Borderline (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $13,847 | Details |
| International Box Office | $228,016 | Details |
| Worldwide Box Office | $241,863 | |
| OpusData ID: 627980100 More info... | ||
| Further financial details... | ||
Synopsis
A dangerously persistent stalker invades the home of a ‘90s pop superstar with grand delusions of a wedding. With her life on the line and help from her loyal bodyguard, she must escape the stalker’s sinister grip before they tie the knot.
Metrics
| Opening Weekend: | $8,254 (59.6% of total gross) |
| Legs: | 1.68 (domestic box office/biggest weekend) |
| Domestic Share: | 5.7% (domestic box office/worldwide) |
| Theater counts: | 25 opening theaters/25 max. theaters, 1.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $13,847 |
Movie Details
| Domestic Releases: | March 14th, 2025 (Limited) by Magnet Releasing |
| International Releases: | May 1st, 2025 (Limited), released as Borderline (Ночь с психопатом) (Russia (CIS)) |
| Video Release: | March 14th, 2025 by Magnet Releasing |
| MPA Rating: | R for violence and language. (Rating bulletin 2788 (cert #54468), 6/21/2023) |
| Running Time: | 94 minutes |
| Cast, crew, or production detail: | Prologue |
| Geographical setting: | Los Angeles |
| Plot point: | Bodyguard, Hallucinations, Mental Illness, Prison Break, Singers, Stalker |
| Subgenre: | Black Comedy |
| Time period setting: | 1990s |
| Source: | Original Screenplay |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Magnet Releasing, Productivity Media, LuckyChap Entertainment, Red A Entertainment, Jurassic Party Productions, Jason Waterfalls |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 14, 2025 | - | $8,254 | 25 | $330 | $8,254 | 1 | |
| Mar 21, 2025 | - | $737 | -91% | 3 | $246 | $13,472 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 14, 2025 | 39 | $12,735 | 25 | $509 | $12,735 | 1 | |
| Mar 21, 2025 | 65 | $1,112 | -91% | 3 | $371 | $13,847 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Russia (CIS) | 5/1/2025 | $132,283 | 508 | 508 | 901 | $228,016 | 4/4/2026 | |||
| International Total | $228,016 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Samara Weaving | Sofia | |
| Ray Nicholson | Duerson |
Supporting
| Jimmie Fails | Rhodes | |
| Alba Baptista | Penny | |
| Eric Dane | Bell |
Production and Technical Credits
| Jimmy Warden | Director | |
| Jimmy Warden | Screenwriter | |
| Brian Duffield | Producer | |
| Hadeel Reda | Producer | |
| Josey McNamara | Producer | |
| Tom Ackerey | Producer | |
| Margot Robbie | Executive Producer | |
| Colleen Camp | Executive Producer | |
| William Santor | Executive Producer | |
| Andrew Chang-Sang | Executive Producer | |
| John Hills | Executive Producer | |
| Mimi Steinbauer | Executive Producer | |
| Shawn Williamson | Executive Producer | |
| Jameson Parker | Executive Producer | |
| Bronte Payne | Co-Producer | |
| Michael Alden Lloyd | Director of Photography | |
| James Hazell | Production Designer | |
| Joe Galdo | Editor | |
| Susan Jacobs | Music Supervisor | |
| Jillian Ennis | Music Supervisor | |
| Mondo Boys* | Composer | |
| Mondo Boys* | Composer | |
| Rich Delia | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A dangerously persistent stalker invades the home of a ‘90s pop superstar with grand delusions of a wedding. With her life on the line and help from her loyal bodyguard, she must escape the stalker’s sinister grip before they tie the knot.
Metrics
| Opening Weekend: | $8,254 (59.6% of total gross) |
| Legs: | 1.68 (domestic box office/biggest weekend) |
| Domestic Share: | 5.7% (domestic box office/worldwide) |
| Theater counts: | 25 opening theaters/25 max. theaters, 1.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $13,847 |
Movie Details
| Domestic Releases: | March 14th, 2025 (Limited) by Magnet Releasing |
| International Releases: | May 1st, 2025 (Limited), released as Borderline (Ночь с психопатом) (Russia (CIS)) |
| Video Release: | March 14th, 2025 by Magnet Releasing |
| MPA Rating: | R for violence and language. (Rating bulletin 2788 (cert #54468), 6/21/2023) |
| Running Time: | 94 minutes |
| Cast, crew, or production detail: | Prologue |
| Geographical setting: | Los Angeles |
| Plot point: | Bodyguard, Hallucinations, Mental Illness, Prison Break, Singers, Stalker |
| Subgenre: | Black Comedy |
| Time period setting: | 1990s |
| Source: | Original Screenplay |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Magnet Releasing, Productivity Media, LuckyChap Entertainment, Red A Entertainment, Jurassic Party Productions, Jason Waterfalls |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 14, 2025 | - | $8,254 | 25 | $330 | $8,254 | 1 | |
| Mar 21, 2025 | - | $737 | -91% | 3 | $246 | $13,472 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 14, 2025 | 39 | $12,735 | 25 | $509 | $12,735 | 1 | |
| Mar 21, 2025 | 65 | $1,112 | -91% | 3 | $371 | $13,847 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Russia (CIS) | 5/1/2025 | $132,283 | 508 | 508 | 901 | $228,016 | 4/4/2026 | |||
| International Total | $228,016 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Samara Weaving | Sofia | |
| Ray Nicholson | Duerson |
Supporting
| Jimmie Fails | Rhodes | |
| Alba Baptista | Penny | |
| Eric Dane | Bell |
Production and Technical Credits
| Jimmy Warden | Director | |
| Jimmy Warden | Screenwriter | |
| Brian Duffield | Producer | |
| Hadeel Reda | Producer | |
| Josey McNamara | Producer | |
| Tom Ackerey | Producer | |
| Margot Robbie | Executive Producer | |
| Colleen Camp | Executive Producer | |
| William Santor | Executive Producer | |
| Andrew Chang-Sang | Executive Producer | |
| John Hills | Executive Producer | |
| Mimi Steinbauer | Executive Producer | |
| Shawn Williamson | Executive Producer | |
| Jameson Parker | Executive Producer | |
| Bronte Payne | Co-Producer | |
| Michael Alden Lloyd | Director of Photography | |
| James Hazell | Production Designer | |
| Joe Galdo | Editor | |
| Susan Jacobs | Music Supervisor | |
| Jillian Ennis | Music Supervisor | |
| Mondo Boys* | Composer | |
| Mondo Boys* | Composer | |
| Rich Delia | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.