Brahms: The Boy II (2020)
.jpg)
| Theatrical Performance | ||
| Domestic Box Office | $12,611,536 | Details |
| International Box Office | $6,356,790 | Details |
| Worldwide Box Office | $18,968,326 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $44,625 | |
| Blu-ray Sales (estimated) | $46,418 | |
| Total | $91,043 | |
| OpusData ID: 375660100 More info... | ||
| Further financial details... | ||
Synopsis
A young family, unaware of the terrifying history of the estate into which they move, where their young son soon makes an unsettling new friend, an eerily life-like doll he calls Brahms.
Metrics
| Opening Weekend: | $5,823,006 (46.2% of total gross) |
| Legs: | 2.17 (domestic box office/biggest weekend) |
| Domestic Share: | 66.5% (domestic box office/worldwide) |
| Production Budget: | $10,000,000 (worldwide box office is 1.9 times production budget) |
| Theater counts: | 2,151 opening theaters/2,151 max. theaters, 2.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $16,430,720 |
Movie Details
| Domestic Releases: | February 21st, 2020 (Wide) by STX Entertainment |
| International Releases: | February 20th, 2020 (Wide) (New Zealand)
February 20th, 2020 (Wide) (Germany) February 21st, 2020 (Wide), released as Brahms: The Boy Ii (Australia) February 21st, 2020 (Wide) (United Kingdom) February 28th, 2020 (Wide) (Netherlands) ... Show all releases |
| Video Release: | April 3rd, 2020 by Universal Home Entertainment |
| MPA Rating: | PG-13 for terror, violence, disturbing images and thematic elements.
NOTE: EDITED FOR RE-RATE. CONTENT IS DIFFERENT FROM PG-13 RATED VERSION, BULLETIN NO. 2594 (9/4/19). ONLY THIS EDITED VERSION IS RATED. CHANGE IN RATING DESCRIPTOR ONLY. (Rating bulletin 2613 (Cert #52367), 1/22/2020) |
| Running Time: | 86 minutes |
| Franchise: | The Boy |
| Cast, crew, or production detail: | Sequels Without Their Original Stars |
| Geographical setting: | United Kingdom |
| Plot point: | Country Mouse, City Mouse, Living Toys |
| Subgenre: | Isolation Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Lakeshore Entertainment, STX Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 21, 2020 | 5 | $5,823,006 | 2,151 | $2,707 | $5,823,006 | 1 | |
| Feb 28, 2020 | 9 | $2,622,542 | -55% | 2,151 | $1,219 | $9,770,161 | 2 |
| Mar 6, 2020 | 13 | $1,239,717 | -53% | 1,355 | $915 | $11,771,571 | 3 |
| Mar 13, 2020 | 15 | $341,473 | -72% | 607 | $563 | $12,570,276 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 20, 2020 | P | $375,000 | 1,800 | $208 | $375,000 | |||
| Feb 21, 2020 | 3 | $2,210,191 | 2,151 | $1,028 | $2,210,191 | 1 | ||
| Feb 22, 2020 | 5 | $2,334,829 | +6% | 2,151 | $1,085 | $4,545,020 | 2 | |
| Feb 23, 2020 | 5 | $1,277,986 | -45% | 2,151 | $594 | $5,823,006 | 3 | |
| Feb 24, 2020 | 7 | $307,698 | -76% | 2,151 | $143 | $6,130,704 | 4 | |
| Feb 25, 2020 | 6 | $520,008 | +69% | 2,151 | $242 | $6,650,712 | 5 | |
| Feb 26, 2020 | 9 | $266,214 | -49% | 2,151 | $124 | $6,916,926 | 6 | |
| Feb 27, 2020 | 9 | $230,693 | -13% | 2,151 | $107 | $7,147,619 | 7 | |
| Feb 28, 2020 | 8 | $741,945 | +222% | -66% | 2,151 | $345 | $7,889,564 | 8 |
| Feb 29, 2020 | 9 | $1,232,477 | +66% | -47% | 2,151 | $573 | $9,122,041 | 9 |
| Mar 1, 2020 | 9 | $648,120 | -47% | -49% | 2,151 | $301 | $9,770,161 | 10 |
| Mar 2, 2020 | 10 | $162,061 | -75% | -47% | 2,151 | $75 | $9,932,222 | 11 |
| Mar 3, 2020 | 10 | $275,262 | +70% | -47% | 2,151 | $128 | $10,207,484 | 12 |
| Mar 4, 2020 | 11 | $168,569 | -39% | -37% | 2,151 | $78 | $10,376,053 | 13 |
| Mar 5, 2020 | 11 | $155,801 | -8% | -32% | 2,151 | $72 | $10,531,854 | 14 |
| Mar 6, 2020 | 12 | $344,067 | +121% | -54% | 1,355 | $254 | $10,875,921 | 15 |
| Mar 7, 2020 | 13 | $585,009 | +70% | -53% | 1,355 | $432 | $11,460,930 | 16 |
| Mar 8, 2020 | 13 | $310,641 | -47% | -52% | 1,355 | $229 | $11,771,571 | 17 |
| Mar 9, 2020 | 14 | $111,663 | -64% | -31% | 1,355 | $82 | $11,883,234 | 18 |
| Mar 10, 2020 | 13 | $162,619 | +46% | -41% | 1,355 | $120 | $12,045,853 | 19 |
| Mar 11, 2020 | 13 | $110,873 | -32% | -34% | 1,355 | $82 | $12,156,726 | 20 |
| Mar 12, 2020 | 13 | $72,077 | -35% | -54% | 1,355 | $53 | $12,228,803 | 21 |
| Mar 13, 2020 | 14 | $105,668 | +47% | -69% | 607 | $174 | $12,334,471 | 22 |
| Mar 14, 2020 | 15 | $149,855 | +42% | -74% | 607 | $247 | $12,484,326 | 23 |
| Mar 15, 2020 | 15 | $85,950 | -43% | -72% | 607 | $142 | $12,570,276 | 24 |
| Mar 16, 2020 | - | $30,286 | -65% | -73% | 607 | $50 | $12,600,562 | 25 |
| Mar 17, 2020 | 12 | $9,261 | -69% | -94% | 607 | $15 | $12,609,823 | 26 |
| Mar 18, 2020 | - | $1,115 | -88% | -99% | 607 | $2 | $12,610,938 | 27 |
| Mar 19, 2020 | - | $598 | -46% | -99% | 607 | $1 | $12,611,536 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 21, 2020 | 5 | $7,147,619 | 2,151 | $3,323 | $7,147,619 | 1 | |
| Feb 28, 2020 | 9 | $3,384,235 | -53% | 2,151 | $1,573 | $10,531,854 | 2 |
| Mar 6, 2020 | 13 | $1,696,949 | -50% | 1,355 | $1,252 | $12,228,803 | 3 |
| Mar 13, 2020 | 13 | $382,733 | -77% | 607 | $631 | $12,611,536 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/21/2020 | $93,341 | 115 | 115 | 212 | $151,225 | 3/10/2020 | |||
| France | 2/28/2020 | $636,051 | 202 | 202 | 579 | $1,192,205 | 3/20/2020 | |||
| Germany | 2/20/2020 | $0 | 0 | 227 | 227 | $554,840 | 3/6/2020 | |||
| Lithuania | 2/28/2020 | $25,948 | 13 | 13 | 36 | $66,611 | 10/19/2022 | |||
| Netherlands | 2/28/2020 | $157,438 | 63 | 63 | 180 | $356,509 | 10/19/2022 | |||
| New Zealand | 2/20/2020 | $13,466 | 18 | 18 | 37 | $23,659 | 10/19/2022 | |||
| Poland | 2/28/2020 | $118,579 | 97 | 97 | 194 | $290,282 | 10/19/2022 | |||
| Portugal | 2/28/2020 | $56,922 | 34 | 34 | 94 | $110,569 | 10/19/2022 | |||
| Russia (CIS) | 3/12/2020 | $279,031 | 1,144 | 1,144 | 1,995 | $486,415 | 4/4/2026 | |||
| South Korea | 3/5/2020 | $81,886 | 179 | 179 | 349 | $182,095 | 3/25/2020 | |||
| United Kingdom | 2/21/2020 | $657,123 | 339 | 339 | 643 | $1,159,413 | 4/4/2026 | |||
| Rest of World | $1,782,967 | |||||||||
| International Total | $6,356,790 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Katie Holmes | Liza | |
| Christopher Convery | Jude | |
| Ralph Ineson | Joseph | |
| Owain Yeoman | Sean |
Supporting
| Anjali Jay | Dr. Lawrence | |
| Fabio William | Brahms | |
| Oliver Rice | Liam | |
| Joely Collins | Mary | |
| Natalie Moon | Pamela |
Production and Technical Credits
| William Brent Bell | Director | |
| Stacey Menear | Screenwriter | |
| Tom Rosenberg | Producer | |
| Gary Lucchesi | Producer | |
| Eric Reid | Producer | |
| Matt Berenson | Producer | |
| Jim Wedaa | Producer | |
| Roy Lee | Producer | |
| Brian Berdan | Editor | |
| Joulles Wright | Costume Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A young family, unaware of the terrifying history of the estate into which they move, where their young son soon makes an unsettling new friend, an eerily life-like doll he calls Brahms.
Metrics
| Opening Weekend: | $5,823,006 (46.2% of total gross) |
| Legs: | 2.17 (domestic box office/biggest weekend) |
| Domestic Share: | 66.5% (domestic box office/worldwide) |
| Production Budget: | $10,000,000 (worldwide box office is 1.9 times production budget) |
| Theater counts: | 2,151 opening theaters/2,151 max. theaters, 2.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $16,430,720 |
Movie Details
| Domestic Releases: | February 21st, 2020 (Wide) by STX Entertainment |
| International Releases: | February 20th, 2020 (Wide) (New Zealand)
February 20th, 2020 (Wide) (Germany) February 21st, 2020 (Wide), released as Brahms: The Boy Ii (Australia) February 21st, 2020 (Wide) (United Kingdom) February 28th, 2020 (Wide) (Netherlands) ... Show all releases |
| Video Release: | April 3rd, 2020 by Universal Home Entertainment |
| MPA Rating: | PG-13 for terror, violence, disturbing images and thematic elements.
NOTE: EDITED FOR RE-RATE. CONTENT IS DIFFERENT FROM PG-13 RATED VERSION, BULLETIN NO. 2594 (9/4/19). ONLY THIS EDITED VERSION IS RATED. CHANGE IN RATING DESCRIPTOR ONLY. (Rating bulletin 2613 (Cert #52367), 1/22/2020) |
| Running Time: | 86 minutes |
| Franchise: | The Boy |
| Cast, crew, or production detail: | Sequels Without Their Original Stars |
| Geographical setting: | United Kingdom |
| Plot point: | Country Mouse, City Mouse, Living Toys |
| Subgenre: | Isolation Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Lakeshore Entertainment, STX Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 21, 2020 | 5 | $5,823,006 | 2,151 | $2,707 | $5,823,006 | 1 | |
| Feb 28, 2020 | 9 | $2,622,542 | -55% | 2,151 | $1,219 | $9,770,161 | 2 |
| Mar 6, 2020 | 13 | $1,239,717 | -53% | 1,355 | $915 | $11,771,571 | 3 |
| Mar 13, 2020 | 15 | $341,473 | -72% | 607 | $563 | $12,570,276 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 20, 2020 | P | $375,000 | 1,800 | $208 | $375,000 | |||
| Feb 21, 2020 | 3 | $2,210,191 | 2,151 | $1,028 | $2,210,191 | 1 | ||
| Feb 22, 2020 | 5 | $2,334,829 | +6% | 2,151 | $1,085 | $4,545,020 | 2 | |
| Feb 23, 2020 | 5 | $1,277,986 | -45% | 2,151 | $594 | $5,823,006 | 3 | |
| Feb 24, 2020 | 7 | $307,698 | -76% | 2,151 | $143 | $6,130,704 | 4 | |
| Feb 25, 2020 | 6 | $520,008 | +69% | 2,151 | $242 | $6,650,712 | 5 | |
| Feb 26, 2020 | 9 | $266,214 | -49% | 2,151 | $124 | $6,916,926 | 6 | |
| Feb 27, 2020 | 9 | $230,693 | -13% | 2,151 | $107 | $7,147,619 | 7 | |
| Feb 28, 2020 | 8 | $741,945 | +222% | -66% | 2,151 | $345 | $7,889,564 | 8 |
| Feb 29, 2020 | 9 | $1,232,477 | +66% | -47% | 2,151 | $573 | $9,122,041 | 9 |
| Mar 1, 2020 | 9 | $648,120 | -47% | -49% | 2,151 | $301 | $9,770,161 | 10 |
| Mar 2, 2020 | 10 | $162,061 | -75% | -47% | 2,151 | $75 | $9,932,222 | 11 |
| Mar 3, 2020 | 10 | $275,262 | +70% | -47% | 2,151 | $128 | $10,207,484 | 12 |
| Mar 4, 2020 | 11 | $168,569 | -39% | -37% | 2,151 | $78 | $10,376,053 | 13 |
| Mar 5, 2020 | 11 | $155,801 | -8% | -32% | 2,151 | $72 | $10,531,854 | 14 |
| Mar 6, 2020 | 12 | $344,067 | +121% | -54% | 1,355 | $254 | $10,875,921 | 15 |
| Mar 7, 2020 | 13 | $585,009 | +70% | -53% | 1,355 | $432 | $11,460,930 | 16 |
| Mar 8, 2020 | 13 | $310,641 | -47% | -52% | 1,355 | $229 | $11,771,571 | 17 |
| Mar 9, 2020 | 14 | $111,663 | -64% | -31% | 1,355 | $82 | $11,883,234 | 18 |
| Mar 10, 2020 | 13 | $162,619 | +46% | -41% | 1,355 | $120 | $12,045,853 | 19 |
| Mar 11, 2020 | 13 | $110,873 | -32% | -34% | 1,355 | $82 | $12,156,726 | 20 |
| Mar 12, 2020 | 13 | $72,077 | -35% | -54% | 1,355 | $53 | $12,228,803 | 21 |
| Mar 13, 2020 | 14 | $105,668 | +47% | -69% | 607 | $174 | $12,334,471 | 22 |
| Mar 14, 2020 | 15 | $149,855 | +42% | -74% | 607 | $247 | $12,484,326 | 23 |
| Mar 15, 2020 | 15 | $85,950 | -43% | -72% | 607 | $142 | $12,570,276 | 24 |
| Mar 16, 2020 | - | $30,286 | -65% | -73% | 607 | $50 | $12,600,562 | 25 |
| Mar 17, 2020 | 12 | $9,261 | -69% | -94% | 607 | $15 | $12,609,823 | 26 |
| Mar 18, 2020 | - | $1,115 | -88% | -99% | 607 | $2 | $12,610,938 | 27 |
| Mar 19, 2020 | - | $598 | -46% | -99% | 607 | $1 | $12,611,536 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 21, 2020 | 5 | $7,147,619 | 2,151 | $3,323 | $7,147,619 | 1 | |
| Feb 28, 2020 | 9 | $3,384,235 | -53% | 2,151 | $1,573 | $10,531,854 | 2 |
| Mar 6, 2020 | 13 | $1,696,949 | -50% | 1,355 | $1,252 | $12,228,803 | 3 |
| Mar 13, 2020 | 13 | $382,733 | -77% | 607 | $631 | $12,611,536 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/21/2020 | $93,341 | 115 | 115 | 212 | $151,225 | 3/10/2020 | |||
| France | 2/28/2020 | $636,051 | 202 | 202 | 579 | $1,192,205 | 3/20/2020 | |||
| Germany | 2/20/2020 | $0 | 0 | 227 | 227 | $554,840 | 3/6/2020 | |||
| Lithuania | 2/28/2020 | $25,948 | 13 | 13 | 36 | $66,611 | 10/19/2022 | |||
| Netherlands | 2/28/2020 | $157,438 | 63 | 63 | 180 | $356,509 | 10/19/2022 | |||
| New Zealand | 2/20/2020 | $13,466 | 18 | 18 | 37 | $23,659 | 10/19/2022 | |||
| Poland | 2/28/2020 | $118,579 | 97 | 97 | 194 | $290,282 | 10/19/2022 | |||
| Portugal | 2/28/2020 | $56,922 | 34 | 34 | 94 | $110,569 | 10/19/2022 | |||
| Russia (CIS) | 3/12/2020 | $279,031 | 1,144 | 1,144 | 1,995 | $486,415 | 4/4/2026 | |||
| South Korea | 3/5/2020 | $81,886 | 179 | 179 | 349 | $182,095 | 3/25/2020 | |||
| United Kingdom | 2/21/2020 | $657,123 | 339 | 339 | 643 | $1,159,413 | 4/4/2026 | |||
| Rest of World | $1,782,967 | |||||||||
| International Total | $6,356,790 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Katie Holmes | Liza | |
| Christopher Convery | Jude | |
| Ralph Ineson | Joseph | |
| Owain Yeoman | Sean |
Supporting
| Anjali Jay | Dr. Lawrence | |
| Fabio William | Brahms | |
| Oliver Rice | Liam | |
| Joely Collins | Mary | |
| Natalie Moon | Pamela |
Production and Technical Credits
| William Brent Bell | Director | |
| Stacey Menear | Screenwriter | |
| Tom Rosenberg | Producer | |
| Gary Lucchesi | Producer | |
| Eric Reid | Producer | |
| Matt Berenson | Producer | |
| Jim Wedaa | Producer | |
| Roy Lee | Producer | |
| Brian Berdan | Editor | |
| Joulles Wright | Costume Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.