,890,648 | 52 |
| Oct 7, 2019 | - | $2,312 | -64% | -44% | 75 | $31 | $11,892,960 | 53 |
| Oct 8, 2019 | - | $2,601 | +13% | -51% | 75 | $35 | $11,895,561 | 54 |
| Oct 9, 2019 | - | $2,493 | -4% | -45% | 75 | $33 | $11,898,054 | 55 |
| Oct 10, 2019 | - | $3,091 | +24% | -20% | 75 | $41 | $11,901,145 | 56 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 16, 2019 | 10 | $6,121,406 | 2,307 | $2,653 | $6,121,406 | 1 | |
| Aug 23, 2019 | 14 | $2,865,767 | -53% | 2,307 | $1,242 | $8,987,173 | 2 |
| Aug 30, 2019 | 17 | $1,913,041 | -33% | 1,673 | $1,143 | $10,900,214 | 3 |
| Sep 6, 2019 | 22 | $572,831 | -70% | 468 | $1,224 | $11,473,045 | 4 |
| Sep 13, 2019 | 28 | $256,823 | -55% | 265 | $969 | $11,729,868 | 5 |
| Sep 20, 2019 | 34 | $70,801 | -72% | 143 | $495 | $11,800,669 | 6 |
| Sep 27, 2019 | 39 | $59,343 | -16% | 124 | $479 | $11,860,012 | 7 |
| Oct 4, 2019 | 44 | $41,133 | -31% | 75 | $548 | $11,901,145 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 8/30/2019 | $7,091 | 37 | 37 | 37 | $8,857 | 9/8/2019 | |||
| Australia | 10/25/2019 | $139,837 | 57 | 57 | 336 | $534,225 | 1/30/2020 | |||
| Brazil | 9/19/2019 | $0 | 0 | 0 | 0 | $77,493 | 7/24/2020 | |||
| France | 9/13/2019 | $206,682 | 207 | 212 | 419 | $351,850 | 9/30/2019 | |||
| Italy | 8/29/2019 | $126,108 | 0 | 4 | 4 | $236,991 | 10/19/2022 | |||
| Netherlands | 8/23/2019 | $87,602 | 81 | 90 | 394 | $438,407 | 10/19/2022 | |||
| New Zealand | 8/22/2019 | $88,449 | 91 | 91 | 408 | $307,463 | 10/19/2022 | |||
| Portugal | 8/30/2019 | $15,764 | 21 | 21 | 50 | $33,605 | 10/19/2022 | |||
| Spain | 9/20/2019 | $76,493 | 102 | 102 | 194 | $131,571 | 10/3/2019 | |||
| United Kingdom | 8/9/2019 | $1,167,486 | 544 | 544 | 1,984 | $4,115,149 | 11/6/2019 | |||
| Rest of World | $1,393,158 | |||||||||
| International Total | $7,628,769 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Viveik Kalra | Javed |
Supporting
| Kulvinder Ghir | Malik (Father) | |
| Meera Ganatra | Noor | |
| Nell Williams | Eliza | |
| Aaron Phagura | Roops | |
| Dean-Charles Chapman | Matt | |
| Billy Barratt | Matt (10) | |
| Ronak Chadha Berges | Javed (10) | |
| Lee Barnett | Foreman | |
| Kit Reeve | Emma | |
| David Hayman | Mr. Evans | |
| Nikita Mehta | Shazia (Sister) | |
| Rob Brydon | Matt’s Dad | |
| Lorraine Ashbourne | Kathy | |
| Tara Divina | Yasmeen (Cousin) | |
| Jeff Mirza | Mr. Shah | |
| Frankie Fox | Colin Hand | |
| Hayley Atwell | Ms. Clay | |
| Scott Folan | Alan | |
| Abigail Carter-Simpson | Waitress | |
| Joshua Grant | Lad 1 | |
| Tom Stocks | Lad 2 | |
| Marcus Brigstocke | Robert—Eliza’s Dad | |
| Olivia Poulet | Frances—Eliza’s Mum | |
| Leo Shirley | Alex | |
| Daniella Bowen | Reporter at Mosque | |
| Sally Phillips | Mrs. Anderson | |
| Kumiko Chadha Berges | Lilly | |
| James Ballanger | Passport Official | |
| Vincent Andriano | Billy | |
| Kriss Dosanuh | Mr. Singh |
Production and Technical Credits
| Gurinder Chadha | Director | |
| Jane Barclay | Producer | |
| Gurinder Chadha | Producer | |
| Jamal Daniel | Producer | |
| Sarfraz Manzoor | Story based on the book “Greetings From Bury Park: Race, Religion and Rock N’ Roll” by | |
| Gurinder Chadha | Screenwriter | |
| Paul Mayeda Berges | Screenwriter | |
| Sarfraz Manzoor | Screenwriter | |
| Tory Metzger | Executive Producer | |
| Renee Witt | Executive Producer | |
| Peter Touche | Executive Producer | |
| Stephen Spence | Executive Producer | |
| Hannah Leader | Executive Producer | |
| Tracy Nurse | Executive Producer | |
| Paul Mayeda Berges | Executive Producer | |
| Nick Ellis | Production Designer | |
| Justin Krish | Editor | |
| A.R. Rahman | Composer | |
| Ben Smithard | Director of Photography | |
| Alice Dawson | Co-Producer | |
| Annie Hardinge | Costume Designer | |
| Glenn Freemantle | Sound Designer | |
| Glenn Freemantle | Supervising Sound Editor | |
| Dolores McGinley | Visual Effects Supervisor | |
| Susie Figgis | Casting Director | |
| Kirsty Kinnear | Casting Director | |
| Beth Timbrell | Unit Production Manager | |
| Lydia Currie | First Assistant Director | |
| Grant Bailey | Supervising Art Director | |
| Katie Bullock-Webster | Post-Production Supervisor | |
| Amory Leader | Post-Production Supervisor | |
| Richard Ketteridge | Additional Editor | |
| Lisa Clifford-Owen | First Assistant Editor | |
| Danny Salas | First Assistant Editor | |
| Nigel Bunyon | First Assistant Editor | |
| Rory Herbert | Script Supervisor | |
| Lucy Howe | Set Decorator | |
| Jenna McGranaghan | Costume Supervisor | |
| Sally Tynan | Make-up and Hair Designer | |
| Vinnie Jasal | Supervising Location Manager | |
| Umberto Schramm | Location Manager | |
| Charlotte Hemsley | Location Manager | |
| Chris Reynolds | Special Effects Supervisor | |
| Gillian Dodders | Supervising Dialogue Editor | |
| James Wichall | Dialogue/ADR Editor | |
| Emilie O’Connor | Dialogue/ADR Editor | |
| Paul Wrightson | Dialogue/ADR Editor | |
| Sam Walsh | Foley Mixer | |
| Adam Bourne | Foley Editor | |
| Mike Dowson | Re-recording Mixer | |
| Johnathan Rush | Re-recording Mixer | |
| Adam Scrivener | Re-recording Mixer | |
| Mark Wellband | Visual Effects Producer | |
| Chiara Finello | Visual Effects Producer | |
| Peter Saville | Music Supervisor | |
| Zoe Ellen Bryant | Music Supervisor | |
| Amory Leader | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Javed is a British teen of Pakistani descent growing up in the town of Luton, England, in 1987. Amidst the racial and economic turmoil of the times, he writes poetry as a means to escape the intolerance of his hometown and the inflexibility of his traditional father. But when a classmate introduces him to the music of Bruce Springsteen, Javed sees parallels to his working-class life in the powerful lyrics. As Javed discovers a cathartic outlet for his own pent-up dreams, he also begins to find the courage to express himself in his own unique voice.
Metrics
| Opening Weekend: | $4,333,305 (36.4% of total gross) |
| Legs: | 2.75 (domestic box office/biggest weekend) |
| Domestic Share: | 60.9% (domestic box office/worldwide) |
| Production Budget: | $15,000,000 (worldwide box office is 1.3 times production budget) |
| Theater counts: | 2,307 opening theaters/2,307 max. theaters, 3.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $15,539,054 |
Movie Details
| Domestic Releases: | August 16th, 2019 (Wide) by Warner Bros. |
| International Releases: | August 9th, 2019 (Wide), released as Blinded By The Light (United Kingdom)
August 22nd, 2019 (Wide) (New Zealand) August 23rd, 2019 (Wide) (Netherlands) August 29th, 2019 (Wide), released as Blinded by the Light - Travolto dalla musica (Italy) August 30th, 2019 (Wide), released as Blinded by the Light - O Poder da Música (Portugal) ... Show all releases |
| Video Release: | October 22nd, 2019 by Universal Home Entertainment |
| MPA Rating: | PG-13 for thematic material and language including some ethnic slurs. (Rating bulletin 2579 (Cert #52178), 5/22/2019) |
| Running Time: | 114 minutes |
| Film festival: | Sundance Film Festival 2019 |
| Geographical setting: | England |
| Plot point: | Bigotry, Dysfunctional Family, Immigration, Indians, Poet |
| Subgenre: | Comedy Drama |
| Time period setting: | 1980s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | New Line Cinema, Levantine Films, Ingenious Media, Bend It Films, Rakija Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 16, 2019 | 10 | $4,333,305 | 2,307 | $1,878 | $4,333,305 | 1 | |
| Aug 23, 2019 | 14 | $1,982,086 | -54% | 2,307 | $859 | $8,103,492 | 2 |
| Aug 30, 2019 | 18 | $1,215,303 | -39% | 1,673 | $726 | $10,202,476 | 3 |
| Sep 6, 2019 | 22 | $417,383 | -66% | 468 | $892 | $11,317,597 | 4 |
| Sep 13, 2019 | 27 | $194,191 | -53% | 265 | $733 | $11,667,236 | 5 |
| Sep 20, 2019 | 34 | $47,838 | -75% | 143 | $335 | $11,777,706 | 6 |
| Sep 27, 2019 | 34 | $41,524 | -13% | 124 | $335 | $11,842,193 | 7 |
| Oct 4, 2019 | 43 | $30,636 | -26% | 75 | $408 | $11,890,648 | 8 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 16, 2019 | 9 | $1,403,136 | 2,307 | $608 | $1,403,136 | 1 | ||
| Aug 17, 2019 | 10 | $1,736,323 | +24% | 2,307 | $753 | $3,139,459 | 2 | |
| Aug 18, 2019 | 10 | $1,193,846 | -31% | 2,307 | $517 | $4,333,305 | 3 | |
| Aug 19, 2019 | 10 | $418,246 | -65% | 2,307 | $181 | $4,751,551 | 4 | |
| Aug 20, 2019 | 10 | $629,601 | +51% | 2,307 | $273 | $5,381,152 | 5 | |
| Aug 21, 2019 | 11 | $420,063 | -33% | 2,307 | $182 | $5,801,215 | 6 | |
| Aug 22, 2019 | 12 | $320,191 | -24% | 2,307 | $139 | $6,121,406 | 7 | |
| Aug 23, 2019 | 14 | $581,160 | +82% | -59% | 2,307 | $252 | $6,702,566 | 8 |
| Aug 24, 2019 | 14 | $854,472 | +47% | -51% | 2,307 | $370 | $7,557,038 | 9 |
| Aug 25, 2019 | 14 | $546,454 | -36% | -54% | 2,307 | $237 | $8,103,492 | 10 |
| Aug 26, 2019 | 14 | $190,881 | -65% | -54% | 2,307 | $83 | $8,294,373 | 11 |
| Aug 27, 2019 | 14 | $310,427 | +63% | -51% | 2,307 | $135 | $8,604,800 | 12 |
| Aug 28, 2019 | 15 | $219,072 | -29% | -48% | 2,307 | $95 | $8,823,872 | 13 |
| Aug 29, 2019 | 15 | $163,301 | -25% | -49% | 2,307 | $71 | $8,987,173 | 14 |
| Aug 30, 2019 | - | $291,755 | +79% | -50% | 1,673 | $174 | $9,278,928 | 15 |
| Aug 31, 2019 | - | $464,732 | +59% | -46% | 1,673 | $278 | $9,743,660 | 16 |
| Sep 1, 2019 | - | $458,816 | -1% | -16% | 1,673 | $274 | $10,202,476 | 17 |
| Sep 2, 2019 | - | $416,625 | -9% | +118% | 1,673 | $249 | $10,619,101 | 18 |
| Sep 3, 2019 | - | $121,046 | -71% | -61% | 1,673 | $72 | $10,740,147 | 19 |
| Sep 4, 2019 | - | $90,591 | -25% | -59% | 1,673 | $54 | $10,830,738 | 20 |
| Sep 5, 2019 | - | $69,476 | -23% | -57% | 1,673 | $42 | $10,900,214 | 21 |
| Sep 6, 2019 | - | $113,658 | +64% | -61% | 468 | $243 | $11,013,872 | 22 |
| Sep 7, 2019 | - | $202,651 | +78% | -56% | 468 | $433 | $11,216,523 | 23 |
| Sep 8, 2019 | - | $101,074 | -50% | -78% | 468 | $216 | $11,317,597 | 24 |
| Sep 9, 2019 | - | $33,792 | -67% | -92% | 468 | $72 | $11,351,389 | 25 |
| Sep 10, 2019 | - | $50,422 | +49% | -58% | 468 | $108 | $11,401,811 | 26 |
| Sep 11, 2019 | - | $40,073 | -21% | -56% | 468 | $86 | $11,441,884 | 27 |
| Sep 12, 2019 | - | $31,161 | -22% | -55% | 468 | $67 | $11,473,045 | 28 |
| Sep 13, 2019 | - | $48,673 | +56% | -57% | 265 | $184 | $11,521,718 | 29 |
| Sep 14, 2019 | - | $99,841 | +105% | -51% | 265 | $377 | $11,621,559 | 30 |
| Sep 15, 2019 | - | $45,677 | -54% | -55% | 265 | $172 | $11,667,236 | 31 |
| Sep 16, 2019 | - | $13,354 | -71% | -60% | 265 | $50 | $11,680,590 | 32 |
| Sep 17, 2019 | - | $19,871 | +49% | -61% | 265 | $75 | $11,700,461 | 33 |
| Sep 18, 2019 | - | $16,787 | -16% | -58% | 265 | $63 | $11,717,248 | 34 |
| Sep 19, 2019 | - | $12,620 | -25% | -60% | 265 | $48 | $11,729,868 | 35 |
| Sep 20, 2019 | - | $12,689 | +1% | -74% | 143 | $89 | $11,742,557 | 36 |
| Sep 21, 2019 | - | $23,143 | +82% | -77% | 143 | $162 | $11,765,700 | 37 |
| Sep 22, 2019 | - | $12,006 | -48% | -74% | 143 | $84 | $11,777,706 | 38 |
| Sep 23, 2019 | - | $5,471 | -54% | -59% | 143 | $38 | $11,783,177 | 39 |
| Sep 24, 2019 | - | $5,992 | +10% | -70% | 143 | $42 | $11,789,169 | 40 |
| Sep 25, 2019 | - | $4,724 | -21% | -72% | 143 | $33 | $11,793,893 | 41 |
| Sep 26, 2019 | - | $6,776 | +43% | -46% | 143 | $47 | $11,800,669 | 42 |
| Sep 27, 2019 | - | $11,303 | +67% | -11% | 124 | $91 | $11,811,972 | 43 |
| Sep 28, 2019 | - | $19,638 | +74% | -15% | 124 | $158 | $11,831,610 | 44 |
| Sep 29, 2019 | - | $10,583 | -46% | -12% | 124 | $85 | $11,842,193 | 45 |
| Sep 30, 2019 | - | $4,143 | -61% | -24% | 124 | $33 | $11,846,336 | 46 |
| Oct 1, 2019 | - | $5,286 | +28% | -12% | 124 | $43 | $11,851,622 | 47 |
| Oct 2, 2019 | - | $4,509 | -15% | -5% | 124 | $36 | $11,856,131 | 48 |
| Oct 3, 2019 | - | $3,881 | -14% | -43% | 124 | $31 | $11,860,012 | 49 |
| Oct 4, 2019 | - | $9,602 | +147% | -15% | 75 | $128 | $11,869,614 | 50 |
| Oct 5, 2019 | - | $14,538 | +51% | -26% | 75 | $194 | $11,884,152 | 51 |
| Oct 6, 2019 | - | $6,496 | -55% | -39% | 75 | $87 | $11,890,648 | 52 |
| Oct 7, 2019 | - | $2,312 | -64% | -44% | 75 | $31 | $11,892,960 | 53 |
| Oct 8, 2019 | - | $2,601 | +13% | -51% | 75 | $35 | $11,895,561 | 54 |
| Oct 9, 2019 | - | $2,493 | -4% | -45% | 75 | $33 | $11,898,054 | 55 |
| Oct 10, 2019 | - | $3,091 | +24% | -20% | 75 | $41 | $11,901,145 | 56 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 16, 2019 | 10 | $6,121,406 | 2,307 | $2,653 | $6,121,406 | 1 | |
| Aug 23, 2019 | 14 | $2,865,767 | -53% | 2,307 | $1,242 | $8,987,173 | 2 |
| Aug 30, 2019 | 17 | $1,913,041 | -33% | 1,673 | $1,143 | $10,900,214 | 3 |
| Sep 6, 2019 | 22 | $572,831 | -70% | 468 | $1,224 | $11,473,045 | 4 |
| Sep 13, 2019 | 28 | $256,823 | -55% | 265 | $969 | $11,729,868 | 5 |
| Sep 20, 2019 | 34 | $70,801 | -72% | 143 | $495 | $11,800,669 | 6 |
| Sep 27, 2019 | 39 | $59,343 | -16% | 124 | $479 | $11,860,012 | 7 |
| Oct 4, 2019 | 44 | $41,133 | -31% | 75 | $548 | $11,901,145 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 8/30/2019 | $7,091 | 37 | 37 | 37 | $8,857 | 9/8/2019 | |||
| Australia | 10/25/2019 | $139,837 | 57 | 57 | 336 | $534,225 | 1/30/2020 | |||
| Brazil | 9/19/2019 | $0 | 0 | 0 | 0 | $77,493 | 7/24/2020 | |||
| France | 9/13/2019 | $206,682 | 207 | 212 | 419 | $351,850 | 9/30/2019 | |||
| Italy | 8/29/2019 | $126,108 | 0 | 4 | 4 | $236,991 | 10/19/2022 | |||
| Netherlands | 8/23/2019 | $87,602 | 81 | 90 | 394 | $438,407 | 10/19/2022 | |||
| New Zealand | 8/22/2019 | $88,449 | 91 | 91 | 408 | $307,463 | 10/19/2022 | |||
| Portugal | 8/30/2019 | $15,764 | 21 | 21 | 50 | $33,605 | 10/19/2022 | |||
| Spain | 9/20/2019 | $76,493 | 102 | 102 | 194 | $131,571 | 10/3/2019 | |||
| United Kingdom | 8/9/2019 | $1,167,486 | 544 | 544 | 1,984 | $4,115,149 | 11/6/2019 | |||
| Rest of World | $1,393,158 | |||||||||
| International Total | $7,628,769 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Viveik Kalra | Javed |
Supporting
| Kulvinder Ghir | Malik (Father) | |
| Meera Ganatra | Noor | |
| Nell Williams | Eliza | |
| Aaron Phagura | Roops | |
| Dean-Charles Chapman | Matt | |
| Billy Barratt | Matt (10) | |
| Ronak Chadha Berges | Javed (10) | |
| Lee Barnett | Foreman | |
| Kit Reeve | Emma | |
| David Hayman | Mr. Evans | |
| Nikita Mehta | Shazia (Sister) | |
| Rob Brydon | Matt’s Dad | |
| Lorraine Ashbourne | Kathy | |
| Tara Divina | Yasmeen (Cousin) | |
| Jeff Mirza | Mr. Shah | |
| Frankie Fox | Colin Hand | |
| Hayley Atwell | Ms. Clay | |
| Scott Folan | Alan | |
| Abigail Carter-Simpson | Waitress | |
| Joshua Grant | Lad 1 | |
| Tom Stocks | Lad 2 | |
| Marcus Brigstocke | Robert—Eliza’s Dad | |
| Olivia Poulet | Frances—Eliza’s Mum | |
| Leo Shirley | Alex | |
| Daniella Bowen | Reporter at Mosque | |
| Sally Phillips | Mrs. Anderson | |
| Kumiko Chadha Berges | Lilly | |
| James Ballanger | Passport Official | |
| Vincent Andriano | Billy | |
| Kriss Dosanuh | Mr. Singh |
Production and Technical Credits
| Gurinder Chadha | Director | |
| Jane Barclay | Producer | |
| Gurinder Chadha | Producer | |
| Jamal Daniel | Producer | |
| Sarfraz Manzoor | Story based on the book “Greetings From Bury Park: Race, Religion and Rock N’ Roll” by | |
| Gurinder Chadha | Screenwriter | |
| Paul Mayeda Berges | Screenwriter | |
| Sarfraz Manzoor | Screenwriter | |
| Tory Metzger | Executive Producer | |
| Renee Witt | Executive Producer | |
| Peter Touche | Executive Producer | |
| Stephen Spence | Executive Producer | |
| Hannah Leader | Executive Producer | |
| Tracy Nurse | Executive Producer | |
| Paul Mayeda Berges | Executive Producer | |
| Nick Ellis | Production Designer | |
| Justin Krish | Editor | |
| A.R. Rahman | Composer | |
| Ben Smithard | Director of Photography | |
| Alice Dawson | Co-Producer | |
| Annie Hardinge | Costume Designer | |
| Glenn Freemantle | Sound Designer | |
| Glenn Freemantle | Supervising Sound Editor | |
| Dolores McGinley | Visual Effects Supervisor | |
| Susie Figgis | Casting Director | |
| Kirsty Kinnear | Casting Director | |
| Beth Timbrell | Unit Production Manager | |
| Lydia Currie | First Assistant Director | |
| Grant Bailey | Supervising Art Director | |
| Katie Bullock-Webster | Post-Production Supervisor | |
| Amory Leader | Post-Production Supervisor | |
| Richard Ketteridge | Additional Editor | |
| Lisa Clifford-Owen | First Assistant Editor | |
| Danny Salas | First Assistant Editor | |
| Nigel Bunyon | First Assistant Editor | |
| Rory Herbert | Script Supervisor | |
| Lucy Howe | Set Decorator | |
| Jenna McGranaghan | Costume Supervisor | |
| Sally Tynan | Make-up and Hair Designer | |
| Vinnie Jasal | Supervising Location Manager | |
| Umberto Schramm | Location Manager | |
| Charlotte Hemsley | Location Manager | |
| Chris Reynolds | Special Effects Supervisor | |
| Gillian Dodders | Supervising Dialogue Editor | |
| James Wichall | Dialogue/ADR Editor | |
| Emilie O’Connor | Dialogue/ADR Editor | |
| Paul Wrightson | Dialogue/ADR Editor | |
| Sam Walsh | Foley Mixer | |
| Adam Bourne | Foley Editor | |
| Mike Dowson | Re-recording Mixer | |
| Johnathan Rush | Re-recording Mixer | |
| Adam Scrivener | Re-recording Mixer | |
| Mark Wellband | Visual Effects Producer | |
| Chiara Finello | Visual Effects Producer | |
| Peter Saville | Music Supervisor | |
| Zoe Ellen Bryant | Music Supervisor | |
| Amory Leader | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.