Brian and Charles (2022)
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| Theatrical Performance | ||
| Domestic Box Office | $430,635 | Details |
| International Box Office | $432,421 | Details |
| Worldwide Box Office | $863,056 | |
| OpusData ID: 528640100 More info... | ||
| Further financial details... | ||
Synopsis
Brian and Charles follows Brian, a lonely inventor in rural Wales, who spends his days building quirky, unconventional contraptions that seldom work. Undeterred by his lack of success, Brian attempts his biggest project yet. Three days, a washing machine, and various spare parts later, he’s invented Charles, an artificially intelligent robot who learns English from a dictionary and has an obsession with cabbages. What follows is a humorous and entirely heartwarming story about loneliness, friendship, family, finding love, and letting go.
Metrics
| Opening Weekend: | $216,220 (50.2% of total gross) |
| Legs: | 1.99 (domestic box office/biggest weekend) |
| Domestic Share: | 49.9% (domestic box office/worldwide) |
| Theater counts: | 279 opening theaters/279 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $489,116 |
Movie Details
| Domestic Releases: | June 17th, 2022 (Limited) by Focus Features |
| International Releases: | July 8th, 2022 (Wide) (United Kingdom)
August 31st, 2022 (Limited), released as Brian e Charles (Italy) January 13th, 2023 (Wide) (Spain) July 12th, 2023 (Limited) (Australia) ... Show all releases |
| Video Release: | August 2nd, 2022 by Universal Home Entertainment |
| MPA Rating: | PG for language, mild violence, and smoking. (Rating bulletin 2733 (cert #53686), 5/25/2022) |
| Running Time: | 90 minutes |
| Cast, crew, or production detail: | Director Remaking Their Own Movie, Screenplay Written By the Star |
| Film festival: | Sundance Film Festival 2022 |
| Plot point: | Inventor, Robot |
| Subgenre: | Farcical / Slapstick Comedy |
| Source: | Based on Short Film |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Focus Features, Film 4, BFI, Great Point Media, Mr. Box |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 17, 2022 | 10 | $216,220 | 279 | $775 | $216,220 | 1 | |
| Jun 24, 2022 | - | $48,400 | -78% | 279 | $173 | $392,290 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jun 17, 2022 | 9 | $73,755 | 279 | $264 | $73,755 | 1 | ||
| Jun 18, 2022 | 12 | $74,615 | +1% | 279 | $267 | $148,370 | 2 | |
| Jun 19, 2022 | 10 | $67,850 | -9% | 279 | $243 | $216,220 | 3 | |
| Jun 20, 2022 | 9 | $37,960 | -44% | 279 | $136 | $254,180 | 4 | |
| Jun 21, 2022 | 9 | $39,115 | +3% | 279 | $140 | $293,295 | 5 | |
| Jun 22, 2022 | 10 | $30,445 | -22% | 279 | $109 | $323,740 | 6 | |
| Jun 23, 2022 | 11 | $20,150 | -34% | 279 | $72 | $343,890 | 7 | |
| Jun 24, 2022 | - | $12,165 | -40% | -84% | 279 | $44 | $356,055 | 8 |
| Jun 25, 2022 | - | $19,160 | +58% | -74% | 279 | $69 | $375,215 | 9 |
| Jun 26, 2022 | - | $17,075 | -11% | -75% | 279 | $61 | $392,290 | 10 |
| Jun 27, 2022 | - | $9,280 | -46% | -76% | 279 | $33 | $401,570 | 11 |
| Jun 28, 2022 | - | $10,285 | +11% | -74% | 279 | $37 | $411,855 | 12 |
| Jun 29, 2022 | - | $8,365 | -19% | -73% | 279 | $30 | $420,220 | 13 |
| Jun 30, 2022 | - | $10,415 | +25% | -48% | 279 | $37 | $430,635 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 17, 2022 | 10 | $343,890 | 279 | $1,233 | $343,890 | 1 | |
| Jun 24, 2022 | - | $86,745 | -75% | 279 | $311 | $430,635 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Italy | 8/31/2022 | $40,666 | 0 | 0 | 0 | $71,416 | 9/12/2022 | |||
| United Kingdom | 7/8/2022 | $86,531 | 143 | 143 | 479 | $361,005 | 9/15/2022 | |||
| International Total | $432,421 | 9/15/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| David Earl | Brian | |
| Chris Hayward | Charles |
Supporting
| Louise Brealey | Hazel | |
| Jamie Michie | Eddie | |
| Nina Sosanya | Pam | |
| Lynn Hunter | Winnie | |
| Lowri Izzard | Katrina | |
| Mari Izzard | Suki | |
| Cara Chase | June | |
| Sunil Patel | Phil | |
| Rishi Nair | Stephen Anderson | |
| Colin Bennett | Arthur | |
| Vivienne Soan | Toffee Apple Woman | |
| David Edwards | Oliver | |
| Nicholas Asbury | Stu |
Production and Technical Credits
| Jim Archer | Director | |
| David Earl | Screenwriter | |
| Chris Hayward | Screenwriter | |
| Rupert Majendie | Producer | |
| Damian Jones | Executive Producer | |
| Lauren Dark | Executive Producer | |
| Ollie Madden | Executive Producer | |
| Daniel Battsek | Executive Producer | |
| Mary Burke | Executive Producer | |
| Jim Reeve | Executive Producer | |
| Robert Halmi, Jr. | Executive Producer | |
| Murren Tullett | Director of Photography | |
| Hannah Purdy-Foggin | Production Designer | |
| Jo Walker | Editor | |
| Daniel Pemberton | Composer | |
| Gabriela Yiaxis | Costume Designer | |
| Red Miller | Make-up and Hair Designer | |
| John Palfery-Smith | Line Producer | |
| David Fish | Music Supervisor | |
| Jackie Vance | Post-Production Supervisor | |
| Catherine Willis | Casting Director | |
| Kevin Smith | Stunt Coordinator | |
| Ina Luders | First Assistant Director | |
| Paul Morris | Second Assistant Director | |
| Calum Sample | Sound Mixer | |
| Dionne Grant | Script Supervisor | |
| Jo Scholar | Art Director | |
| Perry Costello | Special Effects Supervisor | |
| Julia Gurry | Supervising Location Manager | |
| Geraint ‘Giz’ Jones* | Location Manager | |
| Lucy Pugh-Bevan* | Costume Supervisor | |
| Emma Humphrey | Make-up and Hair Designer | |
| Eoghan Synnott | First Assistant Editor | |
| Robert Farr | Re-recording Mixer | |
| David Crane | Supervising Sound Editor | |
| David Crane | Dialogue Editor | |
| Daniel Jaramillo | Dialogue Editor | |
| Daniel Jaramillo | Foley Supervisor | |
| Martin Schulz | Sound Designer | |
| Marco Toca | Sound Editor | |
| Alexander Aguilar Castro | Foley Recordist | |
| Sebastian Alzate Lopez | Foley Editor | |
| Juan Pablo Salbarriaga | Foley Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Brian and Charles follows Brian, a lonely inventor in rural Wales, who spends his days building quirky, unconventional contraptions that seldom work. Undeterred by his lack of success, Brian attempts his biggest project yet. Three days, a washing machine, and various spare parts later, he’s invented Charles, an artificially intelligent robot who learns English from a dictionary and has an obsession with cabbages. What follows is a humorous and entirely heartwarming story about loneliness, friendship, family, finding love, and letting go.
Metrics
| Opening Weekend: | $216,220 (50.2% of total gross) |
| Legs: | 1.99 (domestic box office/biggest weekend) |
| Domestic Share: | 49.9% (domestic box office/worldwide) |
| Theater counts: | 279 opening theaters/279 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $489,116 |
Movie Details
| Domestic Releases: | June 17th, 2022 (Limited) by Focus Features |
| International Releases: | July 8th, 2022 (Wide) (United Kingdom)
August 31st, 2022 (Limited), released as Brian e Charles (Italy) January 13th, 2023 (Wide) (Spain) July 12th, 2023 (Limited) (Australia) ... Show all releases |
| Video Release: | August 2nd, 2022 by Universal Home Entertainment |
| MPA Rating: | PG for language, mild violence, and smoking. (Rating bulletin 2733 (cert #53686), 5/25/2022) |
| Running Time: | 90 minutes |
| Cast, crew, or production detail: | Director Remaking Their Own Movie, Screenplay Written By the Star |
| Film festival: | Sundance Film Festival 2022 |
| Plot point: | Inventor, Robot |
| Subgenre: | Farcical / Slapstick Comedy |
| Source: | Based on Short Film |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Focus Features, Film 4, BFI, Great Point Media, Mr. Box |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 17, 2022 | 10 | $216,220 | 279 | $775 | $216,220 | 1 | |
| Jun 24, 2022 | - | $48,400 | -78% | 279 | $173 | $392,290 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jun 17, 2022 | 9 | $73,755 | 279 | $264 | $73,755 | 1 | ||
| Jun 18, 2022 | 12 | $74,615 | +1% | 279 | $267 | $148,370 | 2 | |
| Jun 19, 2022 | 10 | $67,850 | -9% | 279 | $243 | $216,220 | 3 | |
| Jun 20, 2022 | 9 | $37,960 | -44% | 279 | $136 | $254,180 | 4 | |
| Jun 21, 2022 | 9 | $39,115 | +3% | 279 | $140 | $293,295 | 5 | |
| Jun 22, 2022 | 10 | $30,445 | -22% | 279 | $109 | $323,740 | 6 | |
| Jun 23, 2022 | 11 | $20,150 | -34% | 279 | $72 | $343,890 | 7 | |
| Jun 24, 2022 | - | $12,165 | -40% | -84% | 279 | $44 | $356,055 | 8 |
| Jun 25, 2022 | - | $19,160 | +58% | -74% | 279 | $69 | $375,215 | 9 |
| Jun 26, 2022 | - | $17,075 | -11% | -75% | 279 | $61 | $392,290 | 10 |
| Jun 27, 2022 | - | $9,280 | -46% | -76% | 279 | $33 | $401,570 | 11 |
| Jun 28, 2022 | - | $10,285 | +11% | -74% | 279 | $37 | $411,855 | 12 |
| Jun 29, 2022 | - | $8,365 | -19% | -73% | 279 | $30 | $420,220 | 13 |
| Jun 30, 2022 | - | $10,415 | +25% | -48% | 279 | $37 | $430,635 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 17, 2022 | 10 | $343,890 | 279 | $1,233 | $343,890 | 1 | |
| Jun 24, 2022 | - | $86,745 | -75% | 279 | $311 | $430,635 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Italy | 8/31/2022 | $40,666 | 0 | 0 | 0 | $71,416 | 9/12/2022 | |||
| United Kingdom | 7/8/2022 | $86,531 | 143 | 143 | 479 | $361,005 | 9/15/2022 | |||
| International Total | $432,421 | 9/15/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| David Earl | Brian | |
| Chris Hayward | Charles |
Supporting
| Louise Brealey | Hazel | |
| Jamie Michie | Eddie | |
| Nina Sosanya | Pam | |
| Lynn Hunter | Winnie | |
| Lowri Izzard | Katrina | |
| Mari Izzard | Suki | |
| Cara Chase | June | |
| Sunil Patel | Phil | |
| Rishi Nair | Stephen Anderson | |
| Colin Bennett | Arthur | |
| Vivienne Soan | Toffee Apple Woman | |
| David Edwards | Oliver | |
| Nicholas Asbury | Stu |
Production and Technical Credits
| Jim Archer | Director | |
| David Earl | Screenwriter | |
| Chris Hayward | Screenwriter | |
| Rupert Majendie | Producer | |
| Damian Jones | Executive Producer | |
| Lauren Dark | Executive Producer | |
| Ollie Madden | Executive Producer | |
| Daniel Battsek | Executive Producer | |
| Mary Burke | Executive Producer | |
| Jim Reeve | Executive Producer | |
| Robert Halmi, Jr. | Executive Producer | |
| Murren Tullett | Director of Photography | |
| Hannah Purdy-Foggin | Production Designer | |
| Jo Walker | Editor | |
| Daniel Pemberton | Composer | |
| Gabriela Yiaxis | Costume Designer | |
| Red Miller | Make-up and Hair Designer | |
| John Palfery-Smith | Line Producer | |
| David Fish | Music Supervisor | |
| Jackie Vance | Post-Production Supervisor | |
| Catherine Willis | Casting Director | |
| Kevin Smith | Stunt Coordinator | |
| Ina Luders | First Assistant Director | |
| Paul Morris | Second Assistant Director | |
| Calum Sample | Sound Mixer | |
| Dionne Grant | Script Supervisor | |
| Jo Scholar | Art Director | |
| Perry Costello | Special Effects Supervisor | |
| Julia Gurry | Supervising Location Manager | |
| Geraint ‘Giz’ Jones* | Location Manager | |
| Lucy Pugh-Bevan* | Costume Supervisor | |
| Emma Humphrey | Make-up and Hair Designer | |
| Eoghan Synnott | First Assistant Editor | |
| Robert Farr | Re-recording Mixer | |
| David Crane | Supervising Sound Editor | |
| David Crane | Dialogue Editor | |
| Daniel Jaramillo | Dialogue Editor | |
| Daniel Jaramillo | Foley Supervisor | |
| Martin Schulz | Sound Designer | |
| Marco Toca | Sound Editor | |
| Alexander Aguilar Castro | Foley Recordist | |
| Sebastian Alzate Lopez | Foley Editor | |
| Juan Pablo Salbarriaga | Foley Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.