Bodied (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $113,956 | Details |
| Domestic Physical Disc Sales | ||
| Blu-ray Sales (estimated) | $9,609 | |
| Total | $9,609 | |
| OpusData ID: 344020100 More info... | ||
| Further financial details... | ||
Synopsis
The story of Adam Merkin, a progressive grad student who becomes an accidental battle rapper after encountering Behn Grymm, a respected icon in the merciless sub-culture of poetic personal insults. As Adam makes his politically-incorrect climb up the ranks, he risks alienating his father, a renowned writer and tenured professor at Adam’s university, along with his skeptical girlfriend Maya, and all of his academic friends. His success breeds outrage however; Adam soon faces growing backlash on campus and comes to understand the importance (and cost) of free speech.
Metrics
| Opening Weekend: | $53,000 (46.5% of total gross) |
| Legs: | 2.15 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 14 opening theaters/17 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $149,608 |
Movie Details
| Domestic Releases: | November 2nd, 2018 (Limited) by Independent Artists |
| Video Release: | September 17th, 2019 by Gravitas Ventures |
| MPA Rating: | R for strong language and sexual content throughout, some drug use and brief nudity. (Rating bulletin 2534 (Cert #51685), 7/4/2018) |
| Running Time: | 120 minutes |
| Plot point: | Race Relations |
| Social setting: | College, Hip Hop and Rap, Hood Film |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Shady Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 2, 2018 | 42 | $53,000 | 14 | $3,786 | $53,000 | 1 | |
| Nov 9, 2018 | 46 | $28,464 | -46% | 17 | $1,674 | $100,116 | 2 |
| Nov 16, 2018 | 67 | $2,499 | -91% | 3 | $833 | $113,956 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Nov 2, 2018 | - | $19,422 | 14 | $1,387 | $19,422 | 1 | ||
| Nov 3, 2018 | - | $19,469 | n/c | 14 | $1,391 | $38,891 | 2 | |
| Nov 4, 2018 | - | $14,109 | -28% | 14 | $1,008 | $53,000 | 3 | |
| Nov 5, 2018 | - | $5,430 | -62% | 14 | $388 | $58,430 | 4 | |
| Nov 6, 2018 | - | $4,695 | -14% | 14 | $335 | $63,125 | 5 | |
| Nov 7, 2018 | - | $5,140 | +9% | 14 | $367 | $68,265 | 6 | |
| Nov 8, 2018 | - | $3,387 | -34% | 14 | $242 | $71,652 | 7 | |
| Nov 9, 2018 | - | $12,087 | +257% | -38% | 17 | $711 | $83,739 | 8 |
| Nov 10, 2018 | - | $9,624 | -20% | -51% | 17 | $566 | $93,363 | 9 |
| Nov 11, 2018 | - | $6,753 | -30% | -52% | 17 | $397 | $100,116 | 10 |
| Nov 12, 2018 | - | $3,124 | -54% | -42% | 17 | $184 | $103,240 | 11 |
| Nov 13, 2018 | - | $3,343 | +7% | -29% | 17 | $197 | $106,583 | 12 |
| Nov 14, 2018 | - | $2,774 | -17% | -46% | 17 | $163 | $109,357 | 13 |
| Nov 15, 2018 | - | $2,100 | -24% | -38% | 17 | $124 | $111,457 | 14 |
| Nov 16, 2018 | - | $345 | -84% | -97% | 3 | $115 | $111,802 | 15 |
| Nov 17, 2018 | - | $518 | +50% | -95% | 3 | $173 | $112,320 | 16 |
| Nov 18, 2018 | - | $1,636 | +216% | -76% | 3 | $545 | $113,956 | 17 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 2, 2018 | 41 | $71,652 | 14 | $5,118 | $71,652 | 1 | |
| Nov 9, 2018 | 45 | $39,805 | -44% | 17 | $2,341 | $111,457 | 2 |
Lead Ensemble Member
| Calum Worthy | Adam | |
| Jackie Long | Behn Grymm | |
| Rory Uphold | Maya | |
| Dumbfoundead | Prospek | |
| Walter Perez | Che Corleone | |
| Shoniqua Shandai | Devine Write | |
| Charlamagne Tha God | Hunnid Gramz | |
| Dizaster | Megaton | |
| Nigel Bennett | ||
| Loaded Lux | ||
| Debra Wilson | Dean Hampton | |
| Anthony Michael Hall | Professor Merkin |
Production and Technical Credits
| Joseph Kahn | Director | |
| Alex Larsen | Screenwriter | |
| Joseph Kahn | Story by | |
| Alex Larsen | Story by | |
| Eminem | Producer | |
| Paul Rosenberg | Producer | |
| Adi Shankar | Producer | |
| Jil Hardin | Producer | |
| David Kang | Executive Producer | |
| Justin Smith | Executive Producer | |
| Bob Abramoff | Executive Producer | |
| Stuart Parr | Executive Producer | |
| Matt Wise | Director of Photography | |
| Brett Hess | Production Designer | |
| Chancler Haynes | Editor | |
| Edda Gudmundsdottir | Costume Designer | |
| Eminem | Music Supervisor | |
| Paul Rosenberg | Music Supervisor | |
| Budd Carr | Music Supervisor | |
| Brain and Melissa* | Composer | |
| Brain and Melissa* | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The story of Adam Merkin, a progressive grad student who becomes an accidental battle rapper after encountering Behn Grymm, a respected icon in the merciless sub-culture of poetic personal insults. As Adam makes his politically-incorrect climb up the ranks, he risks alienating his father, a renowned writer and tenured professor at Adam’s university, along with his skeptical girlfriend Maya, and all of his academic friends. His success breeds outrage however; Adam soon faces growing backlash on campus and comes to understand the importance (and cost) of free speech.
Metrics
| Opening Weekend: | $53,000 (46.5% of total gross) |
| Legs: | 2.15 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 14 opening theaters/17 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $149,608 |
Movie Details
| Domestic Releases: | November 2nd, 2018 (Limited) by Independent Artists |
| Video Release: | September 17th, 2019 by Gravitas Ventures |
| MPA Rating: | R for strong language and sexual content throughout, some drug use and brief nudity. (Rating bulletin 2534 (Cert #51685), 7/4/2018) |
| Running Time: | 120 minutes |
| Plot point: | Race Relations |
| Social setting: | College, Hip Hop and Rap, Hood Film |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Shady Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 2, 2018 | 42 | $53,000 | 14 | $3,786 | $53,000 | 1 | |
| Nov 9, 2018 | 46 | $28,464 | -46% | 17 | $1,674 | $100,116 | 2 |
| Nov 16, 2018 | 67 | $2,499 | -91% | 3 | $833 | $113,956 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Nov 2, 2018 | - | $19,422 | 14 | $1,387 | $19,422 | 1 | ||
| Nov 3, 2018 | - | $19,469 | n/c | 14 | $1,391 | $38,891 | 2 | |
| Nov 4, 2018 | - | $14,109 | -28% | 14 | $1,008 | $53,000 | 3 | |
| Nov 5, 2018 | - | $5,430 | -62% | 14 | $388 | $58,430 | 4 | |
| Nov 6, 2018 | - | $4,695 | -14% | 14 | $335 | $63,125 | 5 | |
| Nov 7, 2018 | - | $5,140 | +9% | 14 | $367 | $68,265 | 6 | |
| Nov 8, 2018 | - | $3,387 | -34% | 14 | $242 | $71,652 | 7 | |
| Nov 9, 2018 | - | $12,087 | +257% | -38% | 17 | $711 | $83,739 | 8 |
| Nov 10, 2018 | - | $9,624 | -20% | -51% | 17 | $566 | $93,363 | 9 |
| Nov 11, 2018 | - | $6,753 | -30% | -52% | 17 | $397 | $100,116 | 10 |
| Nov 12, 2018 | - | $3,124 | -54% | -42% | 17 | $184 | $103,240 | 11 |
| Nov 13, 2018 | - | $3,343 | +7% | -29% | 17 | $197 | $106,583 | 12 |
| Nov 14, 2018 | - | $2,774 | -17% | -46% | 17 | $163 | $109,357 | 13 |
| Nov 15, 2018 | - | $2,100 | -24% | -38% | 17 | $124 | $111,457 | 14 |
| Nov 16, 2018 | - | $345 | -84% | -97% | 3 | $115 | $111,802 | 15 |
| Nov 17, 2018 | - | $518 | +50% | -95% | 3 | $173 | $112,320 | 16 |
| Nov 18, 2018 | - | $1,636 | +216% | -76% | 3 | $545 | $113,956 | 17 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 2, 2018 | 41 | $71,652 | 14 | $5,118 | $71,652 | 1 | |
| Nov 9, 2018 | 45 | $39,805 | -44% | 17 | $2,341 | $111,457 | 2 |
Lead Ensemble Member
| Calum Worthy | Adam | |
| Jackie Long | Behn Grymm | |
| Rory Uphold | Maya | |
| Dumbfoundead | Prospek | |
| Walter Perez | Che Corleone | |
| Shoniqua Shandai | Devine Write | |
| Charlamagne Tha God | Hunnid Gramz | |
| Dizaster | Megaton | |
| Nigel Bennett | ||
| Loaded Lux | ||
| Debra Wilson | Dean Hampton | |
| Anthony Michael Hall | Professor Merkin |
Production and Technical Credits
| Joseph Kahn | Director | |
| Alex Larsen | Screenwriter | |
| Joseph Kahn | Story by | |
| Alex Larsen | Story by | |
| Eminem | Producer | |
| Paul Rosenberg | Producer | |
| Adi Shankar | Producer | |
| Jil Hardin | Producer | |
| David Kang | Executive Producer | |
| Justin Smith | Executive Producer | |
| Bob Abramoff | Executive Producer | |
| Stuart Parr | Executive Producer | |
| Matt Wise | Director of Photography | |
| Brett Hess | Production Designer | |
| Chancler Haynes | Editor | |
| Edda Gudmundsdottir | Costume Designer | |
| Eminem | Music Supervisor | |
| Paul Rosenberg | Music Supervisor | |
| Budd Carr | Music Supervisor | |
| Brain and Melissa* | Composer | |
| Brain and Melissa* | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.