Boy Kills World (2024)
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| Theatrical Performance | ||
| Domestic Box Office | $2,626,127 | Details |
| International Box Office | $567,100 | Details |
| Worldwide Box Office | $3,193,227 | |
| Domestic Physical Disc Sales | ||
| Blu-ray Sales (estimated) | $469,757 | |
| Total | $469,757 | |
| OpusData ID: 522080100 More info... | ||
| Further financial details... | ||
Synopsis
Boy is a deaf-mute with a vivid imagination, driven by his inner voice, one which he co-opted from his favorite childhood video game, avows revenge after his family is murdered by Hilda Van Der Koy, the deranged matriarch of a corrupt post-apocalyptic dynasty that left the boy orphaned, deafened, and voiceless. Boy trains with a mysterious shaman to become an instrument of death and is set loose on the eve of the annual culling of dissidents. Bedlam ensues as Boy commits bloody martial arts mayhem, inciting a wrath of carnage and blood-letting. As he tries to get his bearings in this delirious realm, Boy soon falls in with a desperate resistance group, all the while bickering with the apparent ghost of his rebellious little sister.
Metrics
| Opening Weekend: | $1,682,525 (64.1% of total gross) |
| Legs: | 1.56 (domestic box office/biggest weekend) |
| Domestic Share: | 82.2% (domestic box office/worldwide) |
| Theater counts: | 1,993 opening theaters/1,993 max. theaters, 1.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,777,052 |
Movie Details
| Domestic Releases: | April 26th, 2024 (Wide) by Roadside Attractions |
| International Releases: | April 25th, 2024 (Wide), released as Contra o Mundo (Brazil)
April 25th, 2024 (Wide), released as Contra Todos (Mexico) April 25th, 2024 (Limited) (Slovakia) April 25th, 2024 (Limited) (Czech Republic) April 26th, 2024 (Wide) (United Kingdom) ... Show all releases |
| Video Release: | May 21st, 2024 by Lionsgate Home Entertainment |
| MPA Rating: | R for strong bloody violence and gore throughout, language, some drug use and sexual references. (Rating bulletin 2783 (cert #54440), 5/17/2023) |
| Running Time: | 111 minutes |
| Filming location (country): | South Africa |
| Plot point: | Deaf, Death of a Sibling, Lone Survivor, Mute, Young Child Dealing with the Death of a Parent |
| Social setting: | Dystopia |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Raimi Productions, Vertigo Entertainment, Nthibah Pictures, Hammerstone Studios, CAA Media Finance |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 26, 2024 | 10 | $1,682,525 | 1,993 | $844 | $1,682,525 | 1 | |
| May 3, 2024 | - | $250,642 | -85% | 1,524 | $164 | $2,457,111 | 2 |
| May 10, 2024 | - | $8,991 | -96% | 40 | $225 | $2,618,974 | 3 |
| May 17, 2024 | - | $602 | -93% | 7 | $86 | $2,625,321 | 4 |
| May 24, 2024 | - | $309 | -49% | 4 | $77 | $2,625,960 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 25, 2024 | P | $500,000 | 0 | $500,000 | ||||
| Apr 26, 2024 | 8 | $828,560 | 1,993 | $416 | $828,560 | 1 | ||
| Apr 27, 2024 | - | $495,271 | -40% | 1,993 | $249 | $1,323,831 | 2 | |
| Apr 28, 2024 | - | $358,694 | -28% | 1,993 | $180 | $1,682,525 | 3 | |
| Apr 29, 2024 | - | $137,426 | -62% | 1,993 | $69 | $1,819,951 | 4 | |
| Apr 30, 2024 | - | $187,815 | +37% | 1,993 | $94 | $2,007,766 | 5 | |
| May 1, 2024 | - | $115,035 | -39% | 1,993 | $58 | $2,122,801 | 6 | |
| May 2, 2024 | 14 | $82,703 | -28% | 1,993 | $41 | $2,205,504 | 7 | |
| May 3, 2024 | - | $71,931 | -13% | -91% | 1,515 | $47 | $2,278,400 | 8 |
| May 4, 2024 | - | $102,159 | +42% | -79% | 1,515 | $67 | $2,380,559 | 9 |
| May 5, 2024 | - | $76,552 | -25% | -79% | 1,524 | $50 | $2,457,111 | 10 |
| May 6, 2024 | - | $37,203 | -51% | -73% | 1,524 | $24 | $2,494,314 | 11 |
| May 7, 2024 | - | $48,768 | +31% | -74% | 1,524 | $32 | $2,543,082 | 12 |
| May 8, 2024 | - | $39,537 | -19% | -66% | 1,524 | $26 | $2,582,619 | 13 |
| May 9, 2024 | - | $27,364 | -31% | -67% | 1,524 | $18 | $2,609,983 | 14 |
| May 10, 2024 | - | $2,365 | -91% | -97% | 40 | $59 | $2,612,348 | 15 |
| May 11, 2024 | - | $3,712 | +57% | -96% | 40 | $93 | $2,616,060 | 16 |
| May 12, 2024 | - | $2,914 | -21% | -96% | 40 | $73 | $2,618,974 | 17 |
| May 13, 2024 | - | $1,440 | -51% | -96% | 40 | $36 | $2,620,414 | 18 |
| May 14, 2024 | - | $1,787 | +24% | -96% | 40 | $45 | $2,622,201 | 19 |
| May 15, 2024 | - | $1,573 | -12% | -96% | 40 | $39 | $2,623,774 | 20 |
| May 16, 2024 | - | $945 | -40% | -97% | 40 | $24 | $2,624,719 | 21 |
| May 17, 2024 | - | $207 | -78% | -91% | 7 | $30 | $2,624,926 | 22 |
| May 18, 2024 | - | $188 | -9% | -95% | 7 | $27 | $2,625,114 | 23 |
| May 19, 2024 | - | $207 | +10% | -93% | 7 | $30 | $2,625,321 | 24 |
| May 20, 2024 | - | $77 | -63% | -95% | 7 | $11 | $2,625,398 | 25 |
| May 21, 2024 | - | $108 | +40% | -94% | 7 | $15 | $2,625,506 | 26 |
| May 22, 2024 | - | $72 | -33% | -95% | 7 | $10 | $2,625,578 | 27 |
| May 23, 2024 | - | $73 | +1% | -92% | 7 | $10 | $2,625,651 | 28 |
| May 24, 2024 | - | $14 | -81% | -93% | 4 | $4 | $2,625,665 | 29 |
| May 25, 2024 | - | $30 | +114% | -84% | 4 | $8 | $2,625,695 | 30 |
| May 26, 2024 | - | $265 | +783% | +28% | 4 | $66 | $2,625,960 | 31 |
| May 27, 2024 | - | $8 | -97% | -90% | 4 | $2 | $2,625,968 | 32 |
| May 28, 2024 | - | $131 | +1,538% | +21% | 4 | $33 | $2,626,099 | 33 |
| May 30, 2024 | - | $28 | -62% | 2 | $14 | $2,626,127 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 26, 2024 | 11 | $2,206,469 | 1,993 | $1,107 | $2,206,469 | 1 | |
| May 3, 2024 | 15 | $403,514 | -82% | 1,524 | $265 | $2,609,983 | 2 |
| May 10, 2024 | 42 | $14,736 | -96% | 40 | $368 | $2,624,719 | 3 |
| May 17, 2024 | 57 | $932 | -94% | 7 | $133 | $2,625,651 | 4 |
| May 24, 2024 | 57 | $476 | -49% | 2 | $238 | $2,626,127 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 5/2/2024 | $76,119 | 201 | 201 | 403 | $147,780 | 6/10/2024 | |||
| Czech Republic | 4/25/2024 | $11,143 | 95 | 95 | 95 | $11,767 | 4/30/2024 | |||
| Netherlands | 6/20/2024 | $31,897 | 72 | 72 | 143 | $71,607 | 7/1/2024 | |||
| New Zealand | 5/2/2024 | $9,457 | 48 | 48 | 104 | $17,830 | 5/27/2024 | |||
| Portugal | 6/20/2024 | $7,060 | 45 | 45 | 56 | $10,852 | 7/2/2024 | |||
| Romania | 5/10/2024 | $13,436 | 83 | 83 | 185 | $29,724 | 6/19/2024 | |||
| Russia (CIS) | 5/16/2024 | $46,138 | 844 | 844 | 844 | $46,138 | 5/22/2024 | |||
| Slovakia | 4/25/2024 | $5,197 | 65 | 65 | 65 | $5,309 | 4/30/2024 | |||
| Spain | 7/5/2024 | $19,722 | 142 | 142 | 142 | $29,370 | 7/11/2024 | |||
| Turkey | 4/26/2024 | $0 | 0 | 137 | 1 | $13,652 | 4/4/2026 | |||
| United Kingdom | 4/26/2024 | $102,029 | 296 | 296 | 296 | $183,071 | 5/7/2024 | |||
| International Total | $567,100 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Bill Skarsgård | Boy | |
| Jessica Rothe | June27 | |
| Michelle Dockery | Melanie Van Der Koy | |
| Andrew Koji | Basho |
Supporting
| Brett Gelman | Gideon Van Der Koy | |
| Isaiah Mustafa | Bennie | |
| Yayan Ruhian | Shaman | |
| Sharlto Copley | Glen Van Der Koy | |
| Famke Janssen | Hilda Van Der Koy |
Narrator
| H. John Benjamin | Boy |
Supporting
| Dawid Szatarski | VDK Dawe | |
| Dorothy Ann Gould | Beatrice Van Der Koy | |
| Rolanda Marais | Boy’s Imaginary Mother | |
| Jane de Wet | Anna the Flower Girl | |
| Jody J. Abrahams | Noodle Husband | |
| Ilse Klink | Noodle Lady | |
| Jasmine Maylam | Noodle Child | |
| Kevin Otto | Darrel | |
| Nicky Rebelo | Kramer | |
| Nena Butler | Melanie’s Assistant | |
| Zainab Azizi | Melanie’s Executive | |
| Katherine Neethling | Shaman’s Daughter | |
| Blake Isaacs | Shaman’s Son | |
| Frances Sholto-Douglas | Angry Bystander | |
| Inge Beckmann | Melanie Impersonator | |
| Pierre Nelson | Gideon Impersonator | |
| Natalia Aleksandrowa | Hilda Impersonator | |
| Martin Munroe | Glen Impersonator | |
| Ashley Dowds | Boy’s Imaginary Father | |
| Lionel Newton | Ragged Man | |
| Caleb Payne | Scared Little Child | |
| Morne Visser | VDK Market Soldier | |
| Reza Brojerdi | Food Vendor | |
| Gershwin Mias | Machete Man | |
| Francois Chau | Shaman |
Production and Technical Credits
| Moritz Mohr | Director | |
| Arend Remmers | Screenwriter | |
| Tyler Burton Smith | Screenwriter | |
| Roy Lee | Story by | |
| Moritz Mohr | Story by | |
| Dawid Szatarski | Action and Fight Design by | |
| Simon Swart | Producer | |
| Wayne Fitzjohn | Producer | |
| Alex Lebovici | Producer | |
| Zainab Azizi | Producer | |
| Stuart Manashil | Producer | |
| Dan Kagan | Producer | |
| Andrew Childs | Producer | |
| Reza Brojerdi | Producer | |
| Sipho Nkosi | Executive Producer | |
| Mxolisi Mgojo | Executive Producer | |
| Humphrey Mathe | Executive Producer | |
| Bill Skarsgård | Executive Producer | |
| Reza Brojerdi | Executive Producer | |
| Christian Mercuri | Executive Producer | |
| Moritz Mohr | Executive Producer | |
| Andrew Childs | Executive Producer | |
| Peter Matjasko | Director of Photography | |
| Lucian Barnard | Editor | |
| Danielle Knox | Costume Designer | |
| Ludvig Forssell | Composer | |
| El Michaels Affair | Song Writer | |
| Ashley Waldron | Music Supervisor | |
| Karen Baker Landers | Supervising Sound Editor | |
| Jasen Jax Nannini | Visual Effects Producer | |
| Nancy Nayor | Casting Director | |
| Lerie Neethling | Production Manager | |
| Jon-Luke Lourens | First Assistant Director | |
| Jan-Paul Van Der Linde | Second Assistant Director | |
| Mali Mgojo | Associate Producer | |
| Sandra L. Rostirolla | Associate Producer | |
| Matthew-Judd Fitzjohn | Associate Producer | |
| Vance Null | Associate Producer | |
| Grant Hulley | Stunt Coordinator | |
| Kirk Doman | Supervising Art Director | |
| Tamarin Kotze | Script Supervisor | |
| Dieter Keck | Sound Mixer | |
| Doug Hardy | Special Effects Supervisor | |
| Rico Bailey | Location Manager | |
| Joseph Field | Set Designer | |
| Leah LaMoure | Set Designer | |
| Cathy Shields | Costume Supervisor | |
| Barry du Bruin | Hairstylist | |
| Cailin Nicolson | Make up | |
| Jenna Johnson | Post-Production Supervisor | |
| Brendan Feely | First Assistant Editor | |
| Ashleigh Ramsoomar | First Assistant Editor | |
| James McIntosh | First Assistant Editor | |
| Brendan Feely | Additional Editor | |
| Caleb Hollenback | Re-recording Mixer | |
| Peter Staubli | Re-recording Mixer | |
| Peter Staubli | Sound Designer | |
| Ann Scibelli | Sound Designer | |
| Daniel S. Irwin | Supervising Dialogue/ADR Editor | |
| Michelle Pazer | Dialogue Editor/ADR Editor | |
| Beso Kacharava | Foley Supervisor | |
| Giorgi Lekishvili | Foley Mixer | |
| Alexander Sanikidze | Foley Editor | |
| Tina Babakishvili | Foley Editor | |
| Charles Martin Inouye | Music Editor | |
| Heather Schmidt | Music Editor | |
| Tanya Winget-Hill | Music Editor | |
| Alvin Wee | Score Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Boy is a deaf-mute with a vivid imagination, driven by his inner voice, one which he co-opted from his favorite childhood video game, avows revenge after his family is murdered by Hilda Van Der Koy, the deranged matriarch of a corrupt post-apocalyptic dynasty that left the boy orphaned, deafened, and voiceless. Boy trains with a mysterious shaman to become an instrument of death and is set loose on the eve of the annual culling of dissidents. Bedlam ensues as Boy commits bloody martial arts mayhem, inciting a wrath of carnage and blood-letting. As he tries to get his bearings in this delirious realm, Boy soon falls in with a desperate resistance group, all the while bickering with the apparent ghost of his rebellious little sister.
Metrics
| Opening Weekend: | $1,682,525 (64.1% of total gross) |
| Legs: | 1.56 (domestic box office/biggest weekend) |
| Domestic Share: | 82.2% (domestic box office/worldwide) |
| Theater counts: | 1,993 opening theaters/1,993 max. theaters, 1.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,777,052 |
Movie Details
| Domestic Releases: | April 26th, 2024 (Wide) by Roadside Attractions |
| International Releases: | April 25th, 2024 (Wide), released as Contra o Mundo (Brazil)
April 25th, 2024 (Wide), released as Contra Todos (Mexico) April 25th, 2024 (Limited) (Slovakia) April 25th, 2024 (Limited) (Czech Republic) April 26th, 2024 (Wide) (United Kingdom) ... Show all releases |
| Video Release: | May 21st, 2024 by Lionsgate Home Entertainment |
| MPA Rating: | R for strong bloody violence and gore throughout, language, some drug use and sexual references. (Rating bulletin 2783 (cert #54440), 5/17/2023) |
| Running Time: | 111 minutes |
| Filming location (country): | South Africa |
| Plot point: | Deaf, Death of a Sibling, Lone Survivor, Mute, Young Child Dealing with the Death of a Parent |
| Social setting: | Dystopia |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Raimi Productions, Vertigo Entertainment, Nthibah Pictures, Hammerstone Studios, CAA Media Finance |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 26, 2024 | 10 | $1,682,525 | 1,993 | $844 | $1,682,525 | 1 | |
| May 3, 2024 | - | $250,642 | -85% | 1,524 | $164 | $2,457,111 | 2 |
| May 10, 2024 | - | $8,991 | -96% | 40 | $225 | $2,618,974 | 3 |
| May 17, 2024 | - | $602 | -93% | 7 | $86 | $2,625,321 | 4 |
| May 24, 2024 | - | $309 | -49% | 4 | $77 | $2,625,960 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 25, 2024 | P | $500,000 | 0 | $500,000 | ||||
| Apr 26, 2024 | 8 | $828,560 | 1,993 | $416 | $828,560 | 1 | ||
| Apr 27, 2024 | - | $495,271 | -40% | 1,993 | $249 | $1,323,831 | 2 | |
| Apr 28, 2024 | - | $358,694 | -28% | 1,993 | $180 | $1,682,525 | 3 | |
| Apr 29, 2024 | - | $137,426 | -62% | 1,993 | $69 | $1,819,951 | 4 | |
| Apr 30, 2024 | - | $187,815 | +37% | 1,993 | $94 | $2,007,766 | 5 | |
| May 1, 2024 | - | $115,035 | -39% | 1,993 | $58 | $2,122,801 | 6 | |
| May 2, 2024 | 14 | $82,703 | -28% | 1,993 | $41 | $2,205,504 | 7 | |
| May 3, 2024 | - | $71,931 | -13% | -91% | 1,515 | $47 | $2,278,400 | 8 |
| May 4, 2024 | - | $102,159 | +42% | -79% | 1,515 | $67 | $2,380,559 | 9 |
| May 5, 2024 | - | $76,552 | -25% | -79% | 1,524 | $50 | $2,457,111 | 10 |
| May 6, 2024 | - | $37,203 | -51% | -73% | 1,524 | $24 | $2,494,314 | 11 |
| May 7, 2024 | - | $48,768 | +31% | -74% | 1,524 | $32 | $2,543,082 | 12 |
| May 8, 2024 | - | $39,537 | -19% | -66% | 1,524 | $26 | $2,582,619 | 13 |
| May 9, 2024 | - | $27,364 | -31% | -67% | 1,524 | $18 | $2,609,983 | 14 |
| May 10, 2024 | - | $2,365 | -91% | -97% | 40 | $59 | $2,612,348 | 15 |
| May 11, 2024 | - | $3,712 | +57% | -96% | 40 | $93 | $2,616,060 | 16 |
| May 12, 2024 | - | $2,914 | -21% | -96% | 40 | $73 | $2,618,974 | 17 |
| May 13, 2024 | - | $1,440 | -51% | -96% | 40 | $36 | $2,620,414 | 18 |
| May 14, 2024 | - | $1,787 | +24% | -96% | 40 | $45 | $2,622,201 | 19 |
| May 15, 2024 | - | $1,573 | -12% | -96% | 40 | $39 | $2,623,774 | 20 |
| May 16, 2024 | - | $945 | -40% | -97% | 40 | $24 | $2,624,719 | 21 |
| May 17, 2024 | - | $207 | -78% | -91% | 7 | $30 | $2,624,926 | 22 |
| May 18, 2024 | - | $188 | -9% | -95% | 7 | $27 | $2,625,114 | 23 |
| May 19, 2024 | - | $207 | +10% | -93% | 7 | $30 | $2,625,321 | 24 |
| May 20, 2024 | - | $77 | -63% | -95% | 7 | $11 | $2,625,398 | 25 |
| May 21, 2024 | - | $108 | +40% | -94% | 7 | $15 | $2,625,506 | 26 |
| May 22, 2024 | - | $72 | -33% | -95% | 7 | $10 | $2,625,578 | 27 |
| May 23, 2024 | - | $73 | +1% | -92% | 7 | $10 | $2,625,651 | 28 |
| May 24, 2024 | - | $14 | -81% | -93% | 4 | $4 | $2,625,665 | 29 |
| May 25, 2024 | - | $30 | +114% | -84% | 4 | $8 | $2,625,695 | 30 |
| May 26, 2024 | - | $265 | +783% | +28% | 4 | $66 | $2,625,960 | 31 |
| May 27, 2024 | - | $8 | -97% | -90% | 4 | $2 | $2,625,968 | 32 |
| May 28, 2024 | - | $131 | +1,538% | +21% | 4 | $33 | $2,626,099 | 33 |
| May 30, 2024 | - | $28 | -62% | 2 | $14 | $2,626,127 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 26, 2024 | 11 | $2,206,469 | 1,993 | $1,107 | $2,206,469 | 1 | |
| May 3, 2024 | 15 | $403,514 | -82% | 1,524 | $265 | $2,609,983 | 2 |
| May 10, 2024 | 42 | $14,736 | -96% | 40 | $368 | $2,624,719 | 3 |
| May 17, 2024 | 57 | $932 | -94% | 7 | $133 | $2,625,651 | 4 |
| May 24, 2024 | 57 | $476 | -49% | 2 | $238 | $2,626,127 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 5/2/2024 | $76,119 | 201 | 201 | 403 | $147,780 | 6/10/2024 | |||
| Czech Republic | 4/25/2024 | $11,143 | 95 | 95 | 95 | $11,767 | 4/30/2024 | |||
| Netherlands | 6/20/2024 | $31,897 | 72 | 72 | 143 | $71,607 | 7/1/2024 | |||
| New Zealand | 5/2/2024 | $9,457 | 48 | 48 | 104 | $17,830 | 5/27/2024 | |||
| Portugal | 6/20/2024 | $7,060 | 45 | 45 | 56 | $10,852 | 7/2/2024 | |||
| Romania | 5/10/2024 | $13,436 | 83 | 83 | 185 | $29,724 | 6/19/2024 | |||
| Russia (CIS) | 5/16/2024 | $46,138 | 844 | 844 | 844 | $46,138 | 5/22/2024 | |||
| Slovakia | 4/25/2024 | $5,197 | 65 | 65 | 65 | $5,309 | 4/30/2024 | |||
| Spain | 7/5/2024 | $19,722 | 142 | 142 | 142 | $29,370 | 7/11/2024 | |||
| Turkey | 4/26/2024 | $0 | 0 | 137 | 1 | $13,652 | 4/4/2026 | |||
| United Kingdom | 4/26/2024 | $102,029 | 296 | 296 | 296 | $183,071 | 5/7/2024 | |||
| International Total | $567,100 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Bill Skarsgård | Boy | |
| Jessica Rothe | June27 | |
| Michelle Dockery | Melanie Van Der Koy | |
| Andrew Koji | Basho |
Supporting
| Brett Gelman | Gideon Van Der Koy | |
| Isaiah Mustafa | Bennie | |
| Yayan Ruhian | Shaman | |
| Sharlto Copley | Glen Van Der Koy | |
| Famke Janssen | Hilda Van Der Koy |
Narrator
| H. John Benjamin | Boy |
Supporting
| Dawid Szatarski | VDK Dawe | |
| Dorothy Ann Gould | Beatrice Van Der Koy | |
| Rolanda Marais | Boy’s Imaginary Mother | |
| Jane de Wet | Anna the Flower Girl | |
| Jody J. Abrahams | Noodle Husband | |
| Ilse Klink | Noodle Lady | |
| Jasmine Maylam | Noodle Child | |
| Kevin Otto | Darrel | |
| Nicky Rebelo | Kramer | |
| Nena Butler | Melanie’s Assistant | |
| Zainab Azizi | Melanie’s Executive | |
| Katherine Neethling | Shaman’s Daughter | |
| Blake Isaacs | Shaman’s Son | |
| Frances Sholto-Douglas | Angry Bystander | |
| Inge Beckmann | Melanie Impersonator | |
| Pierre Nelson | Gideon Impersonator | |
| Natalia Aleksandrowa | Hilda Impersonator | |
| Martin Munroe | Glen Impersonator | |
| Ashley Dowds | Boy’s Imaginary Father | |
| Lionel Newton | Ragged Man | |
| Caleb Payne | Scared Little Child | |
| Morne Visser | VDK Market Soldier | |
| Reza Brojerdi | Food Vendor | |
| Gershwin Mias | Machete Man | |
| Francois Chau | Shaman |
Production and Technical Credits
| Moritz Mohr | Director | |
| Arend Remmers | Screenwriter | |
| Tyler Burton Smith | Screenwriter | |
| Roy Lee | Story by | |
| Moritz Mohr | Story by | |
| Dawid Szatarski | Action and Fight Design by | |
| Simon Swart | Producer | |
| Wayne Fitzjohn | Producer | |
| Alex Lebovici | Producer | |
| Zainab Azizi | Producer | |
| Stuart Manashil | Producer | |
| Dan Kagan | Producer | |
| Andrew Childs | Producer | |
| Reza Brojerdi | Producer | |
| Sipho Nkosi | Executive Producer | |
| Mxolisi Mgojo | Executive Producer | |
| Humphrey Mathe | Executive Producer | |
| Bill Skarsgård | Executive Producer | |
| Reza Brojerdi | Executive Producer | |
| Christian Mercuri | Executive Producer | |
| Moritz Mohr | Executive Producer | |
| Andrew Childs | Executive Producer | |
| Peter Matjasko | Director of Photography | |
| Lucian Barnard | Editor | |
| Danielle Knox | Costume Designer | |
| Ludvig Forssell | Composer | |
| El Michaels Affair | Song Writer | |
| Ashley Waldron | Music Supervisor | |
| Karen Baker Landers | Supervising Sound Editor | |
| Jasen Jax Nannini | Visual Effects Producer | |
| Nancy Nayor | Casting Director | |
| Lerie Neethling | Production Manager | |
| Jon-Luke Lourens | First Assistant Director | |
| Jan-Paul Van Der Linde | Second Assistant Director | |
| Mali Mgojo | Associate Producer | |
| Sandra L. Rostirolla | Associate Producer | |
| Matthew-Judd Fitzjohn | Associate Producer | |
| Vance Null | Associate Producer | |
| Grant Hulley | Stunt Coordinator | |
| Kirk Doman | Supervising Art Director | |
| Tamarin Kotze | Script Supervisor | |
| Dieter Keck | Sound Mixer | |
| Doug Hardy | Special Effects Supervisor | |
| Rico Bailey | Location Manager | |
| Joseph Field | Set Designer | |
| Leah LaMoure | Set Designer | |
| Cathy Shields | Costume Supervisor | |
| Barry du Bruin | Hairstylist | |
| Cailin Nicolson | Make up | |
| Jenna Johnson | Post-Production Supervisor | |
| Brendan Feely | First Assistant Editor | |
| Ashleigh Ramsoomar | First Assistant Editor | |
| James McIntosh | First Assistant Editor | |
| Brendan Feely | Additional Editor | |
| Caleb Hollenback | Re-recording Mixer | |
| Peter Staubli | Re-recording Mixer | |
| Peter Staubli | Sound Designer | |
| Ann Scibelli | Sound Designer | |
| Daniel S. Irwin | Supervising Dialogue/ADR Editor | |
| Michelle Pazer | Dialogue Editor/ADR Editor | |
| Beso Kacharava | Foley Supervisor | |
| Giorgi Lekishvili | Foley Mixer | |
| Alexander Sanikidze | Foley Editor | |
| Tina Babakishvili | Foley Editor | |
| Charles Martin Inouye | Music Editor | |
| Heather Schmidt | Music Editor | |
| Tanya Winget-Hill | Music Editor | |
| Alvin Wee | Score Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
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