Blood Feast (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $8,708 | Details |
| OpusData ID: 237620100 More info... | ||
| Further financial details... | ||
Synopsis
Fuad Ramses and his family have moved from the United States to France, where they run an American diner. Since business is not going too well, Fuad also works night shifts in a museum of ancient Egyptian culture. During these long, lonely nights he is repeatedly drawn to a statue representing the seductive ancient goddess Ishtar. He becomes more and more allured by the goddess as she speaks to him in visions. Eventually he succumbs to her deadly charms. After this pivotal night, Fuad begins a new life, in which murder and cannibalism become his daily bread. He starts to prepare a ritual Feast to honor his new mistress, a lavish affair dripping with Blood, organs, and intestines of human victims. As butchered bodies are heaped upon the Altar of Ishtar, Fuad slowly slips further into madness, until he is no more than the goddess’s puppet; and she thirsts for the blood of Fuad’s wife and daughter too…
Metrics
| Opening Weekend: | $4,046 (46.5% of total gross) |
| Legs: | 2.15 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $1,200,000 (worldwide box office is 0.0 times production budget) |
| Theater counts: | 1 opening theaters/3 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $11,434 |
Movie Details
| Domestic Releases: | April 6th, 2018 (Limited) by Hannover House |
| Video Release: | February 6th, 2018 by Hannover House Video |
| MPA Rating: | R for strong sadistic violence and gore, language including sexual references, nudity and some drug content. (Rating bulletin 2493 (Cert #51231), 9/13/2017) |
| Running Time: | 96 minutes |
| Cast, crew, or production detail: | Remake |
| Geographical setting: | Paris |
| Plot point: | Cannibalism, Food, Gods and Goddesses, Mental Illness, Museum, Torture Porn |
| Social setting: | Bachelor Party |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Gundo Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 6, 2018 | 78 | $4,046 | 1 | $4,046 | $4,046 | 42 | |
| Apr 20, 2018 | 81 | $2,193 | 3 | $731 | $6,655 | 44 | |
| Apr 27, 2018 | 87 | $1,289 | -41% | 2 | $645 | $8,423 | 45 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 6, 2018 | - | $3,380 | 1 | $3,380 | $3,380 | 288 | ||
| Apr 7, 2018 | - | $380 | -89% | 1 | $380 | $3,760 | 289 | |
| Apr 8, 2018 | - | $286 | -25% | 1 | $286 | $4,046 | 290 | |
| Apr 9, 2018 | - | $143 | -50% | 1 | $143 | $4,189 | 291 | |
| Apr 10, 2018 | - | $104 | -27% | 1 | $104 | $4,293 | 292 | |
| Apr 11, 2018 | - | $91 | -13% | 1 | $91 | $4,384 | 293 | |
| Apr 12, 2018 | - | $78 | -14% | 1 | $78 | $4,462 | 294 | |
| Apr 20, 2018 | - | $344 | 3 | $115 | $4,806 | 302 | ||
| Apr 21, 2018 | - | $1,390 | +304% | 3 | $463 | $6,196 | 303 | |
| Apr 22, 2018 | - | $459 | -67% | 3 | $153 | $6,655 | 304 | |
| Apr 23, 2018 | - | $166 | -64% | 3 | $55 | $6,821 | 305 | |
| Apr 24, 2018 | - | $108 | -35% | 3 | $36 | $6,929 | 306 | |
| Apr 25, 2018 | - | $97 | -10% | 3 | $32 | $7,026 | 307 | |
| Apr 26, 2018 | - | $108 | +11% | 3 | $36 | $7,134 | 308 | |
| Apr 27, 2018 | - | $452 | +319% | +31% | 2 | $226 | $7,586 | 309 |
| Apr 28, 2018 | - | $526 | +16% | -62% | 2 | $263 | $8,112 | 310 |
| Apr 29, 2018 | - | $311 | -41% | -32% | 2 | $156 | $8,423 | 311 |
| May 2, 2018 | - | $146 | +51% | 2 | $73 | $8,569 | 314 | |
| May 3, 2018 | - | $139 | -5% | +29% | 2 | $70 | $8,708 | 315 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 6, 2018 | 83 | $4,462 | 1 | $4,462 | $4,462 | 42 | |
| Apr 20, 2018 | 85 | $2,672 | 3 | $891 | $7,134 | 44 | |
| Apr 27, 2018 | 91 | $1,574 | -41% | 2 | $787 | $8,708 | 45 |
Leading
| Robert Rusler | Fuad Ramses | |
| Caroline Williams | Louise Ramses | |
| Sophie Monk | Penny Ramses | |
| Sadie Katz | The Goddess Ishtar |
Supporting
| Max Evans | Mathis | |
| Roland Freitag | Officer Faith | |
| Wilfred Capet | Clement | |
| Liliana Nova | Matilda | |
| Annika Strauss | Lilou | |
| Metisha Schaefer | Ines |
Production and Technical Credits
| Marcel Walz | Director | |
| Gene Trussell | Associate Producer | |
| Harald Schmalz | Producer | |
| Emsch Schneider | Executive Producer | |
| Roland Freitag | Director of Photography | |
| Philip Lilienschwarz | Screenwriter | |
| Marcel Walz | Screenwriter | |
| Manuel Urbanek | Visual Effects Designer | |
| Tim Bugotte | Casting Director | |
| Daniel Zielhoff | Creature Designer | |
| Klaus Pfreundner | Composer | |
| Ryan Nicholson | Special Effects | |
| Megan Nicholson | Special Effects | |
| Kai E. Bogatzki | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Fuad Ramses and his family have moved from the United States to France, where they run an American diner. Since business is not going too well, Fuad also works night shifts in a museum of ancient Egyptian culture. During these long, lonely nights he is repeatedly drawn to a statue representing the seductive ancient goddess Ishtar. He becomes more and more allured by the goddess as she speaks to him in visions. Eventually he succumbs to her deadly charms. After this pivotal night, Fuad begins a new life, in which murder and cannibalism become his daily bread. He starts to prepare a ritual Feast to honor his new mistress, a lavish affair dripping with Blood, organs, and intestines of human victims. As butchered bodies are heaped upon the Altar of Ishtar, Fuad slowly slips further into madness, until he is no more than the goddess’s puppet; and she thirsts for the blood of Fuad’s wife and daughter too…
Metrics
| Opening Weekend: | $4,046 (46.5% of total gross) |
| Legs: | 2.15 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $1,200,000 (worldwide box office is 0.0 times production budget) |
| Theater counts: | 1 opening theaters/3 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $11,434 |
Movie Details
| Domestic Releases: | April 6th, 2018 (Limited) by Hannover House |
| Video Release: | February 6th, 2018 by Hannover House Video |
| MPA Rating: | R for strong sadistic violence and gore, language including sexual references, nudity and some drug content. (Rating bulletin 2493 (Cert #51231), 9/13/2017) |
| Running Time: | 96 minutes |
| Cast, crew, or production detail: | Remake |
| Geographical setting: | Paris |
| Plot point: | Cannibalism, Food, Gods and Goddesses, Mental Illness, Museum, Torture Porn |
| Social setting: | Bachelor Party |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Gundo Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 6, 2018 | 78 | $4,046 | 1 | $4,046 | $4,046 | 42 | |
| Apr 20, 2018 | 81 | $2,193 | 3 | $731 | $6,655 | 44 | |
| Apr 27, 2018 | 87 | $1,289 | -41% | 2 | $645 | $8,423 | 45 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 6, 2018 | - | $3,380 | 1 | $3,380 | $3,380 | 288 | ||
| Apr 7, 2018 | - | $380 | -89% | 1 | $380 | $3,760 | 289 | |
| Apr 8, 2018 | - | $286 | -25% | 1 | $286 | $4,046 | 290 | |
| Apr 9, 2018 | - | $143 | -50% | 1 | $143 | $4,189 | 291 | |
| Apr 10, 2018 | - | $104 | -27% | 1 | $104 | $4,293 | 292 | |
| Apr 11, 2018 | - | $91 | -13% | 1 | $91 | $4,384 | 293 | |
| Apr 12, 2018 | - | $78 | -14% | 1 | $78 | $4,462 | 294 | |
| Apr 20, 2018 | - | $344 | 3 | $115 | $4,806 | 302 | ||
| Apr 21, 2018 | - | $1,390 | +304% | 3 | $463 | $6,196 | 303 | |
| Apr 22, 2018 | - | $459 | -67% | 3 | $153 | $6,655 | 304 | |
| Apr 23, 2018 | - | $166 | -64% | 3 | $55 | $6,821 | 305 | |
| Apr 24, 2018 | - | $108 | -35% | 3 | $36 | $6,929 | 306 | |
| Apr 25, 2018 | - | $97 | -10% | 3 | $32 | $7,026 | 307 | |
| Apr 26, 2018 | - | $108 | +11% | 3 | $36 | $7,134 | 308 | |
| Apr 27, 2018 | - | $452 | +319% | +31% | 2 | $226 | $7,586 | 309 |
| Apr 28, 2018 | - | $526 | +16% | -62% | 2 | $263 | $8,112 | 310 |
| Apr 29, 2018 | - | $311 | -41% | -32% | 2 | $156 | $8,423 | 311 |
| May 2, 2018 | - | $146 | +51% | 2 | $73 | $8,569 | 314 | |
| May 3, 2018 | - | $139 | -5% | +29% | 2 | $70 | $8,708 | 315 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 6, 2018 | 83 | $4,462 | 1 | $4,462 | $4,462 | 42 | |
| Apr 20, 2018 | 85 | $2,672 | 3 | $891 | $7,134 | 44 | |
| Apr 27, 2018 | 91 | $1,574 | -41% | 2 | $787 | $8,708 | 45 |
Leading
| Robert Rusler | Fuad Ramses | |
| Caroline Williams | Louise Ramses | |
| Sophie Monk | Penny Ramses | |
| Sadie Katz | The Goddess Ishtar |
Supporting
| Max Evans | Mathis | |
| Roland Freitag | Officer Faith | |
| Wilfred Capet | Clement | |
| Liliana Nova | Matilda | |
| Annika Strauss | Lilou | |
| Metisha Schaefer | Ines |
Production and Technical Credits
| Marcel Walz | Director | |
| Gene Trussell | Associate Producer | |
| Harald Schmalz | Producer | |
| Emsch Schneider | Executive Producer | |
| Roland Freitag | Director of Photography | |
| Philip Lilienschwarz | Screenwriter | |
| Marcel Walz | Screenwriter | |
| Manuel Urbanek | Visual Effects Designer | |
| Tim Bugotte | Casting Director | |
| Daniel Zielhoff | Creature Designer | |
| Klaus Pfreundner | Composer | |
| Ryan Nicholson | Special Effects | |
| Megan Nicholson | Special Effects | |
| Kai E. Bogatzki | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.