A Bloody Mess (2026)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 825370100 More info... | ||
| Further financial details... | ||
Synopsis
Documentarian Violet Blank investigates a decades-old catastrophe in a small Texas town. In 2002, Split Springs, TX was rocked by an explosion at a manure storage facility flooding the streets with poop. Nearly every citizen was forced to flee their homes, while the rest of the country looked on and laughed, viewing the tragedy as nothing more than a joke. Twenty-five years later, Violet, along with her trusty crew, is determined to uncover the truth surrounding this life-altering event and find the mysterious man she believes to be truly responsible. A man who hasn’t been seen or heard from in years. As she moves through interview after interview, none of them offering her the answers she needs, her efforts become less and less ethical—until they ultimately become dangerous.
Metrics
Movie Details
| Domestic Releases: | September 18th, 2026 (Limited) by Freestyle Releasing |
| Video Release: | Fall 2026 by Freestyle Digital Media |
| Source: | Original Screenplay |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Circus Road Films, Freestyle Digital Media |
| Production Countries: | United States |
| Languages: | English |
Leading
| Sydney O’Toole | Violet Blank | |
| Mary Birdsong | Elaine Blair |
Supporting
| Anna Bezahler | Drew Taylor | |
| Dhruv Uday Singh | Brian Paxton | |
| James Werner | Eugene Warren | |
| Jim Woods | Ted Cower | |
| Cameron Kelly | Melissa Albright | |
| Casey Feigh | Aarn Albright | |
| Matt O'Toole | Benjamin Darling |
Production and Technical Credits
| Daniel Hayden | Director | |
| Daniel Hayden | Screenwriter | |
| Daniel Hayden | Producer | |
| Sydney O’Toole | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Documentarian Violet Blank investigates a decades-old catastrophe in a small Texas town. In 2002, Split Springs, TX was rocked by an explosion at a manure storage facility flooding the streets with poop. Nearly every citizen was forced to flee their homes, while the rest of the country looked on and laughed, viewing the tragedy as nothing more than a joke. Twenty-five years later, Violet, along with her trusty crew, is determined to uncover the truth surrounding this life-altering event and find the mysterious man she believes to be truly responsible. A man who hasn’t been seen or heard from in years. As she moves through interview after interview, none of them offering her the answers she needs, her efforts become less and less ethical—until they ultimately become dangerous.
Metrics
Movie Details
| Domestic Releases: | September 18th, 2026 (Limited) by Freestyle Releasing |
| Video Release: | Fall 2026 by Freestyle Digital Media |
| Source: | Original Screenplay |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Circus Road Films, Freestyle Digital Media |
| Production Countries: | United States |
| Languages: | English |
Leading
| Sydney O’Toole | Violet Blank | |
| Mary Birdsong | Elaine Blair |
Supporting
| Anna Bezahler | Drew Taylor | |
| Dhruv Uday Singh | Brian Paxton | |
| James Werner | Eugene Warren | |
| Jim Woods | Ted Cower | |
| Cameron Kelly | Melissa Albright | |
| Casey Feigh | Aarn Albright | |
| Matt O'Toole | Benjamin Darling |
Production and Technical Credits
| Daniel Hayden | Director | |
| Daniel Hayden | Screenwriter | |
| Daniel Hayden | Producer | |
| Sydney O’Toole | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.