Brian Banks (2019)

Brian Banks
Theatrical Performance
Domestic Box Office $4,376,820Details
Further financial details...

Synopsis

The true story of Brian Banks, an All-American high school football star committed to USC who finds his life upended when he is wrongly convicted of a crime he didn’t commit. Despite lack of evidence, Banks is railroaded through a broken justice system and sentenced to a decade of prison and probation. Years later, with the support of Justin Brooks and the California Innocence Project, Banks fights to reclaim his life and fulfill his dreams of playing in the NFL.

Metrics

Opening Weekend:$2,156,272 (49.3% of total gross)
Legs:2.03 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Production Budget:$10,000,000 (worldwide box office is 0.4 times production budget)
Theater counts:1,240 opening theaters/1,240 max. theaters, 2.3 weeks average run per theater
Infl. Adj. Dom. BO $5,150,878

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 6,701-6,800) 6,775 $4,376,820
All Time Worldwide Box Office (Rank 10,301-10,400) 10,368 $4,376,820

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
Vudu:Vudu

Movie Details

Domestic Releases: August 9th, 2019 (Wide) by Bleecker Street
Video Release: October 29th, 2019 by Universal Home Entertainment
MPAA Rating: PG-13 for thematic content and related images, and for language.
(Rating bulletin 2536 (Cert #51556), 7/18/2018)
Running Time: 99 minutes
Comparisons: vs. The Birth of a Nation
Create your own comparison chart…
Keywords: Football, High School Sports, Wrongfully Convicted, Sex Crimes, African Americans, Inspirational Sports, Biographical Drama, Biography, Agitprop, Falsely Accused
Source:Based on Real Life Events
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Bleecker Street , Shivhans Pictures, Gidden Media, Memphis Mountaintop Media, New Vision, Liquid Soul
Production Countries: United States
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 9, 2019 11 $2,156,272   1,240 $1,739   $2,156,272 1
Aug 16, 2019 17 $708,502 -67% 1,240 $571   $3,749,367 2
Aug 23, 2019 29 $131,579 -81% 220 $598   $4,173,394 3
Aug 30, 2019 48 $39,741 -70% 84 $473   $4,272,905 4
Sep 6, 2019 59 $9,489 -76% 20 $474   $4,309,882 5
Sep 13, 2019 45 $26,277 +177% 20 $1,314   $4,342,494 6
Sep 20, 2019 51 $14,977 -43% 47 $319   $4,369,768 7

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Aug 9, 2019 10 $760,933     1,240 $614   $760,933 1
Aug 10, 2019 11 $801,802 +5%   1,240 $647   $1,562,735 2
Aug 11, 2019 11 $593,537 -26%   1,240 $479   $2,156,272 3
Aug 12, 2019 11 $204,276 -66%   1,240 $165   $2,360,548 4
Aug 13, 2019 12 $354,760 +74%   1,240 $286   $2,715,308 5
Aug 14, 2019 12 $186,523 -47%   1,240 $150   $2,901,831 6
Aug 15, 2019 13 $139,034 -25%   1,240 $112   $3,040,865 7
Aug 16, 2019 - $194,552 +40% -74% 1,240 $157   $3,235,417 8
Aug 17, 2019 - $302,383 +55% -62% 1,240 $244   $3,537,800 9
Aug 18, 2019 - $211,567 -30% -64% 1,240 $171   $3,749,367 10
Aug 19, 2019 - $75,634 -64% -63% 1,240 $61   $3,825,001 11
Aug 20, 2019 - $118,399 +57% -67% 1,240 $95   $3,943,400 12
Aug 21, 2019 - $56,801 -52% -70% 1,240 $46   $4,000,201 13
Aug 22, 2019 - $41,614 -27% -70% 1,240 $34   $4,041,815 14
Aug 23, 2019 - $34,413 -17% -82% 220 $156   $4,076,228 15
Aug 24, 2019 - $58,311 +69% -81% 220 $265   $4,134,539 16
Aug 25, 2019 - $38,855 -33% -82% 220 $177   $4,173,394 17
Aug 26, 2019 - $13,788 -65% -82% 220 $63   $4,187,182 18
Aug 27, 2019 - $21,997 +60% -81% 220 $100   $4,209,179 19
Aug 28, 2019 - $12,250 -44% -78% 220 $56   $4,221,429 20
Aug 29, 2019 - $11,735 -4% -72% 220 $53   $4,233,164 21
Aug 30, 2019 - $9,684 -17% -72% 84 $115   $4,242,848 22
Aug 31, 2019 - $15,242 +57% -74% 84 $181   $4,258,090 23
Sep 1, 2019 - $14,815 -3% -62% 84 $176   $4,272,905 24
Sep 2, 2019 - $14,335 -3% +4% 84 $171   $4,287,240 25
Sep 3, 2019 - $4,625 -68% -79% 84 $55   $4,291,865 26
Sep 4, 2019 - $3,936 -15% -68% 84 $47   $4,295,801 27
Sep 5, 2019 - $4,592 +17% -61% 84 $55   $4,300,393 28
Sep 6, 2019 - $2,922 -36% -70% 20 $146   $4,303,315 29
Sep 7, 2019 - $4,508 +54% -70% 20 $225   $4,307,823 30
Sep 8, 2019 - $2,059 -54% -86% 20 $103   $4,309,882 31
Sep 9, 2019 - $999 -51% -93% 20 $50   $4,310,881 32
Sep 10, 2019 - $1,450 +45% -69% 20 $73   $4,312,331 33
Sep 11, 2019 - $930 -36% -76% 20 $47   $4,313,261 34
Sep 12, 2019 - $2,956 +218% -36% 20 $148   $4,316,217 35
Sep 13, 2019 - $6,856 +132% +135% 20 $343   $4,323,073 36
Sep 14, 2019 - $11,934 +74% +165% 20 $597   $4,335,007 37
Sep 15, 2019 - $7,487 -37% +264% 20 $374   $4,342,494 38
Sep 16, 2019 - $2,678 -64% +168% 20 $134   $4,345,172 39
Sep 17, 2019 - $3,913 +46% +170% 20 $196   $4,349,085 40
Sep 18, 2019 - $2,938 -25% +216% 20 $147   $4,352,023 41
Sep 19, 2019 - $2,768 -6% -6% 20 $138   $4,354,791 42
Sep 20, 2019 - $3,382 +22% -51% 47 $72   $4,358,173 43
Sep 21, 2019 - $7,639 +126% -36% 47 $163   $4,365,812 44
Sep 22, 2019 - $3,956 -48% -47% 47 $84   $4,369,768 45
Sep 23, 2019 - $1,541 -61% -42% 47 $33   $4,371,309 46
Sep 24, 2019 - $2,068 +34% -47% 47 $44   $4,373,377 47
Sep 25, 2019 - $1,719 -17% -41% 47 $37   $4,375,096 48
Sep 26, 2019 - $1,724 n/c -38% 47 $37   $4,376,820 49

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 9, 2019 13 $3,040,865   1,240 $2,452   $3,040,865 1
Aug 16, 2019 18 $1,000,950 -67% 1,240 $807   $4,041,815 2
Aug 23, 2019 29 $191,349 -81% 220 $870   $4,233,164 3
Aug 30, 2019 51 $67,229 -65% 84 $800   $4,300,393 4
Sep 6, 2019 57 $15,824 -76% 20 $791   $4,316,217 5
Sep 13, 2019 50 $38,574 +144% 20 $1,929   $4,354,791 6
Sep 20, 2019 53 $22,029 -43% 47 $469   $4,376,820 7

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Aldis Hodge    Brian Banks

Supporting Cast

Greg Kinnear    Justin Brooks
Sherri Shepherd    Leomia, Brian’s Mom
Melanie Liburd    Karina Cooper
Tiffany Dupont    Alissa Bjerkhoel
Xosha Roquemore    Kennisha Rice
Mystie Smith    Marilyn
Jose Miguel Vasquez    Deputy District Attorney Mateo
Dorian Missick    Officer Mick Randolph
Monique Grant    Kennisha’s Mother
Matt Battaglia    Pete Carroll
Kevin Yamada    Judge Monk
Thursday Farrar    Barbara Ford
Zeus Luby    Corey Diego
David Clyde Carr*    Mike Paley
Cyril Smith    Arthur Horton
Gino Vento    Prisoner Manuel Rojas
Dean Denton    Coach Jaso
Michelle E. Mitchell    Shayla Jackson
Jeff Trotter    Eli
Orin Walker Jr    Malcolm
Tari McBride-Palmore    Taye
Brittany Bryant    Ava Allen
David Caffey    Math Teacher
Karen Marie Norris    School Security Guard
Elisabeth Donaldson    CIP Student
Gabe Beutel-Gunn    CIP Student
Harrison Stone    CIP Student
Torri Yates-Orr    CIP Student
Claire D. Kolheim    CIP Student
Maurice C. Lauchner    Coach Lawson
Mary Faulkner    Female Manager
Ken Greer    Prisoner
Joseph Folks    Prisoner
Trent Bounds    Prisoner
Tavis Terry    Police Officer
Mario Luna    Los Padrinos Guard
Darius Wallace    CMC Guard
Anthony Nguyen    LBPD Police Officer
Freedom Bridgewater    Bailiff
Austin Haley    Falcons Coach
Alanna Hamill Newton    DA Mateo’s Secretary
Sean Norris    Trainer
Lucia Heros    Reporter
Candice L. Higgins    Reporter
Jennifer Pierce Mathus    Reporter
Rosalyn R. Ross    Reporter
Chen Teng    Reporter

Cameos

Michael Franti    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Tom Shadyac    Director
Doug Atchison    Screenwriter
Shivani Rawat    Producer
Monica Levinson    Producer
Amy Baer    Producer
Derrick Tseng    Executive Producer
Tirrell D. Whittley    Executive Producer
Brian K. Banks    Executive Producer
Justin Brooks    Executive Producer
Neil Strum    Executive Producer
Leah Daniels-Butler    Casting Director
Ricardo Diaz    Director of Photography
Teresa Mastropierro    Production Designer
Greg Hayden    Editor
Amanda Ford    Costume Designer
John Debney    Composer
Julianne Jordan    Music Supervisor
Justine von Winterfeldt    Music Supervisor
Monica Levinson    Unit Production Manager
Alan B. Curtiss    First Assistant Director
Ryan Craig    Second Assistant Director
Christopher Ceccotti    Co-Producer
Connor Flanagan    Co-Producer
Zorinah Juan    Script Supervisor
Starlet Jacobs    Art Director
Darian Corley    Set Decorator
Jim Morgan    Sound Mixer
Jocelyn Pierce    Costume Supervisor
Gloria Belz    Make up
Bailey Domke    Make up
Jackie Weiss    Hairstylist
Lauren Goodwin    Hairstylist
Martin Lane    Location Manager
David Dresher    Post-Production Supervisor
Lindsay Tessier    First Assistant Editor
Odin Benitez    Supervising Sound Editor
Christopher Bonis    Sound Effects Editor
Andy Koyama    Re-recording Mixer
Odin Benitez    Re-recording Mixer
Stephanie Pereida    Score Supervisor
Natalie Stowell    Score Supervisor
Jeff Carson    Music Editor
Jim Harrison    Music Editor
Chuck Martin    Music Editor
David D. Johnson    Visual Effects Supervisor
Leandro Marini    Visual Effects Producer
Michael Currie    Visual Effects Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for October 29th, 2019

October 30th, 2019

An American Werewolf in London

It’s a weird week on the home market, as there is not a big new wide release to talk about. However, there are several older releases, imports, etc. that are easily worth picking up and a couple of them are contenders for Pick of the Week. This includes the An American Werewolf in London: Limited Edition Blu-ray and the Godzilla The Showa-Era Films Box Set. Both are absolute must haves, but the latter’s price-tag might scare away some folks. More...

Weekend Wrap-Up: Good Does Well, Box Office is Still Weak

August 20th, 2019

Good Boys

It’s the dog days of summer and Good Boys was the only new release with an impressive debut of $21.40 million, while The Angry Birds Movie 2’s $16.09 million six-day debut isn’t a bad start for this time of year. There were a few holdovers to earn more than $10 million over the weekend, so the overall box office wasn’t a disaster, just a disappointment down 9.5% from last weekend to $119 million. More importantly, this is 7.7% lower the the same weekend last year. Year-to-date, 2019 has pulled in $7.35 billion, but this is 6.3% or $490 million behind last year’s pace. At this point, I don’t think it is possible for 2019 to catch up, but hopefully it can put together a strong last few months to at least save face. Additionally, the international box office is doing better, so worldwide it is close to a wash. More...

Weekend Wrap-Up: Hobbs and Shaw Survive Their Sophomore Stint

August 12th, 2019

Fast and Furious Presents: Hobbs and Shaw

The weekend box office was mediocre with many of the new releases missing expectations, and some of them had low expectations to begin with. Fast and Furious Presents: Hobbs and Shaw was able to remain in first place, but on the low end of expectations, leaving Scary Stories to Tell in the Dark as the biggest positive news of the weekend. Overall, the weekend box office was 11% lower than last weekend at $132 million. Worse still, this is 10% lower than the same weekend last year, leaving 2019 further behind last year’s pace. 2019 is now behind 2018 by 6.2% or $480 million at $7.16 billion to $7.64 billion. More...

Weekend Estimates: Hobbs and Shaw Remain Top Draw

August 11th, 2019


Friday Estimates: Scary Tops Friday, Hobbs and Shaw Set to Win Weekend

August 10th, 2019

Scary Stories to Tell in the Dark

Scary Stories to Tell in the Dark led the way on Friday with $7.86 million. The film’s reviews are Certified Fresh at 80% positive, but it only managed a C from CinemaScore. To be fair, this isn’t a bad result for a horror film, but it does mean it likely won’t have great legs and will sink into second place over the full weekend. It will still beat our prediction and could even become CBS Films’ best opening of all time. Right now, it is on pace to come close to The Woman in Black’s current record with about $20 million during the opening weekend. It would be ironic is CBS Films set the company record now, as it is ceasing theatrical releases and instead shifting towards streaming content. More...

Thursday Night Previews: Stories Scares Up Some Box Office Dollars

August 9th, 2019

Scary Stories to Tell in the Dark

Scary Stories to Tell in the Dark had the best previews on Thursday, earning $2.3 million. It was expected to top Dora and the Lost City of Gold, because it is a horror movie and that genre tends to be a lot more front-loaded. However, it wasn’t expected to do this well and it will easily top our $15 million prediction for the weekend, especially if its reviews translate into strong word-of-mouth. More...

Weekend Predictions: Can Dora find Box Office Gold?

August 8th, 2019

Dora and the Lost City of Gold

There are five wide or semi-wide releases coming out this weekend, which is just too many and practically guarantees at least one of them will flop at the box office. Of these films, Dora and the Lost City of Gold is the only one expected to compete for first place, while Scary Stories to Tell in the Dark should do well as a low-budget horror movie. Unfortunately, The Kitchen and The Art of Racing in the Rain are not connecting with critics and that will likely keep them out of the top five. Finally, Brian Banks is opening in just 1,240 theaters and that could keep it out of the top ten. This weekend last year, The Meg opened with $45 million. No film playing this weekend will match that and I don’t think this year’s depth is going to compensate, meaning we are going to lose in the year-over-year competition yet again. More...

2019 Preview: August

August 1st, 2019

Hobbs and Shaw

July bounced back from June with both Spider-Man: Far from Home and The Lion King getting to $1 billion worldwide. Domestically, we are still behind 2018’s pace by more than $400 million, but that’s a substantial improvement over where we were at the start of the month. August should continue this winning streak, at least initially. Hobbs and Shaw could open with close to $100 million, but the only other film opening this month that has a real shot at $100 million in total is Dora and the Lost City of Gold. Last August, both Crazy Rich Asians and The Meg topped $100 million, while Christopher Robin came within 1% of that milestone. This August might be better at the very top, but I don’t think the top three this month will top the top three last month. Maybe if we get a surprise hit, it will, but I’m not willing to bet on that. On the other hand, unless something dramatic happens, 2019 should at least come close to matching last year’s pace and that’s better than most months have done this year. More...

Brian Banks Trailer

May 24th, 2019

Real-life drama starring Aldis Hodge opens August 9 ... Full Movie Details.

The true story of Brian Banks, an All-American high school football star committed to USC who finds his life upended when he is wrongly convicted of a crime he didn’t commit. Despite lack of evidence, Banks is railroaded through a broken justice system and sentenced to a decade of prison and probation. Years later, with the support of Justin Brooks and the California Innocence Project, Banks fights to reclaim his life and fulfill his dreams of playing in the NFL. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

The true story of Brian Banks, an All-American high school football star committed to USC who finds his life upended when he is wrongly convicted of a crime he didn’t commit. Despite lack of evidence, Banks is railroaded through a broken justice system and sentenced to a decade of prison and probation. Years later, with the support of Justin Brooks and the California Innocence Project, Banks fights to reclaim his life and fulfill his dreams of playing in the NFL.

Metrics

Opening Weekend:$2,156,272 (49.3% of total gross)
Legs:2.03 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Production Budget:$10,000,000 (worldwide box office is 0.4 times production budget)
Theater counts:1,240 opening theaters/1,240 max. theaters, 2.3 weeks average run per theater
Infl. Adj. Dom. BO $5,150,878

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 6,701-6,800) 6,775 $4,376,820
All Time Worldwide Box Office (Rank 10,301-10,400) 10,368 $4,376,820

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
Vudu:Vudu

Movie Details

Domestic Releases: August 9th, 2019 (Wide) by Bleecker Street
Video Release: October 29th, 2019 by Universal Home Entertainment
MPAA Rating: PG-13 for thematic content and related images, and for language.
(Rating bulletin 2536 (Cert #51556), 7/18/2018)
Running Time: 99 minutes
Comparisons: vs. The Birth of a Nation
Create your own comparison chart…
Keywords: Football, High School Sports, Wrongfully Convicted, Sex Crimes, African Americans, Inspirational Sports, Biographical Drama, Biography, Agitprop, Falsely Accused
Source:Based on Real Life Events
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Bleecker Street , Shivhans Pictures, Gidden Media, Memphis Mountaintop Media, New Vision, Liquid Soul
Production Countries: United States
Languages: English

Leading Cast

Aldis Hodge    Brian Banks

Supporting Cast

Greg Kinnear    Justin Brooks
Sherri Shepherd    Leomia, Brian’s Mom
Melanie Liburd    Karina Cooper
Tiffany Dupont    Alissa Bjerkhoel
Xosha Roquemore    Kennisha Rice
Mystie Smith    Marilyn
Jose Miguel Vasquez    Deputy District Attorney Mateo
Dorian Missick    Officer Mick Randolph
Monique Grant    Kennisha’s Mother
Matt Battaglia    Pete Carroll
Kevin Yamada    Judge Monk
Thursday Farrar    Barbara Ford
Zeus Luby    Corey Diego
David Clyde Carr*    Mike Paley
Cyril Smith    Arthur Horton
Gino Vento    Prisoner Manuel Rojas
Dean Denton    Coach Jaso
Michelle E. Mitchell    Shayla Jackson
Jeff Trotter    Eli
Orin Walker Jr    Malcolm
Tari McBride-Palmore    Taye
Brittany Bryant    Ava Allen
David Caffey    Math Teacher
Karen Marie Norris    School Security Guard
Elisabeth Donaldson    CIP Student
Gabe Beutel-Gunn    CIP Student
Harrison Stone    CIP Student
Torri Yates-Orr    CIP Student
Claire D. Kolheim    CIP Student
Maurice C. Lauchner    Coach Lawson
Mary Faulkner    Female Manager
Ken Greer    Prisoner
Joseph Folks    Prisoner
Trent Bounds    Prisoner
Tavis Terry    Police Officer
Mario Luna    Los Padrinos Guard
Darius Wallace    CMC Guard
Anthony Nguyen    LBPD Police Officer
Freedom Bridgewater    Bailiff
Austin Haley    Falcons Coach
Alanna Hamill Newton    DA Mateo’s Secretary
Sean Norris    Trainer
Lucia Heros    Reporter
Candice L. Higgins    Reporter
Jennifer Pierce Mathus    Reporter
Rosalyn R. Ross    Reporter
Chen Teng    Reporter

Cameos

Michael Franti    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Tom Shadyac    Director
Doug Atchison    Screenwriter
Shivani Rawat    Producer
Monica Levinson    Producer
Amy Baer    Producer
Derrick Tseng    Executive Producer
Tirrell D. Whittley    Executive Producer
Brian K. Banks    Executive Producer
Justin Brooks    Executive Producer
Neil Strum    Executive Producer
Leah Daniels-Butler    Casting Director
Ricardo Diaz    Director of Photography
Teresa Mastropierro    Production Designer
Greg Hayden    Editor
Amanda Ford    Costume Designer
John Debney    Composer
Julianne Jordan    Music Supervisor
Justine von Winterfeldt    Music Supervisor
Monica Levinson    Unit Production Manager
Alan B. Curtiss    First Assistant Director
Ryan Craig    Second Assistant Director
Christopher Ceccotti    Co-Producer
Connor Flanagan    Co-Producer
Zorinah Juan    Script Supervisor
Starlet Jacobs    Art Director
Darian Corley    Set Decorator
Jim Morgan    Sound Mixer
Jocelyn Pierce    Costume Supervisor
Gloria Belz    Make up
Bailey Domke    Make up
Jackie Weiss    Hairstylist
Lauren Goodwin    Hairstylist
Martin Lane    Location Manager
David Dresher    Post-Production Supervisor
Lindsay Tessier    First Assistant Editor
Odin Benitez    Supervising Sound Editor
Christopher Bonis    Sound Effects Editor
Andy Koyama    Re-recording Mixer
Odin Benitez    Re-recording Mixer
Stephanie Pereida    Score Supervisor
Natalie Stowell    Score Supervisor
Jeff Carson    Music Editor
Jim Harrison    Music Editor
Chuck Martin    Music Editor
David D. Johnson    Visual Effects Supervisor
Leandro Marini    Visual Effects Producer
Michael Currie    Visual Effects Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for October 29th, 2019

October 30th, 2019

An American Werewolf in London

It’s a weird week on the home market, as there is not a big new wide release to talk about. However, there are several older releases, imports, etc. that are easily worth picking up and a couple of them are contenders for Pick of the Week. This includes the An American Werewolf in London: Limited Edition Blu-ray and the Godzilla The Showa-Era Films Box Set. Both are absolute must haves, but the latter’s price-tag might scare away some folks. More...

Weekend Wrap-Up: Good Does Well, Box Office is Still Weak

August 20th, 2019

Good Boys

It’s the dog days of summer and Good Boys was the only new release with an impressive debut of $21.40 million, while The Angry Birds Movie 2’s $16.09 million six-day debut isn’t a bad start for this time of year. There were a few holdovers to earn more than $10 million over the weekend, so the overall box office wasn’t a disaster, just a disappointment down 9.5% from last weekend to $119 million. More importantly, this is 7.7% lower the the same weekend last year. Year-to-date, 2019 has pulled in $7.35 billion, but this is 6.3% or $490 million behind last year’s pace. At this point, I don’t think it is possible for 2019 to catch up, but hopefully it can put together a strong last few months to at least save face. Additionally, the international box office is doing better, so worldwide it is close to a wash. More...

Weekend Wrap-Up: Hobbs and Shaw Survive Their Sophomore Stint

August 12th, 2019

Fast and Furious Presents: Hobbs and Shaw

The weekend box office was mediocre with many of the new releases missing expectations, and some of them had low expectations to begin with. Fast and Furious Presents: Hobbs and Shaw was able to remain in first place, but on the low end of expectations, leaving Scary Stories to Tell in the Dark as the biggest positive news of the weekend. Overall, the weekend box office was 11% lower than last weekend at $132 million. Worse still, this is 10% lower than the same weekend last year, leaving 2019 further behind last year’s pace. 2019 is now behind 2018 by 6.2% or $480 million at $7.16 billion to $7.64 billion. More...

Weekend Estimates: Hobbs and Shaw Remain Top Draw

August 11th, 2019


Friday Estimates: Scary Tops Friday, Hobbs and Shaw Set to Win Weekend

August 10th, 2019

Scary Stories to Tell in the Dark

Scary Stories to Tell in the Dark led the way on Friday with $7.86 million. The film’s reviews are Certified Fresh at 80% positive, but it only managed a C from CinemaScore. To be fair, this isn’t a bad result for a horror film, but it does mean it likely won’t have great legs and will sink into second place over the full weekend. It will still beat our prediction and could even become CBS Films’ best opening of all time. Right now, it is on pace to come close to The Woman in Black’s current record with about $20 million during the opening weekend. It would be ironic is CBS Films set the company record now, as it is ceasing theatrical releases and instead shifting towards streaming content. More...

Thursday Night Previews: Stories Scares Up Some Box Office Dollars

August 9th, 2019

Scary Stories to Tell in the Dark

Scary Stories to Tell in the Dark had the best previews on Thursday, earning $2.3 million. It was expected to top Dora and the Lost City of Gold, because it is a horror movie and that genre tends to be a lot more front-loaded. However, it wasn’t expected to do this well and it will easily top our $15 million prediction for the weekend, especially if its reviews translate into strong word-of-mouth. More...

Weekend Predictions: Can Dora find Box Office Gold?

August 8th, 2019

Dora and the Lost City of Gold

There are five wide or semi-wide releases coming out this weekend, which is just too many and practically guarantees at least one of them will flop at the box office. Of these films, Dora and the Lost City of Gold is the only one expected to compete for first place, while Scary Stories to Tell in the Dark should do well as a low-budget horror movie. Unfortunately, The Kitchen and The Art of Racing in the Rain are not connecting with critics and that will likely keep them out of the top five. Finally, Brian Banks is opening in just 1,240 theaters and that could keep it out of the top ten. This weekend last year, The Meg opened with $45 million. No film playing this weekend will match that and I don’t think this year’s depth is going to compensate, meaning we are going to lose in the year-over-year competition yet again. More...

2019 Preview: August

August 1st, 2019

Hobbs and Shaw

July bounced back from June with both Spider-Man: Far from Home and The Lion King getting to $1 billion worldwide. Domestically, we are still behind 2018’s pace by more than $400 million, but that’s a substantial improvement over where we were at the start of the month. August should continue this winning streak, at least initially. Hobbs and Shaw could open with close to $100 million, but the only other film opening this month that has a real shot at $100 million in total is Dora and the Lost City of Gold. Last August, both Crazy Rich Asians and The Meg topped $100 million, while Christopher Robin came within 1% of that milestone. This August might be better at the very top, but I don’t think the top three this month will top the top three last month. Maybe if we get a surprise hit, it will, but I’m not willing to bet on that. On the other hand, unless something dramatic happens, 2019 should at least come close to matching last year’s pace and that’s better than most months have done this year. More...

Brian Banks Trailer

May 24th, 2019

Real-life drama starring Aldis Hodge opens August 9 ... Full Movie Details.

The true story of Brian Banks, an All-American high school football star committed to USC who finds his life upended when he is wrongly convicted of a crime he didn’t commit. Despite lack of evidence, Banks is railroaded through a broken justice system and sentenced to a decade of prison and probation. Years later, with the support of Justin Brooks and the California Innocence Project, Banks fights to reclaim his life and fulfill his dreams of playing in the NFL. More...

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Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 9, 2019 11 $2,156,272   1,240 $1,739   $2,156,272 1
Aug 16, 2019 17 $708,502 -67% 1,240 $571   $3,749,367 2
Aug 23, 2019 29 $131,579 -81% 220 $598   $4,173,394 3
Aug 30, 2019 48 $39,741 -70% 84 $473   $4,272,905 4
Sep 6, 2019 59 $9,489 -76% 20 $474   $4,309,882 5
Sep 13, 2019 45 $26,277 +177% 20 $1,314   $4,342,494 6
Sep 20, 2019 51 $14,977 -43% 47 $319   $4,369,768 7

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Aug 9, 2019 10 $760,933     1,240 $614   $760,933 1
Aug 10, 2019 11 $801,802 +5%   1,240 $647   $1,562,735 2
Aug 11, 2019 11 $593,537 -26%   1,240 $479   $2,156,272 3
Aug 12, 2019 11 $204,276 -66%   1,240 $165   $2,360,548 4
Aug 13, 2019 12 $354,760 +74%   1,240 $286   $2,715,308 5
Aug 14, 2019 12 $186,523 -47%   1,240 $150   $2,901,831 6
Aug 15, 2019 13 $139,034 -25%   1,240 $112   $3,040,865 7
Aug 16, 2019 - $194,552 +40% -74% 1,240 $157   $3,235,417 8
Aug 17, 2019 - $302,383 +55% -62% 1,240 $244   $3,537,800 9
Aug 18, 2019 - $211,567 -30% -64% 1,240 $171   $3,749,367 10
Aug 19, 2019 - $75,634 -64% -63% 1,240 $61   $3,825,001 11
Aug 20, 2019 - $118,399 +57% -67% 1,240 $95   $3,943,400 12
Aug 21, 2019 - $56,801 -52% -70% 1,240 $46   $4,000,201 13
Aug 22, 2019 - $41,614 -27% -70% 1,240 $34   $4,041,815 14
Aug 23, 2019 - $34,413 -17% -82% 220 $156   $4,076,228 15
Aug 24, 2019 - $58,311 +69% -81% 220 $265   $4,134,539 16
Aug 25, 2019 - $38,855 -33% -82% 220 $177   $4,173,394 17
Aug 26, 2019 - $13,788 -65% -82% 220 $63   $4,187,182 18
Aug 27, 2019 - $21,997 +60% -81% 220 $100   $4,209,179 19
Aug 28, 2019 - $12,250 -44% -78% 220 $56   $4,221,429 20
Aug 29, 2019 - $11,735 -4% -72% 220 $53   $4,233,164 21
Aug 30, 2019 - $9,684 -17% -72% 84 $115   $4,242,848 22
Aug 31, 2019 - $15,242 +57% -74% 84 $181   $4,258,090 23
Sep 1, 2019 - $14,815 -3% -62% 84 $176   $4,272,905 24
Sep 2, 2019 - $14,335 -3% +4% 84 $171   $4,287,240 25
Sep 3, 2019 - $4,625 -68% -79% 84 $55   $4,291,865 26
Sep 4, 2019 - $3,936 -15% -68% 84 $47   $4,295,801 27
Sep 5, 2019 - $4,592 +17% -61% 84 $55   $4,300,393 28
Sep 6, 2019 - $2,922 -36% -70% 20 $146   $4,303,315 29
Sep 7, 2019 - $4,508 +54% -70% 20 $225   $4,307,823 30
Sep 8, 2019 - $2,059 -54% -86% 20 $103   $4,309,882 31
Sep 9, 2019 - $999 -51% -93% 20 $50   $4,310,881 32
Sep 10, 2019 - $1,450 +45% -69% 20 $73   $4,312,331 33
Sep 11, 2019 - $930 -36% -76% 20 $47   $4,313,261 34
Sep 12, 2019 - $2,956 +218% -36% 20 $148   $4,316,217 35
Sep 13, 2019 - $6,856 +132% +135% 20 $343   $4,323,073 36
Sep 14, 2019 - $11,934 +74% +165% 20 $597   $4,335,007 37
Sep 15, 2019 - $7,487 -37% +264% 20 $374   $4,342,494 38
Sep 16, 2019 - $2,678 -64% +168% 20 $134   $4,345,172 39
Sep 17, 2019 - $3,913 +46% +170% 20 $196   $4,349,085 40
Sep 18, 2019 - $2,938 -25% +216% 20 $147   $4,352,023 41
Sep 19, 2019 - $2,768 -6% -6% 20 $138   $4,354,791 42
Sep 20, 2019 - $3,382 +22% -51% 47 $72   $4,358,173 43
Sep 21, 2019 - $7,639 +126% -36% 47 $163   $4,365,812 44
Sep 22, 2019 - $3,956 -48% -47% 47 $84   $4,369,768 45
Sep 23, 2019 - $1,541 -61% -42% 47 $33   $4,371,309 46
Sep 24, 2019 - $2,068 +34% -47% 47 $44   $4,373,377 47
Sep 25, 2019 - $1,719 -17% -41% 47 $37   $4,375,096 48
Sep 26, 2019 - $1,724 n/c -38% 47 $37   $4,376,820 49

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 9, 2019 13 $3,040,865   1,240 $2,452   $3,040,865 1
Aug 16, 2019 18 $1,000,950 -67% 1,240 $807   $4,041,815 2
Aug 23, 2019 29 $191,349 -81% 220 $870   $4,233,164 3
Aug 30, 2019 51 $67,229 -65% 84 $800   $4,300,393 4
Sep 6, 2019 57 $15,824 -76% 20 $791   $4,316,217 5
Sep 13, 2019 50 $38,574 +144% 20 $1,929   $4,354,791 6
Sep 20, 2019 53 $22,029 -43% 47 $469   $4,376,820 7

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.