Boogie (2021)
| Theatrical Performance | ||
| Domestic Box Office | $4,178,620 | Details |
| International Box Office | $12,403 | Details |
| Worldwide Box Office | $4,191,023 | |
| OpusData ID: 424580100 More info... | ||
| Further financial details... | ||
Synopsis
Alfred Chin, a.k.a. Boogie, a Chinese-American high school senior in Queens, dreams of playing basketball in the NBA — but first he must contend with young love, an overbearing mother with a different future in mind, and his closest rival Monk, a local legend with hoop skills superior to his own.
Metrics
| Opening Weekend: | $1,200,165 (28.7% of total gross) |
| Legs: | 3.48 (domestic box office/biggest weekend) |
| Domestic Share: | 99.7% (domestic box office/worldwide) |
| Theater counts: | 1,252 opening theaters/1,272 max. theaters, 4.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $4,914,089 |
Movie Details
| Domestic Releases: | March 5th, 2021 (Wide) by Focus Features |
| International Releases: | April 21st, 2021 (Wide) (South Korea) |
| Video Release: | March 26th, 2021 by Focus Features |
| MPA Rating: | R for language throughout including sexual references, and some drug use. (Rating bulletin 2666 (cert #52990), 2/3/2021) |
| Running Time: | 89 minutes |
| Geographical setting: | New York, New York City, Queens NY |
| Plot point: | Basketball, Coming of Age, Dysfunctional Family, Romance |
| Subgenre: | Sports Drama |
| Target audience: | Asian-Americans |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Immersive Pictures, Wink Productions, Focus Features |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 5, 2021 | 4 | $1,200,165 | 1,252 | $959 | $1,200,165 | 1 | |
| Mar 12, 2021 | 4 | $778,080 | -35% | 1,272 | $612 | $2,325,740 | 2 |
| Mar 19, 2021 | 6 | $595,150 | -24% | 1,184 | $503 | $3,257,625 | 3 |
| Mar 26, 2021 | 8 | $359,970 | -40% | 1,028 | $350 | $3,826,810 | 4 |
| Apr 2, 2021 | 13 | $118,340 | -67% | 603 | $196 | $4,063,235 | 5 |
| Apr 9, 2021 | - | $54,520 | -54% | 448 | $122 | $4,156,995 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 5, 2021 | - | $441,050 | 1,252 | $352 | $441,050 | 1 | ||
| Mar 6, 2021 | - | $470,180 | +7% | 1,252 | $376 | $911,230 | 2 | |
| Mar 7, 2021 | - | $288,935 | -39% | 1,252 | $231 | $1,200,165 | 3 | |
| Mar 8, 2021 | - | $85,815 | -70% | 1,252 | $69 | $1,285,980 | 4 | |
| Mar 9, 2021 | - | $98,410 | +15% | 1,252 | $79 | $1,384,390 | 5 | |
| Mar 10, 2021 | - | $81,220 | -17% | 1,252 | $65 | $1,465,610 | 6 | |
| Mar 11, 2021 | - | $82,050 | +1% | 1,252 | $66 | $1,547,660 | 7 | |
| Mar 12, 2021 | - | $220,055 | +168% | -50% | 1,272 | $173 | $1,767,715 | 8 |
| Mar 13, 2021 | - | $335,980 | +53% | -29% | 1,272 | $264 | $2,103,695 | 9 |
| Mar 14, 2021 | - | $222,045 | -34% | -23% | 1,272 | $175 | $2,325,740 | 10 |
| Mar 15, 2021 | - | $81,300 | -63% | -5% | 1,272 | $64 | $2,407,040 | 11 |
| Mar 16, 2021 | - | $92,315 | +14% | -6% | 1,272 | $73 | $2,499,355 | 12 |
| Mar 17, 2021 | - | $80,095 | -13% | -1% | 1,272 | $63 | $2,579,450 | 13 |
| Mar 18, 2021 | - | $83,025 | +4% | +1% | 1,272 | $65 | $2,662,475 | 14 |
| Mar 19, 2021 | - | $180,040 | +117% | -18% | 1,184 | $152 | $2,842,515 | 15 |
| Mar 20, 2021 | - | $253,235 | +41% | -25% | 1,184 | $214 | $3,095,750 | 16 |
| Mar 21, 2021 | - | $161,875 | -36% | -27% | 1,184 | $137 | $3,257,625 | 17 |
| Mar 22, 2021 | - | $49,025 | -70% | -40% | 1,184 | $41 | $3,306,650 | 18 |
| Mar 23, 2021 | - | $60,705 | +24% | -34% | 1,184 | $51 | $3,367,355 | 19 |
| Mar 24, 2021 | - | $53,240 | -12% | -34% | 1,184 | $45 | $3,420,595 | 20 |
| Mar 25, 2021 | - | $46,245 | -13% | -44% | 1,184 | $39 | $3,466,840 | 21 |
| Mar 26, 2021 | - | $108,405 | +134% | -40% | 1,028 | $105 | $3,575,245 | 22 |
| Mar 27, 2021 | - | $148,800 | +37% | -41% | 1,028 | $145 | $3,724,045 | 23 |
| Mar 28, 2021 | - | $102,765 | -31% | -37% | 1,028 | $100 | $3,826,810 | 24 |
| Mar 29, 2021 | - | $37,985 | -63% | -23% | 1,028 | $37 | $3,864,795 | 25 |
| Mar 30, 2021 | - | $36,170 | -5% | -40% | 1,028 | $35 | $3,900,965 | 26 |
| Mar 31, 2021 | - | $20,980 | -42% | -61% | 1,028 | $20 | $3,921,945 | 27 |
| Apr 1, 2021 | - | $22,950 | +9% | -50% | 1,028 | $22 | $3,944,895 | 28 |
| Apr 2, 2021 | - | $39,510 | +72% | -64% | 603 | $66 | $3,984,405 | 29 |
| Apr 3, 2021 | - | $45,355 | +15% | -70% | 603 | $75 | $4,029,760 | 30 |
| Apr 4, 2021 | - | $33,475 | -26% | -67% | 603 | $56 | $4,063,235 | 31 |
| Apr 5, 2021 | - | $10,610 | -68% | -72% | 603 | $18 | $4,073,845 | 32 |
| Apr 6, 2021 | - | $9,675 | -9% | -73% | 603 | $16 | $4,083,520 | 33 |
| Apr 7, 2021 | - | $10,465 | +8% | -50% | 603 | $17 | $4,093,985 | 34 |
| Apr 8, 2021 | - | $8,490 | -19% | -63% | 603 | $14 | $4,102,475 | 35 |
| Apr 9, 2021 | - | $16,695 | +97% | -58% | 448 | $37 | $4,119,170 | 36 |
| Apr 10, 2021 | - | $20,785 | +24% | -54% | 448 | $46 | $4,139,955 | 37 |
| Apr 11, 2021 | - | $17,040 | -18% | -49% | 448 | $38 | $4,156,995 | 38 |
| Apr 12, 2021 | - | $5,485 | -68% | -48% | 448 | $12 | $4,162,480 | 39 |
| Apr 13, 2021 | - | $5,015 | -9% | -48% | 448 | $11 | $4,167,495 | 40 |
| Apr 14, 2021 | - | $5,755 | +15% | -45% | 448 | $13 | $4,173,250 | 41 |
| Apr 15, 2021 | - | $5,370 | -7% | -37% | 448 | $12 | $4,178,620 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 5, 2021 | - | $1,547,660 | 1,252 | $1,236 | $1,547,660 | 1 | |
| Mar 12, 2021 | - | $1,114,815 | -28% | 1,272 | $876 | $2,662,475 | 2 |
| Mar 19, 2021 | - | $804,365 | -28% | 1,184 | $679 | $3,466,840 | 3 |
| Mar 26, 2021 | - | $478,055 | -41% | 1,028 | $465 | $3,944,895 | 4 |
| Apr 2, 2021 | - | $157,580 | -67% | 603 | $261 | $4,102,475 | 5 |
| Apr 9, 2021 | - | $76,145 | -52% | 448 | $170 | $4,178,620 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| South Korea | 4/21/2021 | $6,949 | 13 | 13 | 26 | $12,403 | 5/7/2021 | |||
| International Total | $12,403 | 5/7/2021 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Taylor Takahashi | Alfred “Boogie” Chin |
Supporting
| Taylour Paige | Eleanor | |
| Bashar Jackson | Monk | |
| Jorge Lindeborg Jr | Richie | |
| Perry Yung | Mr. Chin | |
| Pamelyn Chee | Mrs. Chin | |
| Claire Hsu | Young Mrs. Chin | |
| Jessica Huang | Shan, fortune teller | |
| Alexa Mareka | Alissa | |
| Steve Coulter | Mr. Richmond | |
| Domenick Lombardozzi | Coach Hawkins | |
| Tommy Bo | Terry | |
| Shenell Edmonds | Tina | |
| Ben Davis | Josh, St. John’s Scout | |
| Mike Moh | Melvin | |
| Eddie Huang | Jackie | |
| Margaret Odette | Principal Kodal | |
| John Orantes | Cage Referee | |
| Despot | Assistant Coach | |
| Ren Hsieh | Young Mr. Chin | |
| Lenard “CThaGOD” McKelvey* | Patrick | |
| AC Casciani | Barracks MC | |
| Ming Wu | Arthur (Dragon Team) | |
| Terayle Hill | Terayle (Dragon Team) | |
| Mitchell Ito | Memphis Houston | |
| Farnold Degand | Dennis Thompson (MLK Team) | |
| Bernard Chang | Oracles Cook | |
| Samantha Eberle | Joy | |
| Sam Jules | Todd | |
| Ed Aristone | Cop | |
| Ariel Eliaz | Cop | |
| Kareem Savinon | High School Ref | |
| Ty Pauley | David (Young Basketball Player) | |
| Michael Duradola | Bronx Basketball Player | |
| Phillip S. Sottile | Man on Bus |
Production and Technical Credits
| Eddie Huang | Director | |
| Eddie Huang | Screenwriter | |
| Josh Bratman | Producer | |
| Josh McLaughlin | Producer | |
| Michael Tadross | Producer | |
| Shane Munguia | Co-Producer | |
| Charbel Youssef | Co-Producer | |
| Rafael Martinez | Executive Producer | |
| Chris Trujillo | Production Designer | |
| Brett Jutkiewicz | Director of Photography | |
| Adrian Younge | Composer | |
| Ali Shaheed Muhammad | Composer | |
| Vera Chow | Costume Designer | |
| Joan Sobel | Editor | |
| Charles Zalben | Unit Production Manager | |
| Nicholas Bell | First Assistant Director | |
| Keil Zepernick | Stunt Coordinator | |
| Naomi Munro | Art Director | |
| Olivia Peebles | Set Decorator | |
| Antonio Arroyo | Sound Mixer | |
| Joseph Galione | Special Effects Coordinator | |
| Joe Sacco | Special Effects Coordinator | |
| Jessica Zavala | Costume Supervisor | |
| Anouck Sullivan | Make up | |
| Adelina Atashi | Make up | |
| Danielle Crawford | Hairstylist | |
| Duane Moody | Hairsytlist | |
| Daniel McCarthy | Location Manager | |
| Rachel Cole | Script Supervisor | |
| Charbel Youssef | Production Supervisor | |
| Scott Cummings | Additional Editor | |
| Susan E. Morse | Additional Editor | |
| Isabel Henderson | Post-Production Supervisor | |
| Michael Wooldridge | Assistant Editor | |
| Kenny Duclos | Assistant Editor | |
| Lara Khachooni | Assistant Editor | |
| Bethany Orlemann | Assistant Editor | |
| Ruy Garcia | Re-recording Mixer | |
| Ruy Garcia | Sound Supervisor | |
| Luciano Vignola | Dialogue Editor | |
| Vladan Nedeljkov | Foley Recordist | |
| Aleksandar Rancic | Foley Recordist | |
| Eran Dinur | Visual Effects Supervisor | |
| Glenn Allen | Visual Effects Producer | |
| Richard Friedlander | Visual Effects Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Alfred Chin, a.k.a. Boogie, a Chinese-American high school senior in Queens, dreams of playing basketball in the NBA — but first he must contend with young love, an overbearing mother with a different future in mind, and his closest rival Monk, a local legend with hoop skills superior to his own.
Metrics
| Opening Weekend: | $1,200,165 (28.7% of total gross) |
| Legs: | 3.48 (domestic box office/biggest weekend) |
| Domestic Share: | 99.7% (domestic box office/worldwide) |
| Theater counts: | 1,252 opening theaters/1,272 max. theaters, 4.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $4,914,089 |
Movie Details
| Domestic Releases: | March 5th, 2021 (Wide) by Focus Features |
| International Releases: | April 21st, 2021 (Wide) (South Korea) |
| Video Release: | March 26th, 2021 by Focus Features |
| MPA Rating: | R for language throughout including sexual references, and some drug use. (Rating bulletin 2666 (cert #52990), 2/3/2021) |
| Running Time: | 89 minutes |
| Geographical setting: | New York, New York City, Queens NY |
| Plot point: | Basketball, Coming of Age, Dysfunctional Family, Romance |
| Subgenre: | Sports Drama |
| Target audience: | Asian-Americans |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Immersive Pictures, Wink Productions, Focus Features |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 5, 2021 | 4 | $1,200,165 | 1,252 | $959 | $1,200,165 | 1 | |
| Mar 12, 2021 | 4 | $778,080 | -35% | 1,272 | $612 | $2,325,740 | 2 |
| Mar 19, 2021 | 6 | $595,150 | -24% | 1,184 | $503 | $3,257,625 | 3 |
| Mar 26, 2021 | 8 | $359,970 | -40% | 1,028 | $350 | $3,826,810 | 4 |
| Apr 2, 2021 | 13 | $118,340 | -67% | 603 | $196 | $4,063,235 | 5 |
| Apr 9, 2021 | - | $54,520 | -54% | 448 | $122 | $4,156,995 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 5, 2021 | - | $441,050 | 1,252 | $352 | $441,050 | 1 | ||
| Mar 6, 2021 | - | $470,180 | +7% | 1,252 | $376 | $911,230 | 2 | |
| Mar 7, 2021 | - | $288,935 | -39% | 1,252 | $231 | $1,200,165 | 3 | |
| Mar 8, 2021 | - | $85,815 | -70% | 1,252 | $69 | $1,285,980 | 4 | |
| Mar 9, 2021 | - | $98,410 | +15% | 1,252 | $79 | $1,384,390 | 5 | |
| Mar 10, 2021 | - | $81,220 | -17% | 1,252 | $65 | $1,465,610 | 6 | |
| Mar 11, 2021 | - | $82,050 | +1% | 1,252 | $66 | $1,547,660 | 7 | |
| Mar 12, 2021 | - | $220,055 | +168% | -50% | 1,272 | $173 | $1,767,715 | 8 |
| Mar 13, 2021 | - | $335,980 | +53% | -29% | 1,272 | $264 | $2,103,695 | 9 |
| Mar 14, 2021 | - | $222,045 | -34% | -23% | 1,272 | $175 | $2,325,740 | 10 |
| Mar 15, 2021 | - | $81,300 | -63% | -5% | 1,272 | $64 | $2,407,040 | 11 |
| Mar 16, 2021 | - | $92,315 | +14% | -6% | 1,272 | $73 | $2,499,355 | 12 |
| Mar 17, 2021 | - | $80,095 | -13% | -1% | 1,272 | $63 | $2,579,450 | 13 |
| Mar 18, 2021 | - | $83,025 | +4% | +1% | 1,272 | $65 | $2,662,475 | 14 |
| Mar 19, 2021 | - | $180,040 | +117% | -18% | 1,184 | $152 | $2,842,515 | 15 |
| Mar 20, 2021 | - | $253,235 | +41% | -25% | 1,184 | $214 | $3,095,750 | 16 |
| Mar 21, 2021 | - | $161,875 | -36% | -27% | 1,184 | $137 | $3,257,625 | 17 |
| Mar 22, 2021 | - | $49,025 | -70% | -40% | 1,184 | $41 | $3,306,650 | 18 |
| Mar 23, 2021 | - | $60,705 | +24% | -34% | 1,184 | $51 | $3,367,355 | 19 |
| Mar 24, 2021 | - | $53,240 | -12% | -34% | 1,184 | $45 | $3,420,595 | 20 |
| Mar 25, 2021 | - | $46,245 | -13% | -44% | 1,184 | $39 | $3,466,840 | 21 |
| Mar 26, 2021 | - | $108,405 | +134% | -40% | 1,028 | $105 | $3,575,245 | 22 |
| Mar 27, 2021 | - | $148,800 | +37% | -41% | 1,028 | $145 | $3,724,045 | 23 |
| Mar 28, 2021 | - | $102,765 | -31% | -37% | 1,028 | $100 | $3,826,810 | 24 |
| Mar 29, 2021 | - | $37,985 | -63% | -23% | 1,028 | $37 | $3,864,795 | 25 |
| Mar 30, 2021 | - | $36,170 | -5% | -40% | 1,028 | $35 | $3,900,965 | 26 |
| Mar 31, 2021 | - | $20,980 | -42% | -61% | 1,028 | $20 | $3,921,945 | 27 |
| Apr 1, 2021 | - | $22,950 | +9% | -50% | 1,028 | $22 | $3,944,895 | 28 |
| Apr 2, 2021 | - | $39,510 | +72% | -64% | 603 | $66 | $3,984,405 | 29 |
| Apr 3, 2021 | - | $45,355 | +15% | -70% | 603 | $75 | $4,029,760 | 30 |
| Apr 4, 2021 | - | $33,475 | -26% | -67% | 603 | $56 | $4,063,235 | 31 |
| Apr 5, 2021 | - | $10,610 | -68% | -72% | 603 | $18 | $4,073,845 | 32 |
| Apr 6, 2021 | - | $9,675 | -9% | -73% | 603 | $16 | $4,083,520 | 33 |
| Apr 7, 2021 | - | $10,465 | +8% | -50% | 603 | $17 | $4,093,985 | 34 |
| Apr 8, 2021 | - | $8,490 | -19% | -63% | 603 | $14 | $4,102,475 | 35 |
| Apr 9, 2021 | - | $16,695 | +97% | -58% | 448 | $37 | $4,119,170 | 36 |
| Apr 10, 2021 | - | $20,785 | +24% | -54% | 448 | $46 | $4,139,955 | 37 |
| Apr 11, 2021 | - | $17,040 | -18% | -49% | 448 | $38 | $4,156,995 | 38 |
| Apr 12, 2021 | - | $5,485 | -68% | -48% | 448 | $12 | $4,162,480 | 39 |
| Apr 13, 2021 | - | $5,015 | -9% | -48% | 448 | $11 | $4,167,495 | 40 |
| Apr 14, 2021 | - | $5,755 | +15% | -45% | 448 | $13 | $4,173,250 | 41 |
| Apr 15, 2021 | - | $5,370 | -7% | -37% | 448 | $12 | $4,178,620 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 5, 2021 | - | $1,547,660 | 1,252 | $1,236 | $1,547,660 | 1 | |
| Mar 12, 2021 | - | $1,114,815 | -28% | 1,272 | $876 | $2,662,475 | 2 |
| Mar 19, 2021 | - | $804,365 | -28% | 1,184 | $679 | $3,466,840 | 3 |
| Mar 26, 2021 | - | $478,055 | -41% | 1,028 | $465 | $3,944,895 | 4 |
| Apr 2, 2021 | - | $157,580 | -67% | 603 | $261 | $4,102,475 | 5 |
| Apr 9, 2021 | - | $76,145 | -52% | 448 | $170 | $4,178,620 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| South Korea | 4/21/2021 | $6,949 | 13 | 13 | 26 | $12,403 | 5/7/2021 | |||
| International Total | $12,403 | 5/7/2021 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Taylor Takahashi | Alfred “Boogie” Chin |
Supporting
| Taylour Paige | Eleanor | |
| Bashar Jackson | Monk | |
| Jorge Lindeborg Jr | Richie | |
| Perry Yung | Mr. Chin | |
| Pamelyn Chee | Mrs. Chin | |
| Claire Hsu | Young Mrs. Chin | |
| Jessica Huang | Shan, fortune teller | |
| Alexa Mareka | Alissa | |
| Steve Coulter | Mr. Richmond | |
| Domenick Lombardozzi | Coach Hawkins | |
| Tommy Bo | Terry | |
| Shenell Edmonds | Tina | |
| Ben Davis | Josh, St. John’s Scout | |
| Mike Moh | Melvin | |
| Eddie Huang | Jackie | |
| Margaret Odette | Principal Kodal | |
| John Orantes | Cage Referee | |
| Despot | Assistant Coach | |
| Ren Hsieh | Young Mr. Chin | |
| Lenard “CThaGOD” McKelvey* | Patrick | |
| AC Casciani | Barracks MC | |
| Ming Wu | Arthur (Dragon Team) | |
| Terayle Hill | Terayle (Dragon Team) | |
| Mitchell Ito | Memphis Houston | |
| Farnold Degand | Dennis Thompson (MLK Team) | |
| Bernard Chang | Oracles Cook | |
| Samantha Eberle | Joy | |
| Sam Jules | Todd | |
| Ed Aristone | Cop | |
| Ariel Eliaz | Cop | |
| Kareem Savinon | High School Ref | |
| Ty Pauley | David (Young Basketball Player) | |
| Michael Duradola | Bronx Basketball Player | |
| Phillip S. Sottile | Man on Bus |
Production and Technical Credits
| Eddie Huang | Director | |
| Eddie Huang | Screenwriter | |
| Josh Bratman | Producer | |
| Josh McLaughlin | Producer | |
| Michael Tadross | Producer | |
| Shane Munguia | Co-Producer | |
| Charbel Youssef | Co-Producer | |
| Rafael Martinez | Executive Producer | |
| Chris Trujillo | Production Designer | |
| Brett Jutkiewicz | Director of Photography | |
| Adrian Younge | Composer | |
| Ali Shaheed Muhammad | Composer | |
| Vera Chow | Costume Designer | |
| Joan Sobel | Editor | |
| Charles Zalben | Unit Production Manager | |
| Nicholas Bell | First Assistant Director | |
| Keil Zepernick | Stunt Coordinator | |
| Naomi Munro | Art Director | |
| Olivia Peebles | Set Decorator | |
| Antonio Arroyo | Sound Mixer | |
| Joseph Galione | Special Effects Coordinator | |
| Joe Sacco | Special Effects Coordinator | |
| Jessica Zavala | Costume Supervisor | |
| Anouck Sullivan | Make up | |
| Adelina Atashi | Make up | |
| Danielle Crawford | Hairstylist | |
| Duane Moody | Hairsytlist | |
| Daniel McCarthy | Location Manager | |
| Rachel Cole | Script Supervisor | |
| Charbel Youssef | Production Supervisor | |
| Scott Cummings | Additional Editor | |
| Susan E. Morse | Additional Editor | |
| Isabel Henderson | Post-Production Supervisor | |
| Michael Wooldridge | Assistant Editor | |
| Kenny Duclos | Assistant Editor | |
| Lara Khachooni | Assistant Editor | |
| Bethany Orlemann | Assistant Editor | |
| Ruy Garcia | Re-recording Mixer | |
| Ruy Garcia | Sound Supervisor | |
| Luciano Vignola | Dialogue Editor | |
| Vladan Nedeljkov | Foley Recordist | |
| Aleksandar Rancic | Foley Recordist | |
| Eran Dinur | Visual Effects Supervisor | |
| Glenn Allen | Visual Effects Producer | |
| Richard Friedlander | Visual Effects Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.