Boys Go to Jupiter (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $205,882 | Details |
| OpusData ID: 754600100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $14,355 (7.0% of total gross) |
| Legs: | 6.53 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/22 max. theaters, 5.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $205,882 |
Movie Details
| Domestic Releases: | August 8th, 2025 (Limited) by Cartuna |
| Video Release: | February 6th, 2026 by Max |
| MPA Rating: | Not Rated (Rated 8/11/2025) |
| Running Time: | 87 minutes |
| Plot point: | Coming of Age |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 8, 2025 | - | $14,355 | 1 | $14,355 | $14,355 | 1 | |
| Aug 15, 2025 | - | $31,530 | +120% | 14 | $2,252 | $53,091 | 2 |
| Aug 22, 2025 | - | $26,569 | -16% | 17 | $1,563 | $98,376 | 3 |
| Aug 29, 2025 | - | $15,652 | -41% | 19 | $824 | $131,956 | 4 |
| Sep 5, 2025 | - | $17,163 | +10% | 15 | $1,144 | $159,197 | 5 |
| Sep 12, 2025 | - | $10,240 | -40% | 14 | $731 | $177,607 | 6 |
| Sep 19, 2025 | - | $3,962 | -61% | 8 | $495 | $186,690 | 7 |
| Sep 26, 2025 | - | $2,766 | -30% | 8 | $346 | $192,913 | 8 |
| Oct 3, 2025 | - | $918 | -67% | 6 | $153 | $195,143 | 9 |
| Oct 10, 2025 | - | $1,446 | +58% | 6 | $241 | $198,269 | 10 |
| Oct 17, 2025 | - | $626 | -57% | 2 | $313 | $200,133 | 11 |
| Nov 14, 2025 | - | $1,294 | 2 | $647 | $202,290 | 15 | |
| Dec 5, 2025 | - | $334 | 1 | $334 | $202,624 | 18 | |
| Dec 19, 2025 | - | $129 | 1 | $129 | $204,317 | 20 | |
| Dec 26, 2025 | - | $956 | +641% | 1 | $956 | $205,273 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 8, 2025 | 32 | $21,561 | 1 | $21,561 | $21,561 | 1 | |
| Aug 15, 2025 | 30 | $50,246 | +133% | 17 | $2,956 | $71,807 | 2 |
| Aug 22, 2025 | 31 | $44,497 | -11% | 22 | $2,023 | $116,304 | 3 |
| Aug 29, 2025 | 34 | $25,730 | -42% | 22 | $1,170 | $142,034 | 4 |
| Sep 5, 2025 | 38 | $25,333 | -2% | 20 | $1,267 | $167,367 | 5 |
| Sep 12, 2025 | 42 | $15,361 | -39% | 19 | $808 | $182,728 | 6 |
| Sep 19, 2025 | 47 | $7,419 | -52% | 9 | $824 | $190,147 | 7 |
| Sep 26, 2025 | 49 | $4,078 | -45% | 9 | $453 | $194,225 | 8 |
| Oct 3, 2025 | 47 | $2,598 | -36% | 7 | $371 | $196,823 | 9 |
| Oct 10, 2025 | 48 | $2,664 | +3% | 7 | $381 | $199,487 | 10 |
| Oct 17, 2025 | 63 | $801 | -70% | 2 | $401 | $200,288 | 11 |
| Oct 24, 2025 | 75 | $510 | -36% | 2 | $255 | $200,798 | 12 |
| Oct 31, 2025 | 74 | $198 | -61% | 1 | $198 | $200,996 | 13 |
| Dec 5, 2025 | 57 | $404 | 1 | $404 | $202,694 | 18 | |
| Dec 12, 2025 | 52 | $1,494 | +270% | 1 | $1,494 | $204,188 | 19 |
| Dec 19, 2025 | 58 | $129 | -91% | 1 | $129 | $204,317 | 20 |
| Dec 26, 2025 | 45 | $1,565 | +1,113% | 1 | $1,565 | $205,882 | 21 |
Lead Ensemble Member
| Jack Corbett | Billy 5000 | |
| Janeane Garofalo | Dr. Dolphin | |
| Tavi Gevinson | Glarba | |
| Elsie Fisher | Beatbox | |
| Grace Kuhlenschmidt | Freckles | |
| Julio Torres | T-bone | |
| Joe Pera | Herschel Cretaceous | |
| Miya Folick | Rozebud | |
| Sarah Sherman | Miss Sharon | |
| Cole Escola | Old Slippy | |
| Max Wittert | Byron | |
| Chris Fleming | Weenie | |
| Eva Victor | Gail 5000 | |
| River L. Ramirez | Gordon Spaghetti | |
| Demi Adejuyigbe | Mr. Moolah |
Production and Technical Credits
| Julian Glander | Director | |
| Julian Glander | Screenwriter | |
| Julian Glander | Producer | |
| Peisin Yang Lazo | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Metrics
| Opening Weekend: | $14,355 (7.0% of total gross) |
| Legs: | 6.53 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/22 max. theaters, 5.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $205,882 |
Movie Details
| Domestic Releases: | August 8th, 2025 (Limited) by Cartuna |
| Video Release: | February 6th, 2026 by Max |
| MPA Rating: | Not Rated (Rated 8/11/2025) |
| Running Time: | 87 minutes |
| Plot point: | Coming of Age |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 8, 2025 | - | $14,355 | 1 | $14,355 | $14,355 | 1 | |
| Aug 15, 2025 | - | $31,530 | +120% | 14 | $2,252 | $53,091 | 2 |
| Aug 22, 2025 | - | $26,569 | -16% | 17 | $1,563 | $98,376 | 3 |
| Aug 29, 2025 | - | $15,652 | -41% | 19 | $824 | $131,956 | 4 |
| Sep 5, 2025 | - | $17,163 | +10% | 15 | $1,144 | $159,197 | 5 |
| Sep 12, 2025 | - | $10,240 | -40% | 14 | $731 | $177,607 | 6 |
| Sep 19, 2025 | - | $3,962 | -61% | 8 | $495 | $186,690 | 7 |
| Sep 26, 2025 | - | $2,766 | -30% | 8 | $346 | $192,913 | 8 |
| Oct 3, 2025 | - | $918 | -67% | 6 | $153 | $195,143 | 9 |
| Oct 10, 2025 | - | $1,446 | +58% | 6 | $241 | $198,269 | 10 |
| Oct 17, 2025 | - | $626 | -57% | 2 | $313 | $200,133 | 11 |
| Nov 14, 2025 | - | $1,294 | 2 | $647 | $202,290 | 15 | |
| Dec 5, 2025 | - | $334 | 1 | $334 | $202,624 | 18 | |
| Dec 19, 2025 | - | $129 | 1 | $129 | $204,317 | 20 | |
| Dec 26, 2025 | - | $956 | +641% | 1 | $956 | $205,273 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 8, 2025 | 32 | $21,561 | 1 | $21,561 | $21,561 | 1 | |
| Aug 15, 2025 | 30 | $50,246 | +133% | 17 | $2,956 | $71,807 | 2 |
| Aug 22, 2025 | 31 | $44,497 | -11% | 22 | $2,023 | $116,304 | 3 |
| Aug 29, 2025 | 34 | $25,730 | -42% | 22 | $1,170 | $142,034 | 4 |
| Sep 5, 2025 | 38 | $25,333 | -2% | 20 | $1,267 | $167,367 | 5 |
| Sep 12, 2025 | 42 | $15,361 | -39% | 19 | $808 | $182,728 | 6 |
| Sep 19, 2025 | 47 | $7,419 | -52% | 9 | $824 | $190,147 | 7 |
| Sep 26, 2025 | 49 | $4,078 | -45% | 9 | $453 | $194,225 | 8 |
| Oct 3, 2025 | 47 | $2,598 | -36% | 7 | $371 | $196,823 | 9 |
| Oct 10, 2025 | 48 | $2,664 | +3% | 7 | $381 | $199,487 | 10 |
| Oct 17, 2025 | 63 | $801 | -70% | 2 | $401 | $200,288 | 11 |
| Oct 24, 2025 | 75 | $510 | -36% | 2 | $255 | $200,798 | 12 |
| Oct 31, 2025 | 74 | $198 | -61% | 1 | $198 | $200,996 | 13 |
| Dec 5, 2025 | 57 | $404 | 1 | $404 | $202,694 | 18 | |
| Dec 12, 2025 | 52 | $1,494 | +270% | 1 | $1,494 | $204,188 | 19 |
| Dec 19, 2025 | 58 | $129 | -91% | 1 | $129 | $204,317 | 20 |
| Dec 26, 2025 | 45 | $1,565 | +1,113% | 1 | $1,565 | $205,882 | 21 |
Lead Ensemble Member
| Jack Corbett | Billy 5000 | |
| Janeane Garofalo | Dr. Dolphin | |
| Tavi Gevinson | Glarba | |
| Elsie Fisher | Beatbox | |
| Grace Kuhlenschmidt | Freckles | |
| Julio Torres | T-bone | |
| Joe Pera | Herschel Cretaceous | |
| Miya Folick | Rozebud | |
| Sarah Sherman | Miss Sharon | |
| Cole Escola | Old Slippy | |
| Max Wittert | Byron | |
| Chris Fleming | Weenie | |
| Eva Victor | Gail 5000 | |
| River L. Ramirez | Gordon Spaghetti | |
| Demi Adejuyigbe | Mr. Moolah |
Production and Technical Credits
| Julian Glander | Director | |
| Julian Glander | Screenwriter | |
| Julian Glander | Producer | |
| Peisin Yang Lazo | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.