Blood Lines (2026)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 811110100 More info... | ||
| Further financial details... | ||
Synopsis
Storyteller and store clerk Beatrice is completely taken by a new woman who arrives in her Métis community looking to find her biological family. Beatrice decides to help Chani in order to spend more time with her. Meanwhile, a chorus of older women, collectively referred to as “The Grannies,” try to get Beatrice to mend things with her mom, Léonore. Léonore’s past drinking problem had soured their relationship and Beatrice is reluctant to repair it, no matter how many years her mom has been sober. Solomon is a striking discovery, conveying so much in this role of a disgruntled daughter who has mostly buried her feelings, while The Grannies usher in lighter, funnier moments.
Metrics
Movie Details
| Domestic Releases: | June 26th, 2026 (Limited) by Elevation Pictures |
| Running Time: | 89 minutes |
| Plot point: | LGBTQ+, Romance |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Elevation Pictures, Assini Productions, Devonshire, Night Market |
| Production Countries: | Canada |
| Languages: | English |
Leading
| Dana Solomon | ||
| Derica Lafrance |
Supporting
| Mélanie Bray | ||
| Bertha Durocher | ||
| Maggie Maurice | ||
| Mary Burnouf | ||
| Tamara Podemski | ||
| Gail Maurice |
Production and Technical Credits
| Gail Maurice | Director | |
| Gail Maurice | Screenwriter | |
| Gail Maurice | Producer | |
| Paula Devonshire | Producer | |
| Jamie Manning | Producer | |
| Omar Chalabi | Executive Producer | |
| Jeremy Smith | Executive Producer | |
| Adriana Bogaard | Production Designer | |
| Maureen Grant | Editor | |
| Harrison Perez | Editor | |
| Justin Delorme | Composer | |
| Steve Cosens | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Storyteller and store clerk Beatrice is completely taken by a new woman who arrives in her Métis community looking to find her biological family. Beatrice decides to help Chani in order to spend more time with her. Meanwhile, a chorus of older women, collectively referred to as “The Grannies,” try to get Beatrice to mend things with her mom, Léonore. Léonore’s past drinking problem had soured their relationship and Beatrice is reluctant to repair it, no matter how many years her mom has been sober. Solomon is a striking discovery, conveying so much in this role of a disgruntled daughter who has mostly buried her feelings, while The Grannies usher in lighter, funnier moments.
Metrics
Movie Details
| Domestic Releases: | June 26th, 2026 (Limited) by Elevation Pictures |
| Running Time: | 89 minutes |
| Plot point: | LGBTQ+, Romance |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Elevation Pictures, Assini Productions, Devonshire, Night Market |
| Production Countries: | Canada |
| Languages: | English |
Leading
| Dana Solomon | ||
| Derica Lafrance |
Supporting
| Mélanie Bray | ||
| Bertha Durocher | ||
| Maggie Maurice | ||
| Mary Burnouf | ||
| Tamara Podemski | ||
| Gail Maurice |
Production and Technical Credits
| Gail Maurice | Director | |
| Gail Maurice | Screenwriter | |
| Gail Maurice | Producer | |
| Paula Devonshire | Producer | |
| Jamie Manning | Producer | |
| Omar Chalabi | Executive Producer | |
| Jeremy Smith | Executive Producer | |
| Adriana Bogaard | Production Designer | |
| Maureen Grant | Editor | |
| Harrison Perez | Editor | |
| Justin Delorme | Composer | |
| Steve Cosens | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.