Blow Up My Life (2023)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 638410100 More info... | ||
| Further financial details... | ||
Synopsis
A disgraced pharmaceutical employee accidentally discovers a deadly opioid conspiracy, sending him and his cousin Charlie on the run to expose the crime with a trail of chaos in their wake.
Metrics
Movie Details
| Domestic Releases: | September 18th, 2023 (Limited) by WPDA Studios |
| Subgenre: | Crime Thriller |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Production and Technical Credits
| Abigail Horton | Director | |
| Ryan Dickie | Director | |
| Alisha Bhowmik | Producer | |
| Ryan Dickie | Producer | |
| Abigail Horton | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A disgraced pharmaceutical employee accidentally discovers a deadly opioid conspiracy, sending him and his cousin Charlie on the run to expose the crime with a trail of chaos in their wake.
Metrics
Movie Details
| Domestic Releases: | September 18th, 2023 (Limited) by WPDA Studios |
| Subgenre: | Crime Thriller |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Production and Technical Credits
| Abigail Horton | Director | |
| Ryan Dickie | Director | |
| Alisha Bhowmik | Producer | |
| Ryan Dickie | Producer | |
| Abigail Horton | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.