Boku no Hīrō Akademia The Movie Hīrōzu: Raijingu (2019)

Boku no Hīrō Akademia The Movie Hīrōzu: Raijingu
Theatrical Performance
Domestic Box Office $13,553,826Details
International Box Office $16,463,337Details
Worldwide Box Office $30,017,163
Home Market Performance
Est. Domestic Blu-ray Sales $7,289,400 Details
Total Est. Domestic Video Sales $7,289,400
Further financial details...

Synopsis

Class 1-A visits Nabu Island where they finally get to do some real hero work. The place is so peaceful that it’s more like a vacation … until they’re attacked by a villain with an unfathomable Quirk! His power is eerily familiar, and it looks like Shigaraki had a hand in the plan. But with All Might retired and citizens’ lives on the line, there’s no time for questions. Deku and his friends are the next generation of heroes, and they’re the island’s only hope.

Metrics

Opening Weekend:$5,891,252 (43.5% of total gross)
Legs:2.30 (domestic box office/biggest weekend)
Domestic Share:45.2% (domestic box office/worldwide)
Theater counts:1,260 opening theaters/1,275 max. theaters, 1.5 weeks average run per theater
Infl. Adj. Dom. BO $15,916,142

Latest Ranking on Cumulative Box Office Lists


Watch Now On

iTunes:iTunes, iTunes, iTunes, iTunes
Google Play:Google Play
Vudu:Vudu, Vudu

Movie Details

Domestic Releases: February 26th, 2020 (Wide) by FUNimation, released as My Hero Academia: Heroes: Rising
International Releases: December 20th, 2019 (Wide) (Japan)
March 6th, 2020 (Wide), released as My Hero Academia: Heroes Rising (Australia)
March 12th, 2020 (Wide), released as My Hero Academia: Heroes Rising (New Zealand)
March 13th, 2020 (Wide), released as My Hero Academia: Heroes Rising (Mexico)
July 17th, 2020 (Wide), released as My Hero Academia: Heroes Rising (Netherlands)
... Show all releases
Video Release: October 27th, 2020 by Funimation Productions, released as My Hero Academia: Heroes: Rising
MPAA Rating: PG-13 for violence and language. (subtitled)
(Rating bulletin 2617 (Cert #52556), 2/19/2020)
Running Time: 104 minutes
Franchise: My Hero Academia
Comparisons: vs. Boku no Hero Academia the Movie
Create your own comparison chart…
Keywords: Action Adventure, Anime
Source:Based on Comic/Graphic Novel
Genre:Adventure
Production Method:Digital Animation
Creative Type:Super Hero
Production Countries: Japan
Languages: Japanese

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 28, 2020 4 $5,891,252   1,260 $4,676   $9,294,584 1
Mar 6, 2020 10 $1,704,205 -71% 699 $2,438   $12,899,612 2

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Feb 26, 2020 1 $2,583,834     1,275 $2,027   $2,583,834 1
Feb 27, 2020 3 $819,498 -68%   1,275 $643   $3,403,332 2
Feb 28, 2020 4 $1,867,536 +128%   1,260 $1,482   $5,270,868 3
Feb 29, 2020 4 $2,593,217 +39%   1,260 $2,058   $7,864,085 4
Mar 1, 2020 4 $1,430,499 -45%   1,260 $1,135   $9,294,584 5
Mar 2, 2020 4 $387,763 -73%   1,260 $308   $9,682,347 6
Mar 3, 2020 4 $689,753 +78%   1,260 $547   $10,372,100 7
Mar 4, 2020 4 $532,926 -23% -79% 1,260 $423   $10,905,026 8
Mar 5, 2020 6 $290,381 -46% -65% 756 $384   $11,195,407 9
Mar 6, 2020 10 $362,191 +25% -81% 690 $525   $11,557,598 10
Mar 7, 2020 9 $870,473 +140% -66% 1,198 $727   $12,428,071 11
Mar 8, 2020 10 $471,541 -46% -67% 699 $675   $12,899,612 12
Mar 9, 2020 9 $149,214 -68% -62% 658 $227   $13,048,826 13
Mar 10, 2020 9 $227,000 +52% -67% 658 $345   $13,275,826 14
Mar 11, 2020 9 $168,000 -26% -68% 658 $255   $13,443,826 15
Mar 12, 2020 9 $110,000 -35% -62% 658 $167   $13,553,826 16

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 21, 2020 11 $3,403,332   1,275 $2,669   $3,403,332 1
Feb 28, 2020 4 $7,792,075 +129% 1,260 $6,184   $11,195,407 2
Mar 6, 2020 10 $2,358,419 -70% 658 $3,584   $13,553,826 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 3/6/2020 $12,616 1 96 208 $362,423 10/20/2022
Japan 12/20/2019 $2,586,458 0 0 0 $15,104,115 2/7/2020
Mexico 3/13/2020 $0 0 0 0 $681,829 12/15/2020
Netherlands 7/17/2020 $40,915 34 35 93 $101,264 10/19/2022
New Zealand 3/12/2020 $39,703 22 22 43 $57,611 10/19/2022
Portugal 9/11/2020 $11,542 49 49 143 $28,481 10/19/2022
Spain 9/11/2020 $73,603 209 209 344 $127,614 9/24/2020
 
International Total$16,463,337 10/20/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Nov 1, 20201101,942 101,942$2,240,685$2,240,6851
Nov 8, 2020135,287-65% 137,229$775,608$3,016,2932
Jan 3, 2021914,728 232,140$314,737$4,906,99910
Jan 10, 2021912,016-18% 244,156$256,782$5,163,78111
Jan 17, 2021168,472-29% 252,628$181,047$5,344,82812
Jan 24, 2021128,988+6% 261,616$190,546$5,535,37413
Jan 31, 2021145,809-35% 267,425$123,151$5,658,52514
Feb 7, 2021178,045+38% 275,470$170,554$5,829,07915
Feb 14, 2021168,193+2% 283,663$173,692$6,002,77116
Feb 21, 2021177,792-5% 291,455$165,190$6,167,96117
Feb 28, 2021145,828-25% 297,283$123,554$6,291,51518
Mar 7, 2021104,720-19% 302,003$100,064$6,391,57919
Mar 14, 2021107,630+62% 309,633$161,756$6,553,33520
Mar 21, 2021179,648+26% 319,281$203,959$6,757,29421

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

DEG Watched At Home Top 20 Charts

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Dani Chambers    Mahoro
Maxey Whitehead    Katsuma
Zeno Robinson    Hawks
Lydia Mackay    Slice
Greg Dulcie    Chimera
Brendan Blaber    Mummy
Johnny Yong Bosch    Nine

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Kenji Nagasaki    Director
Yōsuke Kuroda    Screenwriter
Kōhei Horikoshi    Story Creator

International Round Up: Onward Leads Taiwan, Box Office Moves Upward, Cineworld Eyes July for Reopening

May 28th, 2020

Onward

Cineworld announced tentative plans to reopen all 790 theaters they operate in 11 markets in July. This would be great news for the movie industry, if it happens. The cinema chain is the biggest in the US domestic market, but it is also a major player in Europe. There are still several major markets in Europe with tens of thousands of active cases of COVID-19, including the U.K., France, Spain, Italy, so it remains uncertain whether their full plans will come to fruition. If this works, then it will be a big boost to morale as it is a concrete sign things are returning to normal. If there’s a second wave and cinemas have to be shut down again, like what happened in China, then it could be devastating. As for this week’s box office numbers, there is not a lot to talk about, but what we few numbers we have are mostly positive. More...

Theater Averages: First Cow Comes Home

March 12th, 2020

First Cow

First Cow was one of two films in the $10,000 club earning an average of $20,331 in four theaters. The Booksellers was the only other member of the $10,000 club opening with $15,794 in its lone theater. More...

Weekend Wrap-Up: Onward on the Outs

March 10th, 2020

Onward

It was a bad weekend at the box office. There’s really no way to spin this in a positive way. Onward opened just below the low end of predictions with just $39.12 million. The Way Back couldn’t make up the difference, as it only managed $8.17 million. The overall box office was up 2.0% from last weekend at just over $100 million. Sadly, this was 52% lower than the same weekend last year when Captain Marvel debuted. I don’t think anyone truly thought 2020 would win this weekend in the year-over-year competition. However, I don’t think many thought it would lose this badly. In fact, 2020 has slipped below 2019’s pace by 1.3% or $22 million at $1.68 billion to $1.70 billion. This is a disaster. More...

Theater Averages: Frances has a Saintly Start

March 6th, 2020

Saint Frances

Saint Frances was the only new release to land in the $10,000 club opening with $14,298 in one theater. The re-release of Come and See continued to do well earning $12,859, also in one theater. Emma expanded into nearly 100 theaters earning an average of $11,955 along the way. More...

Weekend Wrap-Up: Invisible Man first Horror Film Truly Seen by Audiences

March 3rd, 2020

The Invisible Man

It has not been a good year for horror films so far, but The Invisible Man broke the slump by earning first place over the weekend with $28.21 million. It is already the biggest horror hit of the year after just three days of release. Unfortunately, this wasn’t enough, as the overall box office fell 4.2% from last weekend to $98 million. Worse still, this was 14% lower than the same weekend last year. Granted, 2020 is still ahead of 2019, so there is no reason to panic. In fact, thanks to weekday numbers, the lead has grown to $116 million / 8.1% at $1.55 billion to $1.43 billion. More...

Weekend Estimates: Invisible Man Appears at Top of Chart

March 1st, 2020

The Invisible Man

The Invisible Man will debut this weekend with $29 million, according to Universal’s Sunday morning projection. That’s enough to make it the highest-grossing horror movie of 2020 after just three days in release, and is well ahead of predictions. The result is helped considerably by strong reviews, with the film earning a B+ from CinemaScore, and a 90% critics’ score and 89% audience score from Rotten Tomatoes. More...

Friday Estimates: Invisible Man Makes Its Presence Felt

February 29th, 2020

The Invisible Man

The Invisible Man opened with $9.8 million on Friday, which means it is the sixth-biggest horror film released in 2020 so far after just one day in theaters. It is projected to be in first place by the end of the weekend with $26 million, topping predictions, albeit by a very small margin. The film’s reviews remain excellent and it earned a B plus from CinemaScore. That is stellar, for a horror movie. It would be okay for an action movie and terrible for a family film / faith-based release, but it is amazing for a horror film. More...

Limited and VOD Releases: Hero or Zero?

February 28th, 2020

My Hero Academia: Heroes Rising

My Hero Academia: Heroes Rising is easily the biggest limited release on this week’s chart. Also, its reviews are really good. Hopefully it won’t be the only box office hit on this week’s list, but I fear it could be. There are several films like Blood On Her Name, Saint Frances, and more with impressive Tomatometer Scores, but less impressive average ratings, so maybe they are better fits for the home market. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Class 1-A visits Nabu Island where they finally get to do some real hero work. The place is so peaceful that it’s more like a vacation … until they’re attacked by a villain with an unfathomable Quirk! His power is eerily familiar, and it looks like Shigaraki had a hand in the plan. But with All Might retired and citizens’ lives on the line, there’s no time for questions. Deku and his friends are the next generation of heroes, and they’re the island’s only hope.

Metrics

Opening Weekend:$5,891,252 (43.5% of total gross)
Legs:2.30 (domestic box office/biggest weekend)
Domestic Share:45.2% (domestic box office/worldwide)
Theater counts:1,260 opening theaters/1,275 max. theaters, 1.5 weeks average run per theater
Infl. Adj. Dom. BO $15,916,142

Latest Ranking on Cumulative Box Office Lists


Watch Now On

iTunes:iTunes, iTunes, iTunes, iTunes
Google Play:Google Play
Vudu:Vudu, Vudu

Movie Details

Domestic Releases: February 26th, 2020 (Wide) by FUNimation, released as My Hero Academia: Heroes: Rising
International Releases: December 20th, 2019 (Wide) (Japan)
March 6th, 2020 (Wide), released as My Hero Academia: Heroes Rising (Australia)
March 12th, 2020 (Wide), released as My Hero Academia: Heroes Rising (New Zealand)
March 13th, 2020 (Wide), released as My Hero Academia: Heroes Rising (Mexico)
July 17th, 2020 (Wide), released as My Hero Academia: Heroes Rising (Netherlands)
... Show all releases
Video Release: October 27th, 2020 by Funimation Productions, released as My Hero Academia: Heroes: Rising
MPAA Rating: PG-13 for violence and language. (subtitled)
(Rating bulletin 2617 (Cert #52556), 2/19/2020)
Running Time: 104 minutes
Franchise: My Hero Academia
Comparisons: vs. Boku no Hero Academia the Movie
Create your own comparison chart…
Keywords: Action Adventure, Anime
Source:Based on Comic/Graphic Novel
Genre:Adventure
Production Method:Digital Animation
Creative Type:Super Hero
Production Countries: Japan
Languages: Japanese

Lead Ensemble Members

Dani Chambers    Mahoro
Maxey Whitehead    Katsuma
Zeno Robinson    Hawks
Lydia Mackay    Slice
Greg Dulcie    Chimera
Brendan Blaber    Mummy
Johnny Yong Bosch    Nine

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Kenji Nagasaki    Director
Yōsuke Kuroda    Screenwriter
Kōhei Horikoshi    Story Creator

International Round Up: Onward Leads Taiwan, Box Office Moves Upward, Cineworld Eyes July for Reopening

May 28th, 2020

Onward

Cineworld announced tentative plans to reopen all 790 theaters they operate in 11 markets in July. This would be great news for the movie industry, if it happens. The cinema chain is the biggest in the US domestic market, but it is also a major player in Europe. There are still several major markets in Europe with tens of thousands of active cases of COVID-19, including the U.K., France, Spain, Italy, so it remains uncertain whether their full plans will come to fruition. If this works, then it will be a big boost to morale as it is a concrete sign things are returning to normal. If there’s a second wave and cinemas have to be shut down again, like what happened in China, then it could be devastating. As for this week’s box office numbers, there is not a lot to talk about, but what we few numbers we have are mostly positive. More...

Theater Averages: First Cow Comes Home

March 12th, 2020

First Cow

First Cow was one of two films in the $10,000 club earning an average of $20,331 in four theaters. The Booksellers was the only other member of the $10,000 club opening with $15,794 in its lone theater. More...

Weekend Wrap-Up: Onward on the Outs

March 10th, 2020

Onward

It was a bad weekend at the box office. There’s really no way to spin this in a positive way. Onward opened just below the low end of predictions with just $39.12 million. The Way Back couldn’t make up the difference, as it only managed $8.17 million. The overall box office was up 2.0% from last weekend at just over $100 million. Sadly, this was 52% lower than the same weekend last year when Captain Marvel debuted. I don’t think anyone truly thought 2020 would win this weekend in the year-over-year competition. However, I don’t think many thought it would lose this badly. In fact, 2020 has slipped below 2019’s pace by 1.3% or $22 million at $1.68 billion to $1.70 billion. This is a disaster. More...

Theater Averages: Frances has a Saintly Start

March 6th, 2020

Saint Frances

Saint Frances was the only new release to land in the $10,000 club opening with $14,298 in one theater. The re-release of Come and See continued to do well earning $12,859, also in one theater. Emma expanded into nearly 100 theaters earning an average of $11,955 along the way. More...

Weekend Wrap-Up: Invisible Man first Horror Film Truly Seen by Audiences

March 3rd, 2020

The Invisible Man

It has not been a good year for horror films so far, but The Invisible Man broke the slump by earning first place over the weekend with $28.21 million. It is already the biggest horror hit of the year after just three days of release. Unfortunately, this wasn’t enough, as the overall box office fell 4.2% from last weekend to $98 million. Worse still, this was 14% lower than the same weekend last year. Granted, 2020 is still ahead of 2019, so there is no reason to panic. In fact, thanks to weekday numbers, the lead has grown to $116 million / 8.1% at $1.55 billion to $1.43 billion. More...

Weekend Estimates: Invisible Man Appears at Top of Chart

March 1st, 2020

The Invisible Man

The Invisible Man will debut this weekend with $29 million, according to Universal’s Sunday morning projection. That’s enough to make it the highest-grossing horror movie of 2020 after just three days in release, and is well ahead of predictions. The result is helped considerably by strong reviews, with the film earning a B+ from CinemaScore, and a 90% critics’ score and 89% audience score from Rotten Tomatoes. More...

Friday Estimates: Invisible Man Makes Its Presence Felt

February 29th, 2020

The Invisible Man

The Invisible Man opened with $9.8 million on Friday, which means it is the sixth-biggest horror film released in 2020 so far after just one day in theaters. It is projected to be in first place by the end of the weekend with $26 million, topping predictions, albeit by a very small margin. The film’s reviews remain excellent and it earned a B plus from CinemaScore. That is stellar, for a horror movie. It would be okay for an action movie and terrible for a family film / faith-based release, but it is amazing for a horror film. More...

Limited and VOD Releases: Hero or Zero?

February 28th, 2020

My Hero Academia: Heroes Rising

My Hero Academia: Heroes Rising is easily the biggest limited release on this week’s chart. Also, its reviews are really good. Hopefully it won’t be the only box office hit on this week’s list, but I fear it could be. There are several films like Blood On Her Name, Saint Frances, and more with impressive Tomatometer Scores, but less impressive average ratings, so maybe they are better fits for the home market. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 28, 2020 4 $5,891,252   1,260 $4,676   $9,294,584 1
Mar 6, 2020 10 $1,704,205 -71% 699 $2,438   $12,899,612 2

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Feb 26, 2020 1 $2,583,834     1,275 $2,027   $2,583,834 1
Feb 27, 2020 3 $819,498 -68%   1,275 $643   $3,403,332 2
Feb 28, 2020 4 $1,867,536 +128%   1,260 $1,482   $5,270,868 3
Feb 29, 2020 4 $2,593,217 +39%   1,260 $2,058   $7,864,085 4
Mar 1, 2020 4 $1,430,499 -45%   1,260 $1,135   $9,294,584 5
Mar 2, 2020 4 $387,763 -73%   1,260 $308   $9,682,347 6
Mar 3, 2020 4 $689,753 +78%   1,260 $547   $10,372,100 7
Mar 4, 2020 4 $532,926 -23% -79% 1,260 $423   $10,905,026 8
Mar 5, 2020 6 $290,381 -46% -65% 756 $384   $11,195,407 9
Mar 6, 2020 10 $362,191 +25% -81% 690 $525   $11,557,598 10
Mar 7, 2020 9 $870,473 +140% -66% 1,198 $727   $12,428,071 11
Mar 8, 2020 10 $471,541 -46% -67% 699 $675   $12,899,612 12
Mar 9, 2020 9 $149,214 -68% -62% 658 $227   $13,048,826 13
Mar 10, 2020 9 $227,000 +52% -67% 658 $345   $13,275,826 14
Mar 11, 2020 9 $168,000 -26% -68% 658 $255   $13,443,826 15
Mar 12, 2020 9 $110,000 -35% -62% 658 $167   $13,553,826 16

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 21, 2020 11 $3,403,332   1,275 $2,669   $3,403,332 1
Feb 28, 2020 4 $7,792,075 +129% 1,260 $6,184   $11,195,407 2
Mar 6, 2020 10 $2,358,419 -70% 658 $3,584   $13,553,826 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 3/6/2020 $12,616 1 96 208 $362,423 10/20/2022
Japan 12/20/2019 $2,586,458 0 0 0 $15,104,115 2/7/2020
Mexico 3/13/2020 $0 0 0 0 $681,829 12/15/2020
Netherlands 7/17/2020 $40,915 34 35 93 $101,264 10/19/2022
New Zealand 3/12/2020 $39,703 22 22 43 $57,611 10/19/2022
Portugal 9/11/2020 $11,542 49 49 143 $28,481 10/19/2022
Spain 9/11/2020 $73,603 209 209 344 $127,614 9/24/2020
 
International Total$16,463,337 10/20/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Nov 1, 20201101,942 101,942$2,240,685$2,240,6851
Nov 8, 2020135,287-65% 137,229$775,608$3,016,2932
Jan 3, 2021914,728 232,140$314,737$4,906,99910
Jan 10, 2021912,016-18% 244,156$256,782$5,163,78111
Jan 17, 2021168,472-29% 252,628$181,047$5,344,82812
Jan 24, 2021128,988+6% 261,616$190,546$5,535,37413
Jan 31, 2021145,809-35% 267,425$123,151$5,658,52514
Feb 7, 2021178,045+38% 275,470$170,554$5,829,07915
Feb 14, 2021168,193+2% 283,663$173,692$6,002,77116
Feb 21, 2021177,792-5% 291,455$165,190$6,167,96117
Feb 28, 2021145,828-25% 297,283$123,554$6,291,51518
Mar 7, 2021104,720-19% 302,003$100,064$6,391,57919
Mar 14, 2021107,630+62% 309,633$161,756$6,553,33520
Mar 21, 2021179,648+26% 319,281$203,959$6,757,29421

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

DEG Watched At Home Top 20 Charts

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.