Boku no Hīrō Akademia The Movie Hīrōzu: Raijingu (2019)
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| Theatrical Performance | ||
| Domestic Box Office | $13,553,826 | Details |
| International Box Office | $16,463,337 | Details |
| Worldwide Box Office | $30,017,163 | |
| Domestic Physical Disc Sales | ||
| Blu-ray Sales (estimated) | $7,322,802 | |
| Total | $7,322,802 | |
| OpusData ID: 442180100 More info... | ||
| Further financial details... | ||
Synopsis
Class 1-A visits Nabu Island where they finally get to do some real hero work. The place is so peaceful that it’s more like a vacation … until they’re attacked by a villain with an unfathomable Quirk! His power is eerily familiar, and it looks like Shigaraki had a hand in the plan. But with All Might retired and citizens’ lives on the line, there’s no time for questions. Deku and his friends are the next generation of heroes, and they’re the island’s only hope.
Metrics
| Opening Weekend: | $5,891,252 (43.5% of total gross) |
| Legs: | 2.30 (domestic box office/biggest weekend) |
| Domestic Share: | 45.2% (domestic box office/worldwide) |
| Theater counts: | 1,260 opening theaters/1,275 max. theaters, 1.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $17,658,366 |
Movie Details
| Domestic Releases: | February 26th, 2020 (Wide) by FUNimation, released as My Hero Academia: Heroes: Rising |
| International Releases: | December 20th, 2019 (Wide) (Japan)
March 6th, 2020 (Wide), released as My Hero Academia: Heroes Rising (Australia) March 12th, 2020 (Wide), released as My Hero Academia: Heroes Rising (New Zealand) March 13th, 2020 (Wide), released as My Hero Academia: Heroes Rising (Mexico) July 17th, 2020 (Wide), released as My Hero Academia: Heroes Rising (Netherlands) ... Show all releases |
| Video Release: | October 27th, 2020 by Funimation Productions, released as My Hero Academia: Heroes: Rising |
| MPA Rating: | PG-13 for violence and language.
(subtitled) (Rating bulletin 2617 (Cert #52556), 2/19/2020) |
| Running Time: | 104 minutes |
| Franchise: | My Hero Academia |
| Cast, crew, or production detail: | Anime |
| Subgenre: | Action Adventure |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Super Hero |
| Production Countries: | Japan |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 28, 2020 | 4 | $5,891,252 | 1,260 | $4,676 | $9,294,584 | 1 | |
| Mar 6, 2020 | 10 | $1,704,205 | -71% | 699 | $2,438 | $12,899,612 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 26, 2020 | 1 | $2,583,834 | 1,275 | $2,027 | $2,583,834 | 1 | ||
| Feb 27, 2020 | 3 | $819,498 | -68% | 1,275 | $643 | $3,403,332 | 2 | |
| Feb 28, 2020 | 4 | $1,867,536 | +128% | 1,260 | $1,482 | $5,270,868 | 3 | |
| Feb 29, 2020 | 4 | $2,593,217 | +39% | 1,260 | $2,058 | $7,864,085 | 4 | |
| Mar 1, 2020 | 4 | $1,430,499 | -45% | 1,260 | $1,135 | $9,294,584 | 5 | |
| Mar 2, 2020 | 4 | $387,763 | -73% | 1,260 | $308 | $9,682,347 | 6 | |
| Mar 3, 2020 | 4 | $689,753 | +78% | 1,260 | $547 | $10,372,100 | 7 | |
| Mar 4, 2020 | 4 | $532,926 | -23% | -79% | 1,260 | $423 | $10,905,026 | 8 |
| Mar 5, 2020 | 6 | $290,381 | -46% | -65% | 756 | $384 | $11,195,407 | 9 |
| Mar 6, 2020 | 10 | $362,191 | +25% | -81% | 690 | $525 | $11,557,598 | 10 |
| Mar 7, 2020 | 9 | $870,473 | +140% | -66% | 1,198 | $727 | $12,428,071 | 11 |
| Mar 8, 2020 | 10 | $471,541 | -46% | -67% | 699 | $675 | $12,899,612 | 12 |
| Mar 9, 2020 | 9 | $149,214 | -68% | -62% | 658 | $227 | $13,048,826 | 13 |
| Mar 10, 2020 | 9 | $227,000 | +52% | -67% | 658 | $345 | $13,275,826 | 14 |
| Mar 11, 2020 | 9 | $168,000 | -26% | -68% | 658 | $255 | $13,443,826 | 15 |
| Mar 12, 2020 | 9 | $110,000 | -35% | -62% | 658 | $167 | $13,553,826 | 16 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 21, 2020 | 11 | $3,403,332 | 1,275 | $2,669 | $3,403,332 | 1 | |
| Feb 28, 2020 | 4 | $7,792,075 | +129% | 1,260 | $6,184 | $11,195,407 | 2 |
| Mar 6, 2020 | 10 | $2,358,419 | -70% | 658 | $3,584 | $13,553,826 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/6/2020 | $12,616 | 1 | 96 | 208 | $362,423 | 10/20/2022 | |||
| Japan | 12/20/2019 | $2,586,458 | 0 | 0 | 0 | $15,104,115 | 2/7/2020 | |||
| Mexico | 3/13/2020 | $0 | 0 | 0 | 0 | $681,829 | 12/15/2020 | |||
| Netherlands | 7/17/2020 | $40,915 | 34 | 35 | 93 | $101,264 | 10/19/2022 | |||
| New Zealand | 3/12/2020 | $39,703 | 22 | 22 | 43 | $57,611 | 10/19/2022 | |||
| Portugal | 9/11/2020 | $11,542 | 49 | 49 | 143 | $28,481 | 10/19/2022 | |||
| Spain | 9/11/2020 | $73,603 | 209 | 209 | 344 | $127,614 | 9/24/2020 | |||
| International Total | $16,463,337 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Dani Chambers | Mahoro | |
| Maxey Whitehead | Katsuma | |
| Zeno Robinson | Hawks | |
| Lydia Mackay | Slice | |
| Greg Dulcie | Chimera | |
| Brendan Blaber | Mummy | |
| Johnny Yong Bosch | Nine |
Production and Technical Credits
| Kenji Nagasaki | Director | |
| Yōsuke Kuroda | Screenwriter | |
| Kōhei Horikoshi | Story Creator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Class 1-A visits Nabu Island where they finally get to do some real hero work. The place is so peaceful that it’s more like a vacation … until they’re attacked by a villain with an unfathomable Quirk! His power is eerily familiar, and it looks like Shigaraki had a hand in the plan. But with All Might retired and citizens’ lives on the line, there’s no time for questions. Deku and his friends are the next generation of heroes, and they’re the island’s only hope.
Metrics
| Opening Weekend: | $5,891,252 (43.5% of total gross) |
| Legs: | 2.30 (domestic box office/biggest weekend) |
| Domestic Share: | 45.2% (domestic box office/worldwide) |
| Theater counts: | 1,260 opening theaters/1,275 max. theaters, 1.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $17,658,366 |
Movie Details
| Domestic Releases: | February 26th, 2020 (Wide) by FUNimation, released as My Hero Academia: Heroes: Rising |
| International Releases: | December 20th, 2019 (Wide) (Japan)
March 6th, 2020 (Wide), released as My Hero Academia: Heroes Rising (Australia) March 12th, 2020 (Wide), released as My Hero Academia: Heroes Rising (New Zealand) March 13th, 2020 (Wide), released as My Hero Academia: Heroes Rising (Mexico) July 17th, 2020 (Wide), released as My Hero Academia: Heroes Rising (Netherlands) ... Show all releases |
| Video Release: | October 27th, 2020 by Funimation Productions, released as My Hero Academia: Heroes: Rising |
| MPA Rating: | PG-13 for violence and language.
(subtitled) (Rating bulletin 2617 (Cert #52556), 2/19/2020) |
| Running Time: | 104 minutes |
| Franchise: | My Hero Academia |
| Cast, crew, or production detail: | Anime |
| Subgenre: | Action Adventure |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Super Hero |
| Production Countries: | Japan |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 28, 2020 | 4 | $5,891,252 | 1,260 | $4,676 | $9,294,584 | 1 | |
| Mar 6, 2020 | 10 | $1,704,205 | -71% | 699 | $2,438 | $12,899,612 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 26, 2020 | 1 | $2,583,834 | 1,275 | $2,027 | $2,583,834 | 1 | ||
| Feb 27, 2020 | 3 | $819,498 | -68% | 1,275 | $643 | $3,403,332 | 2 | |
| Feb 28, 2020 | 4 | $1,867,536 | +128% | 1,260 | $1,482 | $5,270,868 | 3 | |
| Feb 29, 2020 | 4 | $2,593,217 | +39% | 1,260 | $2,058 | $7,864,085 | 4 | |
| Mar 1, 2020 | 4 | $1,430,499 | -45% | 1,260 | $1,135 | $9,294,584 | 5 | |
| Mar 2, 2020 | 4 | $387,763 | -73% | 1,260 | $308 | $9,682,347 | 6 | |
| Mar 3, 2020 | 4 | $689,753 | +78% | 1,260 | $547 | $10,372,100 | 7 | |
| Mar 4, 2020 | 4 | $532,926 | -23% | -79% | 1,260 | $423 | $10,905,026 | 8 |
| Mar 5, 2020 | 6 | $290,381 | -46% | -65% | 756 | $384 | $11,195,407 | 9 |
| Mar 6, 2020 | 10 | $362,191 | +25% | -81% | 690 | $525 | $11,557,598 | 10 |
| Mar 7, 2020 | 9 | $870,473 | +140% | -66% | 1,198 | $727 | $12,428,071 | 11 |
| Mar 8, 2020 | 10 | $471,541 | -46% | -67% | 699 | $675 | $12,899,612 | 12 |
| Mar 9, 2020 | 9 | $149,214 | -68% | -62% | 658 | $227 | $13,048,826 | 13 |
| Mar 10, 2020 | 9 | $227,000 | +52% | -67% | 658 | $345 | $13,275,826 | 14 |
| Mar 11, 2020 | 9 | $168,000 | -26% | -68% | 658 | $255 | $13,443,826 | 15 |
| Mar 12, 2020 | 9 | $110,000 | -35% | -62% | 658 | $167 | $13,553,826 | 16 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 21, 2020 | 11 | $3,403,332 | 1,275 | $2,669 | $3,403,332 | 1 | |
| Feb 28, 2020 | 4 | $7,792,075 | +129% | 1,260 | $6,184 | $11,195,407 | 2 |
| Mar 6, 2020 | 10 | $2,358,419 | -70% | 658 | $3,584 | $13,553,826 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/6/2020 | $12,616 | 1 | 96 | 208 | $362,423 | 10/20/2022 | |||
| Japan | 12/20/2019 | $2,586,458 | 0 | 0 | 0 | $15,104,115 | 2/7/2020 | |||
| Mexico | 3/13/2020 | $0 | 0 | 0 | 0 | $681,829 | 12/15/2020 | |||
| Netherlands | 7/17/2020 | $40,915 | 34 | 35 | 93 | $101,264 | 10/19/2022 | |||
| New Zealand | 3/12/2020 | $39,703 | 22 | 22 | 43 | $57,611 | 10/19/2022 | |||
| Portugal | 9/11/2020 | $11,542 | 49 | 49 | 143 | $28,481 | 10/19/2022 | |||
| Spain | 9/11/2020 | $73,603 | 209 | 209 | 344 | $127,614 | 9/24/2020 | |||
| International Total | $16,463,337 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Dani Chambers | Mahoro | |
| Maxey Whitehead | Katsuma | |
| Zeno Robinson | Hawks | |
| Lydia Mackay | Slice | |
| Greg Dulcie | Chimera | |
| Brendan Blaber | Mummy | |
| Johnny Yong Bosch | Nine |
Production and Technical Credits
| Kenji Nagasaki | Director | |
| Yōsuke Kuroda | Screenwriter | |
| Kōhei Horikoshi | Story Creator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.