Born to be Wild (1995)
| Theatrical Performance | ||
| Domestic Box Office | $3,730,409 | Details |
| OpusData ID: 49960100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $1,657,008 (44.4% of total gross) |
| Legs: | 2.25 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,360 opening theaters/1,360 max. theaters, 3.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $9,699,060 |
Movie Details
| Domestic Releases: | March 31st, 1995 (Wide) by Warner Bros. |
| MPA Rating: | PG for mild language |
| Running Time: | 100 minutes |
| Cast, crew, or production detail: | Animal Lead, Famously Bad |
| Plot point: | Coming of Age, Juvenile Delinquent, Missing Pet, Rescue, Road Trip |
| Subgenre: | Family Adventure |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Kids Fiction |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 31, 1995 | 12 | $1,657,008 | 1,360 | $1,218 | $1,657,008 | 1 | |
| Apr 7, 1995 | 15 | $760,095 | -54% | 1,360 | $559 | $2,869,909 | 2 |
| Apr 14, 1995 | 29 | $204,359 | -73% | 1,018 | $201 | $3,317,247 | 3 |
| May 5, 1995 | 39 | $101,016 | 564 | $179 | $3,649,496 | 6 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 31, 1995 | 12 | $2,109,814 | 1,360 | $1,551 | $2,109,814 | 1 | |
| Apr 7, 1995 | 15 | $1,003,074 | -52% | 1,360 | $738 | $3,112,888 | 2 |
| John C. McGinley | Max Carr | |
| Alan Ruck | Dan Woodley | |
| Helen Shaver | Margaret Heller | |
| Peter Boyle | Gus Charnley | |
| Thomas F. Wilson | Det. Lou Greenberg | |
| Frank Welker | Special Vocal Effects |
Production and Technical Credits
| John Gray | Director | |
| John Bunzel | Screenwriter | |
| Paul Young | Screenwriter | |
| Jeffrey Silver | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $1,657,008 (44.4% of total gross) |
| Legs: | 2.25 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,360 opening theaters/1,360 max. theaters, 3.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $9,699,060 |
Movie Details
| Domestic Releases: | March 31st, 1995 (Wide) by Warner Bros. |
| MPA Rating: | PG for mild language |
| Running Time: | 100 minutes |
| Cast, crew, or production detail: | Animal Lead, Famously Bad |
| Plot point: | Coming of Age, Juvenile Delinquent, Missing Pet, Rescue, Road Trip |
| Subgenre: | Family Adventure |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Kids Fiction |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 31, 1995 | 12 | $1,657,008 | 1,360 | $1,218 | $1,657,008 | 1 | |
| Apr 7, 1995 | 15 | $760,095 | -54% | 1,360 | $559 | $2,869,909 | 2 |
| Apr 14, 1995 | 29 | $204,359 | -73% | 1,018 | $201 | $3,317,247 | 3 |
| May 5, 1995 | 39 | $101,016 | 564 | $179 | $3,649,496 | 6 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 31, 1995 | 12 | $2,109,814 | 1,360 | $1,551 | $2,109,814 | 1 | |
| Apr 7, 1995 | 15 | $1,003,074 | -52% | 1,360 | $738 | $3,112,888 | 2 |
| John C. McGinley | Max Carr | |
| Alan Ruck | Dan Woodley | |
| Helen Shaver | Margaret Heller | |
| Peter Boyle | Gus Charnley | |
| Thomas F. Wilson | Det. Lou Greenberg | |
| Frank Welker | Special Vocal Effects |
Production and Technical Credits
| John Gray | Director | |
| John Bunzel | Screenwriter | |
| Paul Young | Screenwriter | |
| Jeffrey Silver | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.