Bones and All (2022)
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| Theatrical Performance | ||
| Domestic Box Office | $7,837,477 | Details |
| International Box Office | $7,400,000 | Details |
| Worldwide Box Office | $15,237,477 | |
| Domestic Physical Disc Sales | ||
| Blu-ray Sales (estimated) | $1,068,866 | |
| Total | $1,068,866 | |
| OpusData ID: 538730100 More info... | ||
| Further financial details... | ||
Synopsis
A story of first love between Maren, a young woman learning how to survive on the margins of society, and Lee, an intense and disenfranchised drifter; a liberating road odyssey of two young people coming into their own, searching for identity and chasing beauty in a perilous world that cannot abide who they are.
Metrics
| Opening Weekend: | $121,004 (1.5% of total gross) |
| Legs: | 3.47 (domestic box office/biggest weekend) |
| Domestic Share: | 51.4% (domestic box office/worldwide) |
| Theater counts: | 5 opening theaters/2,727 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $8,901,721 |
Movie Details
| Domestic Releases: | November 18th, 2022 (Limited) by United Artists November 23rd, 2022 (Expands Wide) by United Artists |
| International Releases: | November 17th, 2022 (Limited) (New Zealand)
November 23rd, 2022 (Wide) (France) November 24th, 2022 (Limited) (Australia) November 24th, 2022 (Limited) (Slovakia) November 24th, 2022 (Wide) (Germany) ... Show all releases |
| Video Release: | December 23rd, 2022 by MGM Video |
| MPA Rating: | R for strong, bloody and disturbing violent content, language throughout, some sexual content and brief graphic nudity. (Rating bulletin 2736 (cert #53846), 6/15/2022) |
| Running Time: | 130 minutes |
| Filming location (state or county): | Ohio, United States |
| Plot point: | Cannibalism, Coming of Age, Romance |
| Subgenre: | Psychological Thriller |
| Time period setting: | 1980s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Frenesy Film, Per Capita, The Apartment, 3 Marys Entertainment S.R.I., Memo Films, Metro-Goldwyn-Mayer Pictures, Tenderstories, Elafilm , Wise Pictures, Excelsa , Serfis, Piace, A Cor Cordium |
| Production Countries: | United States, Italy |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 18, 2022 | - | $121,004 | 5 | $24,201 | $121,004 | 1 | |
| Nov 25, 2022 | 8 | $2,258,562 | +1,767% | 2,727 | $828 | $3,763,099 | 2 |
| Dec 2, 2022 | 9 | $1,188,698 | -47% | 2,727 | $436 | $6,038,432 | 3 |
| Dec 9, 2022 | 12 | $582,879 | -51% | 1,707 | $341 | $7,286,384 | 4 |
| Dec 16, 2022 | - | $110,738 | -81% | 217 | $510 | $7,764,611 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Nov 18, 2022 | - | $57,887 | 5 | $11,577 | $57,887 | 1 | ||
| Nov 19, 2022 | - | $35,526 | -39% | 5 | $7,105 | $93,413 | 2 | |
| Nov 20, 2022 | - | $27,591 | -22% | 5 | $5,518 | $121,004 | 3 | |
| Nov 21, 2022 | - | $15,201 | -45% | 5 | $3,040 | $136,205 | 4 | |
| Nov 22, 2022 | - | $10,555 | -31% | 5 | $2,111 | $146,760 | 5 | |
| Nov 23, 2022 | - | $921,168 | +8,627% | 2,727 | $338 | $1,067,928 | 6 | |
| Nov 24, 2022 | 9 | $436,609 | -53% | 2,727 | $160 | $1,504,537 | 7 | |
| Nov 25, 2022 | 8 | $834,421 | +91% | +1,341% | 2,727 | $306 | $2,338,958 | 8 |
| Nov 26, 2022 | 7 | $856,894 | +3% | +2,312% | 2,727 | $314 | $3,195,852 | 9 |
| Nov 27, 2022 | 7 | $567,247 | -34% | +1,956% | 2,727 | $208 | $3,763,099 | 10 |
| Nov 28, 2022 | 5 | $257,304 | -55% | +1,593% | 2,727 | $94 | $4,020,403 | 11 |
| Nov 29, 2022 | 5 | $323,704 | +26% | +2,967% | 2,727 | $119 | $4,344,107 | 12 |
| Nov 30, 2022 | 5 | $259,241 | -20% | -72% | 2,727 | $95 | $4,603,348 | 13 |
| Dec 1, 2022 | - | $246,386 | -5% | -44% | 2,727 | $90 | $4,849,734 | 14 |
| Dec 2, 2022 | 7 | $383,099 | +55% | -54% | 2,727 | $140 | $5,232,833 | 15 |
| Dec 3, 2022 | 9 | $488,889 | +28% | -43% | 2,727 | $179 | $5,721,722 | 16 |
| Dec 4, 2022 | 9 | $316,710 | -35% | -44% | 2,727 | $116 | $6,038,432 | 17 |
| Dec 5, 2022 | 7 | $155,194 | -51% | -40% | 2,727 | $57 | $6,193,626 | 18 |
| Dec 6, 2022 | 9 | $193,258 | +25% | -40% | 2,727 | $71 | $6,386,884 | 19 |
| Dec 7, 2022 | 7 | $161,254 | -17% | -38% | 2,727 | $59 | $6,548,138 | 20 |
| Dec 8, 2022 | 7 | $155,367 | -4% | -37% | 2,727 | $57 | $6,703,505 | 21 |
| Dec 9, 2022 | 11 | $188,304 | +21% | -51% | 1,707 | $110 | $6,891,809 | 22 |
| Dec 10, 2022 | 12 | $228,428 | +21% | -53% | 1,707 | $134 | $7,120,237 | 23 |
| Dec 11, 2022 | 11 | $166,147 | -27% | -48% | 1,707 | $97 | $7,286,384 | 24 |
| Dec 12, 2022 | - | $95,167 | -43% | -39% | 1,707 | $56 | $7,381,551 | 25 |
| Dec 13, 2022 | - | $106,124 | +12% | -45% | 1,707 | $62 | $7,487,675 | 26 |
| Dec 14, 2022 | - | $99,870 | -6% | -38% | 1,707 | $59 | $7,587,545 | 27 |
| Dec 15, 2022 | 8 | $66,328 | -34% | -57% | 1,707 | $39 | $7,653,873 | 28 |
| Dec 16, 2022 | - | $34,295 | -48% | -82% | 217 | $158 | $7,688,168 | 29 |
| Dec 17, 2022 | - | $41,630 | +21% | -82% | 217 | $192 | $7,729,798 | 30 |
| Dec 18, 2022 | - | $34,813 | -16% | -79% | 217 | $160 | $7,764,611 | 31 |
| Dec 19, 2022 | - | $27,643 | -21% | -71% | 217 | $127 | $7,792,254 | 32 |
| Dec 20, 2022 | - | $26,247 | -5% | -75% | 217 | $121 | $7,818,501 | 33 |
| Dec 21, 2022 | - | $10,727 | -59% | -89% | 217 | $49 | $7,829,228 | 34 |
| Dec 22, 2022 | - | $5,679 | -47% | -91% | 217 | $26 | $7,834,907 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 18, 2022 | 13 | $1,503,928 | 2,727 | $551 | $1,503,928 | 1 | |
| Nov 25, 2022 | 7 | $3,345,806 | +122% | 2,727 | $1,227 | $4,849,734 | 2 |
| Dec 2, 2022 | 9 | $1,853,771 | -45% | 2,727 | $680 | $6,703,505 | 3 |
| Dec 9, 2022 | 9 | $950,368 | -49% | 1,707 | $557 | $7,653,873 | 4 |
| Dec 16, 2022 | 17 | $181,034 | -81% | 217 | $834 | $7,834,907 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/24/2022 | $127,237 | 178 | 1 | 611 | $3,155 | 4/4/2026 | |||
| Finland | 11/25/2022 | $17,838 | 46 | 47 | 83 | $71,018 | 4/4/2026 | |||
| France | 11/23/2022 | $220,000 | 201 | 201 | 201 | $220,000 | 11/28/2022 | |||
| Italy | 11/24/2022 | $505,138 | 0 | 0 | 0 | $1,374,119 | 12/20/2022 | |||
| Netherlands | 12/1/2022 | $0 | 0 | 47 | 47 | $176,473 | 2/17/2023 | |||
| New Zealand | 11/17/2022 | $0 | 0 | 1 | 160 | $218 | 4/4/2026 | |||
| Portugal | 12/1/2022 | $18,288 | 33 | 33 | 66 | $42,269 | 12/28/2022 | |||
| Slovakia | 11/24/2022 | $9,053 | 66 | 66 | 99 | $18,651 | 2/24/2023 | |||
| South Korea | 11/30/2022 | $131,373 | 353 | 353 | 611 | $525,018 | 1/26/2023 | |||
| Spain | 11/25/2022 | $87,585 | 226 | 226 | 459 | $255,958 | 2/15/2023 | |||
| Turkey | 11/25/2022 | $14,308 | 38 | 38 | 62 | $34,953 | 12/22/2022 | |||
| United Kingdom | 11/25/2022 | $385,146 | 466 | 466 | 815 | $916,577 | 12/21/2022 | |||
| Rest of World | $3,761,591 | |||||||||
| International Total | $7,400,000 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Taylor Russell | Maren | |
| Timothée Chalamet | Lee |
Supporting
| Michael Stuhlbarg | Jake | |
| André Holland | Maren’s Father | |
| Chloë Sevigny | Janelle | |
| David Gordon Green | Brad | |
| Jessica Harper | Barbara Kerns | |
| Jake Horowitz | Booth Man | |
| Mark Rylance | Sully | |
| Kendle Coffey | Sherry | |
| Ellie Parker | Jackie | |
| Madeleine Hall | Kim | |
| Christine Dye | Attendant (Corlis, MD) | |
| Sean Bridgers | Barry Cook | |
| Anna Cobb | Kayla | |
| Marshall Jackson | Boy playing Ball Toss | |
| Marcia Dangerfield | Clerk (MN Gas Station) | |
| Burgess Byrd | Gail the Nurse | |
| Max Soliz | Mechanic (NE Gas Station) |
Production and Technical Credits
| Luca Guadagnino | Director | |
| David Kajganich | Screenwriter | |
| Camille DeAngelis | Story based on the novel by | |
| Luca Guadagnino | Producer | |
| David Kajganich | Producer | |
| Theresa Park | Producer | |
| Francesco Melzi d'Eril | Producer | |
| Marco Morabito | Producer | |
| Lorenzo Mieli | Producer | |
| Gabriele Moratti | Producer | |
| Peter Spears | Producer | |
| Timothée Chalamet | Producer | |
| Giovanni Corrado | Executive Producer | |
| Raffaella Viscardi | Executive Producer | |
| Moreno Zani | Executive Producer | |
| Marco Colombo | Executive Producer | |
| Jonathan Montepare | Executive Producer | |
| Trent Reznor | Music By | |
| Atticus Ross | Music by | |
| Belle Francisco | Script Supervisor | |
| Francesco Ruggeri | Line Producer | |
| Davide Luchetti | Associate Producer | |
| Victoria Resendez | Art Director | |
| Justin Lang | Set Designer | |
| Merissa Lombardo | Set Decorator | |
| Sachi Masuda | Costume Supervisor | |
| Jodi Byrne | Make up | |
| Budd Bird | Hairstylist | |
| Joaquin Prange | Location Manager | |
| Alex Eldridge | Production Supervisor | |
| Heather Wicken | Art Director | |
| Sara Furey | Location Manager | |
| Daniela Venturelli | Post-Production Supervisor | |
| Jacopo Ramella Pajrin | First Assistant Editor | |
| David Favargiotti | Supervising Dialogue Editor | |
| Alessandro Bonfanti | Dialogue Editor | |
| Roberta D’Angelo | Music Editor | |
| Michele Gualdrini | Re-recording Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A story of first love between Maren, a young woman learning how to survive on the margins of society, and Lee, an intense and disenfranchised drifter; a liberating road odyssey of two young people coming into their own, searching for identity and chasing beauty in a perilous world that cannot abide who they are.
Metrics
| Opening Weekend: | $121,004 (1.5% of total gross) |
| Legs: | 3.47 (domestic box office/biggest weekend) |
| Domestic Share: | 51.4% (domestic box office/worldwide) |
| Theater counts: | 5 opening theaters/2,727 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $8,901,721 |
Movie Details
| Domestic Releases: | November 18th, 2022 (Limited) by United Artists November 23rd, 2022 (Expands Wide) by United Artists |
| International Releases: | November 17th, 2022 (Limited) (New Zealand)
November 23rd, 2022 (Wide) (France) November 24th, 2022 (Limited) (Australia) November 24th, 2022 (Limited) (Slovakia) November 24th, 2022 (Wide) (Germany) ... Show all releases |
| Video Release: | December 23rd, 2022 by MGM Video |
| MPA Rating: | R for strong, bloody and disturbing violent content, language throughout, some sexual content and brief graphic nudity. (Rating bulletin 2736 (cert #53846), 6/15/2022) |
| Running Time: | 130 minutes |
| Filming location (state or county): | Ohio, United States |
| Plot point: | Cannibalism, Coming of Age, Romance |
| Subgenre: | Psychological Thriller |
| Time period setting: | 1980s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Frenesy Film, Per Capita, The Apartment, 3 Marys Entertainment S.R.I., Memo Films, Metro-Goldwyn-Mayer Pictures, Tenderstories, Elafilm , Wise Pictures, Excelsa , Serfis, Piace, A Cor Cordium |
| Production Countries: | United States, Italy |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 18, 2022 | - | $121,004 | 5 | $24,201 | $121,004 | 1 | |
| Nov 25, 2022 | 8 | $2,258,562 | +1,767% | 2,727 | $828 | $3,763,099 | 2 |
| Dec 2, 2022 | 9 | $1,188,698 | -47% | 2,727 | $436 | $6,038,432 | 3 |
| Dec 9, 2022 | 12 | $582,879 | -51% | 1,707 | $341 | $7,286,384 | 4 |
| Dec 16, 2022 | - | $110,738 | -81% | 217 | $510 | $7,764,611 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Nov 18, 2022 | - | $57,887 | 5 | $11,577 | $57,887 | 1 | ||
| Nov 19, 2022 | - | $35,526 | -39% | 5 | $7,105 | $93,413 | 2 | |
| Nov 20, 2022 | - | $27,591 | -22% | 5 | $5,518 | $121,004 | 3 | |
| Nov 21, 2022 | - | $15,201 | -45% | 5 | $3,040 | $136,205 | 4 | |
| Nov 22, 2022 | - | $10,555 | -31% | 5 | $2,111 | $146,760 | 5 | |
| Nov 23, 2022 | - | $921,168 | +8,627% | 2,727 | $338 | $1,067,928 | 6 | |
| Nov 24, 2022 | 9 | $436,609 | -53% | 2,727 | $160 | $1,504,537 | 7 | |
| Nov 25, 2022 | 8 | $834,421 | +91% | +1,341% | 2,727 | $306 | $2,338,958 | 8 |
| Nov 26, 2022 | 7 | $856,894 | +3% | +2,312% | 2,727 | $314 | $3,195,852 | 9 |
| Nov 27, 2022 | 7 | $567,247 | -34% | +1,956% | 2,727 | $208 | $3,763,099 | 10 |
| Nov 28, 2022 | 5 | $257,304 | -55% | +1,593% | 2,727 | $94 | $4,020,403 | 11 |
| Nov 29, 2022 | 5 | $323,704 | +26% | +2,967% | 2,727 | $119 | $4,344,107 | 12 |
| Nov 30, 2022 | 5 | $259,241 | -20% | -72% | 2,727 | $95 | $4,603,348 | 13 |
| Dec 1, 2022 | - | $246,386 | -5% | -44% | 2,727 | $90 | $4,849,734 | 14 |
| Dec 2, 2022 | 7 | $383,099 | +55% | -54% | 2,727 | $140 | $5,232,833 | 15 |
| Dec 3, 2022 | 9 | $488,889 | +28% | -43% | 2,727 | $179 | $5,721,722 | 16 |
| Dec 4, 2022 | 9 | $316,710 | -35% | -44% | 2,727 | $116 | $6,038,432 | 17 |
| Dec 5, 2022 | 7 | $155,194 | -51% | -40% | 2,727 | $57 | $6,193,626 | 18 |
| Dec 6, 2022 | 9 | $193,258 | +25% | -40% | 2,727 | $71 | $6,386,884 | 19 |
| Dec 7, 2022 | 7 | $161,254 | -17% | -38% | 2,727 | $59 | $6,548,138 | 20 |
| Dec 8, 2022 | 7 | $155,367 | -4% | -37% | 2,727 | $57 | $6,703,505 | 21 |
| Dec 9, 2022 | 11 | $188,304 | +21% | -51% | 1,707 | $110 | $6,891,809 | 22 |
| Dec 10, 2022 | 12 | $228,428 | +21% | -53% | 1,707 | $134 | $7,120,237 | 23 |
| Dec 11, 2022 | 11 | $166,147 | -27% | -48% | 1,707 | $97 | $7,286,384 | 24 |
| Dec 12, 2022 | - | $95,167 | -43% | -39% | 1,707 | $56 | $7,381,551 | 25 |
| Dec 13, 2022 | - | $106,124 | +12% | -45% | 1,707 | $62 | $7,487,675 | 26 |
| Dec 14, 2022 | - | $99,870 | -6% | -38% | 1,707 | $59 | $7,587,545 | 27 |
| Dec 15, 2022 | 8 | $66,328 | -34% | -57% | 1,707 | $39 | $7,653,873 | 28 |
| Dec 16, 2022 | - | $34,295 | -48% | -82% | 217 | $158 | $7,688,168 | 29 |
| Dec 17, 2022 | - | $41,630 | +21% | -82% | 217 | $192 | $7,729,798 | 30 |
| Dec 18, 2022 | - | $34,813 | -16% | -79% | 217 | $160 | $7,764,611 | 31 |
| Dec 19, 2022 | - | $27,643 | -21% | -71% | 217 | $127 | $7,792,254 | 32 |
| Dec 20, 2022 | - | $26,247 | -5% | -75% | 217 | $121 | $7,818,501 | 33 |
| Dec 21, 2022 | - | $10,727 | -59% | -89% | 217 | $49 | $7,829,228 | 34 |
| Dec 22, 2022 | - | $5,679 | -47% | -91% | 217 | $26 | $7,834,907 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 18, 2022 | 13 | $1,503,928 | 2,727 | $551 | $1,503,928 | 1 | |
| Nov 25, 2022 | 7 | $3,345,806 | +122% | 2,727 | $1,227 | $4,849,734 | 2 |
| Dec 2, 2022 | 9 | $1,853,771 | -45% | 2,727 | $680 | $6,703,505 | 3 |
| Dec 9, 2022 | 9 | $950,368 | -49% | 1,707 | $557 | $7,653,873 | 4 |
| Dec 16, 2022 | 17 | $181,034 | -81% | 217 | $834 | $7,834,907 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/24/2022 | $127,237 | 178 | 1 | 611 | $3,155 | 4/4/2026 | |||
| Finland | 11/25/2022 | $17,838 | 46 | 47 | 83 | $71,018 | 4/4/2026 | |||
| France | 11/23/2022 | $220,000 | 201 | 201 | 201 | $220,000 | 11/28/2022 | |||
| Italy | 11/24/2022 | $505,138 | 0 | 0 | 0 | $1,374,119 | 12/20/2022 | |||
| Netherlands | 12/1/2022 | $0 | 0 | 47 | 47 | $176,473 | 2/17/2023 | |||
| New Zealand | 11/17/2022 | $0 | 0 | 1 | 160 | $218 | 4/4/2026 | |||
| Portugal | 12/1/2022 | $18,288 | 33 | 33 | 66 | $42,269 | 12/28/2022 | |||
| Slovakia | 11/24/2022 | $9,053 | 66 | 66 | 99 | $18,651 | 2/24/2023 | |||
| South Korea | 11/30/2022 | $131,373 | 353 | 353 | 611 | $525,018 | 1/26/2023 | |||
| Spain | 11/25/2022 | $87,585 | 226 | 226 | 459 | $255,958 | 2/15/2023 | |||
| Turkey | 11/25/2022 | $14,308 | 38 | 38 | 62 | $34,953 | 12/22/2022 | |||
| United Kingdom | 11/25/2022 | $385,146 | 466 | 466 | 815 | $916,577 | 12/21/2022 | |||
| Rest of World | $3,761,591 | |||||||||
| International Total | $7,400,000 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Taylor Russell | Maren | |
| Timothée Chalamet | Lee |
Supporting
| Michael Stuhlbarg | Jake | |
| André Holland | Maren’s Father | |
| Chloë Sevigny | Janelle | |
| David Gordon Green | Brad | |
| Jessica Harper | Barbara Kerns | |
| Jake Horowitz | Booth Man | |
| Mark Rylance | Sully | |
| Kendle Coffey | Sherry | |
| Ellie Parker | Jackie | |
| Madeleine Hall | Kim | |
| Christine Dye | Attendant (Corlis, MD) | |
| Sean Bridgers | Barry Cook | |
| Anna Cobb | Kayla | |
| Marshall Jackson | Boy playing Ball Toss | |
| Marcia Dangerfield | Clerk (MN Gas Station) | |
| Burgess Byrd | Gail the Nurse | |
| Max Soliz | Mechanic (NE Gas Station) |
Production and Technical Credits
| Luca Guadagnino | Director | |
| David Kajganich | Screenwriter | |
| Camille DeAngelis | Story based on the novel by | |
| Luca Guadagnino | Producer | |
| David Kajganich | Producer | |
| Theresa Park | Producer | |
| Francesco Melzi d'Eril | Producer | |
| Marco Morabito | Producer | |
| Lorenzo Mieli | Producer | |
| Gabriele Moratti | Producer | |
| Peter Spears | Producer | |
| Timothée Chalamet | Producer | |
| Giovanni Corrado | Executive Producer | |
| Raffaella Viscardi | Executive Producer | |
| Moreno Zani | Executive Producer | |
| Marco Colombo | Executive Producer | |
| Jonathan Montepare | Executive Producer | |
| Trent Reznor | Music By | |
| Atticus Ross | Music by | |
| Belle Francisco | Script Supervisor | |
| Francesco Ruggeri | Line Producer | |
| Davide Luchetti | Associate Producer | |
| Victoria Resendez | Art Director | |
| Justin Lang | Set Designer | |
| Merissa Lombardo | Set Decorator | |
| Sachi Masuda | Costume Supervisor | |
| Jodi Byrne | Make up | |
| Budd Bird | Hairstylist | |
| Joaquin Prange | Location Manager | |
| Alex Eldridge | Production Supervisor | |
| Heather Wicken | Art Director | |
| Sara Furey | Location Manager | |
| Daniela Venturelli | Post-Production Supervisor | |
| Jacopo Ramella Pajrin | First Assistant Editor | |
| David Favargiotti | Supervising Dialogue Editor | |
| Alessandro Bonfanti | Dialogue Editor | |
| Roberta D’Angelo | Music Editor | |
| Michele Gualdrini | Re-recording Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.