Blue Sky (1994)
| Theatrical Performance | ||
| Domestic Box Office | $3,281,813 | Details |
| OpusData ID: 51230100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $763,890 (23.3% of total gross) |
| Legs: | 4.30 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 205 opening theaters/205 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $8,672,146 |
Movie Details
| Domestic Releases: | September 16th, 1994 (Wide) by Orion Pictures |
| MPA Rating: | PG-13 |
| Running Time: | 101 minutes |
| Plot point: | Cover Up, Dysfunctional Family, Infidelity, Mental Illness, Relationships Gone Wrong, Romance |
| Subgenre: | Romantic Drama |
| Time period setting: | 1960s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 16, 1994 | 17 | $763,890 | 205 | $3,726 | $763,890 | 1 | |
| Mar 31, 1995 | 28 | $181,505 | 92 | $1,973 | $2,874,268 | 29 | |
| Apr 7, 1995 | 33 | $141,600 | -22% | 98 | $1,445 | $3,094,371 | 30 |
| Apr 14, 1995 | 40 | $89,416 | -37% | 89 | $1,005 | $3,235,241 | 31 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 31, 1995 | 28 | $260,008 | 92 | $2,826 | $2,952,771 | 29 | |
| Apr 7, 1995 | 33 | $193,054 | -26% | 98 | $1,970 | $3,145,825 | 30 |
| Tommy Lee Jones | Hank Marshall | |
| Chris O'Donnell | Glenn Johnson | |
| Jessica Lange | Carly Marshall | |
| Powers Boothe | Vince Johnson | |
| Amy Locane | Alex Marshall | |
| Timothy Bottoms | Owens Ranch Cowboy | |
| Dale Dye | Col. Mike Anwalt |
Production and Technical Credits
| Tony Richardson | Director | |
| Rama Laurie Stagner | Screenwriter | |
| Arlene Sarner | Screenwriter | |
| Jerry Leichtling | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $763,890 (23.3% of total gross) |
| Legs: | 4.30 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 205 opening theaters/205 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $8,672,146 |
Movie Details
| Domestic Releases: | September 16th, 1994 (Wide) by Orion Pictures |
| MPA Rating: | PG-13 |
| Running Time: | 101 minutes |
| Plot point: | Cover Up, Dysfunctional Family, Infidelity, Mental Illness, Relationships Gone Wrong, Romance |
| Subgenre: | Romantic Drama |
| Time period setting: | 1960s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 16, 1994 | 17 | $763,890 | 205 | $3,726 | $763,890 | 1 | |
| Mar 31, 1995 | 28 | $181,505 | 92 | $1,973 | $2,874,268 | 29 | |
| Apr 7, 1995 | 33 | $141,600 | -22% | 98 | $1,445 | $3,094,371 | 30 |
| Apr 14, 1995 | 40 | $89,416 | -37% | 89 | $1,005 | $3,235,241 | 31 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 31, 1995 | 28 | $260,008 | 92 | $2,826 | $2,952,771 | 29 | |
| Apr 7, 1995 | 33 | $193,054 | -26% | 98 | $1,970 | $3,145,825 | 30 |
| Tommy Lee Jones | Hank Marshall | |
| Chris O'Donnell | Glenn Johnson | |
| Jessica Lange | Carly Marshall | |
| Powers Boothe | Vince Johnson | |
| Amy Locane | Alex Marshall | |
| Timothy Bottoms | Owens Ranch Cowboy | |
| Dale Dye | Col. Mike Anwalt |
Production and Technical Credits
| Tony Richardson | Director | |
| Rama Laurie Stagner | Screenwriter | |
| Arlene Sarner | Screenwriter | |
| Jerry Leichtling | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.