Blue Jasmine (2013)
| Theatrical Performance | ||
| Domestic Box Office | $33,404,871 | Details |
| International Box Office | $69,508,090 | Details |
| Worldwide Box Office | $102,912,961 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $3,780,386 | |
| Blu-ray Sales (estimated) | $1,421,366 | |
| Total | $5,201,752 | |
| OpusData ID: 187530100 More info... | ||
| Further financial details... | ||
Synopsis
After everything in her life falls to pieces, including her marriage to wealthy businessman Hal, elegant New York socialite Jasmine moves into her sister Ginger’s modest apartment in San Francisco to try to pull herself back together again. Jasmine arrives in San Francisco in a fragile mental state, her head reeling from the cocktail of anti - depressants she's on . While still able to project her aristocratic bearing, Jasmine is emotionally precarious and lacks any practical ability to support herself. She disapproves of Ginger’s boyfriend Chili, who she considers another “loser” like Ginger’s ex - husband Augie. Ginger, recognizing but not fully understanding her sister’s psychological instability, suggests that she pursue interior design, a career she correctly intuits that Jasmine won’t feel is beneath her. In the meantime, Jasmine begrudgingly accepts work as the receptionist in a dentist’s office, where she attracts the unwanted attentions of her boss, Dr. Flicker. Feeling that her sister might be right about her poor taste in men, Ginger starts seeing Al, a sound engineer whom she considers as a step up from Chili. Jasmine sees a potential lifeline when she meets Dwight, a diplomat who is quickly smitten with her beauty, sophistication and style. Jasmine’s flaw is that she derives her worth from the way she’s perceived by others, while she herself is blind to what is going around her. Jasmine earns our compassion because she is the unwitting instrument of her own downfall.
Metrics
| Opening Weekend: | $612,064 (1.8% of total gross) |
| Legs: | 8.38 (domestic box office/biggest weekend) |
| Domestic Share: | 32.5% (domestic box office/worldwide) |
| Production Budget: | $18,000,000 (worldwide box office is 5.7 times production budget) |
| Theater counts: | 6 opening theaters/1,283 max. theaters, 5.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $49,136,967 |
Movie Details
| Domestic Releases: | July 26th, 2013 (Limited) by Sony Pictures Classics |
| International Releases: | August 7th, 2013 (Wide) (Belgium)
September 12th, 2013 (Wide) (Australia) September 12th, 2013 (Wide) (Portugal) September 13th, 2013 (Wide) (Lithuania) September 27th, 2013 (Wide) (United Kingdom) ... Show all releases |
| Video Release: | January 21st, 2014 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 for mature thematic material, language and sexual content. (Rating bulletin 2268, 4/17/2013) |
| Running Time: | 98 minutes |
| Plot point: | Dysfunctional Family, Infidelity, Relationships Gone Wrong, Romance, White Collar Crime |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Gravier Productions, Perdido, Sony Pictures Classics |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 26, 2013 | 19 | $612,064 | 6 | $102,011 | $612,064 | 1 | |
| Aug 2, 2013 | 14 | $1,858,696 | +204% | 50 | $37,174 | $2,845,115 | 2 |
| Aug 9, 2013 | 12 | $2,345,407 | +26% | 119 | $19,709 | $6,041,246 | 3 |
| Aug 16, 2013 | 14 | $2,291,183 | -2% | 229 | $10,005 | $9,421,764 | 4 |
| Aug 23, 2013 | 10 | $3,972,687 | +73% | 1,283 | $3,096 | $14,471,489 | 5 |
| Aug 30, 2013 | 12 | $3,986,568 | n/c | 1,179 | $3,381 | $20,453,036 | 6 |
| Sep 6, 2013 | 9 | $2,347,694 | -41% | 1,069 | $2,196 | $25,108,580 | 7 |
| Sep 13, 2013 | 11 | $1,614,970 | -31% | 993 | $1,626 | $27,701,524 | 8 |
| Sep 20, 2013 | 14 | $1,212,206 | -25% | 847 | $1,431 | $29,605,701 | 9 |
| Sep 27, 2013 | 19 | $624,245 | -49% | 528 | $1,182 | $30,662,232 | 10 |
| Oct 4, 2013 | 24 | $348,197 | -44% | 289 | $1,205 | $31,284,982 | 11 |
| Oct 11, 2013 | 27 | $230,428 | -34% | 190 | $1,213 | $31,672,810 | 12 |
| Oct 18, 2013 | 29 | $188,718 | -18% | 152 | $1,242 | $31,972,045 | 13 |
| Oct 25, 2013 | 28 | $149,267 | -21% | 119 | $1,254 | $32,210,615 | 14 |
| Nov 8, 2013 | 37 | $78,390 | 60 | $1,307 | $32,515,626 | 16 | |
| Nov 15, 2013 | 37 | $63,433 | -19% | 52 | $1,220 | $32,616,613 | 17 |
| Nov 22, 2013 | 40 | $48,385 | -24% | 43 | $1,125 | $32,692,397 | 18 |
| Nov 29, 2013 | 41 | $37,602 | -22% | 33 | $1,139 | $32,744,634 | 19 |
| Jan 17, 2014 | - | $50,325 | 28 | $1,797 | $33,150,789 | 26 | |
| Jan 31, 2014 | 53 | $18,200 | 28 | $650 | $33,230,073 | 28 | |
| Feb 14, 2014 | 56 | $11,982 | 16 | $749 | $33,268,642 | 30 | |
| Feb 21, 2014 | 56 | $18,463 | +54% | 57 | $324 | $33,290,581 | 31 |
| Feb 28, 2014 | 66 | $11,775 | -36% | 24 | $491 | $33,315,738 | 32 |
| Mar 7, 2014 | 54 | $30,095 | +156% | 36 | $836 | $33,345,833 | 33 |
| Mar 14, 2014 | 61 | $17,515 | -42% | 27 | $649 | $33,386,098 | 34 |
| Mar 21, 2014 | 76 | $3,849 | -78% | 12 | $321 | $33,389,947 | 35 |
| Mar 28, 2014 | 87 | $1,244 | -68% | 3 | $415 | $33,404,871 | 36 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Jul 26, 2013 | - | $175,000 | 6 | $29,167 | $175,000 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 26, 2013 | 20 | $986,419 | 6 | $164,403 | $986,419 | 1 | |
| Aug 2, 2013 | 17 | $2,709,420 | +175% | 50 | $54,188 | $3,695,839 | 2 |
| Aug 9, 2013 | 12 | $3,434,742 | +27% | 119 | $28,863 | $7,130,581 | 3 |
| Aug 16, 2013 | 15 | $3,368,221 | -2% | 229 | $14,708 | $10,498,802 | 4 |
| Aug 23, 2013 | 10 | $5,967,666 | +77% | 1,283 | $4,651 | $16,466,468 | 5 |
| Aug 30, 2013 | 11 | $6,294,418 | +5% | 1,179 | $5,339 | $22,760,886 | 6 |
| Sep 6, 2013 | 8 | $3,325,668 | -47% | 1,069 | $3,111 | $26,086,554 | 7 |
| Sep 13, 2013 | 10 | $2,306,941 | -31% | 993 | $2,323 | $28,393,495 | 8 |
| Sep 20, 2013 | 13 | $1,644,492 | -29% | 847 | $1,942 | $30,037,987 | 9 |
| Sep 27, 2013 | 18 | $898,798 | -45% | 528 | $1,702 | $30,936,785 | 10 |
| Oct 4, 2013 | 22 | $505,597 | -44% | 289 | $1,749 | $31,442,382 | 11 |
| Oct 11, 2013 | 27 | $340,945 | -33% | 190 | $1,794 | $31,783,327 | 12 |
| Oct 18, 2013 | 26 | $278,021 | -18% | 152 | $1,829 | $32,061,348 | 13 |
| Nov 15, 2013 | 35 | $90,832 | 52 | $1,747 | $32,644,012 | 17 | |
| Nov 22, 2013 | 40 | $63,020 | -31% | 43 | $1,466 | $32,707,032 | 18 |
| Feb 14, 2014 | 55 | $15,458 | 16 | $966 | $33,272,118 | 30 | |
| Feb 21, 2014 | 52 | $31,845 | +106% | 57 | $559 | $33,303,963 | 31 |
| Mar 7, 2014 | 47 | $52,845 | 36 | $1,468 | $33,368,583 | 33 | |
| Mar 21, 2014 | 59 | $17,529 | 12 | $1,461 | $33,403,627 | 35 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 10/10/2013 | $0 | 0 | 22 | 49 | $2,156,048 | 12/30/2018 | |||
| Australia | 9/12/2013 | $0 | 0 | 19 | 19 | $5,675,066 | 12/13/2015 | |||
| Austria | 11/8/2013 | $0 | 0 | 43 | 213 | $822,612 | 12/13/2015 | |||
| Belgium | 8/7/2013 | $0 | 0 | 3 | 7 | $1,001,558 | 12/13/2015 | |||
| Brazil | 11/15/2013 | $0 | 0 | 80 | 283 | $2,118,302 | 12/13/2015 | |||
| Bulgaria | 11/29/2013 | $14,468 | 13 | 13 | 54 | $73,273 | 12/30/2018 | |||
| Chile | 12/26/2013 | $71,987 | 22 | 22 | 22 | $71,987 | 12/30/2018 | |||
| Croatia | 11/28/2013 | $16,689 | 11 | 11 | 52 | $5,836,150 | 12/30/2018 | |||
| Ecuador | 6/6/2014 | $0 | 0 | 2 | 2 | $7,159 | 12/30/2018 | |||
| Germany | 11/7/2013 | $0 | 0 | 140 | 677 | $4,346,032 | 12/13/2015 | |||
| Hong Kong | 10/17/2013 | $0 | 0 | 4 | 8 | $239,060 | 12/13/2015 | |||
| Italy | 12/5/2013 | $1,680,993 | 398 | 406 | 1,002 | $4,671,765 | 12/13/2015 | |||
| Lithuania | 9/13/2013 | $0 | 0 | 2 | 3 | $39,598 | 12/13/2015 | |||
| Mexico | 12/25/2013 | $279,019 | 198 | 198 | 198 | $406,538 | 12/13/2015 | |||
| Nigeria | 12/27/2013 | $3,037 | 2 | 2 | 2 | $3,037 | 12/30/2018 | |||
| Portugal | 9/12/2013 | $0 | 0 | 9 | 19 | $478,392 | 4/4/2026 | |||
| Singapore | 10/10/2013 | $0 | 0 | 1 | 3 | $116,300 | 12/13/2015 | |||
| Slovenia | 10/17/2013 | $0 | 0 | 1 | 6 | $40,726 | 12/13/2015 | |||
| South Africa | 12/20/2013 | $24,428 | 21 | 21 | 21 | $24,428 | 12/13/2015 | |||
| Spain | 11/15/2013 | $0 | 0 | 318 | 1,281 | $5,647,753 | 12/13/2015 | |||
| Switzerland | 11/21/2013 | $260,690 | 26 | 31 | 141 | $1,234,574 | 12/13/2015 | |||
| Taiwan | 12/20/2013 | $36,641 | 14 | 14 | 25 | $114,868 | 12/13/2015 | |||
| United Kingdom | 9/27/2013 | $0 | 0 | 9 | 43 | $8,259,250 | 12/13/2015 | |||
| Uruguay | 10/24/2013 | $0 | 0 | 7 | 24 | $196,433 | 12/30/2018 | |||
| Rest of World | $25,927,181 | |||||||||
| International Total | $69,508,090 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Cate Blanchett | Jasmine |
Supporting
| Alec Baldwin | Hal | |
| Louis C.K. | Al | |
| Bobby Cannavale | Chili | |
| Andrew Dice Clay | Augie | |
| Sally Hawkins | Ginger | |
| Peter Sarsgaard | Dwight | |
| Michael Stuhlbarg | Dr. Flicker |
Production and Technical Credits
| Woody Allen | Director | |
| Woody Allen | Screenwriter | |
| Letty Aronson | Producer | |
| Stephen Tenenbaum | Producer | |
| Edward Walson | Producer | |
| Helen Robin | Co-Producer | |
| Leroy Schecter | Executive Producer | |
| Adam B. Stern | Executive Producer | |
| Jack Rollins | Co-Executive Producer | |
| Javier Aguirresarobe | Director of Photography | |
| Santo Loquasto | Production Designer | |
| Alisa Lepselter | Editor | |
| Suzy Benzinger | Costume Designer | |
| Juliet Taylor | Casting Director | |
| John M. Morse | First Assistant Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
After everything in her life falls to pieces, including her marriage to wealthy businessman Hal, elegant New York socialite Jasmine moves into her sister Ginger’s modest apartment in San Francisco to try to pull herself back together again. Jasmine arrives in San Francisco in a fragile mental state, her head reeling from the cocktail of anti - depressants she's on . While still able to project her aristocratic bearing, Jasmine is emotionally precarious and lacks any practical ability to support herself. She disapproves of Ginger’s boyfriend Chili, who she considers another “loser” like Ginger’s ex - husband Augie. Ginger, recognizing but not fully understanding her sister’s psychological instability, suggests that she pursue interior design, a career she correctly intuits that Jasmine won’t feel is beneath her. In the meantime, Jasmine begrudgingly accepts work as the receptionist in a dentist’s office, where she attracts the unwanted attentions of her boss, Dr. Flicker. Feeling that her sister might be right about her poor taste in men, Ginger starts seeing Al, a sound engineer whom she considers as a step up from Chili. Jasmine sees a potential lifeline when she meets Dwight, a diplomat who is quickly smitten with her beauty, sophistication and style. Jasmine’s flaw is that she derives her worth from the way she’s perceived by others, while she herself is blind to what is going around her. Jasmine earns our compassion because she is the unwitting instrument of her own downfall.
Metrics
| Opening Weekend: | $612,064 (1.8% of total gross) |
| Legs: | 8.38 (domestic box office/biggest weekend) |
| Domestic Share: | 32.5% (domestic box office/worldwide) |
| Production Budget: | $18,000,000 (worldwide box office is 5.7 times production budget) |
| Theater counts: | 6 opening theaters/1,283 max. theaters, 5.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $49,136,967 |
Movie Details
| Domestic Releases: | July 26th, 2013 (Limited) by Sony Pictures Classics |
| International Releases: | August 7th, 2013 (Wide) (Belgium)
September 12th, 2013 (Wide) (Australia) September 12th, 2013 (Wide) (Portugal) September 13th, 2013 (Wide) (Lithuania) September 27th, 2013 (Wide) (United Kingdom) ... Show all releases |
| Video Release: | January 21st, 2014 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 for mature thematic material, language and sexual content. (Rating bulletin 2268, 4/17/2013) |
| Running Time: | 98 minutes |
| Plot point: | Dysfunctional Family, Infidelity, Relationships Gone Wrong, Romance, White Collar Crime |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Gravier Productions, Perdido, Sony Pictures Classics |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 26, 2013 | 19 | $612,064 | 6 | $102,011 | $612,064 | 1 | |
| Aug 2, 2013 | 14 | $1,858,696 | +204% | 50 | $37,174 | $2,845,115 | 2 |
| Aug 9, 2013 | 12 | $2,345,407 | +26% | 119 | $19,709 | $6,041,246 | 3 |
| Aug 16, 2013 | 14 | $2,291,183 | -2% | 229 | $10,005 | $9,421,764 | 4 |
| Aug 23, 2013 | 10 | $3,972,687 | +73% | 1,283 | $3,096 | $14,471,489 | 5 |
| Aug 30, 2013 | 12 | $3,986,568 | n/c | 1,179 | $3,381 | $20,453,036 | 6 |
| Sep 6, 2013 | 9 | $2,347,694 | -41% | 1,069 | $2,196 | $25,108,580 | 7 |
| Sep 13, 2013 | 11 | $1,614,970 | -31% | 993 | $1,626 | $27,701,524 | 8 |
| Sep 20, 2013 | 14 | $1,212,206 | -25% | 847 | $1,431 | $29,605,701 | 9 |
| Sep 27, 2013 | 19 | $624,245 | -49% | 528 | $1,182 | $30,662,232 | 10 |
| Oct 4, 2013 | 24 | $348,197 | -44% | 289 | $1,205 | $31,284,982 | 11 |
| Oct 11, 2013 | 27 | $230,428 | -34% | 190 | $1,213 | $31,672,810 | 12 |
| Oct 18, 2013 | 29 | $188,718 | -18% | 152 | $1,242 | $31,972,045 | 13 |
| Oct 25, 2013 | 28 | $149,267 | -21% | 119 | $1,254 | $32,210,615 | 14 |
| Nov 8, 2013 | 37 | $78,390 | 60 | $1,307 | $32,515,626 | 16 | |
| Nov 15, 2013 | 37 | $63,433 | -19% | 52 | $1,220 | $32,616,613 | 17 |
| Nov 22, 2013 | 40 | $48,385 | -24% | 43 | $1,125 | $32,692,397 | 18 |
| Nov 29, 2013 | 41 | $37,602 | -22% | 33 | $1,139 | $32,744,634 | 19 |
| Jan 17, 2014 | - | $50,325 | 28 | $1,797 | $33,150,789 | 26 | |
| Jan 31, 2014 | 53 | $18,200 | 28 | $650 | $33,230,073 | 28 | |
| Feb 14, 2014 | 56 | $11,982 | 16 | $749 | $33,268,642 | 30 | |
| Feb 21, 2014 | 56 | $18,463 | +54% | 57 | $324 | $33,290,581 | 31 |
| Feb 28, 2014 | 66 | $11,775 | -36% | 24 | $491 | $33,315,738 | 32 |
| Mar 7, 2014 | 54 | $30,095 | +156% | 36 | $836 | $33,345,833 | 33 |
| Mar 14, 2014 | 61 | $17,515 | -42% | 27 | $649 | $33,386,098 | 34 |
| Mar 21, 2014 | 76 | $3,849 | -78% | 12 | $321 | $33,389,947 | 35 |
| Mar 28, 2014 | 87 | $1,244 | -68% | 3 | $415 | $33,404,871 | 36 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Jul 26, 2013 | - | $175,000 | 6 | $29,167 | $175,000 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 26, 2013 | 20 | $986,419 | 6 | $164,403 | $986,419 | 1 | |
| Aug 2, 2013 | 17 | $2,709,420 | +175% | 50 | $54,188 | $3,695,839 | 2 |
| Aug 9, 2013 | 12 | $3,434,742 | +27% | 119 | $28,863 | $7,130,581 | 3 |
| Aug 16, 2013 | 15 | $3,368,221 | -2% | 229 | $14,708 | $10,498,802 | 4 |
| Aug 23, 2013 | 10 | $5,967,666 | +77% | 1,283 | $4,651 | $16,466,468 | 5 |
| Aug 30, 2013 | 11 | $6,294,418 | +5% | 1,179 | $5,339 | $22,760,886 | 6 |
| Sep 6, 2013 | 8 | $3,325,668 | -47% | 1,069 | $3,111 | $26,086,554 | 7 |
| Sep 13, 2013 | 10 | $2,306,941 | -31% | 993 | $2,323 | $28,393,495 | 8 |
| Sep 20, 2013 | 13 | $1,644,492 | -29% | 847 | $1,942 | $30,037,987 | 9 |
| Sep 27, 2013 | 18 | $898,798 | -45% | 528 | $1,702 | $30,936,785 | 10 |
| Oct 4, 2013 | 22 | $505,597 | -44% | 289 | $1,749 | $31,442,382 | 11 |
| Oct 11, 2013 | 27 | $340,945 | -33% | 190 | $1,794 | $31,783,327 | 12 |
| Oct 18, 2013 | 26 | $278,021 | -18% | 152 | $1,829 | $32,061,348 | 13 |
| Nov 15, 2013 | 35 | $90,832 | 52 | $1,747 | $32,644,012 | 17 | |
| Nov 22, 2013 | 40 | $63,020 | -31% | 43 | $1,466 | $32,707,032 | 18 |
| Feb 14, 2014 | 55 | $15,458 | 16 | $966 | $33,272,118 | 30 | |
| Feb 21, 2014 | 52 | $31,845 | +106% | 57 | $559 | $33,303,963 | 31 |
| Mar 7, 2014 | 47 | $52,845 | 36 | $1,468 | $33,368,583 | 33 | |
| Mar 21, 2014 | 59 | $17,529 | 12 | $1,461 | $33,403,627 | 35 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 10/10/2013 | $0 | 0 | 22 | 49 | $2,156,048 | 12/30/2018 | |||
| Australia | 9/12/2013 | $0 | 0 | 19 | 19 | $5,675,066 | 12/13/2015 | |||
| Austria | 11/8/2013 | $0 | 0 | 43 | 213 | $822,612 | 12/13/2015 | |||
| Belgium | 8/7/2013 | $0 | 0 | 3 | 7 | $1,001,558 | 12/13/2015 | |||
| Brazil | 11/15/2013 | $0 | 0 | 80 | 283 | $2,118,302 | 12/13/2015 | |||
| Bulgaria | 11/29/2013 | $14,468 | 13 | 13 | 54 | $73,273 | 12/30/2018 | |||
| Chile | 12/26/2013 | $71,987 | 22 | 22 | 22 | $71,987 | 12/30/2018 | |||
| Croatia | 11/28/2013 | $16,689 | 11 | 11 | 52 | $5,836,150 | 12/30/2018 | |||
| Ecuador | 6/6/2014 | $0 | 0 | 2 | 2 | $7,159 | 12/30/2018 | |||
| Germany | 11/7/2013 | $0 | 0 | 140 | 677 | $4,346,032 | 12/13/2015 | |||
| Hong Kong | 10/17/2013 | $0 | 0 | 4 | 8 | $239,060 | 12/13/2015 | |||
| Italy | 12/5/2013 | $1,680,993 | 398 | 406 | 1,002 | $4,671,765 | 12/13/2015 | |||
| Lithuania | 9/13/2013 | $0 | 0 | 2 | 3 | $39,598 | 12/13/2015 | |||
| Mexico | 12/25/2013 | $279,019 | 198 | 198 | 198 | $406,538 | 12/13/2015 | |||
| Nigeria | 12/27/2013 | $3,037 | 2 | 2 | 2 | $3,037 | 12/30/2018 | |||
| Portugal | 9/12/2013 | $0 | 0 | 9 | 19 | $478,392 | 4/4/2026 | |||
| Singapore | 10/10/2013 | $0 | 0 | 1 | 3 | $116,300 | 12/13/2015 | |||
| Slovenia | 10/17/2013 | $0 | 0 | 1 | 6 | $40,726 | 12/13/2015 | |||
| South Africa | 12/20/2013 | $24,428 | 21 | 21 | 21 | $24,428 | 12/13/2015 | |||
| Spain | 11/15/2013 | $0 | 0 | 318 | 1,281 | $5,647,753 | 12/13/2015 | |||
| Switzerland | 11/21/2013 | $260,690 | 26 | 31 | 141 | $1,234,574 | 12/13/2015 | |||
| Taiwan | 12/20/2013 | $36,641 | 14 | 14 | 25 | $114,868 | 12/13/2015 | |||
| United Kingdom | 9/27/2013 | $0 | 0 | 9 | 43 | $8,259,250 | 12/13/2015 | |||
| Uruguay | 10/24/2013 | $0 | 0 | 7 | 24 | $196,433 | 12/30/2018 | |||
| Rest of World | $25,927,181 | |||||||||
| International Total | $69,508,090 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Cate Blanchett | Jasmine |
Supporting
| Alec Baldwin | Hal | |
| Louis C.K. | Al | |
| Bobby Cannavale | Chili | |
| Andrew Dice Clay | Augie | |
| Sally Hawkins | Ginger | |
| Peter Sarsgaard | Dwight | |
| Michael Stuhlbarg | Dr. Flicker |
Production and Technical Credits
| Woody Allen | Director | |
| Woody Allen | Screenwriter | |
| Letty Aronson | Producer | |
| Stephen Tenenbaum | Producer | |
| Edward Walson | Producer | |
| Helen Robin | Co-Producer | |
| Leroy Schecter | Executive Producer | |
| Adam B. Stern | Executive Producer | |
| Jack Rollins | Co-Executive Producer | |
| Javier Aguirresarobe | Director of Photography | |
| Santo Loquasto | Production Designer | |
| Alisa Lepselter | Editor | |
| Suzy Benzinger | Costume Designer | |
| Juliet Taylor | Casting Director | |
| John M. Morse | First Assistant Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.