Boiler Room (2000)
| Theatrical Performance | ||
| Domestic Box Office | $16,963,963 | Details |
| International Box Office | $11,809,674 | |
| Worldwide Box Office | $28,773,637 | |
| OpusData ID: 28190100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $6,722,884 (39.6% of total gross) |
| Legs: | 2.52 (domestic box office/biggest weekend) |
| Domestic Share: | 59.0% (domestic box office/worldwide) |
| Production Budget: | $9,000,000 (worldwide box office is 3.2 times production budget) |
| Theater counts: | 1,335 opening theaters/1,335 max. theaters, 3.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $37,641,744 |
Movie Details
| Domestic Releases: | February 18th, 2000 (Wide) by New Line |
| Video Release: | July 11th, 2000 by New Line Home Video |
| MPA Rating: | R for strong language and some drug content |
| Running Time: | 120 minutes |
| Plot point: | Dysfunctional Family, FBI, White Collar Crime |
| Subgenre: | Crime Drama |
| Time period setting: | 1990s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | New Line Cinema, Team Todd |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 18, 2000 | 8 | $6,722,884 | 1,335 | $5,036 | $6,722,884 | 1 | |
| Feb 25, 2000 | 12 | $3,095,758 | -54% | 1,335 | $2,319 | $11,030,360 | 2 |
| Mar 3, 2000 | 16 | $1,773,739 | -43% | 1,004 | $1,767 | $13,735,383 | 3 |
| Mar 10, 2000 | 19 | $973,620 | -45% | 607 | $1,604 | $15,294,086 | 4 |
| Mar 17, 2000 | 25 | $444,816 | -54% | 380 | $1,171 | $16,105,879 | 5 |
| Mar 24, 2000 | 29 | $226,309 | -49% | 200 | $1,132 | $16,495,192 | 6 |
| Mar 31, 2000 | 41 | $103,057 | -54% | 123 | $838 | $16,700,220 | 7 |
| Apr 7, 2000 | 59 | $34,217 | -67% | 54 | $634 | $16,776,053 | 8 |
| Apr 14, 2000 | 81 | $13,750 | -60% | 22 | $625 | $16,802,995 | 9 |
| Apr 21, 2000 | 89 | $10,973 | -20% | 14 | $784 | $16,820,561 | 10 |
| Apr 28, 2000 | 93 | $8,188 | -25% | 13 | $630 | $16,835,066 | 11 |
| May 5, 2000 | 103 | $3,946 | -52% | 11 | $359 | $16,841,900 | 12 |
| May 12, 2000 | 116 | $394 | -90% | 3 | $131 | $16,843,619 | 13 |
| Jun 30, 2000 | 58 | $39,995 | 135 | $296 | $16,938,179 | 20 | |
| Jul 7, 2000 | 82 | $9,832 | -75% | 36 | $273 | $16,963,963 | 21 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 18, 2000 | 7 | $1,604,000 | 1,335 | $1,201 | $1,604,000 | 1 | ||
| Feb 19, 2000 | 9 | $2,362,000 | +47% | 1,335 | $1,769 | $3,966,000 | 2 | |
| Feb 20, 2000 | 9 | $1,922,000 | -19% | 1,335 | $1,440 | $5,888,000 | 3 | |
| Feb 21, 2000 | 9 | $980,755 | -49% | 1,335 | $735 | $6,722,884 | 4 | |
| Feb 22, 2000 | 9 | $454,451 | -54% | 1,335 | $340 | $7,177,335 | 5 | |
| Feb 23, 2000 | 9 | $378,845 | -17% | 1,335 | $284 | $7,556,180 | 6 | |
| Feb 24, 2000 | 10 | $389,947 | +3% | 1,335 | $292 | $7,946,127 | 7 | |
| Feb 27, 2000 | 12 | $838,000 | -56% | 1,335 | $628 | $11,030,360 | 10 | |
| Feb 28, 2000 | 12 | $230,231 | -73% | -77% | 1,335 | $172 | $11,260,591 | 11 |
| Feb 29, 2000 | 12 | $256,431 | +11% | -44% | 1,335 | $192 | $11,517,022 | 12 |
| Mar 1, 2000 | 13 | $231,992 | -10% | -39% | 1,335 | $174 | $11,749,014 | 13 |
| Mar 2, 2000 | 13 | $235,965 | +2% | -39% | 1,335 | $177 | $11,984,979 | 14 |
| Mar 5, 2000 | 16 | $471,000 | -44% | 1,004 | $469 | $13,735,383 | 17 | |
| Mar 6, 2000 | 16 | $151,844 | -68% | -34% | 1,004 | $151 | $13,887,227 | 18 |
| Mar 7, 2000 | 17 | $152,420 | n/c | -41% | 1,004 | $152 | $14,039,647 | 19 |
| Mar 8, 2000 | 16 | $154,157 | +1% | -34% | 1,004 | $154 | $14,193,804 | 20 |
| Mar 12, 2000 | 17 | $260,000 | -45% | 607 | $428 | $15,294,086 | 24 | |
| Mar 13, 2000 | 18 | $91,309 | -65% | -40% | 607 | $150 | $15,385,395 | 25 |
| Mar 14, 2000 | 18 | $97,018 | +6% | -36% | 607 | $160 | $15,482,413 | 26 |
| Mar 15, 2000 | 18 | $98,398 | +1% | -36% | 607 | $162 | $15,580,811 | 27 |
| Mar 16, 2000 | 18 | $94,122 | -4% | 607 | $155 | $15,674,933 | 28 | |
| Mar 20, 2000 | 19 | $46,616 | -49% | 380 | $123 | $16,152,495 | 32 | |
| Mar 22, 2000 | 20 | $42,082 | -57% | 380 | $111 | $16,244,139 | 34 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 18, 2000 | 9 | $7,934,602 | 1,335 | $5,944 | $7,934,602 | 1 | |
| Feb 25, 2000 | 12 | $4,027,042 | -49% | 1,335 | $3,017 | $11,961,644 | 2 |
| Mar 3, 2000 | 16 | $2,358,822 | -41% | 1,004 | $2,349 | $14,320,466 | 3 |
| Mar 10, 2000 | 19 | $1,340,597 | -43% | 607 | $2,209 | $15,661,063 | 4 |
| Mar 17, 2000 | 26 | $607,820 | -55% | 380 | $1,600 | $16,268,883 | 5 |
| Mar 24, 2000 | 30 | $328,280 | -46% | 200 | $1,641 | $16,597,163 | 6 |
| Mar 31, 2000 | 42 | $144,673 | -56% | 123 | $1,176 | $16,741,836 | 7 |
| Apr 7, 2000 | 60 | $47,409 | -67% | 54 | $878 | $16,789,245 | 8 |
| Apr 14, 2000 | 77 | $20,343 | -57% | 22 | $925 | $16,809,588 | 9 |
| Apr 21, 2000 | 90 | $17,290 | -15% | 14 | $1,235 | $16,826,878 | 10 |
| Apr 28, 2000 | 95 | $11,076 | -36% | 13 | $852 | $16,837,954 | 11 |
| May 5, 2000 | 102 | $5,271 | -52% | 11 | $479 | $16,843,225 | 12 |
| Jun 30, 2000 | 57 | $55,947 | 135 | $414 | $16,954,131 | 20 | |
| Jul 7, 2000 | 87 | $9,832 | -82% | 36 | $273 | $16,963,963 | 21 |
Lead Ensemble Member
| Giovanni Ribisi | Seth Davis | |
| Vin Diesel | Chris Varick | |
| Nia Long | Abbie Halpert | |
| Nicky Katt | Greg Weinstein | |
| Scott Caan | Richie |
Supporting
| Ben Affleck | Jim Young | |
| Jamie Kennedy | Adam | |
| Ron Rifkin | Marty Davis | |
| Taylor Nichols | Harry Reynard | |
| Bill Sage | Agent Drew | |
| Tom Everett Scott | Michael Brantley | |
| John Griesemer | Concierge | |
| David Younger | Marc | |
| Russell Harper | Kid | |
| Mark Webber | Kid | |
| Christopher Fitzgerald | Kid | |
| Donna Mitchell | Seth's Mother | |
| Andre Vippolis | Neil | |
| Jon Abrahams | Jeff | |
| Will McCormack | Mike the Casino Patron | |
| Jared Ryan | Casino Steve | |
| Anson Mount | Broker | |
| Kirk Acevedo | Broker | |
| Seth Ullian | Broker | |
| Eddie Malavarca | Broker | |
| Carlo Vogel | Rude Kid | |
| Matthew Saldivar | Series Seven Kid | |
| Serge Skliarenko | Croatian Broker | |
| Lisa Gerstein | Sheryl | |
| Ross Ryman | Isaac | |
| Marjorie Johnson | Abby's Mother | |
| Peter Rini | JP Broker | |
| Raymond Pirkle | JP Broker | |
| Joe Pretlow | JP Broker | |
| Peter Maloney | Dr. Jacobs | |
| Lori Yoffe | Secretary | |
| Alex Webb | FBI Director | |
| Gillian Sacco | Waitress at Mickey's | |
| Don Hewitt | Local | |
| Mark Moshe Bellows | John Fineman | |
| Daniel Serafini Sauli* | Broker Steve | |
| Lucinda Faraldo | Trendy Hostess | |
| Neal Lerner | Gay Man | |
| Taylor Patterson | Sara Reynard | |
| Michael McCarthy | Max Reynard | |
| Marsha Dietlein Bennett | Susan Reynard | |
| Joseph Tudisco | Janitor | |
| Judy Del Guidice | Office Woman | |
| Siobhan Fallon Hogan | Harry's Supervisor |
Production and Technical Credits
| Ben Younger | Director | |
| Ben Younger | Screenwriter | |
| Suzanne Todd | Producer | |
| Jennifer Todd | Producer | |
| Claire Rudnick Polstein | Executive Producer | |
| Richard Brener | Executive Producer | |
| E. Bennett Walsh | Co-Producer | |
| Enrique Chediak | Director of Photography | |
| Anne Stuhler | Production Designer | |
| Chris Peppe | Editor | |
| Julia Caston | Costume Designer | |
| The Angel | Composer | |
| Dana Sano | Music Supervisor | |
| John Papsidera | Casting Director | |
| Pamela Post | Associate Producer | |
| Julian Petrillo | Assistant Director | |
| E. Bennett Walsh | Unit Production Manager | |
| Robin Nelson Sweet* | Production Supervisor | |
| Roswell Hamrick | Art Director | |
| Mark White | Art Director | |
| Jennifer Alex | Set Decorator | |
| Peter Schneider | Sound Mixer | |
| John Ross | Re-recording Mixer | |
| Joe Barnett | Re-recording Mixer | |
| Dorian Cheah | Re-recording Mixer | |
| Frank Gaeta | Supervising Sound Editor | |
| Benjamin L. Cook | Sound Effects Editor | |
| Roland Thai | Sound Effects Editor | |
| Lisle Engle | Sound Effects Editor | |
| Michael Hertlein | Dialogue Editor | |
| Robert C. Jackson | Dialogue Editor | |
| David Grant | Dialogue Editor | |
| Robert Getty | Additional Dialogue Editor | |
| Lise Richardson | Music Editor | |
| Caryn Brostoff | Make up | |
| Quentin Harris | Hairstylist | |
| The Angel | Music Producer | |
| Mike Russo | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Metrics
| Opening Weekend: | $6,722,884 (39.6% of total gross) |
| Legs: | 2.52 (domestic box office/biggest weekend) |
| Domestic Share: | 59.0% (domestic box office/worldwide) |
| Production Budget: | $9,000,000 (worldwide box office is 3.2 times production budget) |
| Theater counts: | 1,335 opening theaters/1,335 max. theaters, 3.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $37,641,744 |
Movie Details
| Domestic Releases: | February 18th, 2000 (Wide) by New Line |
| Video Release: | July 11th, 2000 by New Line Home Video |
| MPA Rating: | R for strong language and some drug content |
| Running Time: | 120 minutes |
| Plot point: | Dysfunctional Family, FBI, White Collar Crime |
| Subgenre: | Crime Drama |
| Time period setting: | 1990s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | New Line Cinema, Team Todd |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 18, 2000 | 8 | $6,722,884 | 1,335 | $5,036 | $6,722,884 | 1 | |
| Feb 25, 2000 | 12 | $3,095,758 | -54% | 1,335 | $2,319 | $11,030,360 | 2 |
| Mar 3, 2000 | 16 | $1,773,739 | -43% | 1,004 | $1,767 | $13,735,383 | 3 |
| Mar 10, 2000 | 19 | $973,620 | -45% | 607 | $1,604 | $15,294,086 | 4 |
| Mar 17, 2000 | 25 | $444,816 | -54% | 380 | $1,171 | $16,105,879 | 5 |
| Mar 24, 2000 | 29 | $226,309 | -49% | 200 | $1,132 | $16,495,192 | 6 |
| Mar 31, 2000 | 41 | $103,057 | -54% | 123 | $838 | $16,700,220 | 7 |
| Apr 7, 2000 | 59 | $34,217 | -67% | 54 | $634 | $16,776,053 | 8 |
| Apr 14, 2000 | 81 | $13,750 | -60% | 22 | $625 | $16,802,995 | 9 |
| Apr 21, 2000 | 89 | $10,973 | -20% | 14 | $784 | $16,820,561 | 10 |
| Apr 28, 2000 | 93 | $8,188 | -25% | 13 | $630 | $16,835,066 | 11 |
| May 5, 2000 | 103 | $3,946 | -52% | 11 | $359 | $16,841,900 | 12 |
| May 12, 2000 | 116 | $394 | -90% | 3 | $131 | $16,843,619 | 13 |
| Jun 30, 2000 | 58 | $39,995 | 135 | $296 | $16,938,179 | 20 | |
| Jul 7, 2000 | 82 | $9,832 | -75% | 36 | $273 | $16,963,963 | 21 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 18, 2000 | 7 | $1,604,000 | 1,335 | $1,201 | $1,604,000 | 1 | ||
| Feb 19, 2000 | 9 | $2,362,000 | +47% | 1,335 | $1,769 | $3,966,000 | 2 | |
| Feb 20, 2000 | 9 | $1,922,000 | -19% | 1,335 | $1,440 | $5,888,000 | 3 | |
| Feb 21, 2000 | 9 | $980,755 | -49% | 1,335 | $735 | $6,722,884 | 4 | |
| Feb 22, 2000 | 9 | $454,451 | -54% | 1,335 | $340 | $7,177,335 | 5 | |
| Feb 23, 2000 | 9 | $378,845 | -17% | 1,335 | $284 | $7,556,180 | 6 | |
| Feb 24, 2000 | 10 | $389,947 | +3% | 1,335 | $292 | $7,946,127 | 7 | |
| Feb 27, 2000 | 12 | $838,000 | -56% | 1,335 | $628 | $11,030,360 | 10 | |
| Feb 28, 2000 | 12 | $230,231 | -73% | -77% | 1,335 | $172 | $11,260,591 | 11 |
| Feb 29, 2000 | 12 | $256,431 | +11% | -44% | 1,335 | $192 | $11,517,022 | 12 |
| Mar 1, 2000 | 13 | $231,992 | -10% | -39% | 1,335 | $174 | $11,749,014 | 13 |
| Mar 2, 2000 | 13 | $235,965 | +2% | -39% | 1,335 | $177 | $11,984,979 | 14 |
| Mar 5, 2000 | 16 | $471,000 | -44% | 1,004 | $469 | $13,735,383 | 17 | |
| Mar 6, 2000 | 16 | $151,844 | -68% | -34% | 1,004 | $151 | $13,887,227 | 18 |
| Mar 7, 2000 | 17 | $152,420 | n/c | -41% | 1,004 | $152 | $14,039,647 | 19 |
| Mar 8, 2000 | 16 | $154,157 | +1% | -34% | 1,004 | $154 | $14,193,804 | 20 |
| Mar 12, 2000 | 17 | $260,000 | -45% | 607 | $428 | $15,294,086 | 24 | |
| Mar 13, 2000 | 18 | $91,309 | -65% | -40% | 607 | $150 | $15,385,395 | 25 |
| Mar 14, 2000 | 18 | $97,018 | +6% | -36% | 607 | $160 | $15,482,413 | 26 |
| Mar 15, 2000 | 18 | $98,398 | +1% | -36% | 607 | $162 | $15,580,811 | 27 |
| Mar 16, 2000 | 18 | $94,122 | -4% | 607 | $155 | $15,674,933 | 28 | |
| Mar 20, 2000 | 19 | $46,616 | -49% | 380 | $123 | $16,152,495 | 32 | |
| Mar 22, 2000 | 20 | $42,082 | -57% | 380 | $111 | $16,244,139 | 34 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 18, 2000 | 9 | $7,934,602 | 1,335 | $5,944 | $7,934,602 | 1 | |
| Feb 25, 2000 | 12 | $4,027,042 | -49% | 1,335 | $3,017 | $11,961,644 | 2 |
| Mar 3, 2000 | 16 | $2,358,822 | -41% | 1,004 | $2,349 | $14,320,466 | 3 |
| Mar 10, 2000 | 19 | $1,340,597 | -43% | 607 | $2,209 | $15,661,063 | 4 |
| Mar 17, 2000 | 26 | $607,820 | -55% | 380 | $1,600 | $16,268,883 | 5 |
| Mar 24, 2000 | 30 | $328,280 | -46% | 200 | $1,641 | $16,597,163 | 6 |
| Mar 31, 2000 | 42 | $144,673 | -56% | 123 | $1,176 | $16,741,836 | 7 |
| Apr 7, 2000 | 60 | $47,409 | -67% | 54 | $878 | $16,789,245 | 8 |
| Apr 14, 2000 | 77 | $20,343 | -57% | 22 | $925 | $16,809,588 | 9 |
| Apr 21, 2000 | 90 | $17,290 | -15% | 14 | $1,235 | $16,826,878 | 10 |
| Apr 28, 2000 | 95 | $11,076 | -36% | 13 | $852 | $16,837,954 | 11 |
| May 5, 2000 | 102 | $5,271 | -52% | 11 | $479 | $16,843,225 | 12 |
| Jun 30, 2000 | 57 | $55,947 | 135 | $414 | $16,954,131 | 20 | |
| Jul 7, 2000 | 87 | $9,832 | -82% | 36 | $273 | $16,963,963 | 21 |
Lead Ensemble Member
| Giovanni Ribisi | Seth Davis | |
| Vin Diesel | Chris Varick | |
| Nia Long | Abbie Halpert | |
| Nicky Katt | Greg Weinstein | |
| Scott Caan | Richie |
Supporting
| Ben Affleck | Jim Young | |
| Jamie Kennedy | Adam | |
| Ron Rifkin | Marty Davis | |
| Taylor Nichols | Harry Reynard | |
| Bill Sage | Agent Drew | |
| Tom Everett Scott | Michael Brantley | |
| John Griesemer | Concierge | |
| David Younger | Marc | |
| Russell Harper | Kid | |
| Mark Webber | Kid | |
| Christopher Fitzgerald | Kid | |
| Donna Mitchell | Seth's Mother | |
| Andre Vippolis | Neil | |
| Jon Abrahams | Jeff | |
| Will McCormack | Mike the Casino Patron | |
| Jared Ryan | Casino Steve | |
| Anson Mount | Broker | |
| Kirk Acevedo | Broker | |
| Seth Ullian | Broker | |
| Eddie Malavarca | Broker | |
| Carlo Vogel | Rude Kid | |
| Matthew Saldivar | Series Seven Kid | |
| Serge Skliarenko | Croatian Broker | |
| Lisa Gerstein | Sheryl | |
| Ross Ryman | Isaac | |
| Marjorie Johnson | Abby's Mother | |
| Peter Rini | JP Broker | |
| Raymond Pirkle | JP Broker | |
| Joe Pretlow | JP Broker | |
| Peter Maloney | Dr. Jacobs | |
| Lori Yoffe | Secretary | |
| Alex Webb | FBI Director | |
| Gillian Sacco | Waitress at Mickey's | |
| Don Hewitt | Local | |
| Mark Moshe Bellows | John Fineman | |
| Daniel Serafini Sauli* | Broker Steve | |
| Lucinda Faraldo | Trendy Hostess | |
| Neal Lerner | Gay Man | |
| Taylor Patterson | Sara Reynard | |
| Michael McCarthy | Max Reynard | |
| Marsha Dietlein Bennett | Susan Reynard | |
| Joseph Tudisco | Janitor | |
| Judy Del Guidice | Office Woman | |
| Siobhan Fallon Hogan | Harry's Supervisor |
Production and Technical Credits
| Ben Younger | Director | |
| Ben Younger | Screenwriter | |
| Suzanne Todd | Producer | |
| Jennifer Todd | Producer | |
| Claire Rudnick Polstein | Executive Producer | |
| Richard Brener | Executive Producer | |
| E. Bennett Walsh | Co-Producer | |
| Enrique Chediak | Director of Photography | |
| Anne Stuhler | Production Designer | |
| Chris Peppe | Editor | |
| Julia Caston | Costume Designer | |
| The Angel | Composer | |
| Dana Sano | Music Supervisor | |
| John Papsidera | Casting Director | |
| Pamela Post | Associate Producer | |
| Julian Petrillo | Assistant Director | |
| E. Bennett Walsh | Unit Production Manager | |
| Robin Nelson Sweet* | Production Supervisor | |
| Roswell Hamrick | Art Director | |
| Mark White | Art Director | |
| Jennifer Alex | Set Decorator | |
| Peter Schneider | Sound Mixer | |
| John Ross | Re-recording Mixer | |
| Joe Barnett | Re-recording Mixer | |
| Dorian Cheah | Re-recording Mixer | |
| Frank Gaeta | Supervising Sound Editor | |
| Benjamin L. Cook | Sound Effects Editor | |
| Roland Thai | Sound Effects Editor | |
| Lisle Engle | Sound Effects Editor | |
| Michael Hertlein | Dialogue Editor | |
| Robert C. Jackson | Dialogue Editor | |
| David Grant | Dialogue Editor | |
| Robert Getty | Additional Dialogue Editor | |
| Lise Richardson | Music Editor | |
| Caryn Brostoff | Make up | |
| Quentin Harris | Hairstylist | |
| The Angel | Music Producer | |
| Mike Russo | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.