Boku no Hero Academia the Movie (2018)
-(2018).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $5,427,591 | Details |
| International Box Office | $22,079,958 | Details |
| Worldwide Box Office | $27,507,549 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $741,833 | |
| Blu-ray Sales (estimated) | $4,590,335 | |
| Total | $5,332,168 | |
| OpusData ID: 352830100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $1,388,500 (25.6% of total gross) |
| Legs: | 3.91 (domestic box office/biggest weekend) |
| Domestic Share: | 19.7% (domestic box office/worldwide) |
| Theater counts: | 508 opening theaters/515 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $7,125,577 |
Movie Details
| Domestic Releases: | September 25th, 2018 (Limited) by FUNimation, released as My Hero Academia: Two Heroes |
| International Releases: | August 3rd, 2018 (Wide) (Japan)
September 28th, 2018 (Wide), released as My Hero Academia: Two Heros (Australia) October 18th, 2018 (Wide), released as My Hero Academia (New Zealand) November 30th, 2018 (Wide), released as My Hero Academia (Mexico) December 4th, 2018 (Limited) (United Kingdom) ... Show all releases |
| Video Release: | March 26th, 2019 by Funimation Productions, released as My Hero Academia: Two Heroes |
| MPA Rating: | PG-13 for some violent material/bloody images. (Rating bulletin 2572 (Cert #52132), 4/3/2019) |
| Running Time: | 96 minutes |
| Franchise: | My Hero Academia |
| Cast, crew, or production detail: | Anime, Scene in End Credits |
| Plot point: | Hostage, Inventor, Super Villains, Surprise Twist, Terrorism |
| Subgenre: | Action Adventure |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production Countries: | Japan |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 28, 2018 | 11 | $1,388,500 | 508 | $2,733 | $3,967,274 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 25, 2018 | 5 | $947,636 | 513 | $1,847 | $947,636 | 1 | ||
| Sep 26, 2018 | 3 | $911,262 | -4% | 515 | $1,769 | $1,858,898 | 2 | |
| Sep 27, 2018 | 3 | $719,876 | -21% | 456 | $1,579 | $2,578,774 | 3 | |
| Sep 28, 2018 | - | $111,769 | -84% | 508 | $220 | $2,690,543 | 4 | |
| Sep 29, 2018 | 9 | $1,195,522 | +970% | 508 | $2,353 | $3,886,065 | 5 | |
| Sep 30, 2018 | - | $81,209 | -93% | 508 | $160 | $3,967,274 | 6 | |
| Oct 1, 2018 | 11 | $149,572 | +84% | 508 | $294 | $4,116,846 | 7 | |
| Oct 2, 2018 | 4 | $1,021,607 | +583% | +8% | 508 | $2,011 | $5,138,453 | 8 |
| Oct 3, 2018 | - | $9,623 | -99% | -99% | 508 | $19 | $5,148,076 | 9 |
| Oct 4, 2018 | 7 | $279,515 | +2,805% | -61% | 508 | $550 | $5,427,591 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 21, 2018 | 12 | $2,578,774 | 456 | $5,655 | $2,578,774 | 1 | |
| Sep 28, 2018 | 10 | $2,848,817 | +10% | 508 | $5,608 | $5,427,591 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 12/7/2018 | $23,299 | 22 | 22 | 22 | $50,294 | 1/5/2019 | |||
| Australia | 9/28/2018 | $159,721 | 61 | 61 | 104 | $280,650 | 11/13/2018 | |||
| China | 3/15/2019 | $4,730,000 | 43,808 | 43,808 | 43,808 | $5,779,149 | 4/4/2026 | |||
| Italy | 3/23/2019 | $346,712 | 0 | 0 | 0 | $381,616 | 4/1/2019 | |||
| Japan | 8/3/2018 | $2,580,856 | 0 | 0 | 0 | $8,242,562 | 8/16/2018 | |||
| Mexico | 11/30/2018 | $335,017 | 0 | 0 | 0 | $335,017 | 12/3/2018 | |||
| Netherlands | 6/12/2020 | $10,561 | 32 | 32 | 32 | $10,561 | 10/19/2022 | |||
| New Zealand | 10/18/2018 | $0 | 0 | 1 | 1 | $42,375 | 10/1/2019 | |||
| South Korea | 5/16/2019 | $63,245 | 85 | 85 | 166 | $136,289 | 6/13/2019 | |||
| Rest of World | $6,821,445 | |||||||||
| International Total | $22,079,958 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Kenji Nagasaki | Director | |
| Yōsuke Kuroda | Screenwriter | |
| Kōhei Horikoshi | Story Creator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Metrics
| Opening Weekend: | $1,388,500 (25.6% of total gross) |
| Legs: | 3.91 (domestic box office/biggest weekend) |
| Domestic Share: | 19.7% (domestic box office/worldwide) |
| Theater counts: | 508 opening theaters/515 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $7,125,577 |
Movie Details
| Domestic Releases: | September 25th, 2018 (Limited) by FUNimation, released as My Hero Academia: Two Heroes |
| International Releases: | August 3rd, 2018 (Wide) (Japan)
September 28th, 2018 (Wide), released as My Hero Academia: Two Heros (Australia) October 18th, 2018 (Wide), released as My Hero Academia (New Zealand) November 30th, 2018 (Wide), released as My Hero Academia (Mexico) December 4th, 2018 (Limited) (United Kingdom) ... Show all releases |
| Video Release: | March 26th, 2019 by Funimation Productions, released as My Hero Academia: Two Heroes |
| MPA Rating: | PG-13 for some violent material/bloody images. (Rating bulletin 2572 (Cert #52132), 4/3/2019) |
| Running Time: | 96 minutes |
| Franchise: | My Hero Academia |
| Cast, crew, or production detail: | Anime, Scene in End Credits |
| Plot point: | Hostage, Inventor, Super Villains, Surprise Twist, Terrorism |
| Subgenre: | Action Adventure |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production Countries: | Japan |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 28, 2018 | 11 | $1,388,500 | 508 | $2,733 | $3,967,274 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 25, 2018 | 5 | $947,636 | 513 | $1,847 | $947,636 | 1 | ||
| Sep 26, 2018 | 3 | $911,262 | -4% | 515 | $1,769 | $1,858,898 | 2 | |
| Sep 27, 2018 | 3 | $719,876 | -21% | 456 | $1,579 | $2,578,774 | 3 | |
| Sep 28, 2018 | - | $111,769 | -84% | 508 | $220 | $2,690,543 | 4 | |
| Sep 29, 2018 | 9 | $1,195,522 | +970% | 508 | $2,353 | $3,886,065 | 5 | |
| Sep 30, 2018 | - | $81,209 | -93% | 508 | $160 | $3,967,274 | 6 | |
| Oct 1, 2018 | 11 | $149,572 | +84% | 508 | $294 | $4,116,846 | 7 | |
| Oct 2, 2018 | 4 | $1,021,607 | +583% | +8% | 508 | $2,011 | $5,138,453 | 8 |
| Oct 3, 2018 | - | $9,623 | -99% | -99% | 508 | $19 | $5,148,076 | 9 |
| Oct 4, 2018 | 7 | $279,515 | +2,805% | -61% | 508 | $550 | $5,427,591 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 21, 2018 | 12 | $2,578,774 | 456 | $5,655 | $2,578,774 | 1 | |
| Sep 28, 2018 | 10 | $2,848,817 | +10% | 508 | $5,608 | $5,427,591 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 12/7/2018 | $23,299 | 22 | 22 | 22 | $50,294 | 1/5/2019 | |||
| Australia | 9/28/2018 | $159,721 | 61 | 61 | 104 | $280,650 | 11/13/2018 | |||
| China | 3/15/2019 | $4,730,000 | 43,808 | 43,808 | 43,808 | $5,779,149 | 4/4/2026 | |||
| Italy | 3/23/2019 | $346,712 | 0 | 0 | 0 | $381,616 | 4/1/2019 | |||
| Japan | 8/3/2018 | $2,580,856 | 0 | 0 | 0 | $8,242,562 | 8/16/2018 | |||
| Mexico | 11/30/2018 | $335,017 | 0 | 0 | 0 | $335,017 | 12/3/2018 | |||
| Netherlands | 6/12/2020 | $10,561 | 32 | 32 | 32 | $10,561 | 10/19/2022 | |||
| New Zealand | 10/18/2018 | $0 | 0 | 1 | 1 | $42,375 | 10/1/2019 | |||
| South Korea | 5/16/2019 | $63,245 | 85 | 85 | 166 | $136,289 | 6/13/2019 | |||
| Rest of World | $6,821,445 | |||||||||
| International Total | $22,079,958 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Kenji Nagasaki | Director | |
| Yōsuke Kuroda | Screenwriter | |
| Kōhei Horikoshi | Story Creator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.